Two silver pair cased pocket watches, comprising; A Simmons, Warwick, an early Victorian verge pocket watch, no.18844, circa 1840, the movement with turned pillars, fusee and chain and flat steel undersprung balance, the balance cock pierced and engraved with a bird and foliage, off-white enamel dial with black Roman numerals and silvered spade hands, the cases Birmingham 1842, and W Turner, London, a George IV verge pocket watch, no.17433, circa 1830, with turned pillars, foliate pierced and mask engraved balance cock, white enamelled dial with black Roman numerals, the cases London 1830
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A rare late 18th/early 19th century French walking-stick watch, circa 1800, the verge oblong movement with a fusee and chain, Egyptian pillars, foliate pierced bridge cock, and silvered regulation dial, the motion work driven from a fusee arbor, the white enamel dial with black Arabic numerals and brass hands, and mounted on a steel dial backplate indistinctly engraved 'Joseph (??) in ??Botr??', the lacquered stick with a gilded brass handle, silvered rotating dust ring to reveal the winding aperture and a horn cover with a glass aperture, the back plate and dial approx. 30mm diameter, the movement plates approx. 60mm long (slightly tapering) x 20mm wide x 10mm deep, (the horn cover cracked)
Lund Bros. A gentleman's 18ct gold keyless lever hunting cased pocket chronometer, the white enamel dial with Roman numerals, subsidiary seconds dial, centre seconds with stop and reset button in the band, the dust cover with presentation inscription dated 1885, the movement with signed backplate numbered 4546, with attached curb-link chain and 18ct gold propelling pencil.
A FAMILLE ROSE SUGAR BOWL AND COVER of U shape, sparsely painted with floral sprays, beneath a rim of florettes within a green chain, on a gilt diapered ground, together with a matching coffee pot and cover and a pair of coffee cups and saucers, Qianlong, and a famille rose hot milk jug, the baluster body painted with figures beside a fence, Qianlong (a lot)
An unusual silver-mounted sword, Burmese or Malaysian, 19th Century with finely watered curved single-edged blade, engraved silver cross-piece formed of a pair of straight quillons with flattened globular terminals, engraved silver pommel cap, finely carved ivory grip formed as a pair of demons, and silver knuckle-chain, in its original velvet-covered wooden scabbard with large silver mounts pierced and chased with flowers and foliage inhabited by birds and fish; a Persian shamshir, 19th Century, with curved single-edged watered blade retaining traces of a calligraphic cartouche (areas of pitting), steel cross-piece, and horn grip-scales, in associated scabbard; another, 18th Century, with curved watered blade, iron cross-piece decorated with a calligraphic cartouche, and ivory grip-scales; another, 19th Century, similar; and two middle Eastern swords, 19th Century, each in its scabbard the first: 81.2 cm 32 in blade (6)
Charles Horner: A SILVER THISTLE BROOCH of looped design set with a citrine coloured stone, hallmarked Chester, 1914, maker Charles Horner, and A SILVER BAR BROOCH set with four small citrine-coloured stones, having a heart-shaped "cairngorm" pendent on a trace-linked chain, hallmarked Chester, 1914, maker Charles Horner, (base-metal pin) (2)
A SCANDINVIAN WHITE-METAL AND ENAMELLED BROOCH AND MATCHING EAR-RINGS, the brooch (marked .930S), having four eccentrically pierced roundels enamelled in mazarine blue with scrollwork, centred by a hexafoil in white enamel, having a chain-set pendent drop of similar roundel design, the earrings each of similar single roundel design with filigree drops (for unpierced ears)
FOUR EARLY 20TH-CENTURY ENAMELLED PIECES comprising: a white metal pendant of teardrop form with scroll surround enamelled in shades of blue, and lilac, on trace chain necklet, a cartouche-shaped brooch enamelled in blue and gold, unmarked, an Art Nouveau triangular scroll brooch enamelled in shaded green to white, stamped "Sterling Silver", and a hat-pin terminal of Art Nouveau scroll form enamelled in shades of blue, hallmarked Birmingham, 1909, maker PP ID, (4)
A GLASGOW-STYLE CONTINENTAL WHITE METAL BROOCH having a central amethyst-coloured stone flanked by enamelled bosses, stamped "800 SILVER", A SCOTTISH "PEBBLE" BAR BROOCH with central amethyst-coloured thistle flanked by heliotrope lozenge-cut stones, marked "STERLING", and a PASTE NECKLACE set with amethyst simulants on a white metal trace-linked chain, (3)
AN 18TH-CENTURY CHINESE EXPORT PORCELAIN ARMORIAL TEAPOT, COVER AND STAND, the teapot of "bullet" form with straight spout and plain loop handle, the stand of shaped hexagonal form, each painted in the famille rose enamels with an armorial, gilt- enriched, the cover with floral sprays, all within black and gilt chain borders, the teapot 17cm (6.5in) high, the stand 14cm, (5.4in) diameter, and SEVEN FURTHER FRAGMENTARY PIECES FROM THE SAME SERVICE, comprising one teabowl, three coffee cups and three saucers (9)
D.Elliot, London A LATE 18TH-CENTURY SILVER-GILT PAIR-CASED VERGE POCKET WATCH signed D. Elliot, London, No 2634, having a white enamelled dial with Roman hour numerals, and arabic quarters, the case hallmarked London, 1791, maker RH incuse, with watch papers of Geo Moss, Carlisle, 1824 and Musgrave, Wigton, (lacks balance wheel and chain)
A FACON DE VENISE TAZZA POSSIBLY VENETIAN OR LOWLANDS, 17TH CENTURY, the flat tray with upturned rim and the underside applied with a circle of turquoise-blue tinted chain ornament between trailed milled bands, set on a flattened rib-moulded ball knop with brushed gilding between mereses over a high spreading conical folded foot, 28cm. diameter, 11in.
A SILESIAN ENGRAVED GILT-METAL MOUNTED OCTAGONAL FLASK CIRCA 1760, finely engraved, possibly by Christian Gottfried Schneider, on one side with a man holding a musket and sabre and two women, one holding a heart, standing amidst rocailles with diaper and foliate scroll, repeated on the shoulder and on the reverse around the monogram JL, the faceted short neck with metal mount and chain link, 22cm., 8.625in.
An engraved Claret decanter and stopper circa 1770, the mallet form engraved with a simulated wine label inscribed CLARET, below a chain around the tapering neck and with pendant fruiting vone and foliage, the possibly associated lozenge stopper with faceting to the edge, 28.2cm., 11.125in. (2)
A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.

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