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A 19th century coral and gold figa chained stick pin/hair decoration, comprising a 'figa' hand gripping a chain, gold pin and decoration, joined by a carved coral and gold chain link, width approx 7mm, attached to a coral bead capped stick pin, assessed as 18ct gold, total gross weight approx 20.7gms Further details: good all coral present and intact, one gold chain link snapped but still attached, slight wear and tear commensurate with age Provenance: From the Henry Lardner Dennys estate, signed treaty of Hong Kong.
An early 20th Century American Mabie Todd & Co "Swan Pen" gold plated engine turned cover and barrel, the barrel stamped: MABIE TODD & CO NEW YORK "SWAN PEN", the barrel engraved C MUIR, the nib stamped, with suspension chain, approx weight 21.3grams, approx 13.5cm, in fitted original box with gilt lettering and Registration 474533 Further details: wear commensurate with age and use
An antique opal and diamond gold pendant/brooch, comprising a central opal with red and green play of colour, within a diamond set serpent border, the head set with an old European diamond, weighing approx 0.50ct, the body set with smaller diamonds, total diamond weight approx 5.50 carats, assessed clarities I1-I2, assessed colours G-K, ruby set eyes, with a opal and diamond star bale, C clasp brooch fitting to reverse, length approx 48mm, unmarked probably 18ct gold, total gross weight approx18gms, suspended from a later yellow metal fine link chain, possibly 9ct gold, weight approx 3.5gms, in original leather bound fitted case, Marshall & Sons Edinburgh Further details: all stones present and minor wear commensurate with age
A 19th Century dessert service comprising two tazza / comports and five plates, turquoise borders with chain link gilt borders, each central circular reserve painted with a Continental style landscape, each approx 22cm diam Further details: some wear to gilding commensurate with age, no apparent stamps, marks or signatures, four plates with disk hangers Provenance: The Old Vicarage, Breedon-on-the-Hill, Derbyshire
A LATE REGENCY EBONISED AND BRASS LINE-INLAID CHAMFER TOP SMALL MANTEL TIMEPIECE WITH ALARM AND LATER BRACKETBy Ogston and Bell, Davies Street, London, circa 1815The case with a stepped chamfer top, above a glazed door flanked by brass-inlaid canted angles, the sides each with a gilt metal-outlined glazed rectangular panel, on a moulded base and acorn feet; the 3 1/2in arched silvered dial, signed, with blued steel 'Breguet' hands and a brass alarm setting hand, the chain fusée movement with signed backplate, alarm train striking on a bell, anchor escapement, with pendulum locking block; together with an associated reproduction wall bracket en suite (2)The clock 25cm highCONDITION REPORTThe case has lost some of its ebonising and the fruitwood shows through in places. Some veneers are ‘dry’ and cracked; two pieces of veneer from below the dial are loose. There is a filled hole to the left side of the case. The key holes are rather worn with wear. Some joints have opened up with a small crack, due again to dryness. Right-hand side glass panel is loose. The case will require some sympathetic restoration. Movement will require a clean and service. The bracket is a recent reproduction. One broken winding key and a case key. There is only one winding hole which is not worn.
A FINE EARLY VICTORIAN GOTHIC REVIVAL ORMOLU-MOUNTED ROSEWOOD SMALL MANTEL CLOCKBy Charles Haley, LondonThe case with arched pediment above a shaped glazed panel door, flanked to each side by a canted angle and ormolu-outlined glazed side panel, the restored 2 3/4in circular white enamel dial within a gilt metal engine-turned arched panel with strike/silent subsidiary, the fine twin train chain fusée movement, with anchor escapement, signed to the backplate with pendulum locking block, striking on a bell25cm highCONDITION REPORTWith case key and winding key. The movement is ticking and the strike works. It is dirty and would benefit from a clean and service. As noted above the enamel dial is restored. The back door has lost a small fillet of veneer on the opening edge. A piece of moulding is loose from the right-hand side of the plinth and some veneer is loose: it is present though. The case has been repolished at some point and would benefit from some sympathetic work to consolidate it.
AN EARLY VICTORIAN EBONISED SMALL MANTEL TIMEPIECE WITH PLATFORM ESCAPEMENTBy De La Salle & Christie, Cannon St, London, circa 1840The case with a recessed brass carrying handle, above a stepped moulded cornice and panel door with glazed arch, with chamfered edges, plain sides, on stepped base and brass ball feet ; the 3in arched engraved silvered dial, signed, with blued steel hands, the chain fusée movement with four plain pillars and platform lever escapement with plain three-armed brass balance18cm highJames Thomas de la Salle recorded working in Cannon Street 1816-40.CONDITION REPORTThe clock is in original unrestored condition. The sides have lost their surface lustre and there is restored damage to the front door keyhole which should be improved as it’s poorly repaired. Cracking to the veneers on the back door. Some careful sympathetic restoration would benefit this charming clock. The movement ticks but is very dirty and will require a service and clean. One case key and a winding key. The clock ticks when wound.
A LATE WILLIAM IV / EARLY VICTORIAN MAHOGANY BRACKET CLOCK AND BRACKETBy James Moore French, Royal Exchange, London, circa 1840The clock case of shaped outline and with a carved profile to the front edge, brass bezel with bevelled glass above the 8 1/4in circular white-painted signed dial, with pierced brass 'Breguet' moon hands, strike/silent above the XII, the twin train chain fusée movement, signed, with rack strike on a bell and pendulum locking block; together with a substantial mahogany bracketThe clock: 49cm high; 40cm wide; 22cm deepCONDITION REPORTWith its pendulum. There is some veneer loss around the edge of the dial opening. Some cracks to the veneer in places and a loss to the right edge of the clock’s plinth. A slightly loose panel on the right-hand side and veneer crack to edge of profile.. A small loss to the foliate on bottom left side below dial. Some loss to fret work panel in back door. The movement looks to be in good condition. It would of course benefit from a clean and service as likely not to have had one for a while. The bracket appears to be in good condition. Overall some marks and knocks commensurate with age. Of pleasing colour.
A GEORGE III OAK 30-HOUR LONGCASE CLOCKThe movement by John Johnson, Halesworth, circa 1775The hood with moulded pediment above a square glazed dial door and glazed sides, above the trunk with a rectangular panel door, above plain base and stepped plinth; the 12in square brass dial, with pierced spandrels, silvered chapter ring enclosing an engraved silvered central section with signature and scrolls, the 30-hour chain-driven birdcage movement with countwheel strike on a bell and anchor escapement, dial/movement and case possibly associated201cm highCONDITION REPORTThe case appears to be in good original condition. Some marks and knocks commensurate with age. The dial and movement are in good condition and appear to be capable of working. The dial/movement and case possibly associated.With one lead weight and a replaced modern brass and steel rod pendulum.
A REGENCY MAHOGANY AND BRASS-MOUNTED QUARTER STRIKING CHAMFER TOP BRACKET CLOCKThe chamfer top case with moulded cornice above 8in. circular white-painted convex dial detailed MUDGE & DUTTON LONDON, pierced latten hands, with strike/silent lever above XII o’clock, flanked to each side by a brass carrying handle and fish-scale panel, the three train chain fusée movement with anchor escapement chiming the quarters on a nest of eight bells and hammers, on brass ball feet, with oval Percy Webster ivory label to the inside of the door41cm highPROVENANCE:Their Royal Highnesses The Dukes of Gloucester, Sold Christie’s, London, 13 December 2019, lot 180.CONDITION REPORTIn good overall condition. The clock ticks and chimes, though some of the hammers could be gently adjusted. The movement would perhaps benefit from a service. The pendulum locking bracket has been lost. The dial has some marking on the numerals and scratching to the metal around the X & XI o’clock. With its pendulum and a key.Ivory Licence number: TJC85FHX
A RESTAURATION ORMOLU AND GRIOTTE MARBLE MANTEL TIMEPIECEThe movement by Barwise, London,The case surmounted by a model of the Crouching Venus, after the Antique, with a rectangular case, the base with a pair of recumbent dogs centred by a box ‘ BÖETE AUX LETTRES’ above a stepped plinth, a whispering Psyche and Cupid standing to each side, on griotte base with foliate-cast claw feet; the 4 1/2in white enamel dial (restored) signed BARWISE LONDON with blued steel 'Breguet' moon hands, and apertures for pendulum regulation and winding, the backplate signed Barwise, London, with chain fusée and anchor escapement 51cm highCONDITION REPORTWith its pendulum and three assorted keys. The dial has been restored. The movement has been well cared for but now requires a clean. A mount from the centre of the griotte plinth is missing. Some slight wear to edges of gilding on the case. Some very slight dirt marks in areas such as folds of the clothes.
A GILT METAL-MOUNTED MAHOGANY DROP-DIAL WALL CLOCKIn the George III style, inscribed Martins Bank, London, circa 1900The circular case with swan-neck pediment centred by an eagle and ball finial, above a convex glazed cast-brass bezel, and moulded cirrcular dial frame, above a protruding trunk with pierced gilt metal frieze and acanthus-cast finial and berried terminal; the 12in silvered dial inscribed Martins Bank London, with Roman chapters and pierced steel hands, the chain fusée movement with A-shaped plates and anchor escapement70cm high overallMartins Bank was a London private bank which could trace its origins back to Thomas Gresham. In 1918 it was acquired by the Bank of Liverpool and was known as Bank of Liverpool and Martins. It was absorbed by Barclays Bank in 1969.CONDITION REPORTWith its pendulum. Overall in good condition. The metal work is tarnished. The hands would benefit from re-blueing. The bezel has had a pin-hole drilled on the left side as some sort of fixing point and the corresponding point on the wood bezel has a hole which could now be filled. There is an adequate pin and catch lock on the reverse of the wood surround to lock the bezel. The movement would benefit from a clean.
SPAIN. Isabella II, 1833-68. Gold 80 Reales, 1844 PS. Barcelona. Rare large head variety. Obv.: ISABEL 2º POR LA GRACIA DE DIOS Y LA CONST; Large head right, date below.Rev.: REYNA DE LAS ESPAÑAS; Crowned arms divides value in order chain.Extremely fine. Reference: Fr-324; KM-578.1; Cal-Type 190#711Diameter: 21 mm.Weight: 6.7 g. (AGW=0.1885 oz.)Composition: 875/1000 Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
SWEDEN. Gustav IV Adolf, 1792-1809. Silver Riksdaler, 1801 OL. Stockholm. Obv.: GUSTAF IV ADOLPH SV·G·OCH V·KONUNG·; armoured bust facing right. Rev.: GUD OCH FOLKET·I· RD:; crowned lined orb with the Three Crowns of Sweden within the Chain of the Order of Seraphims; date and mintmark below.Ex-mount. Reference: KM-561, Dav-346Diameter: 41 mm.Weight: 29.36 g.Composition: 878/1000 Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
SWEDEN. Gustav III, 1771-92. Silver Riksdaler, 1792 OL. Stockholm. Obv.: GUSTAVUS III·D·G·REX·SVECIAE·; head right.Rev.: FÄDERNESLANDET; crowned lined orb with the Three Crowns of Sweden within the Chain of the Order of Seraphims, date below.Very fine, adjustment marks. Reference: KM-527, Dav-1736Diameter: 41 mm.Weight: 29.25 g.Composition: 878/1000 Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
AUSTRIA. AUSTRO-HUNGARIAN EMPIRE. Franz Joseph I. Silver Double Guilder (Medal), 1888. Vienna(?). Struck to commemorate the emperor's 40th jubilee and 5th Lower Austria federal shooting competition in Vienna. Design by F. Leisek.Obv: FRANZ JOSEPH I. KAISER V. OESTERREICH ETC., bare-headed and draped bust right, wearing imperial chain and medals; F.LEISEK below. Rev: KAISER JUBILÄUMS-U•V•N•Ö•LANDESCHIESSEN 1848/88, *WIENER SCHÜTZENVEREIN*, crowned and double headed eagle wearing coat-of-arms of Vienna on chest.Exhibiting a wonderfully iridescent old cabinet tone. Mint state. Ex Roma Numismatics Ltd, Auction XXIV (28/3/2022), lot 1239; previously acquired from Heidelberger Münzhandlung Herbert Grün eK.Reference: Peltzer-1937.Die Axis: 12h.Diameter: 36 mm.Weight: 22.26 g.Composition: Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
SWEDEN. Gustav III, 1771-92. Silver Riksdaler, 1790 OL. Stockholm. Obv.: GUSTAVUS III·D·G·REX·SVECIAE·; head right.Rev.: FÄDERNESLANDET; crowned lined orb with the Three Crowns of Sweden within the Chain of the Order of Seraphims, date below.Very fine, scratches, reverse graffiti. Reference: KM-527, Dav-1736Diameter: 41 mm.Weight: 29.25 g.Composition: 878/1000 Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 2 pounds, 2006. Royal Mint. Proof. Celebrating the 200th anniversary of the birth of Isambard Kingdom Brunel, a British engineer who has been named one of the most ingenious and prolific figures in engineering history.Fourth crowned bust of Elizabeth II within beaded circle facing right; ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Ian Rank-Broadley. / Portrait of Isambard Kingdom Brunel in top hat in front of Royal Albert Bridge at River Tamar in England and a wheel, set within heavy chain links on either side, 'TWO POUNDS' set on riveted metal plate above, '2006' on a similar plate below. Design by Rod Kelly. Edge milled and inscribed (incuse lettering); 1806-1859 ISAMBARD KINGDOM BRUNEL ENGINEER.In secure plastic holder, graded PCGS PR70 DCAM, certification number 37587440. PCGS population in this grade: 1, single finest graded.Reference: S-K20 (was 4581)Mintage: 1,071.Diameter: 28.4 mm.Thickness: 2.5 mm.Weight: 15.9761 g. (AGW=0.4711 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
SWEDEN. Karl XIV Johan, 1818-44. Silver Riksdaler Specie, 1838 AG. Stockholm. Obv.: SVERIGES NORR·GÖTH·OCH V·KONUNG.; head right.Rev.: FOLKETS KÄRLEK MIN BELÖNING; crowned square shield of arms within circular chain of the Order of the Seraphim, pendant divides mintmark, date and value below, king's motto around.Very fine, surface damage. Reference: KM-632, Dav-352Diameter: 38.8 mm.Weight: 34 g.Composition: 750/1000 Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
AN ART DECO DIAMOND AND EMERALD PENDANT, the centre diamond to diamond and baguette cut emerald surround, mounted in white gold, on a yellow gold chain. Size 30mm x 10mm. Estimated: weight of centre diamond: 0.30 ct. • Approx 30mm x 10mm/1.1" x 0.4" • Brooch fittings removed to be worn as a pendant - fittings available in this lot to be made a brooch again
TWO TINPLATE TOYS comprising a Lehmann Balky Mule (Stubborn Donkey), with a clockwork motor (requiring attention), 18.5cm long; and a bicycle, with a clockwork chain-drive motor (working), 14.5cm long. Condition Report : Mule lacking one ear and one leg. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
â—‰ A BOWIE KNIFE FOR THE EASTERN MARKET, JOSEPH RODGERS & SONS, 6 NORFOLK ST., SHEFFIELD, LATE 19TH CENTURY with straight burnished blade formed with a double-edged point and writhen back-edge accompanied by a long slender fuller on each face, signed on one face and with cross and star mark, rectangular ricasso, engraved silver ferrule decorated with foliage on a punched ground, pommel en suite, thick silver knuckle-chain and dark ivory tusk grip, in its silver-mounted leather scabbard (perhaps associated) with chape and locket, the latter with long belt hook chased with a feather design, 23.0 cm blade ProvenanceDavid Hayden-Wright (1936-2006) LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 263. In the nineteenth century, Rodgers had an unsurpassed reputation and history that was synonymous with the cutlery trade. The family's first cutler, John Rodgers (1701-85), is recorded around 1724, with a workshop near the present cathedral. In the same year, the Company of Cutlers 'let' him a mark, a Star and Maltese Cross, which became world famous in later years. Rodgers began the production of exhibition and presentation pieces in the early 19th century. The McKinley Tariff Act of 1890 halved their American business and consequently they sought to grow their business in other parts of the world, the present dagger was no doubt made for The Eastern Market. Hayden-Wright states that the present dagger is similar to that illustrated in the Rodgers cataloguing, p. 990. p. 56. This lot is offered with UK Ivory Act 2018 certificate number 93T54AMN.
‡ A 12 BORE ITALIAN WHEEL-LOCK MUSKET, LATE 16TH CENTURY with tapering octagonal barrel struck with a mark on the left of the breech and fitted with moulded copper alloy back-sight (fore-sight, one barrel bolt and tang retaining screw missing) flat lock struck with a mark on the tail and retained by two side nails, (mainspring cracked, chain detached), fitted with external wheel retained by a heart-shaped bracket, pan with sliding cover, a pair of moulded dogs with delicately filed springs and terminals each decorated with scrolls, full stock (cracks and repairs), inlaid with staghorn segmental lines and shaped iron plaques about the barrel bolts and beneath the lock, butt of ‘fishtail’ form, iron mounts comprising butt-plate with tang extending over the spine of the butt, trigger-guard with bud-shaped terminal, trigger-plate of shaped outline, two scrolling side-plate plaques, and fore-end cap (later wooden ramrod), 112.2 cm barrel ProvenanceBrian Powers
A 16 BORE INDIAN MATCHLOCK GUN, LATE 18TH/19TH CENTURY, JAIPUR, RAJASTHAN with tapering sighted barrel swelling at the muzzle and chiselled with elaborate designs of scrolling gilt foliage, retained by later leather bands, the breech with a broad panel of scrolling foliage and flowers, inhabited at the top by a deity and a pair of stags, fitted with integral shaped pan with cover all chiselled and gilt en suite, slender tang chiselled and gilt with scrolling foliage, action enclosed by a pair of large panels chiselled and gilt with scrolling foliage and flowers within a foliate frame, the rear incorporating a pierced design involving a pair of addorsed birds, retaining its chain and pricker sheath (pricker missing), shaped trigger en suite, and hardwood full stock (small restorations), and two sling mounts, 94.5 cm barrel Roy Elvis Catalogue Number H18
A FINE OTTOMAN SWORD (SHAMSHIR), TURKEY, FIRST HALF OF THE 19TH CENTURY with curved single-edged blade of finely watered steel, decorated in gold koftgari with calligraphic panels joined by flowers and scrolling foliage along the back-edge and on each face of the forte (small losses), silver-gilt hilt cast and chased with elaborate bouquets of flowers and foliage against a delicately punched ground, comprising a pair of recurved quillons with scrolling terminals, a pair of langets, back-strap, a pair of foliate washers on each side of the pommel and original gilt knuckle-chain, figured horn grip retained by brass rivets, in its black leather-covered wooden scabbard with large silver-gilt mounts cast and chased en suite with further trophies-of-arms, bouquets and trophies-of-hunting, comprising locket with terminal matching the quillons, middle-band and chape each with a ring for suspension, 79.5 cm blade A Turkish shamshir with hilt and scabbard decorated in a very similar manner is preserved in the Stibbet Museum, Florence (inv. 6433). See Robinson 1973, illus. 54b, and p. 209 no. 137.
A VICTORIAN EARLY FOREIGN SERVICE HELMET AND UNIFORM OF PRINCE ALFRED'S GUARD (BANDSMAN) the well-made helmet, believed to be late 19th Century, with a brass chin-chain (the lining partially detached) and spike on a domed base, 6-fold puggaree and roan leather internal head-band; a scarlet tunic with blue facings and white piping to cuffs, skirt-slashes and backseams, brass buttons and regimental collar-badges, red shoulder-straps, embroidered with the regimental title, and bandsman’s wings, white belts, the shoulder-belt holding a music-pouch (badge absent), and the waist-belt clasp with ornate brass loops and KC centre
A VICTORIAN BANDSMAN'S SWORD, 20TH CENTURY with curved single-edged blade, brass hilt cast and chased in low relief, comprising straight quillons with bud-shaped terminals, tall faceted grip rising to a maned lionhead pommel and knuckle chain, in it brass scabbard with two suspension rings, stamped at the mouth '2nd W. India', 71.0 cm blade
A North European carved boxwood Corpus Christi, probably Flemish, early 18th century, the figure of Christ with missing arms and one nail in his right foot, the other missing, 28cm high; together with a carved wood model of a female saint, possibly Balbina of Rome, 19th century, her left hand gesturing to her breast, her right hand missing, with a chain attached to her waist, standing on an octagonal base above a red velvet stand, 27.7cm high (2)

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