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A Chinese blue and white export porcelain tea service, late Qianlong (1736-1795), depicting a landscape scene with gilt borders, comprising: a tea pot and cover, with a metal chain to the gilt pomegranate finial and a twist loop handle, a straight spout, 12cm high; a tea caddy and cover, the same finial, in a rectangular form, 13.5cm high;a cream jug and cover, with the same twisted loop handle, 13cm high; a sugar bowl and cover,10cm high, 12cm diameter; a waste bowl, 14cm diameter; two lobed shape spoon trays in slightly different forms, 15cm diameter and 12cm long; eleven teabowls, 8cm diameter; eleven saucer dishes, 13cm diameter; two side plates, 16cm and 21cm diameter; five tea cups with handle, 6cm high, (a.f.), (36).
A pair of 9ct gold earstuds, each in a knot design, three further pairs of earstuds, a 9ct gold pendant cross, a pendant designed as a pear (unmarked), a black enamelled brooch designed as a buckle and strap (safety chain detached), a ring of coiled wirework design, and five various neckchains.
A turquoise and cultured pearl brooch of circular design, a seed pearl and gem set brooch designed as an insect, a silver brooch detailed `Baby`, a silver brooch with an anchor motif, an oval slide designed as a bird in flight, a pair of moonstone earrings, six pairs of earstuds, a silver oval pendant locket with a horseshoe motif, Birmingham 1886, fitted to a chain with a tassel, a blue enamelled silver ring, and six further items.
A Victorian gold and diamond set oval brooch, mounted with five rose cut diamonds, the back with a locket compartment fitted with a safety chain, a 15ct gold brooch with a floral spray motif at the centre, Chester 1905, an amethyst set single stone brooch, detailed `935`, a pair of colourless paste set pendant earrings, and sundry mostly costume jewellery, including necklaces, imitation pearls, chains, two rings, and sundry.
A gold, half pearl and diamond set necklace, the front designed as three crescents enclosing five pointed star shaped motifs, each star centred by a cushion shaped diamond, the crescents and chain mounted with rows of half pearls, on a half pearl set clasp fitted with a safety chain, and a gold, diamond set and half pearl pendant brooch designed as a five pointed starburst with five crescent shaped motifs between each point, the centre mounted with a cushion shaped diamond, otherwise set with half pearls, fitted with a safety chain, with the original fitted case.
An Art Nouveau gold, citrine, half pearl and freshwater pearl set necklace, designed by Archibald Knox, the front with three pierced citrine set panel shaped drops, the chain spaced with freshwater cultured pearls, with two oval cut citrines mounted at intervals, unmarked, on a snap clasp, total length approx 42.5cm.
A Timor base metal cased MOD issue circular cased wristwatch, the signed circular silvered dial with Arabic numerals, the case back detailed with an MOD arrow and ATP, on a later expanding metal bracelet, a Certina base metal cased gentleman`s wristwatch, six further mostly gentlemen`s wristwatches, a silver cased open-faced pocket watch, the enamelled dial with black Roman numerals, with a key, and a base metal cased open-faced pocket watch, with a base metal chain and a key.
A Regency ormolu and slate mantel timepiece, circa 1820, with eight day chain fusee movement, the circular dial with Roman numerals framing an engine turned centre, the back plate inscribed `Brockbank & Atkins, London 1939`, the drum case surmounted by an eagle and ribbon tied oak leaf wreath, on a volute scroll moulded support, the black slate rectangular base with applied Bacchanalian mask and fruiting vine, on engine turned ormolu bun feet, height approx 28.5cm (faults and lacking pendulum).
An early Victorian oak Gothic Revival drop dial wall clock with eight day twin chain fusee movement striking on a bell, the silvered circular dial with Roman numerals and inscribed `John Moore & Sons, Clerkenwell, London, 15317`, the triple arched case with carved foliate finial above crockets and moulded tracery, flanked by a pair of hinged pierced arch fret panels to sides, height approx 129cm, together with a pendulum.
A Regency ormolu and brown patinated bronze library mantel timepiece with eight day chain fusee movement, the white enamel dial with black Roman hour numerals and inscribed `Lamb, London`, the drum case surmounted with an eagle above a ribbon tied oak leaf swag, raised on volute scroll moulded supports, flanked by a pair of seated classical maidens reading books, on a stepped rectangular base applied with flower and ribbon festoons centred with a bearded mask, on turned feet, height approx 31cm (lacking pendulum).
A Regency brass inlaid amboyna and ebony mantel clock with eight day twin chain fusee movement striking on a bell with pull repeat, the circular white enamel dial with black Roman numerals and inscribed `Grimalde & Johnson, Strand, London`, the amboyna arched case with inlaid brass and ebony frieze flanked by a pair of gilt bronze foliate finials above a pair of ebony octagonal and turned columns, the front of the case inlaid with a pair of ebony dragons above an ebony and brass inlaid key fret and star motif band, on a plinth base and turned gilt bronze feet, height approx 29.5cm. Note: William Johnson and Samuel Grimalde are recorded as working together at 431 Strand, London between 1809 and 1825. William Johnson is later recorded to have worked at 50 Strand, London from 1825 to 1842, indicating their partnership was dissolved in 1825.
A George III and later gilt metal and bronze desk timepiece, the chain fusee movement with verge escapement and scroll pierced and engraved balance cock, the circular enamel dial with subsidiary seconds, Roman numerals and inscribed `Joseph Blundy`, the later bronze stand in the form of a horse with gilt saddle cloth, on an oak plinth, height approx 34.5cm (alterations).

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362440 item(s)/page