TWO BOXES OF MISCELLANEOUS ITEMS, to include a boxed Huang Professional 1248 harmonica, a post war Czech army helmet, a mahogany snooker score board, a Kodak 120 box camera, Boots Admiral II binoculars, Bell & Howell binoculars, a black Bakelite G.P.O No. 164 telephone with original Bakelite wall connection box, two oil lamps, a large Imperial Co Ltd typewriter, three olive wood candle sticks, two hand carved German wooden dishes, a large jam pan, etc. (s.d) (2 boxes + loose)
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Fourteen Dinky Military diecasts, 697 25-Pounder Field Gun Set, 621 3-Ton Army Wagon, 623 Army Covered Wagon, 626 Military Ambulance, 641 Army 1-Ton Cargo Truck, 643 Army Water Tanker, 677 Armoured Command Vehicle, 693 7.2 Howitzer all in original yellow boxes most boxes damaged or part, 651 Centurion Tank, 674 Austin Champ, 5.5 Medium Gun, Armoured Car, Scout Car, and Armoured Personnel Carrier
Of local interest – Large collection of military ephemera including framed collection of medals for Pte. 171535 William Smith Victory medal and British 1914 – 1920 war medal, Pte. 2869 and 5702 Herbert Smith Victory medal, British 1914 – 1920 war medal and death plaque (with associated commemoration scroll and photograph of Herbert), Pte. 1143482 Norman Smith 1939 – 1945 war medal, 1939 – 1945 Star, Africa Star, Italy Star and Royal Artillery badges, with two folders containing comprehensive ephemera Including photocopied letter wrote on 11.11.18 titled “Somme Day” and souvenir programme for 1946 Remembrance Day, mostly related to Norman Smith’s army life including papers, postcards, letters home, army passes, German cloth insignias, National Service book, war map of Europe and the Mediterranean Countries, foreign currency including German, American and Polish notes and coins
Collection of British Army desert clothing including a MK6 helmet with dark goggles and spare helmet cover (Walker written on strapping), a set of knee pads, Hat Combat Desert DP size 59, a pair of lightweight combat trousers size 75/80/96 by J Compton Sons & Webb ltd and a lightweight combat jacket, size 170/96 by Supercraft Garments ltd.
Selection of WWII USAF and other US military sterling silver wings including Flight Surgeons Acorn design and Cadeceus design, US Navy Pilots silver gilt, bombers wings, US Army medic etc. All marked sterling, various with makers such as Meyer. Air Corps training and Maryland ARWS not silver (11)
United States Army officers blouse with zip front and two breast pockets, pair of trousers, United States officers Naval jacket with brass buttons and insignia, with one rank stripe to cuff, American Marine's blouse with corporal stripes and collar badges, button front and two outer breast pockets, American Air Force shirt with collar insignia
Vintage games, puzzles and oddments including an "Alice In Puzzleland" ball bearing tilt game, a fold out draughts table with pieces, a vintage British knife sharpener, and 2 US issue draughts sets, one fold out fabric and stamped "1942 Army Air Forces", and a "check R pak" fold out 2 drawer portable draughts set (made by Mevi) with US government eagle crest stamped on front and "Cpl JWM" on spine.
Royal Flying Corps, a silk embroidered 'Sweetheart' cushion, 25.5 x 17.5cm - together with a black and white postcard of The Royal Army Aircraft factory in Farnborough 1916, a small collection of other postcards, mainly shipping related, an autograph book, two Union flags, an Edward VIII coronation handkerchief and pencil
NO RESERVE Napier (Sir George Thomas, army officer and colonial governor, 1784-1855).- 6 Army Commissions signed variously by George III and George IV (2 as Prince Regent), printed forms with manuscript insertions, on vellum, yellowed and soiled, remains of blind-stamped seals, 280 x 395mm. & smaller, 1804-25; and 7 other pieces, including 6 letters (1 torn with loss) relating to Napier, v.s., v.d. (13).
Scott (Sir Peter, painter, ornithologist, and broadcaster, 1909-89) Autograph Letter signed to Josephine Peyman, of Blackwell Park, Loddisswell, Devon, 3pp. & envelope, 8vo, HMS Broke, 15th June 1940, thanking her for her praise of his books and pictures, and commenting on his part in the evacuation of the British Army at Dunkirk, "We had a crowded 2 days a fortnight ago... had a whole crowd of wounded B.E.F. brought aboard", and commenting on his books, "Actually M[orning] Flight & W[ild] Chorus are the only 2 books I've published, but there is a really good book which you would like called 'A Bird in the Bush' written by my stepfather (Lord Kennet) which I illustrated...", folds, framed and glazed.⁂ Peter Scott at Dunkirk.
* DOUGLAS PHILLIPS (SCOTTISH 1926 - 2012),THE YELLOW FIELDoil on board, signed, titled label versoimage size 18cm x 18.5cm, overall size 38cm x 38cm Mounted, framed and under glass. Handwritten artist's label verso.Note: Douglas Phillips was born and brought up in Dundee. He studied at the former Dundee Art College in Bell Street before being called up to the army towards the end of the Second World War for service in India and Ceylon. On returning to Dundee he began work in the art department of DC Thomson where he illustrated for The Rover and The Victor, amongst others. After leaving D C Thomson’s went on to illustrate over 100 books but also continued to maintain a connection with the company, featuring in more than one thousand issues of The People’s Friend as the pen and brush of J Campbell Kerr. He also documented old Dundee with his lively pen and ink drawings and book collaborations with the late journalist, broadcaster and Courier columnist Ron Thompson. Latterly he followed in the footsteps of two artists he greatly admired, Joan Eardley and his good friend Lil Neilson, producing vibrant, expressive paintings of Catterline and the East Coast of Scotland which he loved so much. His work is held in public and private collections worldwide.
* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016),HIGH SEA FROM ISLAYwatercolour on paper, signed, titled label versoimage size 30cm x 42cm, overall size 56cm x 67cm Mounted, framed and under glass.Artist's label verso.Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.
Gibbon (Edward) & Bowdler (Thomas, translator), History of the Decline and Fall of the Roman Empire, five-volume set, London: Longman, et al., 1826, uniformly bound in full calf gilt, marbled edges and endpapers, 8vo, Sheffield (John, Lord, editor), Gibbon’s Miscellaneous Works, five-volume set, London: John Murray, 1814, volume I with portrait frontispiece, uniformly bound in contemporary quarter-calf over marbled boards, vol. I upper-cover detached, others chipped & tired, 8vo, further Gibbon, Melmoth’s Letters of Cicero, three-volume set, fourth edition, London: J. Dodsley, 1789, contemporary calf, worn, 8vo, Melmoth’s Letters of Pliny, two-volume set, eighth edition, London: J. Dodsley, 1786, disbound contemporary calf, 8vo, ditto, a later copy, two-volume set, 1810, original publisher’s cloth over boards, 12mo, [Ovid] & [, P. Ovidii Nasonis Epistolarum Herodium liber […], Roterodami: Typis Regneri Leers, 1698, contemporary English two-tone speckled calf cover only, 12mo, Arnold (The Rev. Thomas Kerchever, editor), A First Classical Atlas, London: Francis and John Rivington, n.d. [1849], 13 two-fold maps only (of 15), line-engraved with hand-coloured delineation, some manuscript annotations, original cloth, 8vo, Lesie (Shane, editor), Plato's Symposium, signed by the editor, one of 1,500 copies, London: The Fortune Press/Printed by The Whitefriars Press, n.d. [c. 1942], printed on English unbleached hand-made paper, original publisher’s cloth over boards, top-edge uncut, 8vo, Horace, further Latin and Classics, (31). Provenance: 2nd: 1) The 19th Light Dragoons, a British Army cavalry regiment that saw action in British India and North America; ASSYE/NIAGRA/XIX, lettered in gilt within the spines’ compartments between an elephant and a military trophy; 2) George Duff, plain armorial bookplates to each pastedown. 3rd & 4th: 1) Stewart Marjoribanks (1774-1863), Whig MP, director of The New Zealand Company, landowner in Australia, and wine merchant; early 19th century crest bookplates to ffeps. 6th: Armytage, mid-18th century labels and inscriptions.
Miscellaneous. Three late Victorian/early Edwardian albums of crests and monograms, decorative and architectural lithograph-printed pages illustrated with clipped armorial and other devices from the writing-paper of aristocratic and gentry families, 'establishment' institutions, including public schools, universities, army regiments and further military bodies, etc., various leather and cloth bindings (the diced calf oblong 4to disbound), mixed sizes, The Humorous Travelogue of a Rotterdam Banker in London, 1925, approx. [75]ff pages of Dutch ink manuscript, written by Theo Waller and possibly his wife Constance Clara Caroline Jacqueline Andre de la Porte, the whole prefixed by their itinerary, which, while in London, included the celebrated musical 'No No Nanette' (the only English passage in the account), tipped-in ephemera, etc., original cloth, 8vo, a Victorian Neo-Gothic chip-carved oak desk blotter/folio, c. 1890, (5).
Satire, Politics and Scandal in the Reign of George III and the Age of Revolution. Six manuscripts, comprising Corruption, ‘Imitation of Hor. B.1. Ode 15/Pastor cum traheret per freta navibus/Idaeis Helenen’, n.d. [c. 1809], 2pp of 46 lines, the Horatian ode satirising and mentioning by name Colonel Gwyllym Lloyd Wardle, Mrs. Mary Anne Clarke, Sheridan, Spencer Perceval, Vicary Gibbs, Charles Philip Yorke, Fuller, Beresford, Loftus, Croker, and the offending Duke [of York], as well as Jacobins and Bourbons, in relation to the Mrs. Clarke, the former mistress of Prince Frederick, Duke of York, the Commander-in-Chief of the British Army, selling commissions under the aegis of the Duke, the end inscribed in Ancient Greek, ‘Song - - - 1814’, dated 1814, 3pp, including 20 lines of verse written in octaves, imagining a fictitious Tory dialogue between Richard Wellesley, 1st Marquess of Wellesley (1760-1842), and George Canning (1770-1827), written from the perspective of Canning whose ‘Tutor was Pitt’, while ‘chatting one Day/In the Park, on my Arm he reclined,/”Come tell me dear Canning, how often I pray/Have you changed your political mind?!” ', etc., The French Revolution and the Reign of Terror, ‘An Irregular ode on the late horrid Massacres of France’, n.d. [c. 1790-1792], 8 stanzas, further poetry across the 4pp of foolscap, including lines on dissenters, partial later transcript en suite, ‘On The late Contested Election for the City of Worcester’, by the same hand as the latter, further verse, 4pp of foolscap, further MSS, including 4pp of verse on Mr Bull the Whig, watermarked 1822, a 4pp mock epistle by Philo ***, n.d. [early 19th century], deriding 'the present gloomy Season', its scarcity of ideas, crops and farming, and further metaphors for the real state of the country, (6).
Photography. A 19th century family photograph album, mid-Victorian to c. 1914, approx. 120 images, mostly carte de visite and cabinet card formats, mostly studio portraits of gentlemen, ladies, clergymen, children, and a young man in British Army uniform, a First World hospital, others, including ones by Elliott & Fry of Portman Square, a view of Belvoir Castle, Leicestershire, contemporary sombre black morocco over boards, chased mount and clasp, silvered edges, 4to, & a finely bound contemporary Holy Bible, Oxford: Printed at the University Press, 1891, sombre black morocco over boards, all edges gilt, 4to, (2).
Post-War Japan and the Far East. An unusual collection of approx. 314 snapshots and photographs, taken by and concerning the military service of Lance Corporal E. Buxton (S/22586490) RASC, 1952-53, including the British Commonwealth Military Correction Establishment, portraits of army personnel, groups, billets, the funeral of Staff Sergeant Johnson, an Anzac parade, Christmas 1952, views of local topography, scenes of daily domestic life, further scenes including Miyajima [i.e. Itsukushima], Valetta, Port Said, Colombo, Hong Kong, Singapore, Mombasa, the last leaf with a hand-scrivened map of Japan, annotated in gilt throughout (somewhat faded), some leaves vacant, contemporary cloth album, oblong folio (30.5cm x 37cm).
Second Boer War (1899-1902). Conway R Seymour, temporary a trooper in the yeomanry, prior of the School of Mines, Kimberley, South Africa, an album of photographs and ephemera of events relating to the sieges of Kimberley and Mafeking, including tipped-in and loose b/w snapshots, military manoeuvres, trains, hospitals, troop ships, other images with British Army personnel, official passes, various telegraphs - both Army and informal/social in nature, some pen-and-ink and pencil drawings, invitation cards, menus, and further scraps illustrative of Seymour's time in South Africa and in the war, contemporary quarter-roan over cloth, 4to. Provenance: the Seymour family of Thrumpton Hall, near Nottingham.
World War One, The Imperial German Army on the Eastern Front. An officer’s album of 79 original b/w and sepia photographs, mixed sizes, annotated and dated throughout 1915, including the photographer’s fellow officers, mostly informal group and mess snapshots; dug-outs, shelters, bridged rivers, marches, troop train; war-torn churches, architecture and landscapes; a Neoclassical country house (?Moyssa); scenes of Vilnius, Lithuania, and Riga, Latvia; scenes of perseverance through the snowy winter; etc., the card leaves loosening, contemporary cloth decorated with mushrooms and flowers, oblong 8vo.
The Walmington-On-Sea Home Guard Training Manual (Dads Army) 2011 First Edition Hardback Book with 127 pages published by Orion Books (Orion Publishing Group Ltd) good condition. Sold on behalf of Michael Sobell Cancer Charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
A Quantity of Military Cap Badges, including RAF, Highland Battalion 1914, Army Corps Educational, Royal Army Ordnance Corps, Liverpool & Scotland Cameron, Argyll & Sutherland, Highlanders, Lovat's Scouts, Scottish Kings Borders, Tyneside Scottish, The Royal Scots, etc. Together with a helmet, sashes, postcards and silks, and associated ephemera. Good collection for sorting.

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