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Lot 102
A SAPPHIRE AND DIAMOND CLUSTER RINGThe cushion-shaped sapphire weighing 4.56cts, within a surround of round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.80ct total, ring K½Accompanied by a report from The Gem & Pearl Laboratory in London, stating that the sapphire weighing 4.56cts is natural, of Sri Lankan origin, with no indications of heat treatment. Report number 17954, dated October 25th 2019
Lot 166
A SAPPHIRE AND DIAMOND RINGThe cushion-shaped sapphire weighing 6.02cts within a four-claw setting, between tapered shoulders set with baguette-cut diamonds, mounted in 18K gold, diamonds approximately 0.80ct total, ring size L¼Accompanied by a report from The Gem & Pearl Laboratory in London, stating that the sapphire weighing 6.02cts is natural, of Sri Lankan origin with no indications of heat treatment. Report number 17848, dated October 4th 2019
Lot 178
A COLOURED SAPPHIRE AND DIAMOND PENDANT ON CHAINThe rectangular cut-cornered yellow sapphire weighing 8.15cts, within a frame of round brilliant-cut diamonds, the surmount set with an asscher-cut diamond within a surround of round brilliant-cut diamonds, suspending from a fine trace-link chain, mounted in 18K gold, diamonds approximately 1.00ct total, pendant length 2.3cmAccompanied by a report from the Gem & Pearl laboratory in London, stating that the yellow sapphire weighing 8.15cts, is natural, of Sri Lankan origin, with no indications of heat treatment. Report number 17849, dated October 4th 2019
Lot 194
A SAPPHIRE AND DIAMOND RINGThe cushion-shaped sapphire weighing approximately 4.60cts, within a four-claw setting and between trillion-cut diamond shoulders, mounted in platinum, diamonds approximately 0.60ct total, ring size N½ Accompanied by a report from GCS laboratory in London stating that the sapphire weighing approximately 4.60cts is natural, of Madagascar origin with no indications of heat treatment. Report number 79226-98, dated July 26th 2019
Lot 203
A LADY'S STAINLESS STEEL AND DIAMOND-SET 'SPYDER II' WRISTWATCH, BY ENIGMA3 Jewels ETA quartz movement, black dial, steel baton hour markers and hands, polished stainless steel case, 4 screws on the back, the bezel cornered with diamond pavé-set with diamond-set 12 & 6 o'clock, dial signed, blue sapphire cabochon for crown, case signed Enigma 'created by Gianni Bulgari', water resistant 30M, ref. no. 702.1**, Cal. no. 9010**, on black satin signed bracelet strap, signed buckle, with maker's box, length 21.8cm, case width (including crown): 2.3cm
Lot 23
A FINE FABERGE SAPPHIRE AND DIAMOND BROOCH, ST PETERSBURG, CIRCA 1885Of floral design, the elegant branch highlighted with an old cushion-shaped diamond to further rose-cut diamond accents and terminals, suspending five graduated oval-shaped cabochon sapphires within collet-setting, each within an old single-cut diamond surmount, mounted in gold, with town mark for 'St Petersburg', struck with maker's mark in Cyrillic 'M and ' (mark is rubbed) and attributed to one of the senior work master of the House of Fabergé 'Mikhail Perkhin', with scratched inventory number 517**, within its original fitted case and signed in gold 'K.Fabergé' in Cyrillic, length 4.9cmProvenance: ***** Waiting for email from client *********Reference: Encyclopedia of Who’s Who in the House of Faberge by Will Lowes and Christel Ludewig McCanless, page 227This piece is attributed to senior workmaster Mikhail Evlampievich Perkhin, a self-taught goldsmith who learned his trade from rural craftsmen in the Olonets province. Of peasant stock, he moved to St Petersburg as a young boy, took an apprenticeship at Fabergé’s St Petersburg headquarters and quickly rose through the ranks of the workshop, becoming senior workmaster in 1886. Perkhin was responsible for more than half of the Tsar Imperial Easter eggs and the best of Fabergé’s gold objects were produced in his workshop. He helped Carl and Agathon expand the business, to include new techniques and inventions such as transparent enamel and varicoloured gold, hardstone animals and flowers. One of Fabergé’s most treasured pieces the Balletta vase, named after the Russian prima ballerina Elizabet Balletta, came from Perkhin’s workshop. ProvenanceThe brooch of floral design was a gift from Frederick James Merrilees, who served as guardian to a young girl brought up as a companion to the Merrilees’s only daughter. The Merrilees were very generous to their daughter’s companion and she lived an extremely privileged life in their care in England, from the age of 8 to 18 years. This brooch was consigned by the granddaughter of the female companion. Frederick James Merrilees (sometimes spelled Mirrielees) was born in Russia of a Scottish father, Archibald Mirrielees (1797 - 1877), who arrived in St Petersburg and founded ‘Muir and Mirrielees’ Trading Company in 1857. Prior to his partnership with Andrew Muir, Archibald had been resident in St Petersburg from 1822 and in 1843 he established his own company, which was one of the most significant Anglo-Russian merchant houses. In the 1880’s ‘Muir and Mirrielees’ moved to Moscow, the impressive new premises was designed by the famous Russian architect Roman Klein. It was the first and largest department store in the last days of the Russian Empire and offered everything the Muscovites could wish for, satisfying not only the rich and high society, but also middle-class customers. The company was Nationalised during the Russian revolution and was renamed TsUM after 1922. The Merrilees had access to the very best of Russian jewellery and the delicate floral brooch is a tribute to the outstanding workmaster Perkhin, who left an impressive legacy of Fabergé pieces.
Lot 24
A RUSSIAN GOLD CIGARETTE CASE, ST PETERSBURG, 1908-1917The surface with sunburst and diagonal reeding, with cabochon sapphire thumbpiece, struck with maker's mark in Cyrillic 'CB' (in English, it would be 'SV'), possibly by Fabergé workmaster Sergei Verkhovtsev, marked 56 zolotnik-gold standard for 14K gold, width 9.2cm, length 6.4cm, depth 1.6cmReference: Encyclopedia of Who’s Who in the House of Faberge by Will Lowes and Christel Ludewig McCanless, page 191Occasionally a Fabergé piece will bear the initials of a workmaster that cannot be confidently identified. The initials CB on the gold cigarette case are possibly attributed to Sergei Verthovtsev. A gold cigarette case sold at Christies New York in 1998, it was stamped with initials CB and their catalogue suggests Verthovtsev as the workmaster. However, Von Habsburg, Fabergé (1987) states CB was a workmaster for Fabergé’s rival, jeweller Karl Karlovich Hahn. Karl Bok was also thought to have used the initials CB and another possible creator of this piece was an artist called Ekaterina Yakovlevna Aleksandrova. She was the wife of François Birbaum, studied at the Baron Stieglitz Central school of applied arts and later worked for Fabergé.
Lot 241
A PAIR OF GOLD AND SAPPHIRE CUFFLINKS, BY VACHERON CONSTANTINEach square-shaped mesh-link gold plaque within a frame of calibré-cut sapphires to a plaque terminal of similar style, mounted in 18K gold, stamped with logo for Vacheron Constantin, with maker's mark 'PsB', Swiss assay marks, plaque length 1.4cm
Lot 36
AN ART DECO DIAMOND AND SAPPHIRE BRACELET, CIRCA 1925The articulated strap of geometric design, set with old European and single-cut diamonds accented with calibré French-cut sapphires, within millegrain setting and floral engraving borders, mounted in platinum, diamonds approximately 5.00cts total, length 17.3cm
Lot 39
AN ART DECO DIAMOND AND SAPPHIRE BANGLE BRACELET, CIRCA 1920Millegrain-set with a central old cushion-shaped diamond within an old brilliant and single-cut diamond frame with calibré-cut sapphire accents, to a continuous row of square-cut sapphires between a border of old European-cut diamonds, diamonds approximately 9.00cts total, inner diameter 6.5cm
Lot 40
AN EARLY 20TH CENTURY SAPPHIRE AND DIAMOND CLUSTER RING, CIRCA 1920The old European-cut diamond within a border of calibré-cut sapphires, to a further graduated old European-cut diamond surround and old single-cut diamond shoulders, within millegrain setting, diamonds approximately 2.30cts total, within fitted case, ring size L¼
Lot 88
A RUBY, CULTURED PEARL, SAPPHIRE AND DIAMOND SAUTOIR NECKLACEDesigned as a detachable ruby bead tassel with cultured pearl terminals, from a cultured pearl and brilliant-cut diamond surmount, suspending from a fancy-link chain, interspersed with colourless sapphires and ruby beads, mounted in 18K gold, pendant length 9.3cm, necklace length 91.5cm
Lot 98
A SAPPHIRE AND DIAMOND DRESS RINGThe octagonal-shaped sapphire weighing approximately 16.30cts, within a four-claw setting, pavé-set with brilliant-cut diamond shoulders and gallery, mounted in platinum, ring size K¾ Accompanied by a report from GCS laboratory stating that the sapphire weighing approximately 16.30cts is natural, of Madagascan origin, with no indications of heat treatment. Report number 80240-60, dated November 7th 2019
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137103 item(s)/page