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An early 20th Century alphabetical and numerical sampler, dated 1903, worked in red thread on a white canvas ground, together with a collection of whitework, including single and double size sheets, a pair of double size cotton bedspreads, a drawn thread linen tablecloth and a pair of polychrome curtains.
A Victorian needlework sampler worked by Kate Setterfield, 1879, aged 22, worked in coloured silks with alphabet, numbers and religious verse (apparently incomplete), the lower section worked with a peacock, elephant, birds and flowers, on linen ground, 25ins x 16.75ins, in grained wood and gilt frame and glazed
A George III “Adam and Eve” needlework sampler worked by Harriet Wake, aged 14, 1820, worked with standing figures of Adam and Eve beneath a flowering tree, two handled urns, baskets of flowers, trees and verse, on coarse linen ground, 16ins x 14.25ins (somewhat faded), in rosewood frame and glazed, , and a Victorian needlework sampler worked by Agnes Ballock with alphabet and numbers, on coarse linen ground, 16.25ins x 8ins (somewhat damaged and discoloured), framed and glazed
A George IV needlework sampler worked by Sarah Ann Parlett, dated 1824, worked in coloured silks with a central stag flanked by birds on flowering trees, birds on floral branches, animals, insects and bold floral and leaf ornament, on fine woollen ground, 16.25ins x 12.75ins, in oak frame and glazed
A Sailor's Sampler, set with a portrait photograph of a sailor on a ground embroidered with the flags of the British Allies, below the inscription "In Memory of My Cruise in China", framed; a Second World War "Salute the Soldier Week" poster; a Tribute of Honour presented by Sunderland Town Council; six various officer's commissions. (9)
Cresset Press. Elinor Barley, by Sylvia Townsend Warner, with Illustrations in Drypoint by I.R. Hodgkins, 1930, frontis. & four plts., t.e.g., remainder uncut, orig. qtr. vellum, 8vo, in orig. slipcase, together with Fry (Roger), A Sampler of Castile, pub. Leonard and Virginia Woolf, Hogarth Press, Richmond, 1923, b & w plts., edges rough trimmed, orig. boards, cloth spine strip, 4to (2)
A silk on linen Sampler worked by "Eliza Pagdin, October 26th, aged 8 years" circa 1840" God is in Heaven May I pray/ To go there when I die?/ Yes love him seek him and one day/ He'll call thee to the sky", and "As fruits reward the labouring year, so learning crowns the scholars care", with flowers trees, windmills and baskets, alphabets and numbers, faded, 16 1/2 x 16in framed.
A fine and rare embroidered ‘shorthand’ sampler by Margaret Griffith probably Welsh dated 1834 worked in twisted silks on a beige gauze ground with central manor house with curving path leading to a lawn with giant peacock and outsized dove prowling lion a lioness and her cubs a top-hatted gentleman stands at the gate and admires an elegant lady in blue gown with small Welsh bonnet hair-comb ringlets or veil elaborate gates and tiled paths with fruiting arbours each with perching squirrel within scrolling long and short stitch border of brown and cream roses and deep green foliage the central tablet embroidered in black silks with two verses from the New Testament John VI 27 and 2.Corinthians V 10 49 by 58cm 19 by 23in. This sampler is unusual for its size and extra-ordinarily ambitious and entertaining design. The brown wool gauze ground is also rare.

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21591 item(s)/page