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19th Century Sampler, Worked by Mary Hodgson, Dated Dec 21 1820, Stockton, the lower worked with a large house flanked by two blossom trees and white fences, the upper with a white urn containing an arrangement of flowers, further flowers and trees either side together with two small squirrels and birds, alphabet above, all contained within a foliate border, 32cm by 25cm
19th Century Sampler, Worked by Harriet Humpage, worked centrally with dense needlework of a shepherd and lady beneath a tree, flock in the foreground and house in the background, surrounds by various trees and urns of colourful flowers, the lower with a vibrantly coloured peacock and butterflies, the upper section with alphabet and religious verses, 44.5cm by 31cm
19th Century School Sampler, Worked by Martha Barbett, Aged 11, Dated 1836, depicting Tilston Church, Tilston National School and another building (probably also Tilston School), the remainder of the needlework featuring religious verse, flowers, trees, butterflies, crowns, birds, various other animals and a shepherd, all contained within a foliate border, 59cm by 51cm
Late 19th Century European White Cotton Darning Sampler, split into 15 squares and a rectangle, worked in red thread depicting fourteen differing designs, signed Marie Perrin 1880, mounted on a red fabric backing cloth and framed, actual size of sampler 18cm by 19cm. some brown staining overall, black ink stain, and some wear.
18th Century Sampler by Mary Jones Born February 15 1729, worked in a band format in coloured silk threads with a religious verse, decorative hem to the bottom edge with diamond shapes and branches of white flowers, in a later oak frame, 27cm by 28.5cm. very slight discolouration overall, possibly a circular stain to the centre near the top, or could be that the sampler just needs mounting properly.
Late 17th Century Band Sampler, worked by 'Mary Sqvire Is My Name I Was 7 Year Old When I Wrought The Same - The Year Of Our Lord Gord 1692', with three panels of stylised flowers in peach, blue and green, some raised details, charmingly her 'S' and 'Q' are back to front, in a later gilt frame, 20cm by 41cm. Hole to the bottom white flower head. Staining to the backing cloth, some threads faded and worn, general wear
Early 19th Century Sampler Depicting Noseley Hall, the 'Seat of Sir Arthor Heazelrigs, Leicestershire', with a large central cross stitched depiction of the Hall, vibrant green grass below incorporates a white path, and variety of animals standing on the top, religious verse to the upper half worked in black, surrounded by floral motifs, worked by Mary Gascoigne in her 8th year, later pine frame, 58cm by 44cm; together with the embroidered title for the sampler (2) Noseley Hall has been the seat of the Hazlerigg family since 1419. Sir Arthur Grey Hazlerigg inherited the title at the age of 7 in 1819, which could be the Sir Arthur that Mary refers to. Some discolouration to the backing cloth, especially around the black lettering. several small holes/patches of wear, some wear overall.
18th Century Needlework / Sampler, Worked by Mary Ann Charlesworth, Aged 10, Dated 1784, the central light brown linen ground worked with an alphabet and religious verse, surrounded by various embroidered flowers and thistles, with a mount covered with earlier cream silk, embroidered with similar style flowers and leaves in greens, pinks, yellows and blues, in a later wooden frame, 51cm by 39cm
20th Century map sampler of England, depicting the English and Welsh counties, within a cream silk Greek key border, modern frame, 41cm by 49cm; cross-stitch worked in punched card religious verse by Ann Eliza Percy 1869, in a gilt frame, 30cm by 26cm; small sampler with red central house flanked by two ladies in blue dresses, 'When this you see remember me', 23cm by 23cm, later frame (3)

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21591 item(s)/page