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A late 18th century sampler, decorated with flower samples, the border with interlaced flowers, "Jesus permit thy gracious name to stand, as the first effort of an infant hand, and while her fingers on this canvas move, engage her tender thoughts to seek thy love, with thy dear children let her have a part, and write thy name thyself upon her heart", by Hannah Shearman, 1799, Aged 11 years, 36 x 31cm CONDITION REPORT: Overall condition is good, colours are still quite bright, no obvious holes or repairs
EARLY VICTORIAN NEEDLEWORK SAMPLER DATED 1841 rectangular, worked with a verse, flower vases, a pair of girls, birds, and insects above a large building, date and further verse 'WHEN THIS YOU SEE REMEMBER ME', in a later glazed maple frame (Dimensions: 43.5cm x 29.5cm)(43.5cm x 29.5cm)Footnote: Provenance : The Estate of the Late Dr. Virginia Glenn
Victorian woolwork sampler, by Mary Ann Wilson, Falkland School, Aged 12, 1855, with alphabet and number bands and scattered animal motifs, about large depiction of red brick building, in meander foliate border, 42 x 39cm, in period glazed wooden frame, together with a William IV sampler signed Maria Martin, aged 10, 1835, another 19th century sampler. (3)
Pink Floyd / Solo 12" Singles, twelve Pink Floyd and Solo 12" singles including Demos and Limited Editions and with titles including One Slip (Poster sleeve), On The Turning Away (Poster sleeve), Money (Pink Vinyl Demo), Selections from 'The Final Cut' (Demo), Run Like Hell (Demo), Delicate Sound of Thunder (3 Track Sampler), Not Now John and more - various conditions but largely Excellent
BEE GEES - UNRELEASED ACETATE LP - 'THE BEE GEES FIRST' SESSION - 9 TRACK SAMPLER (1967 IBC STUDIOS). Incredible to uncover 1967 demo acetate LP from the Bee Gees. Recorded at I.B.C. studios in March 1967, many of the songs would go on to feature on the band's third studio album 'The Bee Gees First'. All songs on the record are effectively demos and are all different to the final 'studio' recordings. The tracks were recorded in the very early sessions (likely dating from 7th to 13th March) - the additional orchestration was only added later on. The track listing is as follows: (Side 1) - Red Chair Fade Away, Turn Of The Century, House Of Lords, Mr Waller's Wailing Wall, I Close My Eyes, One Minute Woman and All Around My Clock, (Side 2) I've Got To Learn and Cucumber Castle. The acetate LP is graded as G. There are many surface marks to both sides with some light scratches too. The whole recording can be listened to and enjoyed with surface noise typically of a moderate level with occasionally a couple of small skips. A very special listen throughout, you are instantly taken back at the stripped back nature of the tracks - for us most notable on the track 'House Of Lords'; this track only released much later and remastered, this original version is without strings and instead at a higher tempo with semi-acoustic guitar backing, stylistically a complete 'Mod dancer!' A true piece of history. Consigned by Philip Dennys who has had an illustrious career in writing and arranging; a letter of provenance can be provided. More information on these 1967 sessions can be found here: http://www.columbia.edu/~brennan/bee gees/67.html.
TWO 19THC SAMPLERS including an embroidered sampler with various letters and numbers in rows, marked at the bottom Emma Louise Hobson, 1838, and mounted in a modern frame. Also with another sampler, also embroidered with lines of letters and numbers, dated 1836 (name difficult to read), some wear in places and also in a modern frame. Hobson sampler 40cms by 25cms. (2)
19THC SAMPLER - 1828 the sampler embroidered with a verse in the centre, with a border of flowers and Birds. Marked under the verse, Susanna Blake, Finished March 28, 1828, mounted in a maple frame and with the remains of an original frame label on the back (S Jennings, Carver and Gilder). Sampler 38cms by 34cms
19THC SAMPLER - 1848 a Victorian sampler embroidered with rows of letters and numbers to the top section, with a verse to the bottom section and marked S Jane Palmer, Aged 7, May 30, 1848 (mounted in a modern frame). Also with small square sampler, marked for Kate Heal?, Age 15, Middlezoy School. 1848 sampler 34cms square. (2)
19THC SAMPLERS including a large square unframed sampler by Edith Beard, Aged 12 yrs 10 months, embroidered with a temple at the centre, various animals and flowers and a verse from the bible. Also with 5 other smaller unframed samplers (some by Emily Sheldon and Helen Rawson), and an embroidered picture. Large sampler 65cms square. (6) *Emily Sheldon, Helen Rawson and Edith Beard were all pupils of Rawson's Infant School and Ecclesfield School in Yorkshire. Helen was one of the Rawson's of Ecclesfield, and all the girls were born in Ecclesfield around 1875-1880.
An early 19th Century linen and silk sampler of Thomas Telford's Menai Bridge with steam paddle ship and other sailing vessels, figures on the bridge, the bottom pane reads; "Extreme length from the fastening on the rock 17"4 ft, height of the roadway from high water mark 100 ft", by Mary Parry her work aged 12, dated 1833, 42.5 cms x 64 cms approx

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21592 item(s)/page