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A library of flowers perfume sampler set and a TF lipstick

A William IV needlework sampler with central text above a church surrounded by birds, shrubs, flowers and insects, by Mary Ann Rich, July 18 1836, 41 x 31.5cm.

*Please note, all starred lots are sold at no reserve.*A 19th century needlework sampler decorated with figures, buildings and various dates from 1813-1845, 27 x 31cm.

Antique small sampler study of house with birds / animals (21cm x 11cm) t/w antique sampler (45cm x 42cm)

A FRAMED AND GLAZED 19TH CENTURY SAMPLER

GEORGIAN SAMPLER - MARY BELL 1826, framed and glazed, 37 x 31 cm

A 19TH CENTURY SAMPLER - CLARA JANE WEDGCOCK 1866, framed and glazed, 39 x 29 cm

GEORGE III SEWN SAMPLER, CIRCA 1819 framed and under glass42cm x 33cm overall

18th CENTURY NEEDLEWORK SAMPLER, by Betty Bowes, dated 1768, 43cm x 20cm

A GEORGE III SAMPLER worked by Sarah Stacy in coloured wool on a coarse weave with upper and lower case alphabet, a moralistic verse, two trees of life and various flora and fauna within a stylised tuip border, Sarah 'Finished this sampler in the ninth year of her age, May 25th 1792', 12 1/2" x 12", glazed bird's eye maple frame (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Very faded and some discolouration. Small hole bottom right near to tree

Two wool samplers and a silk muslin floral picture, gathered silk muslin and embroidered flower picture on black ground, in original Birdseye maple frame —19 ½in. (49.5cm.) high; a sampler by Christian Fear Hawkins with house, trees, man and animals and a smaller alphabet by the same hand, framed

A 19th century dolls’ house china Frozen Charlotte in sewing sampler robe, with black painted and moulded hair, rosy cheeks and arms held out in front, in finely made robe embroidered in green, possibly a school sampler used to demonstrate different sewing skills —7 ¼in. (18.5cm.) high (slightly discoloured and slight marks to front of robe)

Two 19th century samplers, a wool sampler on coarse woven back by Mary Jane Brisley, aged 11, 1850 featuring temple with doves, two flower urns, alphabet and numbers, in original oak frame —20in. (51cm.) high; and a smaller sampler on card listing the six members of the Searle family from Henary 1818 to Penny 1844, in gilt frame

A late 19th century school sampler, by Maud Fuller, Shelburn Villa, (16), Bath with two sets of alphabets and numbers embroidered in dark red on a white linen rectangle with sample stitch work and circular ink stamp ‘The Girls Own ?????? Prize’, in black frame —13 ¾in. (35cm.) high

A 1847 sampler by Mary Anne Whiles, embroidered on linen with recumbent lion, ‘When I appear in yonder cloud, With all the favoured throng,Then will I sing more sweet (loud - an additional stitched correction) more, And Christ shall be our song’ and in memory of Sarah the Wife of John Grittiths, died 1839 aged 86 and floral surround, original frame and glazing —24in. (61cm.) high

An  18th century glass messotint, by John Smith, Hunting, 25.5cm x 35.5cm;  a 19th century mahogany Vauxhall style mirror, 58cm x 35cm;   a needlework sampler, embroidered by A Water, 12, with alphabet, 20cm x 25cm, framed

LIBRARY - LP PACK. A quality selection of 9 library LPs. Composers/ titles include Les Baxter - Bugaloo In Brazil (KPM 1070), Alan Hawkshaw/ Keith Mansfield - Soul Organ Showcase (KPM 1027), Keith Mansfield - Contempo (KPM 1188), H. Flowers/ B. Morgan - Bass Guitar And Percussion (KPM 1088), Various - Setting The Scene: From The Vaults of KPM (GAP 029-DLP), Activity/ Travel - Dramatic (ESL 134), Various - Le Jazzbeat! (JMANLP002), Various - Bite Hard: The Music De Wolfe Studio Sampler 1972-80 (BBE LP010) and Recorded Music For Film, Radio & Television (SBH 3061). Condition is generally VG+ to Ex+.

INDIE/ ALT - LP WHITE LABEL TEST PRESSINGS (STRANGE FRUIT PEEL SESSIONS). Another glorious selection of 9 LPs, all white label test pressing Peel Session releases from Strange Sfruit. Artists include Happy Mondays (SFP5077), The Only Ones (SFRLP102, includes A4 release sheet), The Ruts (SFRLP109), Doom (SFPMA203), Gary Numan/ Tubeway Army (SFPMA202), FSK (SFPMA204), Various - The Peel Sessions-The Sampler (SFRLP100), Various - 21 Years Of Alternative Radio 1 (SFRLP200, double LP). All ex-distribution stock, generally in Ex+/ likely unplayed condition.

19th Century embroidery sampler representing the seasons. Spring / Summer / Autumn / Winter. Sampler reads: “Thro’ Sun and Shadow, Our Journey Goes, No Night So Dark, But One Star Glows, No Grief Can Last Forever, Beneath the Snows, We May be Certain, Smiles the Rose”. Framed and glazed. 33cm x 29cm

A Victorian alphabet sampler, dated 1873, overall 37 cm x 33 cm.

Needlepoint sampler signed B.R. October 1923, 43 x 54cm, gilt framedIn good condition, no damages

Edwardian needlepoint sampler, worked by Maggie E Black, Palnackie 1906, with stitched alphabets above, later framed and glazed, 59cm x 36cm.

A 19th Century sampler

Early Victorian framed sampler Elizabeth Mosley, aged 9 years, 33 x 29cm frame size.

Small Victorian framed sampler by Sarah age 6, 24 x 28cm in frame.

An early Victorian rosewood framed sampler, Mary Cumberbirch Work 1848, 43 x 40cm frame.

18th century framed sampler Wrought by Sarah Collier, 35 x 42cm in frame.

Early 19th century framed family sampler The Hartley Family, 48 x 49cm in frame.

An 18th century needlework sampler, performed by Elizabeth Herman, aged 10, 1843, reciting 'Christ's Second Coming' passage and detailed with country house, trees, flower baskets, windmill, church, and intricate decorative floral border, showing high level of skill and accomplishment in needlework. Tear to the centre of the fabric, framed in rosewood with glass pane, reverse backing has been secured with tape. 22.5x25.5'.

A 18th century needlework sampler, performed by Mary Elizabeth Hartley, aged 13, in 1842, details an excerpt from the Bible bordered within rows of cross-stitch patterns. Darkened in colour throughout due to age, framed in wood and glass. 15.5x16.5'.

A 19th century sampler by 'Hariet Elizabeth Long Aged 11 Years', featuring the alphabet both upper and lower case, baskets of flowers, rose buds and birds within a tree, 32cm x 28cm, within burr wood frame CONDITION REPORTS & PAYMENT DETAILS IMPORTANT*  Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  All payments MUST be electronic

Three framed 19th century petit point and beaded panels, and a sampler dated June 1877, 37.5cm x 26.5cm, housed in birdseye maple frame CONDITION REPORTS & PAYMENT DETAILS IMPORTANT*  Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  All payments MUST be electronic

A Victorian sampler by Alice ? Blundell Street Board School Hull 26cm x 30 cm, together with a map of Kingston upon Hull with the Environs published by Edward Baines 1823.

A 19thC cross stitch sampler dated 1890 in the name of Mary Jane Smith, frame 49cm x 47cm.

A 19thC sampler by Isabella Cuthbertson Aged 11 1859, in a decorative contemporary frame, 41 x 28cm, together with a 19thC wool work tapestry, 26.5 x 27cm.

19th Century Burr Walnut Hinged Jewellery Box with brass mounts, velvet lined with two fitted lift out trays, inscribed 'Flora Macdonald', 30cm by 22cm by 11.5cm,19th Century Alphabet Sampler Worked by M Aged 8, handwritten to the reverse,'sewed by Mary Ayra as a child of 8' 'Nurse for 50 years at Drum & Straloch, died Feb 19, buried at The Chapel of St Marys, Straloch', 18cm by 33cm, later framed,(2)Property of the Late Robert Bogdan, Aberdeenshire

Alphabet Sampler Worked by Elizabeth Dern Aged 12, 1799 designed in four bands, with verse worked in red stitches to the top, followed by images of three figures nailed to the cross with Jesus in the centre, flanked by figures in long coloured robes, 'Nail'd to the shameful tree, to bleed and die for thee', the third band depicts a running hare and stag, peacock and dog amongst three decorative trees, two are flowering, various coloured birds, showing day to the left side and night to the right, lower band reveals flowering plants and baskets of flowers followed by the child's name and verse below, within a stitched zig zag frame and floral border, framed, 53cm by 64cm

Circa 17th Century Embroidery, depicting a central female figure in a blue, yellow and red robe, with long curly hair, holding flowers, beneath a sunshine, flanked by decorative woven floral motifs, birds, swan, snails, rabbits, butterflies, caterpillars, lion, tiger, stag, mounted onto a cream silk backing cloth within a silk trimmed border, 44cm by 33.5cm, in a later gilt frame 58cm by 48cmPrivate Sampler CollectionCouple of small holes overall and several stitched repairs of various sizes overall, discolouration around the flowers being held, tiny brown spotting overall - see extra images.

Embroidered Map Sampler of Europe Worked by Ann Sprott, Aged 9 years, Dated 1839, E Andersons School, the cross-stitch map worked within a central cartouche, the surround is embroidered in coloured silks with thisltles and rose heads, in a later painted frame, 66cm by 60cmPrivate Sampler CollectionNo holes, mainly discolouration to the backing cloth especially to the map area and corners, some of the threads faded and worn.

Two Late 18th Century Embroidered Birds, worked in coloured silks on cream silk with hand stitched quilted diamonds, both in oak frames, 15cm square and 16cm square, possibly cut from silk bed drapes Private Sampler Collection

Alphabet and Verse Sampler Intialled SR and Dated 1751, worked in bands incorporating coloured threads and decorative flower heads to the upper part, other motifs include trees, hearts, dogs, lions, in a maple frame, 27cm by 51.5cm

An Alphabet Sampler worked by Anne Mitchell dated 1830, comprising alphabet and religious verses, decorative motifs include windmills, flowers, plants in baskets, trees, birds, anchors, swans, etc, incorporating coloured silk threads within a floral border, and a maple frame, 40cm x 47.5cmSlight discolouration mainly around the borders, holes to the right hand side of the first verse, some slight areas of wear to the bottom border, and slight wear overall

A Collection of Five Miniature Samplers by Caren Garfen including the alphabet, snippets from hymns and small slogan designs, all in wooden frames with gold painted trim, and another miniature alphabet sampler by Elizabeth Leslie in wooden frame

A WILLIAM IV SAMPLER, WORKED BY MARY SMITH, DATED 1836 the upper part worked with two sets of letters flanked by putti in cartouches, with foliate borders between, the lower section with a moralistic text above a house flanked by trees and further stylised foliage inhabited by a variety of birds and animals and a signature panel reading: Mary Smith, Aged 13 years, 1836, 30 x 28.5cm within a glazed satin birch frame 39.5 x 38cm overall

Royal Worcester tea wares together with a sampler print.

A George III 18th century History of England silkwork needlework sampler. The sampler having a central circular map of England encircled by British monarchy family trees. Ribboned in blue including the accession dates of kings and queens commencing with Britain's first inhabitants and ending at George III 1760. Framed & glazed in gilt wood frame with black & gilt painted framing glass. Measures approx. 56cm x 61cm including frame.Some tear to silk with some light damage commensurate with age.

A Victorian needlework sampler dated 1860, worked by Charlotte Cottis, aged eleven years, depicting a gothic alphabet above a verse, framed and glazed, 34.5cm x 36cm overall

A William IV needlework sampler, by Ann Clay, 1834, When we devote our youth to god ‘it’s pleasing in his eyes, a flower, when offer’s in the bud, is no vain sacrifice, 42cm x 54cm

A George III Silk work map sampler, England and Wales, worked by S Bellott, dated 1784, approx 59cm x 47cm, later framed and glazed

A Victorian needlework poetic and pictorial sampler, How shall the young reserve their ways [...], signed Annie Scarsbrooke, Berkswell School, 1881, 40cm x 34cm

A Victorian woolwork pictorial sampler, Sacred to the memory of Ann Silcock […], signed Mary Ann Blair, 40cm x 38cm; another, In memory of the children of Joseph and Ann Bowker […] (2)

A miniature sampler pin card, the upper case alphabet in brown, some mothing, the reverse in blue silk, 5 x 3.4cms.                                     From a Connoisseur's Collection

An attractive sampler 'Ann Dunham', circa 1800, worked with flowering branches and jardinieres, birds, birds in branches, black sheep and a house within a floral zig zag border, a few small moth nips, 40 x 35cms in Hogarth style frame.

An attractive sampler 'Mary Berry Aged 12 years', circa 1820, worked with a verse 'Behold the labour of my tender age …..', flanked by trees and angels over crowns, flowering jardinieres, turrets, birds, a house, and flowering branches, within a zig zag floral border, a few small moth nips, staining to top left of border and edges in places, in a later glazed oak frame, 47 x 38cms.

A sampler 'Mary Martnoll, Swymbridge, August 5th 1811', worked in wool with a verse 'To my Ever Honoured Parents - On this fair Worstered does my needle write …..', over flowering jardinieres within a zig zag strawberry border, slight colour run, in a glazed modern frame, 36 x 30.5cms.

An attractive sampler 'Catherine Noon Aged 18 years 1841', worked in silk and wool with lyre flanked by branches and birds over alphabets and numerals over a verse within trailing floral branches over a tied ribbon, a few moth nips, in a glazed modern frame, 37.5 x 31.5cms.

Two wool work spot samplers and a cotton educational 'dress' form sampler, comprising a spot sampler named for 'Alice Marquis', 40 x 38cms, another 44 x 11cms, the dress form cotton sample piece initialled 'E', 34 x 41cms max.      (3)                                     From the collection of Sally French-Greenslade

Buttons reference books, including:     Hughes(E) and Lester(M), The Big Book Of Buttons, 1st Edition, 1981, signed by both authors, blue cloth.     Squire(G), Livery Buttons, The Pitt Collection, 1st Edition, 1976, d.w.     Ertell(V.B.), The Colourful World of Buttons, 1st Edition, 1973, signed by the author, d.w.     Forggatt(D.J.), Railway Buttons, Badges and Uniforms, 1st Edition, 1986, d.w.     Brow(D.F.), Button Parade, n.d., soft covers      Schiff(S.O.), Buttons: Art in Miniature, 1st Edition, 1979, d.w.     Hook(G), The Birmingham Pearlies, n.d. soft covers     Albert(L.S.) and Adams(J.F.), The Button Sampler, 1st Edition, 1951, d.w.     Epstein(D), Collectors Blue Books Buttons, 1st Edition, 1968, d.w.      (9)                                      From the collection of the late Jackie Cole

An attractive sampler 'Hannah Fitt, Aged 14 Years', undated, circa 1830, worked with alphabets and numerals over a verse and vignettes of deer, animals and houses within floral spandrils, a few small moth nips, 31 x 29cms, in a glazed period frame.

A scarce 17th Century white work band sampler, named and dated 'Mary Youlle 1668', incorporating drawn-work, cutwork and needle point lace in geometric patterns and formal bands, lower section below the name and date unworked, 76 x 23.5cms.                                                                                                  † For similar samplers see The Met, Accession Number 57.122.369 and 57.122.379.                                     From the collection of Sally French-Greenslade