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Preisdatenbank abonnierenBang and Olufsen: a pair of Type No. 6621 Beolab Penta Active Loudspeakers (1988) and Bang & Olufsen Beosound 9000 CD player, with transformer. This type of speaker was manufactured between 1986-2000 and designed by Lone and Gideon Lindinger-Loewy. These speakers are in Aluminium and Grey. H.164 W.30cm
Sir Edward John Poynter, PRA, RWS (British, 1836-1919)The Cup of Tantalus oil on canvas113 x 75cm (44 1/2 x 29 1/2in).Footnotes:ProvenancePrivate collection, Canada.ExhibitedLondon, Royal Academy, 1905, no. 222.Literature'Second Show Sunday: Academicians and Associates', The Morning Post, 3 April 1905, p. 5.'Art', Nottingham Daily Express, 4 April 1905, p. 4.'The Royal Academy Exhibition', Edinburgh Evening News, 29 April 1905, p. 6.'The Royal Academy: Summer Exhibition: Private View', The Morning Post, 29 April 1905, pp. 7–8.'The Royal Academy Exhibition', The Scotsman, 29 April 1905, p. 9.'The Royal Academy (First Notice)', The Times, 29 April 1905, p. 14Marion Harry Spielmann, Royal Academy Pictures 1905, London, 1905, part 1, p. ii.'Fine Arts: The Royal Academy (First Notice)', Athenaeum, 6 May 1905, pp. 567–68.O. M. H., 'The Royal Academy (First Notice)', Black and White, 6 May 1905, pp. 629–32.'The Royal Academy', Country Life, 6 May 1905, pp. 619–20.'The Royal Academy, 1905', The Graphic, 6 May 1905, p. 1.W. M., 'The Royal Academy: l', Illustrated London News, 6 May 1905, p.648.F. J. M., 'The Royal Academy: I', The Speaker, 6 May 1905, pp. 141–42.'The World of Art: [Royal] Academy—Second Notice', The Queen, 13 May 1905, p. 751.'The Royal Academy', The Times of India [Mumbai], 20 May 1905, p. 12.'Royal Academy: Third Notice', The Daily Telegraph, 29 May 1905, p. 11.A. C. R. Carter, 'The Royal Academy', The Art Journal, June 1905, pp. 165–76.A. L. Baldry, 'The Royal Academy Exhibition, 1905', The Studio, June 1905, pp. 37–51.'Further Notes on Royal Academy Pictures', The Builder, 3 June 1905, pp. 591–92.B. S., 'Fine Art: The Royal Academy (Second Notice)', The Academy, 17 June 1905, p. 640.L. M. Richter, 'A Last Visit to the Galleries', Westminster Review, August 1905, pp. 191–94.IllustratedM. H. Spielmann, Royal Academy Pictures 1905, London 1905, part 1, frontispiece.'Royal Academy Pictures, 1905', The Sketch, 3 May 1905, p. 3.O. M. H., 'The Royal Academy (First Notice)', Black and White, 6 May 1905, p. 629.'Pictures from the Royal Academy: Representative Works', Illustrated London News, 6 May 1905, p. i.'The Royal Academy, 1905', The Graphic, 6 May 1905, p. 2.R. B. L. S., 'Special Supplement to 'The Sphere': The Royal Academy Exhibition Summer, 1905', The Sphere, 6 May 1905, p. i.A. C. R. Carter, 'The Royal Academy', The Art Journal, June 1905, p. 167.'As the Fruit and the Water that Retreated before Tantalus', Illustrated London News, 18 June 1910, p. 984.The Cup of Tantalus is the largest of four works by Poynter shown at the Royal Academy of Arts in 1905; the others were a female portrait and two landscape watercolours, A Surrey Chalk-pit and Autumn Leaves. He had until recently jointly held the positions of President of the Royal Academy and Director of the National Gallery, London. He had resigned from the latter in 1904. The present work makes a playful allusion to the ancient Greek myth of Tantalus, the legendary king of Lydia. He was condemned to the underworld of Hades and made to stand up to his chin in a pool water, but only to have the water recede each time he attempted to drink. Here, Poynter has set the myth in the lavish garden of the Villa d'Este on Lake Como, Italy where he frequently visited. One of the two female figures above a fountain stretches down to reach a cup held up from below by a companion on tiptoe, but it is almost out of reach. The critic from the Edinburgh Evening News thought the stretching companion on the left a 'beautifully drawn figure, lithe and graceful.' One of Poynter's many drawings for this figure was reproduced full-page in the book of his drawings by Malcolm Bell, published in 1905.1 Italy had recently inspired the subject of two watercolours from 1898 by Poynter, Isola San Giulio, Lago d'Orta (Yale Center for British Art, New Haven), and The Approaching Storm, Lake of Orta (British Museum, London).The painting was first shown to the press and critics in the weeks leading to the opening of the Royal Academy Summer Exhibition on 1 May 1905. This was in the studio at his home on The Avenue, Fulham Road, Chelsea. Critics from across the country wrote up the picture for their readers eager to learn what the head of the institution would submit. The picture was regarded as his most important submission into which Poynter, stated the Nottingham Daily Express, had 'woven some exquisite scenic surroundings.' Indeed, it was the landscape of the genre picture that was most admired. The critic of The Builder noted that the work was 'full of little incidents—the flecking of sunlight through the trees, the distant city on a hill, seen across the bay.' Poynter had long painted works that combined archaeological artefacts from the historical record (usually in museums) with anecdotal incident, to form historical genre subjects, and continued to produce these into the twentieth century. In The Cup of Tantalus he was considered 'at his best' in this usual vein (thought the Illustrated London News), and the work was shown in the same gallery as Lawrence Alma-Tadema's The Finding of Moses (1904; Private Collection). Despite the essentially playful aspect of the work, it does incorporate a portion of a bas-relief from the Villa Quintiliana in Rome, which the artist knew in the British Museum and which he had 'inserted' as a focus for the composition, and in keeping with the title's allusion to mythology. The marble bas-relief depicting a Bacchic procession, and dating to around AD 100, was part of the celebrated Townley Collection, and had been in Bloomsbury since 1805.2 Poynter was familiar with many aspects of the rich and extensive archaeological collections of the British Museum. Carter, writing in The Art Journal, admired Poynter's 'erudition, research and connoisseurship' evidenced in the work and the study he must have undertaken at resources like the British Museum. Poynter, in common with other artists of his generation such as Leighton and Alma-Tadema, often adapted archaeological artefacts by re-configuring their meaning and context. It was their incorporation and 'use' that was important and gendered added interest. Indeed, the critic from The Queen thought Poynter was 'scholarly as ever.'The early history of the painting is both fascinating and remarkable, and evidence of the continued influence and agency of art unions into the twentieth century. The picture was sold from Poynter's studio during its first public viewing in the weeks before its debut at the Royal Academy. On 18 April 1905 it was purchased by the newspaper News of the World for 600 guineas. It subsequently organised a nationwide campaign, through the National Art Union, for the competition for various art prizes, the first prize of which was the present lot. Coupons were collected by avid readers of the News of the World between 23 April and 6 August 1905.3 Advertisements for the competition were printed in the regional press, including Birmingham Daily Mail, Liverpool Echo, and Yorkshire Evening Post. The winner of the first prize was a bricklayer, Charles Henry Tuck, from Crowborough, Sussex.1M. Bell, Drawings of Sir E. J. Poynter, Bart., PRA, 1905, plate 19.2British Museum, London (GR 1805,0703.128).3The Daily Telegraph, 22 April 1905, p. 3.We are grateful to Dr. Donato Esposito for compiling this catalogue entry.... This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Royal Doulton parrot speaker cover,c.1927, designed by Charles Noke, manufactured for Artandia Ltd., modelled as a cockatoo perched on a stone mound, printed marks, 39cm highThroughout the 1920s, Artandia Ltd produced decorative speakers for luxury liners. They were placed around ships and in private cabins to amplify music without the need to install large speakers. Condition ReportCrazing throughout. No obvious chips or losses.
Three Japanese Tin and Plastic battery-operated Automata, Yonezawa Chef with rubber head, card hat, saucepan and steak and bottle of Sauce cooking on a grill (battery compartment with some rust), Alps Rock'n' Roll Monkey with felt face, playing a Guitar with both strings and original Hat, one foot on a Speaker and free standing light up Microphone (battery compartment clean), Alps North American Red Indian playing the Drums (battery compartment a little rusty, contacts clean) F-G, all a bit grubby and require a good clean (3)
A programme for the Friends of Harwich & Parkeston Football Club Sportsman's Dinner, 16th April 1993, signed to the cover by the guest speaker George Best, together with a Felixstowe Town Football Club Fourth Suffolk Sportsman's Dinner programme signed by guest speaker Dennis Law, a 1978 Arsenal v Ipswich Town FA Cup Final programme, a 1978 Ipswich Town v Nottingham Forest Charity Shield Programme with ticket stub and a Wonderful World Of Soccer Stars Picture Stamp Album with contents etc.
Komplettanlage der Serie 7000 und Zubehör von Bang & Olufsen, ab 1992Dänemark, bestehend aus: 1) Beomaster 7000, Radioempfänger und Verstärker, 2 x 110 Watt, 8 Ohm, Steuereinheit für weitere Geräte. - 2) Beogram CD 7000, Compact-Disc-Spieler. - 3) Master Control Panel 5500. - 4) Beolink-Fernbedienung für diese Geräte. - Und: 5) Beolap Penta, 2 Aktivlautsprecher für den Heimbereich, jeweils 4 Tiefmitteltöner, 4 Mitteltöner und ein Hochtöner, Edelstahlgehäuse. - Alle Komponenten funktionieren, Kabel zu den Lautsprechern nicht vorhanden. Start Price: EUR 350 Zustand: (2-3/2)Bang & Olufsen 7000 Series Stereo System and Accessories, 1992 onwardsDenmark, consisting of: 1) Beomaster 7000, radio receiver and amplifier, 2 x 110 watts, 8 ohms, control unit for further components. - 2) Beogram CD 7000, compact-disc player. - 3) Master Control Panel 5500. - 4) Beolink remote control for these units. - And: 5) Beolap Penta, 2 active loudspeaker boxes for home use, with 4 bass-midrange, 4 midrange and one tweeter speaker, stainless steel cabinet. - All components working, cables to the speakers not present. Start Price: EUR 350 Condition: (2-3/2)
4 kleine Grammophone1) "Peter Pan"-Grammophon, England, mit faltbarem Trichter, Öffnung durch Federmechanismus, Peter-Pan-Glimmerschalldose, funktioniert, ohne Kurbel. - 2) "Cameraphone", England, mit Zelluloid-Trichter, Cameraphone-Glimmerschalldose, ungetestet, ohne Kurbel. - 3) Kindergrammophon, unbezeichnet, Holzgehäuse, ungetestet, ohne Kurbel. - Und: 4) "Cremona", mit kleinem Metalltrichter, funktioniert, mit Kurbel. Start Price: EUR 240 Zustand: (3-4/-)4 Small Gramophones1) "Peter Pan", England, with spring-loaded folding speaker, Peter Pan mica reproducer, working, missing crank. - 2) "Cameraphone", England, with celluloid horn, Cameraphone mica reproducer, untested, missing crank. - 3) Toy gramophone, unmarked, wood case, untested, missing crank. - And: 4) "Cremona", with small metal horn, working, with crank. Start Price: EUR 240 Condition: (3-4/-)
4 Radioempfänger1) Deco-Radio Typ American, um 1948, Belgien, 6 Röhren, Wechselstrom, 3 Wellenbereiche, eingebauter Lautsprecher, komplett mit Röhren und Rückwand. - 2) Arco Typ 506, um 1938, Frankreich, 4 Röhren, Netzbetrieb, eingebauter Lautsprecher, mit Röhren, ohne Rückwand. - 3) Echo 555, um 1936, GMR, Georges, Montastier et Rouge, Montrouge, Paris; 5 Röhren, Langwelle und Mittelwelle, Netzbetrieb, eingebauter Lautsprecher, komplett mit Röhren und Rückwand. - Und: 4) Philips Octode Super 522U, um 1934, 5 Röhren, Langwelle und Mittelwelle, Allstromgerät für 110-130 und 200-250 Volt, eingebauter Lautsprecher, komplett mit Röhren und Rückwand. Start Price: EUR 180 Zustand: (3+/-)4 Radio Receivers1) Deco-Radio Type American, c. 1948, Belgium, 6 tubes, AC, 3 wavebands, built-in speaker, complete with tubes and rear panel. - 2) Arco Type 506, c. 1938, France, 4 tubes, mains operation, built-in loudspeaker, with tubes, without rear panel. - 3) Echo 555, c. 1936, GMR, Georges, Montastier et Rouge, Montrouge, Paris; 5 tubes, long wave and medium wave, mains operation, built-in loudspeaker, complete with tubes and rear panel. - And: 4) Philips Octode Super 522U, c. 1934, 5 tubes, long wave and medium wave, all currents, 110-130 and 200-250 volts, built-in speaker, complete with tubes and rear panel. Start Price: EUR 180 Condition: (3+/-)
Radioempfänger Round Ekco A22, 1945Ekco, E.K. Cole Ltd., Southend-on-Sea, England. 4 Röhren, 3 Wellenbereiche, 200-250 Volt Wechselstrom, dynamischer Lautsprecher, rundes Bakelitgehäuse in gutem Zustand, Verdrahtung teilweise lose, komplett mit Röhren und Rückwand. Start Price: EUR 500 Zustand: (3/-)Round Ekco A22 Radio Receiver, 1945Ekco, E.K. Cole Ltd., Southend-on-Sea, England. 4 tubes, 3 wave ranges, 200-250 volts AC, dynamic speaker, round bakelite case in good condition, wiring partially loose, complete with tubes and rear panel. Start Price: EUR 500 Condition: (3/-)
3 Telefunken-Bakelitradios1) "Kleiner Katzenkopf" Modell 230W, um 1931, Telefunken Deutschland (TFK), 4 Röhren, Langwelle und Mittelwelle, 107-220 Volt Wechselstrom, für externen Lautsprecher, komplett mit Röhren und Rückwand, Bakelitgehäuse in gutem Zustand. - 2) Modell 231W, um 1933, Telefunken Deutschland (TFK), 4 Röhren, Langwelle und Mittelwelle, 110, 125, 150 und 220 Volt Wechselstrom, für externen Lautsprecher, komplett mit Röhren und Rückwand, Bakelitgehäuse mit leichter Beschädigung unten rechts und Reparatur oben links. - Und: 3) Modell 250, um 1932, Telefunken Prag, 3 Röhren, nur Mittelwelle, Netzbetrieb, eingebauter dynamischer Lautsprecher, komplett mit Röhren und Rückwand, Bakelitgehäuse in gutem Zustand. Start Price: EUR 180 Zustand: (3+/-)3 Telefunken Bakelite Radios1) "Small Cat Head" model 230W, c. 1931, Telefunken Germany (TFK), four tubes, long wave and medium wave, 107-220 volts AC, for external loudspeaker, complete with tubes and back panel, bakelite case in good condition. - 2) Model 231W, c. 1933, Telefunken Germany (TFK), four tubes, long wave and medium wave, 110, 125, 150 and 220 volts AC, for external speaker, complete with tubes and back panel, bakelite case with slight damage on lower-right and repair on upper-left sides. - And: 3) Model 250, c. 1932, Telefunken Prague, three tubes, medium wave only, mains operation, built-in dynamic loudspeaker, complete with tubes and back panel, bakelite case in good condition. Start Price: EUR 180 Condition: (3+/-)
4 Radioempfänger1) Philco 610, 1936, Kanada, 5 Röhren, Mittelwelle und 2 Kurzwellen, 125 Volt Wechselstrom, eingebauter Lautsprecher, komplett mit Röhren, original ohne Rückwand. - 2) Philips 525A, 1935, Belgien, 6 Röhren, Mittelwelle und Langwelle, 110-240 Volt Wechselstrom, eingebauter Lautsprecher, komplett mit Röhren und Rückwand. - 3) Modell 315, um 1936, Frankreich, Hersteller vermutlich Donix, 1 Röhre fehlt, Netzbetrieb, eingebauter Lautsprecher, komplett mit Rückwand. - Und: 4) Centurion 1014, 1935, USA, Crosley Radio, 10 Röhren, Langwelle, Mittelwelle, mehrere Kurzwellenbänder plus UKW (FM), 95-265 Volt Wechselstrom, dynamischer Lautsprecher, komplett mit Röhren, original ohne Rückwand. Start Price: EUR 180 Zustand: (3/-)4 Radio Receivers1) Philco 610, 1936, Canada, 5 tubes, medium wave and 2 short-wave bands, 125 volts AC, built-in loudspeaker, complete with tubes, without rear panel as supplied. - 2) Philips 525A, 1935, Belgium, 6 tubes, medium wave and long wave, 110-240 volts AC, built-in speaker, complete with tubes and rear panel. - 3) Model 315, c. 1936, France, probably Donix, 1 tube missing, mains operation, built-in loudspeaker, complete with rear panel. - And: 4) Centurion 1014, 1935, USA, Crosley Radio, 10 tubes, long wave, medium wave, several short-wave bands plus VHF (FM), 95-265 volts AC, dynamic loudspeaker, complete with tubes, without rear panel as supplied. Start Price: EUR 180 Condition: (3/-)
3 Radios mit eingebautem Plattenspieler1) HMV Type 1322, um 1955, His Master's Voice, England, Langwelle, Mittelwelle und 2 x Kurzwelle, 110-220 Volt Wechselstrom, dynamischer Lautsprecher, magisches Auge, V-M-Plattenwechsler, 3 Geschwindigkeiten, ohne Röhren, mit Rückwand. - 2) Braun 77 UKW Phono, um 1956, Deutschland, 4 Wellenbereiche, Netzbetrieb, 3 Lautsprecher, Plattenspieler mit 3 Geschwindigkeiten, ohne Röhren, mit Rückwand. - Und: 3) Atlantic 27A, 1953, Frankreich, 6 Röhren, Langwelle, Mittelwelle und 2 x Kurzwelle, 110-250 Volt Wechselstrom, dynamischer Lautsprecher, magisches Auge, Plattenspieler mit 4 Geschwindigkeiten, komplett mit Röhren und Rückwand. Start Price: EUR 120 Zustand: (3/-)3 Radios with Integrated Record Players1) HMV Type 1322, c. 1955, His Master's Voice, England, long wave, medium wave and 2 x short wave, 110-220 volts AC, dynamic speaker, magic eye, V-M record changer, 3 speeds, without tubes, with rear panel. - 2) Braun 77 UKW Phono, c. 1956, Germany, 4 wave bands, mains operation, 3 speakers, 3-speed record player, no tubes, with rear panel. - And: 3) Atlantic 27A, 1953, France, 6 tubes, long wave, medium wave and 2 x short wave, 110-250 volts AC, dynamic speaker, magic eye, 4-speed record player, complete with tubes and rear panel. Start Price: EUR 120 Condition: (3/-)
2 Art-déco-Radios in Catalin-Gehäusen, um 19451) DeWald, Modell A-501 Harp, DeWald Radio Mfg. Corp., USA, 5 Röhren, nur Mittelwelle, 105-125 Volt, eingebauter dynamischer Lautsprecher, Unterseite mit Riß, ansonsten kompletter und guter Zustand. - Und: 2) Fada Bullet Radio, Modell 1000, Fada Radio & Electric Co., Long Island (NY), USA, 6 Röhren, nur Mittelwelle, 115 Volt, eingebauter dynamischer Lautsprecher, ein Knopf fehlt, Plastikabdeckung über der Skala beschädigt, Unterseite mit Riß, komplett mit Röhren und Rückwand. Start Price: EUR 140 Zustand: (4/-)2 Art-Deco Radios in Catalin Cases, c. 19451) DeWald, model A-501 Harp, DeWald Radio Mfg. Corp., USA, five tubes, medium wave only, 105-125 volts, built-in dynamic speaker, base cracked, otherwise complete and in good condition. - And: 2) Fada Bullet Radio, model 1000, Fada Radio & Electric Co., Long Island (NY), USA, six tubes, medium wave only, 115 volts, built-in dynamic speaker, one knob missing, plastic cover over dial damaged, based cracked, complete with tubes and back panel. Start Price: EUR 140 Condition: (4/-)
Middlesex, Political and Social series, Lord Thurlow, 1789, (DH219) rev. W. Pitt, in white metal, in Seabys packet with ticket, Intrepid fox rev. Resistless Speaker, (DH223), extremely fine, in Seabys packet with ticket, Revd W Romaine, rev. The Just Shall Live, (DH216), extremely fine, in Seabys packet with ticket, (3)
A collection of HIFI equipment to include a JM Labs Cobalt CC800 centre speaker classic (boxed and unused), a pair of JM Labs Cobalt SR800 rear or side speakers (boxed and unused), a pair of Technics SB-C450 speakers, a Denon DRM-710 stereo cassette tape deck with remote and manual and a Technics ST-G560L stereo tuner with manual.
Original vintage poster – The Rt. Hon. Sir Winston Churchill – with an image reproduced from the original oil painting by Sir Oswald Birley with the kind permission of Lady Birley and the Speaker of the House of Commons, the portrait presents Churchill sitting on a chair resting his hand on a table. Winston Churchill (1874-1965) was a British statesman and soldier who served as a Prime Minister of the United Kingdom from 1940 to 1945 and 1951 to 1955. Fair condition, staining, tears, tape on image, paper loss in top left, pinholes, paper skimming. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1965.
Mixed vintage audio-visual lot comprising tall single JBL speaker, Pioneer multi-CD player including contents of CDs, Pioneer twin tape deck, Pioneer DVD player, Panasonic VHS recorder, Pioneer audio-visual processor & quantity of audio-visual cables. NB crate that cables can be seen in is excludedPlease note this lot is not subject to VAT. The hammer price will still be subject to our buyer's premium, however it is only the buyer's premium that is subject to VATWe have employed the services of a specialist to assist in the lot descriptions, however it is important to note that no descriptions can be warranted and buyers should only bid on items they have inspected to their satisfaction prior to bidding. We do NOT provide condition reports as we are insufficiently expert to comment, our speciality being insolvency, not specific asset classes.Where there are errors in description, however major, no allowances will be made. No consumer rights apply to this sale, which is only suitable for trade buyers. It is a strict condition of sale that successful bidders remove lots in their entirety (after payment has been made). Please factor in the requirement to remove the total contents of any lot when deciding whether to and how much to bid.IMPORTANT NOTICE FOR CUSTOMERS USING STARLING BANK: It appears there is a problem when Starling Bank customers pay for their lots online with Bidspotter/iBidder/The-Saleroom. Our advice is not to use Starling issued cards to pay online until this issue is resolved. Please be aware if you pay with a Starling Bank issued card you may be double charged initially and it can take two weeks or more for the duplicate transaction to be returned.YOU MUST PAY AND COLLECT WITHIN 2 DAYSROBSON KAY DO NOT SHIPYOU MUST PAY AND COLLECT WITHIN 2 DAYSROBSON KAY DO NOT SHIPYOU MUST PAY AND COLLECT WITHIN 2 DAYSROBSON KAY DO NOT SHIPAll Lots located at Robson Kay in Manchester. Goods successfully bid upon must be paid for and collected within 2 daysWE DO NOT ARRANGE DELIVERY NOR DO WE PACKAGE OR LOAD. We do not print labels, provide boxes or seal boxes. We do not provide any kind of shipping or loading servicesIf these rules might pose a problem, DO NOT BIDLate collections incur a penalty, please read our full rules before bidding.Goods paid for, but not collected within one week of the collection deadline, will be treated as abandoned unless agreed in writing with Robson Kay prior. Please remember to inform us if you intend using a carrier, to avoid us disposing of goods you might think have already been collectedLots are SOLD AS SEEN. We DO NOT TEST LotsNO REFUNDS under any circumstances No lots are tested, nor are they guaranteed to work and/or be complete. Our auctions are only considered suitable for trade buyers as there are no rights of consumer protectionNo refunds or cancellations can ever be offered. If you are unhappy with these terms DO NOT BID.
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