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10184 Los(e)/Seite
Los 426
SIR GEORGE HAYTER (BRITISH 1792 - 1871), PORTRAIT OF JOHN EVELYN DENISON oil on board, inscribed label verso image size 33cm x 27cm (oval), overall size 51cm x 43cm Framed. Handwritten label verso. Note: One of the sketches for 'The Meeting of the First Reformed Parliament' 1836, now in the National Portrait Gallery. Denison was subsequently Speaker of the House of Commons.
Los 5419
LGB G Gauge Catalogue Ref 20576 F7 A-Unit Diesel Locomotive Santa Fe blue and silver No.330. Features of this locomotive includes opening engineers cab doors, operating mode selector switch, MTS decoder, built in speaker, directional headlights, multi sockets and other features. Excellent to Excellent Plus with instructions in Excellent box.
Los 99
Apollo 16 Charlie Duke Moonwalker signed 2002 30th Ann Space cover NASA Astronaut. Superb illustration on front of scenes from the mission. Also illustrated on back with crew names and mission information. Charles Moss Duke Jr. (born October 3, 1935) is an American former astronaut, United States Air Force (USAF) officer and test pilot. As Lunar Module pilot of Apollo 16 in 1972, he became the tenth and youngest person to walk on the Moon, at age 36 years and 201 days. A 1957 graduate of the United States Naval Academy, he joined the USAF. He completed advanced flight training on the F-86 Sabre at Moody Air Force Base in Georgia, where he was a distinguished graduate. After completion of this training, Duke served three years as a fighter pilot with the 526th Fighter-Interceptor Squadron at Ramstein Air Base in West Germany. After graduating from the Aerospace Research Pilot School in September 1965, he stayed on as an instructor teaching control systems and flying in the F-101 Voodoo, F-104 Starfighter, and T-33 Shooting Star. In April 1966, Duke was one of nineteen men selected for NASA's fifth group of astronauts. In 1969, he was a member of the astronaut support crew for Apollo 10. He served as CAPCOM for Apollo 11, the first crewed landing on the Moon. His distinctive Southern drawl became familiar to audiences around the world, as the voice of a Mission Control made nervous by a long landing that almost expended all of the Lunar Module Eagle descent stage's propellant. Duke's first words to the Apollo 11 crew on the surface of the Moon were flustered, Roger, Twang. Tranquillity, we copy you on the ground. You got a bunch of guys about to turn blue. We're breathing again. Thanks a lot! Duke was backup lunar module pilot on Apollo 13. Shortly before the mission, he caught rubella (German measles) from a friend's child and inadvertently exposed the prime crew to the disease. As Ken Mattingly had no natural immunity to the disease, he was replaced as command module pilot by Jack Swigert. Mattingly was reassigned as command module pilot of Duke's flight, Apollo 16. On this mission, Duke and John Young landed at the Descartes Highlands, and conducted three extravehicular activities (EVAs). He also served as backup lunar module pilot for Apollo 17. Duke retired from NASA on January 1, 1976. Following his retirement from NASA, Duke entered the Air Force Reserve and served as a mobilization augmentee to the Commander, USAF Basic Military Training Center, and to the Commander, USAF Recruiting Service. He graduated from the Industrial College of the Armed Forces in 1978. He was promoted to brigadier general in 1979 and retired in June 1986. He has logged 4,147 hours' flying time, of which 3,632 hours were in jet aircraft, and 265 hours were in space, including 21 hours and 38 minutes of EVA. Duke resides in New Braunfels, Texas, and was named Texan of the Year in 2020. He is currently on the board of directors for the Astronaut Scholarship Foundation and previously served for two years as the chairman. He is a popular motivational speaker, with NASA films and personal stories of his Apollo mission on the moon. He is a born-again Christian and he and his wife Dorothy speak to audiences regarding their faith and its effect on their marriage. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Los 475
Hi-Fi Loudspeaker Components comprising a pair of KEF T33 tweeter HF speakers in Constructor Series box with packaging and template, a pair of SEAS 100mm bass/midrange drivers, a pair of Cambridge R50/02 speaker crossovers without enclosures, two KEF C.S.7 Specification Dividing Networks (4 circuit boards), a DIN plug to twin phono audio lead and a pair of blue audio cables with XLR male and female plugs, all untested
Los 100
The Charter Granted by Their Majesties King William And Queen Mary, To The Inhabitants Of The Province Of The Massachusetts-Bay In New-England. Boston in New England: Printed by B. Green, Printer to the Honourable the Lieut, Governour & Council, for Benjamin Eliot, and Sold at his Shop near the Town-House in King’s Street. 1726. Bound by Blackwell in pebbled brown boards with gilt lettering on the spine that reads “King William’s Charter To The Inhabitants Of Massachusetts 1726”, with wide gilt dentelles and marbled endpapers, followed by four blank endpapers and the title page, then twelve pages of text, the two-page Explanatory Charter granted by His Majesty King George, and The Table, which is another seventeen pages long, and four more free blank endpapers at the rear. This is an historically significant document. The Charter for Massachusetts Bay was first enacted on May 14, 1692 and severely curtailed the Colony’s autonomy. It also includes the rare Explanatory Charter issued by King George on January 17, 1726, and this went even further in limiting the independence of the Colonies - the Provincial Governor was loyal to the King, and the King expanded the power of the colony’s governor, giving the governor the right to dissolve the House of Representatives and the right to veto their choice of Speaker of the House. (See pages 13 and 14 here.) The Explanatory Charter is often missing, and it is included here. The King’s radical alterations to the Charter was a major point of contention in the colonies, and a significant event leading up to America’s Declaration of Independence and the American Revolutionary War in 1776. The Explanatory Charter set the stage for war between the colonies and Great Britain and led to America’s independence and becoming its own country. The owner’s name John Goodridge is signed at the top of the title page and a partially illegible signature is signed in the margin on A2. We think the name reads Samuel Soul [illegible] County of Oxford, but we’re not sure. The title page has double-ruled borders in black, and The Table that follows the Explanatory Chapter is seventeen pages long, as called for, and is an alphabetical index of topics with double columns. There are printer’s notes in the margins - the margin notes start on page 6 and run all the way through page 14, as called for - and these are not hand-inscribed notes, but come straight from the printer; the margin notes on page 7 clearly say the Governour has Power to Adjourn Prorogue and Dissolve the Assembly as well, and that is the heart of the Explanatory Charter. Other copies we’ve seen lack most or all of the title page, or the explanatory charter, or the Table, and this copy has it all - the fourteen-page long Charter, the Explanatory Charter, and the seventeen-page long Table. Other copies tend to include laws enacted after 1726 - the Acts - and there are no Acts here, just the basic parts of the Charter. The brown boards measure 11 7/8 x 8 in. wide, with very light rubbing along the edges of the spine and at the tips, and the actual Charter shows browning, soiling, and has some holes here and there, but the text is all present, as called for. The condition could be better, but it is the words and text that matter the most here - this is one of the most significant documents in American history and eventually led to freedom for Massachusetts and the rest of the colonies.
Los 26
This is one lot with four books by Charles Dickens all related to Christmas. a) A Christmas Carol, Charles Dickens, New York & London, G.P. Putnam’s Sons 1900, Copyright, 1900 (for Designs) By G.P. Putnam’s Sons, The Knickerbocker Press, New York at bottom of the copyright page, the illustrations are from designs by Frederick Coburn, with twelve illustrations in photogravure, including the frontispiece, and nineteen illustrations in black and white, instead of photogravure, with red-captioned tissue guards present for each plate; 3/4 bound, four raised bands, with gilt labels and gilt lettering on the spine, modest decorations on the spine, with marbled covers and endpapers; the top edge is gilt, the book is 157 pages long and measures 7 3/4 x 5 1/2 in. wide, with light rubbing and modest wear at the tips. This was the first of Dickens’ Christmas books and came out in 1843, and it’s a perennial favorite of children and people who love Christmas. b) A Christmas Carol By Charles Dickens, Illustrated By Fritz Kredel For The Peter Pauper Press, Mount Vernon, New York, circa 1944, with a green slipcase, red and green holly decorations on cover, blank endpapers, a red topstain, and inscribed “Ashley Day Leavitt, best times for 1944 - last paragraph on page 26” on the second front free endpaper; Ashley Day Leavitt (1877–1959) was a Yale-educated Congregational minister who led the State Street Church in Portland, Maine, and later the Harvard Congregational Church in Brookline, Massachusetts; he was a frequent public speaker during the early twentieth century and was awarded an honorary degree from Bowdoin College for his pastorship of several congregations during wartime; the last paragraph on page 26 starts with “Mankind is my business. The common welfare was my business; charity, mercy, forbearance, and benevolence were, all, my business”; the book also includes a Christmas card which reads “The Reading of the Christmas Carol by Dr. Leavitt on Wednesday night before Christmas is one of our richest traditions. So we are sending it to you that wherever you may be on date, you may share with us the Christmas Spirit of Harvard Church”; a topstain is a normal coloring applied by the printer and does not indicate a “stain” on a book - it is not a “bad” thing; the book is 8vo. and possibly a first edition by Peter Pauper Press - 1944 is an early date for a Peter Pauper edition of this book - and book is 108 pages long and the slipcase measures 8 3/8 x 6 in. wide, with light browning on the spine and a tape mark on the front free endpaper where the Christmas card was attached to the book; the inscription by Ashley Day Leavitt and the attached card is what makes this book noteworthy. c) The Holly-Tree, By Charles Dickens, With An Introduction By Walter Jerrold, Thirty-one Illustrations, Philadelphia: Henry Altemus Company on the title page, Copyright 1904 Henry Altemus on the copyright page, with the dust jacket, a beautifully illustrated front cover on the book itself, vignette endpapers with the owner’s name and date inscribed on the front free endpaper (“Elva Bommuleir from Mita G Ott, XMas 1910”), with an attractive colored frontis, black and white illustrations inside, 109 pages (counting the illustration on the last page), and the dust jacket reads “The Holly-Tree No. 1” on the spine and is the first in the Holly-Tree series by Altemus. The book measures 7 1/2 x 5 1/2 in. wide and the green hard-bound volume is in excellent condition, while the dust jacket is in great condition on the back and has some modest chips on the crown and the tips of the front cover. The Holly-Tree Inn was originally published as a short story in the Christmas 1855 edition of Household Words, a publication edited by Dickens in the 1850’s, and it was considered a portmanteau story, or a story written by several authors. The portmanteau story lent itself well to the medium of weekly publications because it allowed for authors to work together to compile a single plot rather quickly, and such stories increased in popularity during the Victorian era. Dickens only wrote three of the sections and the framing story for The Holly Tree Inn (The Guest, The Boots, and The Bill), and Wilkie Collins and three others contributed to the rest of this special Christmas extra. The story published in book form here is called a first edition thus by Altemus because it is based on the original story and has only one date on the copyright page and no additional printings. See Bill McBride, A Pocket Guide to the Identifications of First Editions, West Hartford, Ct., 1995 for first editions by Chapman And Hall. d) The Readings Of Charles Dickens As Arranged And Read By Himself, With Illustrations, London: Chapman & Hall 1883 on the front cover, and “Copyright” at the bottom of the front cover, The Readings of Mr. Charles Dickens, As Condensed By Himself on the title page, Price Sixpence, green wrappers, 64 pages, double columns, with ads on the interior front cover and on the interior and exterior covers at the rear. Dickens started doing readings for charity in 1853, and the readings here include A Christmas Carol In Four Staves, Bardell And Pickwick, David Copperfield, Mr. Bob Sawyer’s Party, The Story of Little Dombey, Nicholas Nickleby Four Chapters, Boots At The Holly-Tree Inn, Doctor Marigold, Nicholas Nickleby Three Chapters, and Mrs. Gamp; the book measures 11 1/2 x 8 1/2 in. wide, the front cover is detached and has wear, and there are creases at the tips on some pages, but very readable.
Los 713
ROYAL INTEREST: an Edwardian silver table lighterLondon 1901 Classical urn shaped, with a central burner and two holes either side, originally created for individual removable wands to be lit and drawn up to the cigar or cigarette, plain polished silver body supported by three cast and applied legs, topped by rams' heads and embossed with classical motifs terminating in cloven feet, a circular hoop attached inscribed 'PRESENTED TO HON. H. G. BRAND BY HIS MAJESTY KING EDWARD VII / H. M. YACHT VICTORIA & ALBERT. 7TH SEPT. 1902', height 12.5cm, diameter 9cm, weight 6oz.Footnotes:Admiral Sir Hubert George Brand, GCB, KCMG, KCVO (20 May 1870 – 14 December 1955) was a senior Royal Navy officer who served as Second Sea Lord and Chief of Naval Personnel.Brand was the second son of Henry Brand, 2nd Viscount Hampden, Governor of New South Wales, and the grandson of Henry Brand, 1st Viscount Hampden, Speaker of the House of Commons. His mother was Susan Henrietta Cavendish, daughter of Lord George Cavendish. His three surviving brothers also gained distinction: Thomas Brand, 3rd Viscount Hampden, and the Honourable Roger Brand were both Brigadier-Generals in the Army while the Honourable Robert Brand was a businessman and civil servant who was raised to the peerage as Baron Brand in 1946.Brand joined the Royal Navy in 1883. Appointed acting Sub-Lieutenant on 14 September 1889, he was confirmed in this rank in June 1891, and promoted to Lieutenant on 30 June 1892. He was promoted to Commander on 1 September 1902, corresponding to the time this silver lighter was presented to him by King Edward VII, while aboard the Royal yacht Victoria & Albert. He served in World War I as Naval Assistant to the Second Sea Lord and then as Chief of Staff to the Admiral commanding the Battlecruiser Squadron from 1916. On 26 June 1919, he was appointed a deputy lieutenant of Hertfordshire. After illustrious wartime service, he became commander of the King's Yachts from 1919 and then commanded the 1st Light Cruiser Squadron from 1922, before becoming Naval Secretary in 1925. He went on to become Second Sea Lord and Chief of Naval Personnel later that year, then Commander-in-Chief, Atlantic Fleet in 1927 and Commander-in-Chief, Plymouth in 1929. In addition, he was appointed First and Principal Naval Aide-de-Camp to the King in 1931, before retiring in 1932.For further information on this lot please visit Bonhams.com
Los 74
A collection of portable reel to reel players, radios, and hifi equipment to include a Dansette consort 4, a Amstrad 7050 tape deck, a AE Aegis Evo centre speaker and subwoofer, a Carlitone 6000 8 track stereo tape player, and much more. Also included are tape reels, microphones, headphones and 2x Crybaby guitar pedals.
Los 18
Four flight cases with a large quantity of cabling (XLR / speaker cable), an M20 Transient Barrier power supply unit, quantity of drum stands and pads.Originally used at 'Strawberry Rentals' and likely formerly at Strawberry Studios, with many pieces in this collection having likely toured with 10CC and other artists.
Los 638
Walt Disney Classics Collection pair of figurines: (1) Pinocchio and Jiminy Cricket I'll Never Like Again, from Walt Disney's Pinocchio, with certificate and Character Model Sheet, some crazing to glaze, otherwise still in original factory packing (unused), Good to Excellent, in Fair Plus to Good box; (2) Millennium Mickey: On top of the World Mickey Mouse from Walt Disney's Thru the Mirror, with certificate and Walt Disney Collectors Society enamel pin badge, Millennium Mickey coin, plus Millennium year Catch Him While You Can folder, Mint, in Excellent Plus packaging; (3) The Original Hands Free Doll Stuffed Plush Teddy Bear, Portable Telephone Speaker, brown and white plush phone holder teddy bear, Good Plus to Excellent, (untested); (3).
Los 426
SIR GEORGE HAYTER (BRITISH 1792 - 1871),PORTRAIT OF JOHN EVELYN DENISONoil on board, inscribed label versoimage size 33cm x 27cm (oval), overall size 51cm x 43cmFramed. Handwritten label verso. Note: One of the sketches for 'The Meeting of the First Reformed Parliament' 1836, now in the National Portrait Gallery. Denison was subsequently Speaker of the House of Commons.
Los 53
Univox Portable Electric Organ Model J6 manufactured by the Jennings Musical Industries Ltd (Dartford, Kent), with alloy swell lever, instructions card, speaker to console cable and mains cable (with unfused round pin plug); with 37 key keyboard and 18 tone paddle switches, selector switches LMH ranges and circuits 1 to 4; back of console has Univox plaque 'Model 6' serial no.3591; console slides into bottom of case which is also amplifier and speakerThe instrument was presented to the vendors father by Tom Jennings of Jennings Music in the 1960'sThis type of instrument was used by the Tornados on TelstarUntested
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10184 Los(e)/Seite