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Ten Dinky die-cast model vehicles, to include an ambulance, public speaker van, bus lorries and others, knocks, dents and paint losses

A `ROLAND REVO` SOUND SYSTEM SPEAKER, and an RC-1 control box (2)

Dinky Toys 34c/492 Loud Speaker Van, four examples, first blue body, silver hubs, second blue body, black hubs, third grey body and hubs, fourth grey body, black hubs, F-G (4)

A Laney CR520 Mixer/Amp complete with power cable, instruction book, 1 microphone and speaker cable. Together with a pair of Laney CC15 Speakers (150 watts)

A 1950's pye Cambridge walnut cased television having built in speaker model VT17 CDL. 90cms high x 58cms wide x 50cms depth

An Excel-si-phone concert grand mahogany gramophone, the domed hood above an inlaid frieze, a pair of cupboard doors enclosing a speaker, the base with a pair of cupboard door enclosing shelves on shaped legs, 47cm wide x 112cm high

Dinky Caravan no. 190, Loud Speaker Van no. 492, Double-Decker Bus no. 290, all boxed (boxes mixed condition) (3)

Dinky Loud Speaker Van no. 492, boxed

1930s H.M.V. wind-up gramophone in an oak case with decorative speaker grille

1920s speaker 'Moving Magnet'

15 Dinky Toys. A Bedford Articulated Lorry (921). Leyland 384 Tractor (308) in blue with white wheels-Mint. Both boxed/blister packed. Plus a flatbed wagon, American estate car, Army Wagon, Standard Vanguard, Post Office van, Daimler Ambulance, Leyland Double Deck Bus, Loud Speaker Van, etc. QGC-GC Some age wear/chipping. Also a Spot-On MG PB Midget (1935), in red/black. Boxed-worn.

A HIGH QUALITY CIRCA 1924 SEVEN VALVE BBC APPROVED WIRELESS SET FITTED INTO A THREE TIER MAHOGANY SECTIONAL BOOKCASE with conventional lift and slide away framed and glazed full width doors to top and middle sections above panel doors and full width drawer and having HF.LF and AF amlifiers manufactured by Radio Communications Company, Norfolk St London, the middle section with amplion speaker unit with slatted outlet bears metal tablet `Supplied and Installed by Harry Crompton - Radio Engineer, Bury Lancs` the cabinet 4`8" (142.5cm) high x 2`10" (86.5cm) wide x 1`2 1/2" (36.8cm) deep (not tested)

APOLLO EARLY TWENTIETH CENTURY MAHOGANY CASE TABLE TOP SPRING DRIVEN RECORD PLAYER, with makers metal label Apollo Type 91A - C & S, London, the front enclosed by pair of panel doors enclosing speaker louvers

A SET OF THREE WELL PRESENTED EARLY TO MID 20TH CENTURY AUTOGRAPH BOOKS to include signed photographs, letters and signatures of politicians and celebrities and society figures of the time to include a signed letter from Shackleton dated 1914 asking a `Miss Martyn for the contribution of £50 towards the funds of the expedition`, an autographed photograph of Fred Perry to the Austrian touring cricket team of 1938, a signed photograph of Ivor Novello, Edward Fitzroy the speaker of the House of Commons, a letter from Baron Von Pilar thanking a Mr Vaughan for a copy of Rudyard Kipling`s Him of Breaking Strain, Antony Ustrol of Richard of Bordeaux, Rudyard Kipling, Tom Walls, P G Wodehouse, Malcolm Campbell, Joan White, Neville Chamberlain, Laurence Olivier, Liesel Bach, female aviator, Gracie Fields, Charles Laughton together with two large signed photographs, one of Billy Milton, the other Anna Neash, over 160 signatures in total

THE MACALLAN SPEAKER MARTIN`S MALT Single Highland malt whisky aged 10 years. 700ml, 40% volume, in carton. THE MACALLAN 10 YEAR OLD Single Highland malt whisky. 700ml,40% volume, in carton. 2 bottles Very good.

1948 Masudaya, Speed G Men Car (Ford Streamliner) in Original Box: Patterned after a Ford Streamliner Coupe the Speed G Men Car (not G Man) is one of the finest qualities, early post-war Japanese built tin litho vehicles of its size. Measuring only 5" long it has a two-tone pale yellow and red body. This contrasts beautifully with its metallic blue tin wheels and undercarriage. The emergency roof lights and silver speaker grille. The jet black, hood mounted machine gun. The base is tin and the gun barrel is celluloid

Four Bell & Howell 16mm sound projectors, including models 1695 and 1698, a separate sound speaker for the same, two 35mm slide projectors and a quantity of 16mm cine films, reels and splicing equipment.

A Varislop trough-line-II, a Garrard model 301 video/record player, with speaker and associated case, the speaker loose, the case 96cm x 47.5cm x 82cm.

George “AE” Russell (1867-1935) CONTEMPLATION oil on canvas signed in monogram lower left; titled on reverse; with handwritten label also on reverse [reads, A wedding present from a Mr Hogg to Rev. Geo. Townshend, 1981"]" 21.25 by 32.25in., 53.125 by 80.625cm. L with the Oriel Gallery, 1989;Where purchased by the present owner`s father;Thence by descent `George Russell ~ AE… at The Oriel`s 21st Anniversary`, Oriel Gallery, Dublin, 13 November to 2 December, 1989, catalogue no. 32a It was fitting that the Oriel Gallery should choose to highlight the work of AE for the gallery`s 21st anniversary as it was with George Russell`s work that it launched onto the arts scene in Dublin in 1968.In the catalogue for the 1989 anniversary exhibition, Oliver Nulty writes, Given AE`s awareness of the other world it is small wonder that he painted so many pictures of it and its inhabitants. Even his paintings of ordinary landscapes seem to be so influenced by it we often find it difficult to be certain whether the figures belong to this world or another, were it not for the fact that all those other worldly beings have colourful radiances coming from them. Of course there is no doubt about some of the poses - the half crouched or kneeling figures gazing with awe at some great being radiantly aflame. But others, such as those of children frolicking on a shore or playing in the water can recall some happy memories." Thereafter his clientele was drawn from wealthy Scots industrialists and ship-owners who included the families of wool and yarn manufacturers, the Fultons, the McKeans and the Clarks, as well as the renowned collector, William Burrell and the adventurer-laird of Gartmore, RB Cunninghame Graham. Now in 1895, he was admitted to the ranks of the Royal Scottish Academy with a portrait of Mrs Christie Smith, entitled The Rocking Chair, as his Diploma piece. (10) At this point, at the height of his fame in Scotland, Lavery`s magisterial Lady in White, thought to represent Mrs Park Lyle, a member of the Abram Lyle dynasty, took its place in the cavalcade of dignitaries associated with `the second city of the empire`. (11)Deliberating on Lavery`s achievement at the end of that important year, Moore`s avant-garde comrade, D. S. MacColl pressed the painter to extend himself further: When he paints a pretty woman, he seizes upon one or two obvious points of likeness, fixes the general allure of the figure, and makes a striking assertion of the éclat of fair flesh. A painter who can imagine the beautiful harmony of colour in the draperies of one of those portraits, and whose appreciation of the principles of picture making is evidently so high, owes it to his talent to try for other virtues. (12)MacColl was looking for more and so too was the painter. Glasgow was no longer enough for him. Rome, Berlin, Paris and London were calling. The international success of the Glasgow group continued and while there were `Glasgow Boys` exhibitions in St Louis and Chicago, its members, Lavery among them, were defecting. In March 1895 Blackwood`s Edinburgh Magazine carried an article chauvinistically declaring the new Scottish painting `the most vital art movement` of the day, conveniently neglecting the fact that Lavery, its most ambitious member, did not hail from the Glasgow hinterland. He was nevertheless singled out for praise and `elegance of arrangement and style` were regarded as the chief characteristics of his work. (13) The writer could indeed have been thinking about the picture then in his studio and nearing completion - A Lady in White. Prof. Kenneth McConkeyJanuary 2014Footnotes:1. See for instance, Two Art Critics, Pictures at Play, 1888 (Longmans, Green & Co); also William Sharp, Fair Women in Painting and Poetry, 1894 (Seeley and Co), quoted in Kenneth McConkey, Memory and Desire, 2002 (Ashgate), pp. 90-94. 2. George Moore, `The Royal Academy`, The Speaker, 11 May 1895, p. 516.3. Kenneth McConkey, John Lavery, A Painter and his World, 2010 (Atelier Books), pp. 63-8. Having painted Mrs JJ Cowan and her daughter, Laura, Lavery recommended Whistler to her husband for a small full-length portrait (National Galleries of Scotland).4. JS Little, `A Cosmopolitan Painter: John Lavery`, The Studio, vol xxvii, 1902-3, p. 118.5. McConkey, 2010, p. 68. It was not unusual for paintings to be photographed for Royal Academy Pictures, while still in progress. Although there is no evidence to suggest that changes to the picture were made prior to, or shortly after its showing, this is likely to have been the case. 6. Lavery had used a similar motif in the portrait of Miss Mary Burrell, in the previous year and for this reason as much as any, he may have sought to reduce its effect in the present composition. 7. `The Royal Academy, Fourth Notice`, The Athenaeum, 22 June 1895, p. 811. 8. Anon, `The Glasgow School of Painting`, The Edinburgh Review, no. 398, 1901, p. 498.9. Charles M Kurtz, `The Glasgow School, The Men and their Work`, Modern Art, vol 4, no. 1, 1896, p. 8.10. McConkey, 2010, p. 68. 11. Walter Shaw Sparrow, John Lavery and His Art, n.d., [1912], (Kegan Paul, Trubner, Trench and Co), p. 177. Abram Lyle, the Greenock sugar refiner and ship-owner, merged his company with that of Henry Tate, founder of the Tate Gallery, London, to form the world famous Tate and Lyle sugar manufacturer. The Lyle company specialised in syrup and its motto, taken from the Old Testament story of Samson, remains `Out of the strong cometh forth sweetness`. Mrs Park Lyle is thought to be either of Abram Lyle`s daughters-in-law, Grace Eleanora Moir (1855-1918), who married his son, Sir Alexander Park Lyle (1849-1933), in 1880 or Agnes Jaimeson (d 1943) the wife of Alexander`s elder brother, Robert, 1st Baron Lyle of Greenock. A further complication arises from the fact that Harrington Mann, a successful portrait painter and one of Lavery`s Glasgow associates, produced a portrait of Mrs Park Lyle c. 1910 (National Trust, Barrington Court), this time, the wife of William Park Lyle, also of the sugar refining dynasty. 12. The Spectator, 23 November 1895, p. 725.13. Anon., `The Scottish School of Painting`, Blackwood`s Edinburgh Magazine, vol CLVII, March 1895, pp. 339, 344.

Good quality 1930s Edison Bell Electron gramophone in lacquered cabinet with chinoiserie decoration depicting figures, building and trees, with hinged rising lid and two speaker doors below, on turned legs joined by turned stretchers, 115cm high x 71cm wide x 54cm deep CONDITION REPORT In very good original condition, some slight damage to chinoiserie decoration to top and to one front door- in good working order

WILLIAMS KENNETH: (1926-1988) English Comic Actor, star of Carry On films. Book signed and inscribed, a hardback edition of Back Drops - Pages from A Private Diary, published by J M Dent & Sons Ltd., London, March 1983 (reprint). Signed by Williams in blue fountain pen ink to the title page. With two dust jackets, one unusually printed for the Granada Literary Lunch at the Prince of Wales hotel, Southport, 22nd June 1983, at which Williams was a guest speaker and clearly promoting his book. Also including an unsigned invitation ticket the lunch. Together with a signed 4 x 6 postcard photograph of Williams in a head and shoulders pose, featuring printed text to the lower border and verso, also promoting his book. Signed in bold blue fountain pen ink with his name alone to the lower white border. A couple of very light, minor smudges to the signature. VG, 2

Loewe 32" flat screen television with Bose speaker and remote

An early 20thC Bakelite and tin loud speaker horn.

An Art Deco satinwood desk with mahogany cross-banded edge and each side drawer opening to reveal four drawers. The centre kneehole has drop flap compartment above A G R stylised speaker grille with Frederick Restall Limited, Birmingham, plaque (88cm wide, 46cm deep, 77cm high)

A mahogany square Pedestal |Speaker| Stand with pierced fretted side panels tapering column and spreading base on turned feet, 3ft 8in H

His Master’s Voice, an early 20th Century Mahogany Cased Table Top Gramophone with internal speaker

Charles Sheraton walnut cabinet with speaker cabinets

A `MARSHALL` G100R CD AMPLIFIER, and a large speaker (with various leads and microphone)

Eleven Early Dinky Vehicles, including Foden Tanker, Bedford Artic., Fire Engine, Loud Speaker Van, Massey Harris Tractor, Riley etc., plus accessories

A Dinky Toys 260 Royal Mail Van, in original box, VG-E, box P, with 452 Trojan Van `Chivers` in repro box, 440 Petrol Tanker `Mobilgas`, 25d `Petrol` Tank Wagon, black ridged hubs and 492 Loud Speaker Van, G-E (5)

A boxed Dinky Toys No. 492 blue loud speaker van

A Propaganda Meeting poster, Regent Hall, Mansfield Road, Nottingham, November 1st, 1944, Speaker Rev. George Sharp

Tokai Blazing Fire/Talbo Junior electric guitar, aluminium body with built-in speaker, electrics appear to be in working order, soft case, condition: good

Roland Jazz Chorus- 120 twin speaker guitar amplifier, made in Japan, ser. no. 765538, aesthetically in okay condition with scuffs to the casing and a few snags to the front mesh, appears to be functioning properly although not fully tested, sold as seen without guarantee, condition: good for age

Behringer Vintager GN110 guitar amplifier, ser. no. E01210827145, aesthetically in clean condition, although missing its front logo plate, appears to be in working order, sold as seen without guarantee, condition: good; together with a Fender Frontman 15G guitar amplifier, aesthetically in clean condition, appears to be in working order, sold as seen without guarantee, condition: good, a Champ 15GR guitar amplifier, not working or fully tested, condition: poor and a Leo amplifier, lower speaker section missing, untested, condition: poor (4)

Laney NX115 bass speaker cabinet, circa 2010, 1 x 15" Celestion Meodymium driver, untested, sold as seen with no guarantee, cover, condition: good

Marshall model 7200 Dynamic bass system guitar amplifier, made in Great Britain, ser. no. 941981645, with Marshall model 7041 and model 7015 speaker cabinets, cabinets have some scuff marks, appears to be in working order (no leads or cables included), sold as seen with no guarantee, condition: good

Vintage Celestion speaker in a mahogany case with decorative surround and pierced speaker grille, 35.5cm overall height

A 1930`s bakelite Phillips model 2531 three valve/tube radio, number 20887; and a Phillips 2019 bakelite speaker.

A portable Truvox reel to reel tape / music player. Speaker to front, and control knobs to top, in original case.

A Siemens 16mm Sound Projector, S27433-A8-A1 on base, diecast body with silver-grey finish, in green case, with speaker in matching case, G, some corrosion to base, speaker replaced (2)

A KEF KHT 1005.1 Home Cinema System, with 100 Watt sub-woofer, centre speaker and four satellite speakers, two on floor stands

A CINETECHNIC FILM PROJECTOR ON STAND, with power supply and Rogers speaker

FLOOR STANDING LIGHT, with speaker, with brushed aluminium base and shade.

Historical Documents1554 (30 Jan.) (in the reign of Queen Mary), Tudor Privy Council letter signed by the Bishop of Winchester, Stephen Gardiner (secretary to Henry VIII and Lord Chancellor under Queen Mary, whom he crowned), Admiral Lord William Howard, Sir William Petrie (Secretary of State during four reigns), Lord William Paget (executor to Henry VII), Thomas Goodrich (Bishop of Ely), William Paulet (Marquis of Winchester, nominated by Henry VIII in his will as one of the Council of Regency) and Jonathan Bourne; addressed "To our loving friends Edwarde Griffin and Willm Cordel Esquires, the King and Queens highness Attorney and Solicitor General. There is a seal which depicts Janus. Rare. Photo Sir William Cordell (1522–1581) was Solicitor General and Master of the Rolls during the reign of Queen Mary I and Speaker of the House of Commons during the reign of Queen Elizabeth I.provenance:Robson Lowe Postal Histsory auction, March 1942, Geoffrey Owen Lockwood, February 1966 exhibited: 1947 New York Centenary Exhibition, 1950 London International Stamp Exhibition, both in the Court of HonourSubject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Radio receiver: A Marconi­phone Model 56 5-valve portable receiver with calibration chart, in walnut case; a Sterling Baby horn speaker (repainted); two pairs of headphones; and a Valve Manual (5)

AFTER SIR PETER LELY (1618-1680) Portrait of Letitia Smith, Lady Robartes, later Countess of Radnor ( ,c.1630-1714) seated three-quarter length wearing a pale grey taffeta dress, and blue robes, adorned with pearls, with a golden brown shoulder shawl, a red burgundy curtain beyond oil on canvas 48 x 40in (122.1 x 101.6cm) The sitter was the daughter of Sir John Smith of Bidborough, Kent. She married in 1646/7 as his second wife John Robartes, 1st Earl of Radnor (1606-1685), Speaker of the House of Lords and Lord Lieutenant of Ireland. Several other portraits of the sitter are recorded .A portrait of her in an identical pose by Sir Peter Lely and studio is at Lanhydrock, Cornwall. Other versions are known at Weston Park, Shropshire ; Cummer Art Gallery, Jacksonville, Florida ; and in the collection of the Earl of Dunraven.

APOLLO EARLY TWENTIETH CENTURY MAHOGANY CASE TABLE TOP SPRING DRIVEN RECORD PLAYER, with makers metal label Apollo Type 91A - C & S, London, the front enclosed by pair of panel doors enclosing speaker louvers

MARCONI MAHOGANY CASED MARCONIPHONE V-2 RADIO RECEIVER, bears ivorine tablet `Marconiphone V2 - type R.B.I.A.` AS2063 Inst No. C-A-2530 complete with Range Block 390-530 metres and three pin battery plus, the case with hinged top and part removable front panel, 13" (33cm) wide, overall TOGETHER WITH ORIGINAL INSTRUCTION BOOKLET, a free standing black painted SCROLLED SHAPE LOUD SPEAKER, 19" high and PAIR OF STERLING, LONDON MK3 HEADPHONE, with brown bakelite ear pieces

A HIGH QUALITY CIRCA 1924 SEVEN VALVE BBC APPROVED WIRELESS SET FITTED INTO A THREE TIER MAHOGANY SECTIONAL BOOKCASE with conventional lift and slide away framed and glazed full width doors to top and middle sections above panel doors and full width drawer and having HF.LF and AF amlifiers manufactured by Radio Communications Company, Norfolk St London, the middle section with amplion speaker unit with slatted outlet bears metal tablet `Supplied and Installed by Harry Crompton - Radio Engineer, Bury Lancs` the cabinet 4`8" (142.5cm) high x 2`10" (86.5cm) wide x 1`2 1/2" (36.8cm) deep (not tested)

GEC LARGE MAHOGANY CASED VALVE RADIO CAT No BC4750 `D` SHAPED CASE WITH ROUNDED LOUVERED SIDES FRONT WITH OBLONG TURNING PANEL above 3 bakelite knobs and five keys below, 22" (56cm) wide and a CELESTION EXTENSION SPEAKER oblong with canted shoulders and fretworked front panel 14" (35.5cm) square

LARGE GEC VALVA RADIO WITH WALNUTWOOD EFFECT BAKELITE CASE, the metal valve support body numbered 405613, the front with oblong fabric covered speaker alongside oblong propellor type turner panel over three control knobs (lacks back) 19" x 12" together with VERY SIMILAR WALNUT EFFECT SEPTAGONAL FREE STANING EXTENSION SPEAKER with cut card pierced metal conical form circular cover 13" (33cm) wide x 13 1/2" (34.3cm) high (2)

GOBLIN ELECTRICAL CIRCA 1930`S WALNUTWOOD CASED COMBINED 50 VALVE RADIO AND ALARM CLOCK with circular clock and tuner dials centred with time control and volume control wheels the volume calibrated 0 - 12 showing in aperture of the tuner dial, the case 17 1/4" (43.8cm) wide x 13 1/2" (34.3cm) high together with a COSSOR VALVE RADIO in mahogany ebonised wood case, 18" (45.7cm) wide and a CELESTION WOOD CASED EXTENSION SPEAKER with fretworked front panel 14" (35.5cm) high (3)

PHILCO MODEL 444 `PEOPLES SET` VALVE RADIO RECEIVER 1935 IN SHAPED DOME TOP WALNUTWOOD EFFECT BROWN BAKELITE CASE, the demi lune fabric covered speaker aperture with three bar centre grille over propellor type oblong tuner panel and with two central knobs at base, 13" (33cm) wide at base x 15" (38cm) high

PHILIPS LAMPS LIMITED TYPE 462 VALVE RADIO RECEIVER IN OBLONG WALNUTWOOD EFFECT BROWN BAKELITE CASE the fabric covered speaker aperture with lattice work grill, top with detachable glass tuner panel, side control knobs, 16 1/2" (42cm) wide

HMV EARLY 20TH CENTURY SPRING DRIVEN GRAMAPHONE IN FREE STANDING OAK CASE the turn table with adjustable speed dial alongside showing 70-86 revolutions enclosed by hinged lid the body with two pairs panel doors enclosing lowered speaker and record storage compartment raised on scroll supports with winding handle lubrication chart and patents label, 18" (45.7cm) wide x 39" (99cm) high

SUNDRY PARTS FOR EARLY 20TH CENTURY SPRING DRIVEN/GRAMAPHONES including tin plate internal speaker horn another black japanned with oak louvered aperture, Gilbert electroplate pick up arm and head with mother of pearl decorative centre, five needle tins by Songster, HMV, Odeon and Columbia Ideal and Talkie, five Amplion pick up arm units/mounts and another boxed

HIRST BROS AND CO LTD OLDHAM EARLY 20TH CENTURY OAK CASED RADIO RECEIVER of wedge shape with sloping front having condenser, resistance and tuner dials, BBC and Marconi approved labels, together with an EARLY MOTOROLA PORTABLE VALVE RADIO MODEL 5A5 CUBE SHAPED with flip up maroon plastic cover to reveal brushed steel front with speaker aperture and recessed volume and tuner knobs (2)

CIRCA 1930`S ARMSTRONG MAHOGANY CASED RADIOGRAM the oblong cabinet with centralized lift up top enclosing Collard Conquest record deck in ivory enamel and plastic with automatic multiple play arm, over two pairs panel doors enclosing Armstrong radio receiver and speaker outlet, raised on square tapering supports with H stretcher, 38 1/2" (97.8cm) wide x 36" (91.5cm) high

NINETEENTH CENTURY OAK GRAMOPHONE HORN OF EXTENSION SPEAKER, the scroll shaped horn support, pivoting on weighted brass circular foot, 21" (53.4cm) high overall, ANOTHER OAK HORN WITH BRASS MOUNT, to attach to gramophone, the horn 15" (38cm) diameter and ANOTHER with metal framework and mahogany panels, 15" (38cm) diameter (3)