10182 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

A sub speaker, two Logitech speakers and headset

FOUR ITEMS OF VINTAGE ELECTRONIC TEST EQUIPMENT comprising of a cased Type 106 signal generator, a wall mounted speaker, a Philips PR 9151 smoothness tester and a Marginal Resistance Unit series 2 (4) (all untested)

A JVC UX-P55 MICRO HI FI with matching speakers and remote, a Technika micro hi fi with matching speakers (both PAT pass and working but Technika chews tapes) a Sony speaker cabinet and a vintage GEC valve radio (PAT fail due to uninsulated plug, powers up, illumination not working, audio hum but hasn't tuned)

A BOWERS AND WILKINS ZEPPELIN AIR SPEAKER with iPod dock, Wi-Fi and aux inputs (PAT pass and working)

Rega Planar 3 turntable with Arcam Alpha 8R amplifier, Rega Planet CD player, a pair of Audiomaster LS3/5A speakers, two lengths of speaker cable and other associated cablesCondition ReportAll units power up but unable to say whether in full working order. Additional photos uploaded.

2 x 10m of Linn K400 speaker cable terminated with red/ black banana terminals

An ABL powered satellite speaker with sub woofer - boxed, sold along with a pair of Aiwa Front 180 speakers.

An oak cased Edison Standard Phonograph, with metal speaker horn and various wax cylinders

1968 Morris Mini Cooper S Mk. II Transmission: manualMileage:31026The motoring correspondent of The Times reported in May 1963 the Mini while a popular second car in many households was no longer strictly the fashion, the Grande Luxe Mini de Ville by Radford had taken over. On test in London, he reported, it attracted more attention than a Ferrari Berlinetta with its special colour scheme and trim, sliding sunroof, radiator grille with two more recessed lights, special sound insulation and electric windows. The car tested by The Times also had white leather upholstery and deep lambswool carpets, tachometer, ammeter, oil gauge, clock, headlamp flasher and water temperature gauge. Further extras were: a laminated wood steering wheel, automatic red caution lights on open doors, a reading light, cigar lighter, twin-speaker radio and an air blower to demist the rear window. After the 1967 Earls Court Motor Show The Times recorded that Captains of Industry ordered them, painted them to match their Rolls-Royces and gave them to their wives. Pop Stars and West End playboys presumably invested in them as a status symbols. The reporter tested 'a typical Mini de Ville', a 1275 Mini-Cooper S with an engine performance pack providing up to about 110 m.p.h. Outwardly the only distinction was the magnesium alloy wheels, sunroof and non-standard paint. Inside absolutely everything seemed like a refugee from a Rolls-Royce. This exceptional 1968 Morris Mini Cooper S Mk. II has all the hallmarks of being a superb example built by Radford, but no records to prove this can be found. Purchased by a private collector in 2016 it was later sold by Historics in 2022 to another private collector where it has remained until now continuing to be fully maintained and well looked after. A previous owner purchased the car around 2012 from a long-term owner who lived in Derby. Between his purchase and the car being sold in 2016 he sent it to marque specialists Paul Preston Classic Mini Restoration for a comprehensive respray and restoration as necessary. Stripping the car down and removing the original paint, it was found that the body was sound and rust free, the coachbuilders work was to the highest standards where the Mk. II body shell had been de-seemed and lead filled including the smoothed front panel. The car was repainted to the highest of standards in the original colour of maroon. Refitted the excellent bespoke cream and piped red, Connolly leather interior, the burr walnut dashboard with a full compliment of Smith gauges and felt roof lining, A and C pillar panels and Mota Lita wood rimmed steering wheel. Other Radford features include a Webasto folding sunroof and grille recessed Lucas spotlights. During the restoration the engine and gearbox were also overhauled. This lovely Cooper S is supplied with a V5 registration document, the heritage certificate confirming that it is a matching numbers car and a file containing sundry invoices.

1970 Jaguar E-Type Series II Fixedhead Coupé Transmission: manualMileage:60548Powered by the uprated 4.2 litre engine, compared to the 3.8 litre unit fitted to the previous model, the series II E-Type offers longer legs for those continental drivers as well as offering a more practical sports car experience. Those classic E-Type styling cues though, are still very much present with that most beautiful of bonnet lines extending all the way back, taking in the fixedhead cockpit and the ending in the beautifully curved rear end. Interestingly, the DNA from Sir William Lyons only extended to about 1,000 units of this model making it, actually, a rare iteration of this particular E-Type Jaguar.This classic Signal Red example is supplied with a comprehensive history file detailing works going back many years. Most recently though, is a service earlier this year to include a partial carburettor strip down and rebuild. Before that in 2020, a new fuel tank with galvanised assembly, sender unit and gaskets were fitted including a clear-out of all fuel lines with all parts supplied from SNG Barratt. Back in 2010, both seats were removed, carpet taken out, floor checked for rust and treated. The carpet was then refitted including seat foam, carpet shelf and speaker housing unit. Whilst there is minor corrosion to the wheel arches, the condition of the paint is good and the chrome wire wheels are in excellent condition. There is detailed and photographic documentation, in 2009, of the rear subframe removal and strip down. It was then sandblasted with components powder-coated and reassembled with new brake pads and discs fitted, the calipers refurbished followed by reassembly. Supplied with a Jaguar Daimler Heritage Trust Certificate and MoT test certificate valid until March 2024, this is a very usable matching numbers example and rare to find offered without reserve.

VOX - VT40X - Guitar Amplifier - Valvetronix. An unboxed VOX, VT40X modelling amplifier (40watts). 1 x 10" Vox speaker. Multi amp/FX and app editing capability. Tested and all functioning. Power Cable and Owners manual included. Serial: O08-900929. (This does not constitute a guarantee). [MP]

Amber Boardman Wobbly Tubes, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Amber Boardman is an American-born, Sydney-based artist who explores the influence of the internet on crowds and social norms. Boardman combines her background in painting and animation to create narrative works that draw from the visual language of cartoons, influenced in part by her work as an animator for Cartoon Network's [adult swim]. Amber Boardman's 20-year history of exhibiting her work internationally includes shows in arts institutions in New York, London, Rome, Amsterdam, Miami, Atlanta, Sydney, Melbourne and Brisbane. Notable exhibitions include BAM's Next Wave Festival in New York, Postmasters Gallery in Rome, and the Archibald and Geelong Prizes in Australia. Over the last two decades, she has been committed to fostering the creative talent of artists. Boardman holds a PhD in Fine Art and has been an invited speaker at universities, art galleries and museums since 2011. She has lectured in art and animation at leading universities in the US and Australia. Boardman has founded shared studio/exhibition spaces in both Brooklyn NY and Sydney Australia and continues to facilitate the exchange of ideas between artists internationally with her Virtual Studio Visit events. Her works are held in private and public collections including Artbank and The City of Sydney in Australia, and the High Museum of Art, The Museum of Contemporary Art of Georgia, the University of Kentucky Art Museum in America. Her work has appeared in publications including Artforum, Hyperallergic, Juxtapoz, Artist Profile, Art Collector, and ArtMaze Magazine. Her work is represented by Chalk Horse in Sydney, Sophie Gannon Gallery in Melbourne, and Sandler Hudson Gallery in Atlanta. Education 2018 PhD, University of New South Wales, Sydney 2009 MFA, School of Visual Arts, New York 2003 BFA, Georgia State University, Atlanta Select Exhibitions/Awards SOLO AND TWO PERSON EXHIBITIONS 2023 Dude, Chalk Horse, Sydney 2022 Real Estate Religion, Sophie Gannon Gallery, Melbourne 2021 Decision Fatigue, Chalk Horse, Sydney 2020 Amber Boardman, 333 Projects / Clayton Utz, Sydney Bodywork, Fremantle Arts Centre, Perth (with Kaylene Whiskey and Tarryn Gill) 2019 Crowd Scenes, Chalk Horse, Sydney 2018 @jadefad: a social media feed in paint, Kudos Gallery, Sydney We Are, Postmasters Gallery, Rome (with Jenny Morgan and Monica Cook) 2017 Regrowth, Sandler Hudson Gallery, Atlanta 2016 Titlist, Chalk Horse, Sydney Sitcom Studies, Ivy Brown Gallery, New York Methods For Making Eye Contact, First Draft, Sydney (with Teelah George) 2015 Expansion, Edwina Corlette Gallery, Brisbane Permission, Chalk Horse Gallery, Sydney 2011 FAV (Flute and Video), Flux Projects, multiple locations, Atlanta STILL, Marcia Wood Gallery, Atlanta 2010 A Sampling, Millsaps College, Jackson, MS 2004 Painting, Drawing, and Animation, Barbara Archer Gallery, Atlanta   SELECTED GROUP EXHIBITIONS 2022 Fair Play, Manly Art Gallery and Museum, Sydney 2020 Here I Am: Art by Great Women, amBUSH Gallery, Canberra This is America, UK Art Museum, Lexington, KY Out of Touch, Subliminal Projects, Los Angeles 2019 Paddington Art Prize, Sydney McGivern Prize, Melbourne Willoughby Visual Arts Biennial, Sydney Bayside Acquisitive Art Prize, Melbourne 2018 Beyond Reason, QUT Art Museum, Brisbane Personal Best, Verge Gallery, Sydney Archibald Prize, Art Gallery of New South Wales, Sydney Up In Arms, University of Kentucky Art Museum, Lexington, KY Geelong Contemporary Art Prize, Geelong Gallery, Geelong Australia 2016 Julie Spoke Softly Under Her Long Skinny Nose, Field Projects, New York 13.04.16, Home@735, Sydney 2015 Porque No, Gaffa, Sydney Art Month Sydney, Creative Live Work Space, Sydney 2014 Ingenious Inhabitants, William Street Windows, Sydney Summer Studio Salon, Marcia Wood Gallery, Atlanta Steal This Bike, Mint, Atlanta 2013 The Wagner Experience, Koblenz, Duisburg, Arnhem, Utrecht, Amsterdam, Rotterdam 2012 FLUX 2012, Public Art Festival, Atlanta 2011 Paint it Black, The Shirey, Brooklyn Everyday Charms, O Cinema, Miami New Media from the Permanent Collection, The Museum of Contemporary Art of Georgia, Atlanta Animation Block Party, BAM, Brooklyn 2010 BAM Next Wave Festival, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn Portrait Concert with Masanori Oishi, Tokyo On the Outside, with AURA Contemporary Ensemble, San Jacinto College, Houston Concert with Sonic Generator, Georgia Tech University, Atlanta The Body Machine, High Museum of Art, Atlanta Losing Yourself in the 21st Century, Maryland Art Place, Baltimore 2009 Losing Yourself in the 21st Century, Georgia State University, Atlanta A New Currency, curated by Dan Cameron, 55 Delancey St, New York Cardsharper, curated by Lauren Ross, Visual Arts Gallery, New York About Time, Visual Arts Gallery, New York Summer Guest House, Marcia Wood Gallery, Atlanta My Eyes, Ad Naseam Lyceum, New York 2008 This Just In, Marcia Wood Gallery, Atlanta Click/Shift/Enter, Marcia Wood Gallery, Atlanta Atlanta Biennial, curated by Stuart Horodner, Atlanta Contemporary Art Center, Atlanta 2004 Going Up, Sundial, Curated by Fifth Class, Atlanta 2003 Atlanta Film Festival, Rialto, Atlanta 2002 all small video night: Short Short Shorts, Eyedrum, Atlanta Fresh, Curated by Fifth Class, Atlanta Continue reading   Statement about AOAP Submitted Artwork Sculptures in paint.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Amber Boardman Blobs With Tubes Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Amber Boardman is an American-born, Sydney-based artist who explores the influence of the internet on crowds and social norms. Boardman combines her background in painting and animation to create narrative works that draw from the visual language of cartoons, influenced in part by her work as an animator for Cartoon Network's [adult swim]. Amber Boardman's 20-year history of exhibiting her work internationally includes shows in arts institutions in New York, London, Rome, Amsterdam, Miami, Atlanta, Sydney, Melbourne and Brisbane. Notable exhibitions include BAM's Next Wave Festival in New York, Postmasters Gallery in Rome, and the Archibald and Geelong Prizes in Australia. Over the last two decades, she has been committed to fostering the creative talent of artists. Boardman holds a PhD in Fine Art and has been an invited speaker at universities, art galleries and museums since 2011. She has lectured in art and animation at leading universities in the US and Australia. Boardman has founded shared studio/exhibition spaces in both Brooklyn NY and Sydney Australia and continues to facilitate the exchange of ideas between artists internationally with her Virtual Studio Visit events. Her works are held in private and public collections including Artbank and The City of Sydney in Australia, and the High Museum of Art, The Museum of Contemporary Art of Georgia, the University of Kentucky Art Museum in America. Her work has appeared in publications including Artforum, Hyperallergic, Juxtapoz, Artist Profile, Art Collector, and ArtMaze Magazine. Her work is represented by Chalk Horse in Sydney, Sophie Gannon Gallery in Melbourne, and Sandler Hudson Gallery in Atlanta. Education 2018 PhD, University of New South Wales, Sydney 2009 MFA, School of Visual Arts, New York 2003 BFA, Georgia State University, Atlanta Select Exhibitions/Awards SOLO AND TWO PERSON EXHIBITIONS 2023 Dude, Chalk Horse, Sydney 2022 Real Estate Religion, Sophie Gannon Gallery, Melbourne 2021 Decision Fatigue, Chalk Horse, Sydney 2020 Amber Boardman, 333 Projects / Clayton Utz, Sydney Bodywork, Fremantle Arts Centre, Perth (with Kaylene Whiskey and Tarryn Gill) 2019 Crowd Scenes, Chalk Horse, Sydney 2018 @jadefad: a social media feed in paint, Kudos Gallery, Sydney We Are, Postmasters Gallery, Rome (with Jenny Morgan and Monica Cook) 2017 Regrowth, Sandler Hudson Gallery, Atlanta 2016 Titlist, Chalk Horse, Sydney Sitcom Studies, Ivy Brown Gallery, New York Methods For Making Eye Contact, First Draft, Sydney (with Teelah George) 2015 Expansion, Edwina Corlette Gallery, Brisbane Permission, Chalk Horse Gallery, Sydney 2011 FAV (Flute and Video), Flux Projects, multiple locations, Atlanta STILL, Marcia Wood Gallery, Atlanta 2010 A Sampling, Millsaps College, Jackson, MS 2004 Painting, Drawing, and Animation, Barbara Archer Gallery, Atlanta   SELECTED GROUP EXHIBITIONS 2022 Fair Play, Manly Art Gallery and Museum, Sydney 2020 Here I Am: Art by Great Women, amBUSH Gallery, Canberra This is America, UK Art Museum, Lexington, KY Out of Touch, Subliminal Projects, Los Angeles 2019 Paddington Art Prize, Sydney McGivern Prize, Melbourne Willoughby Visual Arts Biennial, Sydney Bayside Acquisitive Art Prize, Melbourne 2018 Beyond Reason, QUT Art Museum, Brisbane Personal Best, Verge Gallery, Sydney Archibald Prize, Art Gallery of New South Wales, Sydney Up In Arms, University of Kentucky Art Museum, Lexington, KY Geelong Contemporary Art Prize, Geelong Gallery, Geelong Australia 2016 Julie Spoke Softly Under Her Long Skinny Nose, Field Projects, New York 13.04.16, Home@735, Sydney 2015 Porque No, Gaffa, Sydney Art Month Sydney, Creative Live Work Space, Sydney 2014 Ingenious Inhabitants, William Street Windows, Sydney Summer Studio Salon, Marcia Wood Gallery, Atlanta Steal This Bike, Mint, Atlanta 2013 The Wagner Experience, Koblenz, Duisburg, Arnhem, Utrecht, Amsterdam, Rotterdam 2012 FLUX 2012, Public Art Festival, Atlanta 2011 Paint it Black, The Shirey, Brooklyn Everyday Charms, O Cinema, Miami New Media from the Permanent Collection, The Museum of Contemporary Art of Georgia, Atlanta Animation Block Party, BAM, Brooklyn 2010 BAM Next Wave Festival, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn Portrait Concert with Masanori Oishi, Tokyo On the Outside, with AURA Contemporary Ensemble, San Jacinto College, Houston Concert with Sonic Generator, Georgia Tech University, Atlanta The Body Machine, High Museum of Art, Atlanta Losing Yourself in the 21st Century, Maryland Art Place, Baltimore 2009 Losing Yourself in the 21st Century, Georgia State University, Atlanta A New Currency, curated by Dan Cameron, 55 Delancey St, New York Cardsharper, curated by Lauren Ross, Visual Arts Gallery, New York About Time, Visual Arts Gallery, New York Summer Guest House, Marcia Wood Gallery, Atlanta My Eyes, Ad Naseam Lyceum, New York 2008 This Just In, Marcia Wood Gallery, Atlanta Click/Shift/Enter, Marcia Wood Gallery, Atlanta Atlanta Biennial, curated by Stuart Horodner, Atlanta Contemporary Art Center, Atlanta 2004 Going Up, Sundial, Curated by Fifth Class, Atlanta 2003 Atlanta Film Festival, Rialto, Atlanta 2002 all small video night: Short Short Shorts, Eyedrum, Atlanta Fresh, Curated by Fifth Class, Atlanta Continue reading   Statement about AOAP Submitted Artwork Sculptures in paint.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

LGB G Gauge Christmas items consisting of Ref 21010 Father Christmas on a Xmas decorated Gandy Dancer, Ref 4021 high side open wagon, Ref 4335 Merry Christmas Box car with speaker system installed and Ref4465 Merry Christmas Caboose. Excellent in Excellent Boxes. (4)

1930's Bakelite sound speaker and Smiths Bakelite wall clock.

Glensound (Ex-BBC) Broadcast Mixing Desk GSNT/1. Complete with original service manuals & schematics. A very unusual piece of broadcasting history - an 11(!) channel BBC spec studio broadcast desk from which seems to date from the early 1980s. *Note that this is a brokerage sale item - all info below is from the seller. This was designed as a very elaborate "plug and play" studio hub device of its day which thinks of everything it could possibly have had coming into it or going out of it back in the days of tape machines, music lines, gram decks and green cue lights. Comprises of 4 hi spec mic channels and 7 "repro" (+6db line level) channels, the last of which is dedicated to "Gram deck" inputs. Each channel has Glensound's bespoke RSA eq, a Misc (aux) send and, in the case of the mics, a pan pot. Also an "output bypass" which can send a separate bus away from the main output. Faders are P&G BBC spec so they open "the wrong way round" in the tradition of the time at the corporation (i.e. pull towards the user to increase gain). Fader start functionality is available for each channel with ""red light""/mute monitor switching for the mics. There are also wire-able "hotkeys" below this for fader start or green light announcer cue functions. The unit is self contained for all studio functionality including headphone and control room/studio speaker monitoring, monitor routing matrix and ring main monitoring selector, dual PPM metering, elaborate tone generation, talkback mic and facilities, PPL circuits (the logic of this is a bit muddled and baffled even a BBC engineer who serviced it but it works after a fashion). There is a bantam jack patch bay (I have examples of the leads to include) EDAC connections for much of the function on the back (ditto) as well as standard XLR ins and outs for mics, grams and speaker. It comes with a full service manual bespoke to the BBC mods this particular example has had which explains the full back panel connectivity and myriad of possibilities available. Extra historic features that add to the "Tardis quality" of this item include functionality around the old Cue and Control line outside broadcast practises of the BBC which includes a "linesman's phone" built into the right hand side. There are also facilities for reel to reel tape recorder monitoring "off repro head" during recording on left hand red switches 1 to 4 and even a vari-speed remote control for an A80 Studer machine. A time counter display at the top right of the unit adds an extra curio. Dry stored for the last 3 years, it was previously functional in a private studio for 10 years during which time it had a full overhaul by a BBC qualified engineer. It has its eccentricities in keeping with a unit of this age - there will be scratchy pots and minor oddities and, although much of this was attended to at the last service, I would recommend that it is checked and serviced again by a fully qualified electrical engineer before being put into full use. No guarantee or warranty implied.

Suiko ST-40 Poetry Trainer, BoxedPocket version of the inspiring Japanese synth. (C) Tested. Powers up, passes signal but has various faults and/or dirty controls and sockets and definitely needs a service.No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.Works via the line out but th internal speaker does not appear to function.For UK bidders only this item will be subject to 20% VAT on the hammer price and on the Buyer’s Premium (this amount is included in the Total Fees percentage attached to this item). For all bidders outside the UK there will be no VAT on the hammer price but VAT is charged on the Buyer’s Premium.

Medic Modules Speaker ModuleIn-rack speaker for direct sound output.Ideal for testing and monitoring signals.Compact design, robust build.Simplifies immediate audio feedback.(B) Module untested but assumed to be working.No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.

Medic Modules Speaker ModuleIn-rack speaker for direct sound output.Ideal for testing and monitoring signals.Compact design, robust build.Simplifies immediate audio feedback.(B) Tested and working - powers up and appears to work as intended, not all functions checked.No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.

Grampian Six Two Four Germanium Preamp.Serviced, 12V battery power input disconnected.Originally a PA speaker/record player amp. 2 germanium mic pre’s and a germanium Gramophone driver (switched to unbalanced jack).3x AC128 germanium transistorsOh, did we mention it’s germanium(A) Tested and working. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.

Paia OZ Synthesizer. DIY octave-and-a-half monosynth. Battery powered with a built in speaker. Uses a 9v which may be smaller than it was designed for - batteries don't last that long, however as it begin to be starved of power it makes some werid and wonderful noises... (A) Tested and working. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.

Harman / Kardon Onyx Wireless Speaker (Serial Number: FC0039-EF0240072).

Richard Allan 1940s Bafflette de-luxe speaker, converted to bluetooth, with power supply. Not available for in-house P&P

* Dilke (Charles Wentworth, 1843-1911). Second baronet, writer and politican. A collection of approximately 46 letters, all signed but several in secretarial hands, principally from Dilke's lifelong home, 76 Sloane Street, others from Suez, Richmond, Dockett Eddy, Pyrford, Local Government Board, Toulon, Paris, House of Commons, and Newnham on Seyern, mostly c. 1875-1900, some undated, to a wide variety of correspondents, covering a wide variety of topics including an enquiry to the Daily Telegraph; publishing technicalities; a promise to get Lady Dilke to write (‘The only thing she has at all ready is a further set of her gruesome stories'); asking for information on fever houses (to Lyulph Stanley); declining a professional proposition (I have no capital at my disposal for a literary ventury'); to the actress Yvette Guilbert (1865-1944) about a picture in the National Portrait Gallery ('I will... remember your interest in the gentleman you name'); parliamentary matters; declining to do favours, particularly in respect of voting; sending a donation 'towards the starting of the Kensal Town Dispensary'; to J.T. Agg-Gardner MP ('I was entirely unable to come to the Conference with the Brewers, as Winston Churchill was speaking and I could not leave. ...'); the loan of a picture; to F[rancis] C[arruthers] Gould (1844-1925, caricaturist) inviting him to dinner at the House of Commons; announcing that he would be a speaker at the Cannock Chase miners demonstration, etc., etc., letters are generally in good condition, with a few traces of mounting, etc., together with: six letters of Sir Charles Wentworth Dilke, first baronet (1810-1869) and one of Charles Wentworth Dilke (1789-1864, liberal critic and writer on literature) from the Navy Pay Office about his financial difficultiesQTY: (approx. 52)NOTE:The second baronet was born into considerable wealth, inheriting property which included two major publications, The Athenaeum and Notes and Queries. He enjoyed a largely successful political career, being twice a member of parliament and briefly holding public office, but he is probably best remembered for his part in the Crawford Divorce and its unfortunate consequences. Dilke had been accused by Virginia Crawford, the sister of his brother's wife, that he had seduced her, and it became known that he had also been the lover of Virginia's mother. Although effectively found not guilty (although Virginia was not) Dilke had made the misjudgement of effectively re-opening the case, and in the event he was shown to be a bad witness to the truth, and his reputation was in tatters. Many years of investigation at great expense were eventually to show, at least to Dilke's friends, that it was Virginia Crawford who had lied in court.

A LOEWE SUBWOOFER SPEAKER

AN ORBIT SOUND SPEAKER SYSTEM WITH REMOTE CONTROL

Bluetooth speaker/light show projector. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

GPO SoHo record player/ bluetooth speaker. Not available for in-house P&P

A Marconi Scientific Instrument Co Ltd Telephone Transformer, having connectors for a receiver and phones, with phones and loud speaker switch (1)

A pre 1900 Ericsson Wall Telephone, c.1895, possibly Model 355, having writing slope with label to interior and serial number 384342, tin battery cover with attractive decoration, handset missing speaker horn, double bell and crank

A pre 1900 Ericsson Wall Telephone, c.1895, possibly Model 355, having writing slope, tin battery cover with attractive decoration, handset missing speaker horn, double bell and crankPlease see additional images

A Cambridge Soundworks SW320 speaker, a Kenwood Model CM-5 (left) speaker, a pair of Academy speakers and one other set of speakers.

A Selection of Various HiFi Cables, including speaker cables, interconnectors and more (a lot)

Studio rack equipment to inlcude a Beringher VMX1000 USB professional dj mixer, a KAM GMX5 pre-amp stereo mixer and a Denon DN-D4500 dual digital media player. Also included is a AKG C3000 condenser microphone with stand and a PA system sub speaker.

A pair of Monitor Audio Bronze BX2 speaker, in original box and packaging. With two stands,

Hifi audio equipment to include a pair of Wharfedale Glendale 3 speakers, a pair of Wharfedale Linton 2 speakers, a Toshiba SR-220 turntable, Rotel RA-412 stereo amplifier and Phillips 29RH646 tuner, plus 2 speaker stands

Bose Home Entertainment System, consisting of PS3-2-1 Powered Speaker System ser. no. 027729330800123AS, Media Center model AV3-2-1 ser. no. 027753330650483AZ, 2 speakers on stand, 99 cm high and remote control

A KEF floor standing speaker

A PAIR OF MONITOR AUDIO SILVER RS-6 FLOOR STANDING HI-FI SPEAKERS with natural Ash finish, floor spikes, three way speaker (Condition Report: full working, some discolouration to finish, but very good condition)

A SONY DM-38V WALKMAN (plays, rewind and fast forwards but speaker has audio hum but music very quiet), a Hitachi HT-50S turntable (PAT fail due to uninsulated plug but working, no lid and nicotine stained)and various power and audio cable including two Kimber power cables

BOSE Solo 15 Series II TV sound system speaker

An Edwardian mahogany cased The Gramophone Co. Ltd. 'Exhibition' pedestal gramophone. The case having an hinged top opening to reveal the gramophone (Rd No. 539587). Twin single panelled doors below opening to reveal a fret work speaker cover over a single drawer cupboard space. Raised on bracket feet with ceramic castors to end. Measures approx. 119cm x 40cm x 57cm. 

A Tannoy TFX Powered Subwoofer speaker.

A JVC Compact Component System comprising of a Hybrid Freedback Digital Amplifier and model SP-FSY1 Speaker System

Large DJ system Newmark CD mixer deck, a Kam XR1000 amplifier, two large KAM speakers, approx 140 mixed CD's in carry case, Kam wireless microphone, MUD 525 dynamic microphone, two Skytec small speaker stands and two Skytec large speaker stands, approx 230 CD karaoke discs, and a collection of spare leads, flight cases etc (This system has been wired up and is fully working)

PAIR OF WHARFEDALE SPEAKERS DENTON XP2, AND A MARTIN AUDIO ICT300 SPEAKER the Wharefdale speakers in teak cabinet36cm high, 25cm wide

Two 1920's crystal radio sets for spares or repair, including Radionette, together with a pair of Brandes Superior BBC headphones, Amplion horn speaker parts, gramophone spares and 'Vintage Crystal Sets 1922-1927' book

A Pye type FV1 console television, the 12" screen above a mesh speaker grille housed in walnut casing with Bakelite dials, raised on castors. c.1951. Together with a Pye 'What You Need To Know About TV' booklet

Assorted hi-fi leads and connectors including Van Damme speaker cable, Sewell banana plugs etc

A boxed Celstion AVP303 surround sound system comprising centre speaker and two satellite speakers, together with two additional unboxed satellite speakers (tweeters pushed in on centre speaker and two satellite speakers)

An Onkyo HTX-22HDX digital home cinema surround sound system comprising subwoofer, centre speaker and four satellite speakers, with remote and instructions

A Panasonic SJ-MJ50 portable minidisc player with instructions, headphones and speaker/battery charger

A large mid 20th Century teak cased speaker on associated tapering legs, speaker cabinet 76cm tall x 46.5cm wide x 43cm deep

Large quantity of CDs, including James Blunt, Paolo Nutini, Pop Party 2, The Elvis Interviews, etc, DVDS, jigsaws and Modus speaker set

A National Panasonic SG-1020L Compact Stereo, comprising: a versatile compact stereo radio-phono-cassette tape recorder (3-in-1 Stereo Music Centre) and speaker system, with operating instructions; together with a Sanyo Nicam Hi-Fi Stereo video player.

BOSE MULTI MEDIA SPEAKER SYSTEM

A Sony Active speaker and a Panasonic portable CD player

A box of miscellaneous items to include headphones, Bluetooth speaker, leads, cassettes etc.

Two Naim 6m White and two 6m Black Speaker Cables

A PAIR OF VINTAGE GOODMAN'S G MAGNUM K2 HI FI SPEAKERS and a Micro MR111 turntable (all untested) Condition Report: scratches and grille ripped to speaker cabinets speaker cones have movement) (3)