A collection of Royal Worcester miniature fruit painted tea/coffee wares, signed Roberts, to include a coffee pot and cover, teapot, pair of tea cups/saucers, sugar bowl, two cream jugs and three tea plates (13)Condition: one saucer broken and re-glued, otherwise appears generally in good overall original condition
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A group of Chinese export hand-painted and enamelled wares, circa 1750-1900. Comprising large stand decorated with deer, a blue and white floral plate, another floral plate, a large 19th Century bowl with a dragon to the centre and butterflies and flowers, the frieze with figures and animal pulling a cart, blue floral seal mark within double blue circle, a scenic plate, a small Qing style yellow enamelled bowl with dragon to the frieze, puce printed seal mark, another small bowl decorated with a five clawed dragon in iron red chasing a flaming pearl on a blue ground, blue six character Yongzheng mark, a handled-dish and two teapots and covers. Stand: 26 cm wide, plates 23 cm wide. (10)From the estate of the late Norman Walmsley. Condition: Bowl broken in half, one plate rivetted, one teapot wit associated lid and the other teapot with damage to spout and handle.
Hutchins, John. The History and Antiquities of the County of Dorset, Westminster: John Bowyer Nichols and Sons, 1861-1872, in 15 parts, illustrated with numerous engraved plates depicting architectural and topographical views, plus further illustrations of heraldic crests and antiquities within the text. Folio, publisher's paper covers. Contents good, clean, bright; paper covers generally good but some bindings loose (15)
Piper, John. Brighton Aquatints, first edition, London: Duckworth, 1939, printed at the Curwen Press. Complete with all 12 aquatint etchings, the corresponding descriptions on blue paper. Oblong folio, publisher's quarter-cloth with marbled boards and paper title label, bearing bookplate for Philip Hall, with gift inscription to the same dated 1946. Contents good, clean and bright; the aquatint plates rich impressions and very well-preserved; some light scratches/scuffs and general discolouration to boards; some very pale spotting to opening leaves
Lascelles, Rowley. The University and City of Oxford; Displayed in a Series of Seventy-Two Views, Drawn and Engraved by J. and H. S. Storer, London: Sherwood, Neely, and Jones, 1821, errata, four pages of advertisements bound in at rear. Quarto, contemporary paper covered boards with paper title label to spine, untrimmed page edges, engraved plates. Contents good and bright; paper binding worn around spine/headcaps
Grosz, George. Ecce Homo, [Berlin: Der Malik-verlag, c.1923], ten colour prints [of 16], offset lithographs on wove paper, unpaginated, in publisher's wrap-around folder. This publication was banned by the German government, and Grosz was prosecuted for causing public offence. Weimar Republic. This is presumably Edition B II, which included the 16 reproductions of watercolours only, unsigned, in paper portfolio; the total number published unknown. The work has been described as 'an unsparing vision of human nakedness, lust, greed and cruelty'. The plates are good, clean, bright, with vibrant colours; a couple of nicks at the edges, a couple of marks in the margins; the paper folder has some light dampstaining and spotting
Travel / Topography. Collection of three books: Paris in Pen and Picture, by John N. Raphael, Paris: Brentano's, no date, oblong folio, publisher's gilt cloth, marbled endpapers; Barcelona a la Vista, Fotografias de la Capital, Barcelona: Antonio Lopez, no date, oblong folio, publisher's gilt pictorial cloth; Lake Scenery of England, by J. B. Pyne, London: Day & Son, no date, illustrated with lithographic plates, publisher's gilt cloth (3)
Lewis, James. Original Designs in Architecture, Book I, first edition, London: Printed for the Author, 1780, text in English and Italian, complete with 22 plates as called for, title page, two-page Subscriber list, Preface, four-page Introduction, seven-page Explanation of the Plates. Folio, contents sound with general discolouration and wear to some page edges, full contemporary calf (very worn as found)
Green, Thomas. The Universal Herbal; Or, Botanical, Medical, and Agricultural Dictionary, second edition, in two volumes, London: Caxton Press, 1824, stipple-engraved pictorial title page and frontispieces, extensively illustrated throughout with hand-coloured plates. Quarto, full contemporary calf with contrasting morocco title labels lettered in gilt. Contents good, clean, bright; lower board detached to Vol.II (2)
Dickens, Charles. Sketches by Boz, New Edition, Complete, illustrated by George Cruikshank, London: Chapman and Hall, 1839, first issue with no comma after 'illustrations' on title page; imprint address '186, Strand'; half-title present with owner inscription curiously dated 1838; raised commas on p.429; p.515 numbered at centre; uncoloured etched plates and pictorial title, contemporary half-calf lettered in gilt, offsetting and foxing to plates
Equestrian / Farriery Interest. Markham, Gervase. Markham's Maister-Peece (Masterpiece), two parts bound as one, London: William Wilson, 1656, engraved pictorial title page with detached key/explanation, main title page, title page for second part, folding woodcut illustration of a horse (detached/torn), woodcut illustration of horse arteries, two woodcut illustrations of horse skeletons, woodcut illustration of farrier's instruments, owner inscriptions (including Thomas Bowyer, 1661), full calf, worn with boards detached. Together with An Account of the Constitution and Present State of Great Britain, London: Newbery, no date, owner inscription dated 1776, five engraved plates, full calf, text-block broken and boards detached, not collated, as found (2)
Dugdale, Sir William. Antiquities of Warwickshire, Coventry: John Aston, 1817. Bespoke interleaved and extra-illustrated edition with numerous engraved plates, loosely inserted photographs, pamphlets, letters, and ephemera. 19th-centrury half-cloth lettered in gilt with marbled boards. Contents good and bright, some wear to edges of loose/larger insertions; bindings good with some rubbing/wear to boards (4)
Harris, John. Lexicon Technicum: Or, An Universal English Dictionary of Arts and Sciences, first edition of the second volume, London: Daniel Brown et al., 1710, red & black title page, seven engraved plates (six folding), plus numerous smaller illustrations within the text, 12 pages of subscribers. Folio, full contemporary panelled calf with raised bands, armorial bookplate to front pastedown for Thomas Wallis, M.D., plus ownership inscription for the same on front free endpaper (Magdalene College, Cambridge, 1717). Contents generally very good and bright, occasional pale spotting; binding tight and solid, some wear to calf, lacking title label. Together with another edition of the second volume, published 1736 for J. Walthoe et al., with engraved frontispiece portrait; folio, full contemporary calf with oxblood morocco title label (2)NB: Lexicon Technicum is considered the first alphabetical encyclopedia written in English
Usher, James Ward. An Art Collector's Treasures, limited edition of 300, London: Privately Printed at the Chiswick Press, 1916. Folio, full crushed morocco lettered in gilt by Sangorski & Sutcliffe, illustrated throughout with vibrant colour plates, top edge gilt, remainder untrimmed. Contents good and bright, some light spotting; light dampstaining to rear endleaves; binding very good, tight and solid, some light scuffing and wear to extremities. Together with Buckingham Palace, by Clifford Smith, London: Country Life Limited, 1931, folio, cloth (2)
Crimean War Interest. A late-18th/early-19th century Russian book of mathematical diagrams (engravings on laid/chain-lined paper), six plates with printed paper cover, the cover inscribed in black ink, 'From Sebastopol 1853, This fragment I brought out of Sebastopol after the evacuation while parts of the Town were still on fire, Joseph Preston'
Dickens, Charles. Little Dorrit, first edition, London: Bradbury & Evans, 1857, contemporary half crushed morocco with marbled boards lettered in gilt, all edges gilt. Contents and plates very good, clean, bright; some light dampstaining to edges of pictorial title/frontis.; binding good, tight, solid, some rubbing to boards and light wear to extremities
Collection of prints, to include a signed etching of Winchelsea windmill, by Albert Thomas Pile; a stipple-engraving of rural couple by Gaugain after Morland; a colour lithograph depicting an interior with pianoforte by Collard & Collard of London; a steel engraving of the Great Exhibition at Crystal Palace; 19th-century French fashion plates, and others. Framed & glazed (12)
An interesting miniature white metal and oak Queen Anne style dining table and tableware, the rectangular table, 34cm x 22cm, on six supports with applied corner panels with engraved masks, and a central panel with engraved Royal crest, with a miniature punch bowl and four goblets, four triangular table salts, a pair of covered tankards and a pair of jugs, four candlesticks, eight beakers and eight small and two larger plates, together with two miniature silver sifters
Wedgwood Clementine dinner and tea set - a dinner set in the Wedgwood Clementine pattern comprising six dinner plates, six fish plates, six soup bowls, six dessert bowls, a large oval serving platter, three vegetable dishes, a sauce boat and a salt and pepper, also a Wedgwood Clementine tea set comprising four cups, four saucers, four tea plates, a milk jug, a covered jam dish and an oval cake plate, included in the lot is a small Wedgwood Clementine posy vase
A comprehensive Meissen dinner service, outside painted by Elisabeth Wilke, comprising fifty two dinner plates, 24cm diam, sixteen soup plates, sixteen dessert plates, 21cm diam, sixteen tea plates, 15cm diam, soup tureen, two tureens and covers, two sauce boats, another, four graduated serving plates, three serving dishes, seven various serving plates, two fish plates, jam pot, each painted with summer flowers and insects, scored through Meissen marks, initialled E.W. 1895 (143 pieces)Elizabeth Wilke is the vendor's great-great grandmother, it was painted during 1895-1896 while betrothed to Baron Gustaf Rudolf Harleman, who was the Police Commissioner in Stockholm
A Copeland and Garrett shaped circular plate, the field painted with a marble vase of English country flowers, gilt scrolling leafy border, blue ground, scalloped rim, 24cm diam, turquoise printed marks, c. 1840; other English porcelain circular and shaped circular dessert plates, various, (4); [5]

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484056 item(s)/page