Jones (David) In Parenthesis, first edition, frontispiece, plate and map by the author, a few pencil annotations to preface and small markings to text, small book-label to rear pastedown, original beige cloth, spine a little browned but a good copy, 1937; The Anathemata, first edition, plates, Evan Gill's copy with his book-label, original cloth, dust-jacket, not price-clipped, spine lightly browned, 1952; The Sleeping Lord, number 143 of 150 copies signed by the author, frontispiece, original cloth, slip-case, 1974 § Jones (Huw Ceiriog) The Library of David Jones (1895-1974): A Catalogue, original cloth, dust-jacket, Aberystwyth, 1995 § Coventry (Francis) The History of Pompey the Little..., one of 400 copies, wood-engraved frontispiece and tail-piece by David Jones, leather book-label of Micheline & Mervyn Parkhouse, original cloth-backed boards, uncut, lower corners slightly bumped, slip-case, Waltham St. Lawrence, Golden Cockerel Press, 1926 § Leslie (Shane) Fleet Street, The New Broadside No.16, 2 colour illustrations by David Jones, c.430 x 190mm., tipped into aperture mount, Poetry Bookshop, [c.1926]; and a bundle of others by or relating to Jones including several prospectuses for his works, v.s. (sm.qty)
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.00Keynes (Geoffrey, editor) On the Morning of Christ's Nativity: Milton's Hymn with Illustrations by William Blake, number 67 of 150 copies, plates, original vellum-backed cloth, t.e.g., others uncut, patterned-paper endpapers, Cambridge, University Press, 1923 § Book of Ruth (The), number 148 of 250 copies, with decorative borders in brown after Geofroy Tory and Bernard Salomon, borders lightly offset, original limp brown batik boards, uncut, blue card slip-case with paper label to upper cover, spine slightly faded, [Dreyfus 3], printed by the Pelican Press for the Nonesuch Press, 1923 § Kipling (Rudyard) The Glory of the Garden, number XX of 25 special copies but without the additional suite of plates, from an edition limited to 125 signed by the artist, hand-coloured linocuts by Judith Verity, folding concertina style, original wrappers, hand-coloured label to upper cover, slip-case, Andoversford, Whittington Press, 1989 § Jones (Shirley) The Making of Ellor-gast 1985-1986, number 33 of 200 copies signed by the author/artist, with numbered & signed relief etching tipped in at end, original decorative wrappers, uncut, [Croydon], Red Hen Press, 1986 § Lines (Vincent) The Tuileries Gardens, etching, Artist's Proof from an edition limited to 150, loose as issued in original printed card folder, Jennings Fine Art & Merivale Editions, n.d.; and a bundle of pamphlets, prospectuses etc. from Fleece, Incline and other modern presses, v.s. (c.20)
Mansfield (Katherine) The Garden Party and other stories, limited edition, colour lithograph illustrations by Marie Laurencin, some full-page, ex-library copy with ink accession number to foot of title verso and traces of labels to front endpapers and spine but unobtrusive and a good copy, original patterned cloth, uncut, very slightly rubbed at edges, printed at the Officina Bodoni of Verona for the Verona Press, 1939 § Bennett (Arnold) Elsie and the Child, number 353 of 750 copies, superb pochoir plates and illustrations by E. McKnight Kauffer, most full-page, ink inscription to front free endpaper, original cloth, uncut, very slight soiling to edges, board slip-case, a very good copy, Curwen Press, 1929, 4to (2)
Sandford (Christopher) Chanticleer: A Bibliography of the Golden Cockerel Press April 1921-1936 August, number 262 of 300 copies signed by the author, title printed in black and gold, illustrations, original morocco-backed patterned-cloth, t.e.g., others uncut, a little soiled, spine faded, small hole to upper joint at head, 1936 § Pissarro (Lucien) Notes on the Eragny Press..., edited by Alan Fern, one of 500 copies, plates, some colour, one printed with gold, one tipped-in (loose), original patterned-paper boards, slight stain to upper cover, Cambridge, privately printed, 1957 § Harrop (Dorothy A.) A History of the Gregynog Press, number 54 of 100 copies signed by the author, plates and illustrations, original cloth, Pinner, 1980; and 4 others on presses including ordinary copies of Pertelote and Cock-a-Hoop, v.s. (7)
![Simon (Oliver) and Stanley Morison, editors. The Fleuron: A Journal of Typography, 7 vol. [a complete set], specimens, plates](https://cdn.globalauctionplatform.com/c80d5540-6644-4de5-a369-ac2400b1ba5c/c8bcbe87-94f3-4940-9008-ac2400b35d44/468x382.jpg)
Simon (Oliver) and Stanley Morison, editors. The Fleuron: A Journal of Typography, 7 vol. [a complete set], specimens, plates and illustrations, some folding, some printed in colours, a few tipped in, vol.1 Randolph Schwabe's copy with his signature on front free endpaper, light spotting to vol.6, original cloth or cloth-backed boards, rubbed, some spines a little faded, vol.1 with dust-jacket, rubbed and frayed, 1923-30; with prospectuses for vol.2 & 4 and duplicates of vol.3 & 6, 4to (11)
Simon (Oliver) and Stanley Morison, editors. The Fleuron: A Journal of Typography, vol.2, 3 & 5-7 only (of 7), all but vol.5 deluxe limited editions on hand-made paper containing additional material and signed by one of the editors, specimens, plates and illustrations, some folding, some printed in colours, a few tipped in, vol.1 with stamps neatly removed from foot of title and front pastedown, vol.2 with small Library of Congress ink stamp to rear pastedown, light staining to lower edge of some leaves of Gill's 'Passion of Perpetua and Felicity' section, plate of 'Madonna and Child' creased at lower corner where folded in, original cloth, mostly buckram, gilt, some with t.e.g., all uncut, a little rubbed especially spine ends of vol.2 & 3, vol.5 & 6 with a few stains, vol.7 spine faded, 4to, London, Cambridge & New York, 1924-30 (5)⁂ The limitations vary from 120 to 210 copies but with a maximum therefore of 120 complete sets. These contain additional inserts including illustrations by Eric Ravilious and David Jones (one signed) in vol.6 and by Eric Gill in vol.7. Vol.7 is also signed by Eric Gill on the specimen of his Perpetua type and numbered & signed by Stanley Morison at the end on colophon.
NO RESERVE Courteline (Georges) Le Train de 8h.47, number 33 of 25 copies on hollande with an additional suite of plates in sanguine, from an edition limited to 320, hand-coloured engraved plates and illustrations by Dignimont, Paris, Sylvain Sauvage, 1927 § Triolet (Elsa) Mille Regrets, one of 25 hors commerce copies from an edition limited to 672, plates and illustrations by Christian Bérard hand-coloured by Beaufumé, Paris, 1947 § Montherlant (Henry de) Les Jeunes Filles, number 83 of 382 copies, colour lithographs by Mariette Lydis, Paris, 1938 § Balzac (Honoré de) Les Contes Drolatiques, 2 vol., number 23 of 333 copies on handmade paper, lithographed plates by Schem, illustrations, light offsetting, Dijon & Saint-Cloud, 1948; La Fille aux Yeux d'Or, one of 700 copies, colour etched plates by Maurice Leroy, Chartres, 1946 § Flaubert (Gustave) Trois Contes, one of 800 copies, wood-engraved illustrations by G.Angiolini after André-E.Marty printed in colours, Paris, 1948, all but the second loose as issued, uncut, all in original wrappers with board folders and slip-cases, some a little rubbed; and 17 others, continental illustrated, 4to & 8vo (23)
NO RESERVE Duhamel (Georges) Vie des Martyrs 1914-1916, limited edition, colour lithographs by Edmond Lajoux, 1946 § Laborde (Guy) École de Patience: La Guerre Vue par Chas Laborde, number 49 of 60 copies with additional suites of the engravings (one printed in sanguine), from an edition limited to 471, engraved plates and wood-engraved illustrations after Chas Laborde, 1951, both loose as issued in original wrappers, uncut, original cloth-backed folders and slip-cases, 4to, Paris (2)
![NO RESERVE Erotica.- L[ouÿs] (P[ierre]) Poésies Érotiques, number 151 of 165 copies, lithographs by Marcel Vertès, original w](https://cdn.globalauctionplatform.com/c80d5540-6644-4de5-a369-ac2400b1ba5c/7788aff2-574a-4d23-847b-ac2400b32753/468x382.jpg)
NO RESERVE Erotica.- L[ouÿs] (P[ierre]) Poésies Érotiques, number 151 of 165 copies, lithographs by Marcel Vertès, original wrappers, glacine wrapper, original board folder and slip-case (rubbed), Barcelona, [1932] § Verlaine (Paul) Élégies, one of 550 copies, pochoir illustrations by André Cahard, original printed wrappers, Paris, 1924 § Geache (Effe) Une nuit d'orgies à Saint-Pierre Martinique, one of 750 copies, pochoir plates by Michel Siméon, bound in red morocco, upper cover with onlaid mask of black morocco amid radiating gilt rules, t.e.g., original wrappers bound in, spine a little faded, Paris, 1961; and 6 others, erotica, including some by Colette, v.s. (9)
NO RESERVE Jerome (Jerome K.) Trois Hommes dans un Bateau, number 15 of 35 copies on japon with 2 additional suites of plates (in colours on hollande and in black on chine), pochoir plates and illustrations by Roméo Dumoulin, original pictorial wrappers, Brussels, 1930 § Chevallier (Gabriel) Clochemerle, limited edition, pochoir plates by Lucien Boucher, illustrations, bound in brown morocco, by Fox, with outline of church tower ruled in black on upper cover, very slightly rubbed at edges, Paris, 1936 § Warnod (André) 3 Petites Filles dans la Rue, one of 710 copies, hand-coloured plates and illustrations by Pascin, later half crimson morocco, t.e.g., original wrappers bound in (upper faded), Paris, 1925; and 3 others, 8vo & 4to (6)
NO RESERVE Martin (Charles).- Merimée (Prosper) Carmen, number 34 of 176 copies, hand-coloured engraved title, mezzotint plates and etched illustrations by Charles Martin, with an additional suite of plates in black bound in, contemporary half burgundy morocco by Flammarion, spine in compartments with coloured floral onlays, t.e.g., others uncut, upper hinge broken, with the original wrappers bound in, decorative upper cover printed in silver and magenta, Paris, 1926; and 2 others illustrated by or about Martin, 4to & 8vo (3)
![NO RESERVE Nyns (Jacques, editor) Le Code Pénal, pochoir illustrations by Jean Dratz, Brussels, [1950] § Code de la Route: Te](https://cdn.globalauctionplatform.com/c80d5540-6644-4de5-a369-ac2400b1ba5c/2c88db84-cb50-471e-a6a1-ac2400b381fe/468x382.jpg)
NO RESERVE Nyns (Jacques, editor) Le Code Pénal, pochoir illustrations by Jean Dratz, Brussels, [1950] § Code de la Route: Texte Officiel et complet, limited edition, pochoir illustrations by Dubout, Paris, 1955 § Code du Voyage et du Tourisme, number 26 of 25 copies with an additional suite of plates in black, from an edition limited to 850, colour plates by Dubout, one folding, Paris, [c.1958], limited editions, some loose as issued, original printed wrappers, uncut, the first and last with board folders, all with slip-cases, the first rubbed and defective; and another illustrated by Dubout, 4to (4)
![NO RESERVE Rabelais (François) Gargantua, [one of 395 copies but without limitation leaf], dry-point portrait and 14 hand-co](https://cdn.globalauctionplatform.com/c80d5540-6644-4de5-a369-ac2400b1ba5c/9271581e-c608-4cbe-a910-ac2400b347f5/468x382.jpg)
NO RESERVE Rabelais (François) Gargantua, [one of 395 copies but without limitation leaf], dry-point portrait and 14 hand-coloured plates by Gaston Barret, one double-page, with additional suite of plates with remarques on chine and another of 4 unused plates, loose as issued in original red wrappers, uncut, lacking folder and slip-case, Paris, Éditions d'Art Eryx, 1956 § Tolstoy (Leo) Le Bonheur Conjugal [&] La Sonate a Kreutzer, 2 vol., limited edition, hand-coloured dry-points by Gaston Barret, original printed wrappers, uncut, light spotting, board folders and slip-case, a little rubbed and spotted, Paris, 1952 § Giraudoux (Jean) Hélène & Touglas ou Les Joies de Paris, number 193 of 100 copies on vergé de Hollande, from an edition limited to 1220, engraved plates by Laboureur, original printed wrappers, uncut, spine faded, 1925, 4to & 8vo (3)
NO RESERVE Touchet (Jacques).- Brantôme (Pierre de Bourdeille, Seigneur de) Les Vies des Dames Galantes, 2 vol., number 179 of 160 copies with an additional uncoloured suite of plates, from an edition limited to 430, together in modern cloth drop-back box, Paris, 1938 § Voltaire (F.M.Arouet de) Dictionnaire Portatif et Philosophique, out-of-series copy on Arches with an additional uncoloured suite of plates on Japon, from an edition limited to 380, 1928 § Restif de la Bretonne (N.-E.) Le Paysan & la Paysanne Pervertis, number 48 of 100 copies with an additional suite of plates, from an edition limited to 588, 1948, all with pochoir plates by Jacques Touchet, illustrations, some pochoir, original printed wrappers, uncut, most with glacine wrappers, the last two with original board folders and slip-cases, slightly rubbed, Paris; and 8 others illustrated by Touchet, 4to & 8vo (12)
NO RESERVE Voltaire (François Marie Arouet de) Micromégas: Histoire des Voyages de Scarmentado, one of 525 copies, pochoir plates by Charlemagne, original wrappers, slip-case, Paris, 1945 § Guérin (M. de) Le Centaure et la Bacchante, limited edition, pochoir illustrations by May Neama, original wrappers, board folder (upper joint split) and slip-case, Paris, 1943 § Loti (Pierre) Ramuntcho, pochoir plates by Pierre Brissaud coloured by Beaufumé, original wrappers, 1937 § Musset (A. de) Ses Plus Beaux Vers, tipped-in pochoir plates by Robert Polack, some spotting, original wrappers with pochoir illustrated glacine wrapper, a little browned and frayed at foot of spine, [1927]; and 8 others with pochoir or hand-coloured illustrations, small 4to & 8vo (12)
Brangwyn (Frank).- Thousand & One Nights (The) ..., 6 vol., number 43 of 100 copies on handmade paper initialed by the publisher, decorative titles in red & black, plates by Frank Brangwyn, faint marginal damp-staining to first few leaves of each vol., original yellow cloth decorated in green and pink, a little rubbed, slight bumping to corners and spine extremities, 8vo, London and Philadelphia, 1896.
NO RESERVE Craig (Edward Gordon) Wittenberg, wood-engraving on Japan paper, signed and dated 1925 lower centre, numbered in pencil from an edition of 150, sheet 240 x 180 mm (9 1/2 x 7 1/8 in), scattered spotting and surface dirt, unframed, 1901; together with 11 other works, including Gordon Craig's View of Arcetri, on Japan paper, signed and dated in pencil, The Whittington Press introduction booklets for reprints of William Nicholson's An Almanac of twelve Sports and London Types and An Alphabet, without any plates, together with 8 anonymous early 20th century wood-engravings by different hands, various sizes, all unframed early 20th century (12)
NO RESERVE Frimberger (Marianne) Wiener Bilderbuch, first edition, 8 colour lithographed plates, 1 detached (loosely inserted), occasional faint spotting, publisher's advertisement at end, previous owner's ink inscription to front free endpaper verso, original decorative boards, rubbed and worn, slight bumping to corners and extremities, 4to, Stuttgart, Gustav Weise, 1912.
Potter (Beatrix) Peter Rabbit's Almanac for 1929, first edition, colour frontispiece, title vignette and 12 plates, plain illustrations and decorations, occasional light spotting, original boards with mounted colour illustration, some light rubbing and spotting, [Linder pp.254-255; Quinby 28], 16mo, 1929.
NO RESERVE Prévost (Abbé) Manon Lescaut, limited edition (out-of-series copy), plates in orange and black by Alastair, captioned tissue guards, original cloth, dust-jacket, browned and spotted, upper joint split and spine chipped, London & New York, 1928; another edition, inscribed by the editor "To Manon's Illustrator with best wishes from Geoffrey Bles 'D'" on front free endpaper, colour plates by John Austen, occasional spotting, original vellum-backed cloth, t.e.g., others uncut, a little rubbed, browned at edges, 1928, 4to (2)
Timlin (William M.) The Ship That Sailed to Mars, first edition, calligraphic text and 48 coloured plates after Timlin, text and plates mounted recto only as issued, contemporary ink ownership inscription to front free endpaper, endpapers lightly browned, very minor foxing to final pastedown, some short tears to leaves not affecting the pastedowns, original vellum-backed boards, gilt-tooled spine, lightly discoloured, else an excellent copy, 4to, George G. Harrap, [1923].
NO RESERVE Tugendhold (J.) Alexandra Exter, plates, some colour and tipped in, original printed wrappers, spine a little rubbed and faded, tear at foot, Berlin, Sarja, 1922 § Weterings (Joseph) Zodiaque, les Jours, les Heures, one of 500 copies, plates by Edgard Tytgat (frontispiece loose), original printed wrappers, Antwerp, 1942, 8vo (2)⁂ The first is a monograph on the Russian avant-garde artist and theatre designer. It is the German translation of the first edition published simultaneously in Russian in Berlin.
Haggard (H. Rider) Allan Quatermain, number 19 of 112 large paper copies, engraved portrait frontispiece and 19 plates by J. Cooper after drawings by C. H. M. Kerr, frontispiece tissue-guard foxed and torn with minimal loss, some spotting, original morocco-backed boards, lower cover lightly marked, joints and spine ends very lightly rubbed, else a very clean, tight copy, 4to, 1887.
NO RESERVE Bramah (Ernest) The Wallet of Kai Lung, first edition, title and endpapers browned, original pictorial cloth, spine ends and corners a little bumped, light rubbing to extremities, 1900; The Wallet of Kai Lung, number 143 of 200 copies signed by the author, browning to endpapers, original cloth-backed boards, corners bumped, spine label chipped, rubbed, 1923; The Transmutation of Ling, limited edition, plates and decorations by Ilbery Lynch, captioned tissue-guards, spotting to endpapers, original buckram, lettered in gilt, rubbed, 1911; and 3 others, Kai Lung, 8vo & 4to (6)
Hughes (Ted) Remains of Elmet, number 76 of 110 copies signed by the author, from an edition limited to 180, photographic plates by Fay Godwin, original buckram-backed marbled boards, original drop-back box, Rainbow Press, printed by the Rampant Lions Press of Cambridge, 1979; and a fine copy of the trade edition in dust-jacket, 4to (2)
NO RESERVE Maxwell (Donald) The New Lights O' London, coloured plates and illustrations, 1926 § Connolly (Joseph) Modern First Editions, 1984 § Hammerton (John, editor) World War: A Pictured History, 2 vol., 1938, first editions, original cloth or boards, all but the last with dust-jackets, light bumping or creasing to spine ends, else very good or excellent; and 28 others, non-fiction, v.s. (32)
NO RESERVE Bookplates.- Simpson (Joseph W.) Joseph W.Simpson: His Book, number 2 of 75 hand-coloured copies and signed by the artist, from an edition limited to 375, hand-coloured plates, original cream buckram, t.e.g., others uncut, spine slightly browned, spotting to lower cover, small 4to, Edinburgh, [1901].⁂ A book of bookplates reflecting the artist's training at the Glasgow School of Art, combining the delicate Art Nouveau style and colouring of Charles Rennie Mackintosh with the woodcuts of William Nicholson and James Pryde.
Chamberlain Press.- Aesop. A selection of Aesop's Fables, number 84 of 150 copies signed by the artist, printed in green and black, 10 wood-engraved plates by Sarah Chamberlain printed in colours, original patterned-paper boards, morocco label to spine, uncut, 8vo, Portland, Or., Chamberlain Press, 1984.
Books - Local Interest - Wood, John - A Description of the Exchange of Bristol, 1745, with list of subscribers, in wine half calf and marbled boards, internal label of William George's Sons Ltd Booksellers 80 Park Street, Bristol Condition: Binding is probably of a later date, contents appear relatively good with some light brown staining to lower half effecting some pages, plates appear crisp and bright although this lot is sold as seen, uncollated and we recommend viewing in person or telephone the office for more information. **General condition consistent with age
Books - Millais, J.G. FZS - The Natural History of the British Surface Feeding Ducks, Longmans, Green & Co, London, New York and Bombay 1902, in two-colour green cloth gilt Condition: Wear to corners of front board and some bumping to spine. One rear corner worn and faded. Genera llight brown spotting to interior but plates appear in decent condition behind tissue guards, uncollated and sold as seen. We recommend viewing this lot in person or telephoning the office for more information. **General condition consistent with age
Local Interest - Late 19th/early 20th Century carved pine single fusee wall clock, Warry, Clifton, circa 1900, the 12.5-inch cream Roman dial signed 'Warry Clifton', the chain-driven fusee movement with shouldered plates, within carved surround with rear box, 43cm diameter Condition: Dial has general discoloured crazing and some flake losses commensurate with age and use. The clocks appears to never have had a bezel or glass cover as there is no evidence of a place for a hinge. Movement apprears clean but is untested and sold as seen. Case has wide radial crack between 8 and 9. Side door maybe a repalcement. Sold with pendulem and winder. ** We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require further information.
Set of four early 19th Century Spode porcelain dessert plates, each of hexagonal form decorated in the Worcester manner with perching exotic birds within painted feather and moulded floral borders, inscribed 'Spode 2102' beneath, 23cm diameter (4) Condition: One plate broken in to three pieces and rivet-repaired, all four with varying degrees of rubbing, some variation in border colour, wear to gilding etc **General condition consistent with age
Royal Worcester - Two fruit-painted side plates, each decorated with peaches and cherries, one signed Freeman, the other V.Cook, black printed marks each 15cm diameter, together with a pair of small dishes signed Roberts, one painted with apples and green grapes, the other peaches and green grapes, black printed marks, each 11.5cm diameter (4) Condition: No obvious faults or restoration. **General condition consistent with age
A mixed lot of Oriental ceramics to include an oval lidded pot on ornate base, with floral transfer design; two small famille verte plates (one af); a small Japanese brush pot, 5.5cmH, marks to base; two small Japanese bowls, one highly decorated with gilt and floral design to interior (af), marks to base, 5cmD; together with two small teabowls and a saucer (9)
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483769 item(s)/page