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Lot 21
John Ruskin. The Stones of Venice, 3 volumes, first edition, half-titles, 53 plates, 5 coloured by hand, tissue guards, 16pp. catalogue at the end of volume one, dated October 1853, original cloth gilt, 8vo, London: Smith, Elder and Co., 1851-53. PROVENANCE: Ex-libris Patrick Reyntiens. *Condition Report Some spotting. **BP 22.5% (inc. VAT) + a lot fee of £8 (inc. VAT) on each lot. VAT is not applicable on books and unframed maps.
Lot 5
John Ruskin. The Seven Lamps of Architecture, second edition, plates, original cloth, 8vo, London: Smith, Elder and Co. 1855; Lectures on Architecture and Painting, first edition, plates, original cloth, 8vo, London: Smith, Elder and Co., 1854; and 11 others by the same author, v.s. (13) PROVENANCE: Ex-Libris Patrick Reyntiens. *Condition Report (i) Spotted, ends of spine chipped with loss (ii) spotted (iii) remaining books of varying condition. **BP 22.5% (inc. VAT) + a lot fee of £8 (inc. VAT) on each lot. VAT is not applicable on books and unframed maps.
Lot 7
Philip Johnson. Architecture 1949-1965, second printing, plates, original cloth, dust-jacket, 4to, London: Thames and Hudson, 1967; Colin Faber. Candela. The Shell Builder, plates, original cloth, dust-jacket, 4to, London: The Architectural Press, 1963; Giorgio Boaga. The Concrete Architecture of Riccardo Morandi, plates, original cloth, dust-jacket, 4to, London: Alec Tiranti, 1965; and 23 others, twentieth century architecture, v.s. (26). PROVENANCE: Ex-libris Patrick Reyntiens. *Condition Report (i) dust-jacket lightly marked (ii) dust-jacket torn at head of spine (iii) dust-jacket torn at head of spine, rubbed (iv) remaining books , condition mixed. **BP 22.5% (inc. VAT) + a lot fee of £8 (inc. VAT) on each lot. VAT is not applicable on books and unframed maps.
Lot 8
Marc Chagall. Derriere le Miroir, no. 246, lithographs by Marc Chagall, one double-page, original wrappers, folio, Nice: Galerie Maeght, 1981; Hans Erni and Andre Bonnard. Promesse de l'Homme, signed by Bonnard, plates, original wrappers, 4to, Paris: Editions Cercle d'Art, 1953 (2). *Condition Report (i) extremities scuffed (ii) extremities scuffed. **BP 22.5% (inc. VAT) + a lot fee of £8 (inc. VAT) on each lot. VAT is not applicable on books and unframed maps.
Lot 9A
Langley, Batty. The City and Country Builder's and Workman's Treasury of Designs: Or the Art of Drawing and Working The Ornamental Parts of Architecture, second edition, 200 engraved plates (numbered I-CLXXXVI and 1-14), some light soiling and spotting, title with upper margin repaired, twentieth century half calf, 4to, London: S. Harding, 1745. *Condition Report Some light soiling and spotting, title with upper margin repaired. **BP 22.5% (inc. VAT) + a lot fee of £8 (inc. VAT) on each lot. VAT is not applicable on books and unframed maps.
Lot 808
A Vienna porcelain coffee set, circa 1890, painted with Classical scenes, many titled, within gilt and Royal blue borders and comprising six each of coffee cans, saucers and plates, a sugar bowl and cream jug (20).Rubbing to gilt, small losses to raised gilt, no other condition issues.Sadly during the view somebody has managed to chip the spout of the jug, image is now uploaded online.The jug is 13cm high, the bowl is 13.5cm diameter, the saucers are 11cm diameter.
Lot 843
Clarice Cliff, a pair of Rhodanthe pattern plates, each of small rectangular shape, width 21cm, together with three other pieces of Clarice Cliff a spare crocus pattern lid (6).Lot 843One plate has a slight ground blemish on the underside. Otherwise light crazing and wear, there is a black mark on the sugar bowl.
Lot 846
An Aynsley porcelain Georgian Cobalt 7348 pattern part tea and dinner service comprising: a teapot and cover, milk jug, sugar bowl, eight teacups, ten saucers, seven coffee cans, seven saucers, six coupes, four coupe stands, nine side plates, six salad plates, two tureens and covers, sauce boat and stand, oval meat platter, two crescent serving dishes and six dinner plates.There is one teacup with a large crack approximately 4.5cm with an associated chip, light rubbing to gilt with little sign of usage. Image of the affected item on Lay's website.
Lot 265
UNCLE REMUS or The Story of Mr. Fox and Brer Rabbit, by Joel Chandler Harris', with eight coloured plates by Harry Rowntree, published by Thomas Nelson & sons 1908, together with 'Uncle Remus or Mr. Fox, Mr Rabbit and Mr Terrapin' by Joel Chandler Harris, illustrated by A. T. Elwes, published by George Routledge & Sons and various other children's books (32)
Lot 287
REV. D.H.S. CRANAGE - 'AN ARCHITECTURAL ACCOUNT OF THE CHURCHES OF SHROPSHIRE", in two volumes, illustrated with plates reproduced from photographs by Martin J. Harding and ground plans of the most important churches drawn by W. Arthur Webb, published in Wellington, Shropshire by Hobson & Co. 1901, in leather binding with gilt edged pages.CONDITION rEPORT:Minor scuffing on corners and edges, one dint in bottom edge of back board of volume I, minor scratching of gilt
Lot 297
SHROPSHIRE INTEREST - 'THE SALOPIAN MAGAZINE AND MONTHLY OBSERVER FOR 1815' Vol I, together with 'The Beauties of England and Wales; or Delineations Topographical, Historical and Descriptive', Vol. XIII Part I containing Shropshire and Somersetshire (no plates) together with 'Sole Official Souvenir & Programme Shropshire Historical Pageant & Comus Tercentenary Performances at Ludlow Castle 1934 (3)
Lot 30
A collection of Great Western Railway Brass Lever Plates: 41 and 76, a circular brass level no. 20 and a Shelf Plate. The brass description plate 41 reads: DOWN RELIEF FACING – MAIN – 38. The 76 plate reads: DOWN RELIEF - FROM CLIFTON – 75, both measuring approx. 13.5 x 4cm. A circular brass button plate, late 19th century, with original black wax fill. And a brass shelf plate that reads: LAMP INDICATOR BELL.
Lot 34
A large collection of 20th century Railway lever plates and signs. To include: three brass lever plates numbered: 5, 13 and 14. Approx. 12 signal box plastic signs to include: YATE SOUTH JCN – WESTERLEIGH WEST. SHORTWOOD SIDINGS and MANGOTSFIELD NORTH. 1 x metal “ door opening instructional “ sign. Two GWR DISCONNECTED WORKMAN Enamel Signal Lever Reminders. Together with a stamped B.R carriage ashtray. Of local Bristol interest.
Lot 49
A collection of Railway lever plates and signs. To include: two brass lever plates numbered: 67 and 96, And a brass shelf plate. The brass description plate 67 reads: DOWN RELIEF FACING - MAIN - NIL - or 72 / 70. The 96 plate reads: DOWN MAIN CALLING ON - 61. And a brass shelf plate that reads: STAPLETON ROAD MAIN LINE. 67 plate approx. 20cm x 4cm. Of local Bristol interest.
Lot 36
Two plates from the Arracada series; Catalonia, late 18th century.Glazed ceramic.They show faults in the polychromy, chips and chipping on the sides.Measurements: the largest is 21 cm in diameter.The arracada series is one of the blue series of the Alcoreña influence in Baroque Catalonia, and is characterised by the motif that decorates its eaves, synthetic lines that are a popular interpretation of the neoclassical pavilions, in this case composed of plant elements. The arracada series developed from the end of the 18th century and throughout the 19th century, and usually features simple floral motifs on the seat.
Lot 37
Two plates from the Arracada series; Catalonia, late 18th century.Glazed ceramic.They present faults in the polychromy, hair, peaks and lateral chipping.Measurements: 21 cm in diameter.The arracada series is one of the blue series of the Alcoreña influence of Baroque Catalonia, and is characterised by the motif that decorates its eaves, synthetic lines that are a popular interpretation of the neoclassical pavilions, in this case made up of plant elements. The arracada series developed from the end of the 18th century and throughout the 19th century, and usually features simple floral motifs on the seat.
Lot 38
Set of three Catalan dishes of "Faixes i cintes", s.XVIII.In glazed ceramic.It presents faults in the polychromy, chips and chips on the sides.Measurements: 30.5 cm. diameter the largest.Three ceramic plates, decorated with figurative compositions in blue enamel on a white setting. This decoration reflects the technical skill and sensitivity of the craftsmen, the European and Eastern influences and the successive technical innovations that gave the work of the Catalan potters a unique character. As for the technique used, despite its monochrome nature, the use of cobalt blue applied in different gradations produces a large number of shades which, in turn, contrast with the white shade used as the base of the pieces.
Lot 40
Two plates from the Arracada series; Catalonia, late 18th century.Glazed ceramic.They show faults in the polychromy and small holes.Measurements: 20 cm in diameter, the larger one.The arracada series is one of the blue series with an Alcoreña influence in Baroque Catalonia, and is characterised by the motif that decorates its eaves, synthetic lines that are a popular interpretation of the neoclassical pavilions, in this case made up of plant elements. The arracada series developed from the end of the 18th century and throughout the 19th century, and usually features simple floral motifs on the seat.
Lot 64
George III Bracket Clock, signed Simpson Wigton. England, second half of the 19th century.Mahogany case with bronze appliques.Silver dial with gilt bronze spandrels.With key.In running condition, but in need of refinishing. Some old xylophagus.Measures: 44 x 27 x 17 cm.English table clock, bracket type, with the dial signed "Simpson Wigton". It has a front with a simple architectural composition, raised on a base with a cut-out skirt and finished off with a slope of curved angles. The front of the clock has classical foliate compositions, with vegetal latticework on the sides. The dial is numbered in Roman numerals (hours) and Arabic numerals (minutes). Above the dial, with a silver-plated disc, is a second dial with a chiselled eagle and the engraved inscription "Tempus fugit". The handle finish gives the piece great functionality and makes it easy to carry.Bracket clocks of English origin date back to the 1960s, when the pendulum was applied to the clock, replacing the previous "foliot" regulator or balance wheel. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This is how transportable watches came into being. These were short case pieces, which housed inside them a mechanism held between two thick plates and containing, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name.
Lot 48
Koloman Moser (1868-1918), Die Quelle: Flachenschmuck; Eight numbered prints, 1901, Colour lithograph on paper, Published by Martin Gerlach, Vienna, Each 24.7cm x 29.5cm Footnote In 1900, Martin Gerlach published a 3-volume portfolio titled 'Die Quelle' devoted entirely to surface decoration. The third of these volumes was a collaboration with Koloman Moser titled Flachenschmuck (planar ornamentation) and contained 30 plates demonstrating Moser at the height of his talent as a graphic designer. Each colour plate was accompanied by a grey pattern on the reverse side. The publication served as inspiration for the Wiener Werkstatte.Please refer to department for condition report
Lot 50
Theodore Lambert (b.1857), 'Meubles Et Ameublements De Style Moderne' Art Nouveau portfolio, circa 1920, Edited by Charles Schmid, Paris, Title and 32 photographic plates laid loose in cloth-backed printed portfolio, 47cm x 35cm Footnote: Plates are each illustrated with several examples, some in room settings, by Majorelle, Maurice Dufrene, Galle, Eugene Gaillard, Otto Wagman, Art Nouveau Bing and others.Please refer to department for condition report
Lot 57
Shelley, retailed by Lawleys of Regent Street, 'Vogue' Green Blocks pattern no. 11785 part dinner service, circa 1930, Painted ceramic, Printed stamps to base and painted pattern number Footnote Comprises 2x lidded dishes 29cm diameter, gravy boat 8.5cm high, 12x dishes 24cm square, 11x plates 24cm square, 2x saucers 14cm diameter, 9x cake plates 16.5cm square, 7x side plates 20.8cm square, and 2x serving platters or stands 32cm and 38.5cm wide.Please refer to department for condition report
Lot 304
"British and Indian Troops in Northern France, 70 War Sketches by Paul Sarrut 1914-1915", pub H Delepine 1920, folio size cloth folder title, limited to 250 copies, signed by the artist Paul Sarrut, who was a French officer/artist, a comprehensive study of British and Indian (India) soldiers, including Gurkha and Sikh regiments, intact complete version containing 70 tinted lithographs, 41cm x 31cm, loose plates as issued (Provenance: formerly in a collection in Calais, France)
Lot 33
A Royal Worcester "Beaufort" pattern part dinner service, including two tureens and covers, a platter, a gravy boat and stand, and three sets of six platesCondition:One of the side plates has a couple of chips to the outer rim on the underside.Surface scratches to most pieces and some small mounts of rubbing to the gilt decoration.
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483769 item(s)/page