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Lot 152
A Near Pair of Chinese Porcelain Baluster Vases with Associated Covers, Qianlong marks but 19th century, painted in underglaze blue with landscapes, 28cm, together with a pair of Similar plates, Qianlong, with river landscpaes, another pair of dishes with figures in garden landscapes, a glass scent bottle painted inside out with tigers, a Japanese porcelain Arita vase and an Imari fluted dish (one tray)Vase - in good condition. Near Pair of Vases - with some firing flaws and paint scratches otherwise good condition. Unassociated ginger jar cover - broken. Scent Bottle - with some very light surface scratches but otherwise good. Pair of Blue and White Plates - fully restored. Other pair of blue and white plates - with hairline cracks and chips to both. Imari Plate - good condition.
Lot 154
A 19th Century Coalport Green and Gilt Tea Service, painted with floral sprays; together with an early 20th century Royal Doulton powder blue gilt tete-a-tete; and a Wedgwood black basalt Heron with glass eyes, 13cm (two trays)Doulton: Teacup - with hairline crack. Teapot cover - hairline cracks. Wedgwood Heron - some surface scratches. Coalport: Sugar Bowl - with a large loss. Plates - all with some light surface scratches. One side plate with a hairline crack. Otherwise items appear OK.
Lot 155
A Spode Felspar Porcelain Dessert Service, circa 1820, the pale yellow borders with oeil de perdrix, framing central bouquets comprising, twin handled comport, twin handled rectangular dish, two lozenge shaped dishes, three serving bowls and twleve plates Some scratches and rubbing to the handles of the oval dish. Heavy rubbing and one or two mild paint scratches to the two lozenge dishes. Rubbing to the handles and heavy wear to the interior painting on the twin-handled rectangular dish. Heavy rubbing and paint scratches to the three small dishes. One dessert plate with a large old stapled repair. Remaining plates with varying degrees of rubbing and surface paint scratches.
Lot 158
18th Century and Later English and Chinese Ceramics, including a set of three pearlware plates decorated in coloured enamels with roses under ribbon and flower garlands, Newhall tea bowl and saucer, two similar Chinese tea bowls and saucers painted with figures, a Japanese plate with blue lappet boarder framing peonys, 20th century hardstone wine pot, together with various Victorian ceramics including teawares, press moulded glass, satin glass, Bristol blue flagon, binoculars, camera, medals, assorted antiques reference books,etc. (one tray and three boxes)
Lot 6036
Late Victorian tea ware comprising eleven cups, twelve saucers, twelve cake plates, waste bowl, cake platter with bow detailing, decorated with sprays of pink and blue flowers with cobalt blue banding and gilding (37)Condition Report:One saucer and one side plate have been repaired, two cups are missing handles, staining to waste bowl, some loss of gilding etc
Lot 6056
Minton 'Cockatrice' pattern part tea and coffee service comprising six coffee cans, six tea cups, eight saucers, eight side plates, milk jug, teapot, sugar bowl, preserve bowl, two cake plates (40)Condition Report:One saucer is broken, coffee can without handle, hairline crack and chip in coffee can, hairline crack, teacup handle broken, hairline cracks in two tea cups, hairline crack in milk jug, repair to teapot finial, hairline crack in handle
Lot 259
A CLOISONNE ENAMEL FIGURE OF A RAM, 18TH CENTURYChina. The bronze finely modeled in a recumbent pose with one front leg bent. The head slightly turned towards the left, the mouth agape, the ribbed horns distinctly curled, the hind legs tucked beneath the body. The white fur neatly detailed in fine wires with swirling circles.Provenance: Stefanos Lagonico, Alexandria, and thence by descent over several generations in the same family. Stefanos Lagonico was a member of the wealthy Greek community of Alexandria whose family settled in Egypt in the late 19th century. His collection of important Iznik ceramics was formed after the First World War, comprising mostly plates and jugs from the classic period (post 1570). At least six pieces from this collection were included in the important 1925 Exposition d'Art Musulman in Alexandria. Lagonico eventually left Egypt for Switzerland, just before the rise of nationalism and the abolition of the Capitulations in May 1937. His son Jean, an importer of dried fruits and nuts from the Levant, inherited most of the collection, and kept it in obscurity at his house in southern France until its dispersal at auction beginning in 1991.Condition: Good condition with old wear and expected manufacturing irregularities such as pitting, the right front leg with a minor old repair.Weight: 489.4 g (excl. base), 701.7 g (incl. base) Dimensions: Length 16 cm (excl. base) and 16.1 cm (the base)With a fitted huali wood base dating from the late 19th century. (2)Auction result comparison:Type: Closely relatedAuction: Christie's London, 26 October 2011, lot 1144Price: GBP 4,750 or approx. EUR 7,800 converted and adjusted for inflation at the time of writingDescription: A pair of Chinese cloisonne enamel rams, 18th centuryExpert remark: Note the near-identical related size (16 cm) and that this lot comprises a pairAuction result comparison:Type: RelatedAuction: Sotheby's London, 14 May 2014, lot 306Price: GBP 15,000 or approx. EUR 22,500 converted and adjusted for inflation at the time of writingDescription: A pair of cloisonne enamel rams, Qing dynasty, 18th centuryExpert remark: Note the gilt details and that this lot comprises a pair十八世紀銅胎掐絲琺瑯臥羊 中國。羊以右前腿彎曲，臥姿精心塑造；頭略微偏向左側，張大嘴巴，羊角捲曲，後腿夾在身體下方。羊身白地渦旋狀捲曲細線。 來源：亞歷山大港Stefanos Lagonico，在同一家族保存了幾代。Stefanos Lagonico是亞歷山大港富有的希臘社區的成員，他的家人於十九世紀末在埃及定居。他的重要伊茲尼克陶瓷收藏是在第一次世界大戰後形成的，主要包括古典時期（1570 年後）的盤子和水壺。 1925 年在亞歷山大港舉行的重要穆斯林藝術博覽會中，至少有六件來自該收藏。1937 年 5 月民族主義興起，廢除投降協議之前，Lagonico最終離開埃及前往瑞士。他的兒子Jean從黎凡特進口乾果和堅果，他繼承了大部分藏品，並將其保存在法國南部的房子，直到 1991 年開始在拍賣會上分散。 品相：狀況良好，有磨損和預期的製造不規則，例如點蝕，右前腿有輕微的小修補。 重量：489.4 克 (不含底座)，701.7 克 (含底座) 尺寸：長 16 厘米 (不含底座) ，16.1 厘米 (底座) 花梨木底座，十九世紀末。(2) 拍賣結果比較： 形制：非常相近 拍賣：倫敦佳士得，2011年10月26日，lot 1144 價格：GBP 4,750（相當於今日EUR 7,800 ） 描述：十八世紀一對銅胎掐絲琺瑯臥羊 專家評論：請注意幾乎相同的相近尺寸 (16 厘米) ，以及此拍品為一對。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2014年5月14日，lot 306 價格：GBP 15,000（相當於今日EUR 22,500） 描述：十八世紀清代一對銅胎掐絲琺瑯臥羊 專家評論：請注意琺瑯細節，以及此拍品為一對。
Lot 261
A PAIR OF CLOISONNE ENAMEL FIGURES OF DUCKS, QING DYNASTYChina, 1780-1840. Modeled standing with upright head, the wings and tail decorated with colorful enamels, the body with a turquoise ground. The exposed bronze areas finished in fine gilt.Provenance: Stefanos Lagonico, Alexandria, and thence by descent over several generations in the same family. Stefanos Lagonico was a member of the wealthy Greek community of Alexandria whose family settled in Egypt in the late 19th century. His collection of important Iznik ceramics was formed after the First World War, comprising mostly plates and jugs from the classic period (post 1570). At least six pieces from this collection were included in the important 1925 Exposition d'Art Musulman in Alexandria. Lagonico eventually left Egypt for Switzerland, just before the rise of nationalism and the abolition of the Capitulations in May 1937. His son Jean, an importer of dried fruits and nuts from the Levant, inherited most of the collection, and kept it in obscurity at his house in southern France until its dispersal at auction beginning in 1991.Condition: Good condition with minor wear and manufacturing irregularities such as expected pitting, few minor dents and losses to enamels.Weight: 187.1 g and 192.5 g Dimensions: Height 13.2 cm and 12.7 cm Auction result comparison:Type: Closely relatedAuction: Christie's New York, 3 April 2013, lot 186Price: USD 3,750 or approx. EUR 4,600 converted and adjusted for inflation at the time of writingDescription: A pair of small Chinese cloisonne enamel standing figures of ducksExpert remark: Compare the closely related pose, beaks, gilt details, and size (13.3 cm)清代一對銅胎掐絲琺瑯鴨子中國，1780-1840年。鴨子直立，翅膀和尾部飾有彩色琺瑯，身體以綠松石色琺瑯為地，精美鎏金。 來源：亞歷山大港Stefanos Lagonico，在同一家族保存了幾代。Stefanos Lagonico是亞歷山大港富有的希臘社區的成員，他的家人於十九世紀末在埃及定居。他的重要伊茲尼克陶瓷收藏是在第一次世界大戰後形成的，主要包括古典時期（1570 年後）的盤子和水壺。1925 年在亞歷山大港舉行的重要穆斯林藝術博覽會中，至少有六件來自該收藏。1937 年 5 月民族主義興起，廢除投降協議之前，Lagonico最終離開埃及前往瑞士。他的兒子Jean從黎凡特進口乾果和堅果，他繼承了大部分藏品，並將其保存在法國南部的房子，直到 1991 年開始在拍賣會上分散。 品相：狀況良好，有輕微磨損和製造不規則，例如預期的點蝕、少量輕微凹痕和琺瑯缺損。 重量：分別為187.1 克與192.5 克 尺寸：高 13.2 厘米與12.7厘米 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2013年4月3日，lot 186 價格：USD 3,750（相當於今日EUR 4,600） 描述：一對銅胎掐絲琺瑯鴨子 專家評論：比較非常相近的姿勢、鳥喙、琺瑯細節和尺寸 (13.3 厘米)。
Lot 107
A PAIR OF 'SPOTTED BAMBOO' FAMILLE ROSE DISHES, EARLY QIANLONG PERIODChina, circa 1740. The dishes with openwork sides in the form of overlapping rings imitating spotted bamboo (xiangfei zhu), enameled in yellow and brown. The center decorated with peonies, chrysanthemums and butterflies superbly painted in crisp enamels, enclosed by a floral diaper band, detailed with radiating lines within cells on a green ground with horizontal lines. (2)Provenance: Sotheby's, London, 6 November 1973, lot 132. Dr. Anton C.R. Dreesmann, acquired from the above. Christie's, London, 10 April 2002, lot 374, sold for GBP 3,525 or approx. EUR 7,800 (converted and adjusted for inflation at the time of writing). S. Marchant and Son, London, 2002. Richard and Maxine Markell, acquired from the above. A copy of the original invoice from S. Marchant and Son, London, dated 14 June 2002, dating the plates to circa 1740, and stating a purchase price of GBP 6,500 or approx. EUR 14,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Each dish with two old inventory labels from the Dreesmann collection to the base, one dish further with a label 'Marchant London Qianlong 1736-1795'. Dr. Anton C.R. Dreesmann (1923-2000) was a third-generation member of the founding family of the biggest Dutch department store, Vroom & Dreesmann, and a passionate collector, amassing over 1,300 works of art, including the famous 'Waterloo Bridge' by Claude Monet. Condition: Very good condition, superbly enameled and with only light wear, manufacturing flaws including minor warping, pitting, dark spots, glaze recesses, and few firing cracks.Weight: 316.6 g and 312.2 g Dimensions: Diameter 21.4 cm and 21.2 cmXiangfei zhu, or spotted bamboo, a native plant of Hunan, Henan, Jiangxi and Zhejiang, refers to several types of bamboo with stems that are mottled by dark spots. The stems of the spotted bamboos are generally esteemed for making the handles of Chinese brushes, used for calligraphy and painting. Early examples from brushes made of spotted bamboo date back to the 8th century, Tang dynasty, and were highly valued in China as well as Japan, as can be seen from objects imitating spotted bamboo in the Shosoin (treasure house) in Japan.Literature comparison: Compare a closely related dish with openwork rim, late 17th to early 18th century, in the collection of the Metropolitan Museum of Art, accession number 79.2.1037.乾隆早期一對粉彩湘妃竹紋開光花開富貴盤子中國，約1740年。折沿淺腹盤，圈足。折沿鏤空連環狀，琺瑯彩黃褐相間，如湘妃竹紋理。盤中開光描繪富貴花開圖，牡丹、菊花，四周蝴蝶飛舞。 (2) 來源：倫敦蘇富比，1973年11月6日；Dr. Anton C.R. Dreesmann購於上述拍賣；倫敦佳士得，2002年4月10日，lot 374，售價 GBP 3,525，折合為現今EUR 7,800 (根據現今通貨膨脹率)；倫敦S. 3月ant and Son，2002年；Richard and Maxine Markell，購於上述藝廊。隨附倫敦S. Marchant and Son藝廊2002年6月14日出具的原始發票複印件，上面斷代為約1740年，售價 GBP 6,500 ，折合為現今 EUR 14,500 (根據現今通貨膨脹率)。每個盤子底部都有Dreesmann 收藏標籤，一個上面可見 '3月ant London Qianlong 1736-1795'。 Dr. Anton C.R. Dreesmann (1923-2000) 是荷蘭最大百貨公司 Vroom & Dreesmann 創始家族的第三代成員，也是一位忠實的收藏家，收藏了 1,300 多件藝術品，包括莫奈 Claude Monet 著名的“滑鐵盧橋”。 品相：狀況非常好，釉色精美，輕微磨損，製造缺陷包括輕微翹曲、點蝕、黑點、釉面凹陷和少量燒製裂紋。 重量：分別爲316.6 克與 312.2 克 尺寸：直徑分別為 21.4 厘米與 21.2 厘米 文獻比較： 比較非常相近的十七世紀晚期至十八世紀早期鏤空雕刻彩盤，收藏於大都會藝術博物館，館藏編號79.2.1037。
Lot 88
A RARE SANCAI GLAZED 'BOVINE' RHYTON, KANGXI PERIODChina, 1662-1722. Well modeled in the form of a bovine head with two horns joined by a raised rope leading to the animal's nostrils. Further detailed with large eyes and splashed with aubergine, green, and ochre glazes, all typical for this ware and as expected for the period.Provenance: Stefanos Lagonico, Alexandria, and thence by descent over several generations in the same family. Stefanos Lagonico was a member of the wealthy Greek community of Alexandria whose family settled in Egypt in the late 19th century. His collection of important Iznik ceramics was formed after the First World War, comprising mostly plates and jugs from the classic period (post 1570). At least six pieces from this collection were included in the important 1925 Exposition d'Art Musulman in Alexandria. Lagonico eventually left Egypt for Switzerland, just before the rise of nationalism and the abolition of the Capitulations in May 1937. His son Jean, an importer of dried fruits and nuts from the Levant, inherited most of the collection, and kept it in obscurity at his house in southern France until its dispersal at auction beginning in 1991.Condition: Fine wear overall. Some firing irregularities, minuscule hairlines, the horns with small old repairs, a minute chip with associated fill to the rim.Weight: 161.5 g (excl. base) and 225.5 g (incl. base) Dimensions: Length 11.7 cm (excl. base) and 11 cm (the base)With a fitted huali wood base from the late 19th century. (2)康熙罕見三彩牛頭杯中國，1662-1722年。牛頭形，牛頭有兩個角，兩角之間有一根交叉的白色繩紋。大眼炯炯，五彩釉，十分典型的的特徵，並且符合該時期的特點。 來源：亞歷山大港Stefanos Lagonico，在同一家族保存了幾代。每一個盤底都有一個打印並手寫的標籤No. 4603。 Stefanos Lagonico是富有的亞歷山大希臘社區的成員，他的家人在十九世紀後期定居在埃及。他的重要伊茲尼克陶瓷收藏是在第一次世界大戰後建立的，主要包括古典時期（1570 年後）的盤子和水壺。該系列中至少有六件作品曾在 1925 年亞歷山大港藝術博覽會中展覽。後來，Lagonico 離開埃及前往瑞士，就在 1937 年 5 月民族主義興起和投降條約廢除之前。他的兒子 Jean 是黎凡特干果和堅果的進口商，他繼承了大部分藏品，並一直默默無聞地保存在他法國南部的房子裏，直到 1991 年開始被拍賣。 品相：整體品相良好。一些製造瑕疵、細小的裂紋，兩角有小修，邊緣有一個微小的開片與其小修充。 重量：161.5 克 (不含底座)，225.5 克 (含底座) 尺寸：長11.7 厘米（不含底座) ，11 厘米 (底座) 十九世紀末花梨木底座。(2)
Lot 108
Leibovitz (Annie) Photographs: 1970-1990, first edition, original pictorial boards, translucent dust-jacket, tiny nick to upper edge at spine, New York, 1991 § Seidner (David) Portraits, text by Richard Martin, tipped-in colour plates, one or two with slight damage at upper edge where previously adhered to facing leaf, original boards with illustration to upper cover, slightly rubbed and soiled, corners bumped, New York, [1999] § Skrebneski (Victor) Portraits: A Matter of Record, original boards, dust-jacket, slightly soiled, tear to upper edge, New York, 1978 § Shear (Jack) Four Marines & Other Portraits, one of 2000 copies, original cloth dust-jacket, Pasadena, CA, Twelvetrees Press, 1985 § Selkirk (Neil) See No Evil: Photographs, original boards, Tucson, AZ, Nazraeli Press, 2006, photographic illustrations, a few colour; and c.15 others, portrait photography, 4to & 8to (c.20)
Lot 128
Moriyama (Daido).- Daido Moriyama, number 78 of 100 copies with an original signed print, from an edition limited to 900, loose as issued in original pictorial wrappers, small nicks to spine ends, with loose print together in original zip-lock bag, Michael Hoppen Gallery, 2004 § Moriyama (Daido) Hokkaido, [one of 1500 copies], original pictorial boards, dust-jacket, [Tokyo, Rat Hole Gallery], [2008] § Moriyama (D.) & Naoki Takizawa. Novembre [for Issey Miyake Inc.], one of 1500 copies, folding text sheet printed in pink and blue, plates, loose as issued in pocket in original pictorial glazed board folder, Tokyo, 2004, photographic plates or illustrations, folio & 4to (3)
Lot 130
Mulas (Ugo) New York: The New Art Scene, Text by Alan Solomon, first edition, hinges cracked, New York, 1967 § Liberman (Alexander) The Artist in his Studio, New York, 1960 § Seidner (David) Artists at Work..., New York, 1999 § Namuth (Hans) Fifty-Two Artists, plates loose as issued in original board slip-case (rubbed and frayed), 1953, photographic plates or illustrations, some colour, all but the last original cloth with dust-jackets, the first also with old card slip-case (worn), New York; and 5 others, similar, 4to (9)
Lot 175
Sugimoto (Hiroshi) In Praise of Shadows, photographic plates printed on clear acetate leaves, original ring-bound pictorial boards, card slip-case, Kyoto, 1999; Theaters, original cream boards, spine very slightly yellowed, dust-jacket, silver board slip-case, New York & London, 2000 § Schneider (E.) Architecture of Time, Bregenz, 2002 § Brougher (K.) & David Elliott. Hiroshi Sugimoto, Washington & Tokyo, 2005, photographic plates or illustrations, the last two original cloth with dust-jackets; and 5 others by or about Sugimoto, 8vo & 4to (9)
Lot 199
Yamamoto (Masao) É, number 62 of 150 copies signed by Yamamoto and with 3 original prints, photographic plates, some folding, calligraphic signature in black ink and chopmark in red on front free endpaper, original cloth, dust-jacket, 3 small original prints mounted together on card, numbered and signed in pencil on verso, together in original cloth drop-back box, folio, Tucson, AZ, Nazraeli Press, 2005.
Lot 220
Breskin (David) Richter 858: 8 Abstract Pictures, limited edition, with CD of music by Bill Frisell in pocket at beginning, and 8 additional colour plates in pocket at end, original cloth, metal slip-case, with original box, New York, 2002 § Eliasson (Olafur) Your Lighthouse: Works with Light 1991-2004, Wolfsburg, 2004 § Rauch (Neo) Neue Rollen: Paintings 1993-2006, Wolfsburg, 2006 § Spielier (Reinhard) Frans Gertsch: Retrospective, Bern, 2006 § Charles Belle, Seoul, 2005, illustrations, many colour, original cloth or boards, the last two with dust-jackets; and 9 others on contemporary continental art, v.s. (14)
Lot 234
Hirst (Damien) From the Cradle to the Grave: Selected Drawings, number 24 of 1500 copies signed by Hirst, illustrations, original cloth-backed pictorial boards, g.e., with original cardboard box, 2004; The Elusive Truth: New Paintings, first edition, tipped-in colour plates, some cut-outs, original cloth with embossed illustration and label mounted on upper cover, Gagosian Gallery, 2005, oblong folio & folio (2)
Lot 29
Adams (Robert) Interiors 1973-1974, number 4 of 10 Artist's Proofs signed by Adams, for a special edition of 100 signed copies, photographic plates, loose as issued in original cloth portfolio and cloth drop-back box, Tucson, AZ, Nazraeli Press, 2006; I Hear the Leaves and Love the Light: Sally in the Back Yard, one of 2000 copies, original boards, dust-jacket, very slightly soiled at upper edge, 1999; Commercial Residential: Landscapes Along the Colorado Front Range, 1968-1972, one of 1000 copies, original boards, dust-jacket, [New York], 2003, photographic illustrations, the first two Tucson, AZ, Nazraeli Press; and 3 others by Adams, 4to (6).
Lot 36
Atget (Eugène ) Trees: Newly Discovered Photographs from the Bibliothèque National de France, one of 1000 copies, original wrappers, mounted in original board drop-back box, New York, 2003 § Sudek (Josef) Smutná Krajina/ Sad Landscape: Northwest Bohemia 1957-1962, Prague, 2004 § Day (F. Holland) Suffering is the Ideal, with an essay by James Crump, one of 5000 copies, Santa Fe, NM, Twin Palms, 1995 § Szarkowski (John) & others. A Singular Elegance: the Photographs of Baron Adolph de Meyer, San Francisco, 1994 § Goldberg (Vicki) Jacques Henri Lartigue: Photographer, Boston, 1998 § Sander (Gunther) August Sander: Photographer Extraordinary, 1973, photographic plates or illustrations, some tipped in, all but the first original cloth or boards, the last four in dust-jackets, the last price-clipped and a little rubbed; and 8 others on early photography, v.s. (14)
Lot 50
Beaton (Cecil) Photobiography, first American edition, signed & inscribed by Beaton "To Rita Smith...with many thanks for her help with this book. Cecil Beaton" on front free endpaper, New York, 1951; The Book of Beauty, first edition, the author's first book, endpapers browned, 1930; New York, first edition, 1938; India, first edition, Bombay, 1945; Japanese, first edition, 1959 § Louÿs (Pierre) The Twilight of the Nymphs, one of 1200 copies, plates by Cecil Beaton, uncut, Fortune Press, 1928, illustrations, original cloth or cloth-backed boards, the second with faded spine, the rest with dust-jackets, most a little rubbed and soiled; and c.35 others by or concerning Beaton, v.s. (c.40)
Lot 80
Fuss (Adam) My Ghost: Daguerreotypes from the series, number 54 of 300 copies signed by Fuss, text in ?Hindi & English printed in blue, original cloth, small mark to upper cover, board slip-case, Calcutta, Laurens Press, 1999; My Ghost, number 48 of 200 copies signed by Fuss, original cloth, dust-jacket, cloth slip-case, Santa Fe, NM, Twin Palms, 2002; What is Man, number 159 of 200 copies signed by Fuss, original cloth, red glacine wrapper, printed at the Stinehour Press for Glenn Horowitz, 1998; All, number 181 of 333 copies signed by Fuss, text printed in silver, original boards, dust-jacket, Kolkata, Laurens Press, 2007, photographic plates, many after daguerreotypes, some colour, a few tipped in; and 6 others by Fuss, v.s. (10)
Lot 126
AN 18TH CENTURY BRISTOL POLYCHROME DELFT CHARGER circa 1730-150, decorated with flower and leafage within scrolled border, 34.5cm diameter, all with similar blue orange green leaf decoration; together with a pair of 18th Century Lambeth polychrome Delft plates, decorated with parrots, flowers and rockwork, 23cm diameter
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484056 item(s)/page