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A Sheaffer's gold plated fountain pen, with a matching propelling pencil, with a case detailed Sheaffer's New Snorkel Pen, a steel and red plastic Parker fountain pen, with a box, a model of a sailing boat, three models of animals, comprising; Platypus, Koala Bears and one other, a silver caddy spoon, with a thistle finial to the handle, Birmingham 1971 and two Sterling silver swizzle sticks.
A quantity of metalware collectables, comprising; a pair of stucco wall brackets of Regency style, a gilt metal mounted turquoise ground Sevres style porcelain salver, early 20th century, (33.5cm dia), a spelter group of a seated fisherman, a bronze foliate vase with detachable liner (9.5cm high), a silvered metal model of a deer and two hardstone carved elephants, (8).
A cream and blue painted Triang Ultra Modern Dolls House Model No. 3139. Metal window frames. Front opening. Four rooms with original art deco chimney pieces and light shades. Staircase to side. Furnishings, including Dol-Toi bookcase and books, bureau, dining suite, Pit a Pat cream bedroom furniture, T & B cooker, plants for sunroom etc. Height 19in including sunroom, 28 1/2in W x 11 1/2in D
A late Victorian silver two handled trophy cup, on a turned foot, Birmingham 1899, a late Victorian silver oval tobacco box, Birmingham 1891 by George Unite, a silver punch ladle with twisted whalebone handle, a pair of silver sugar nips, a plated model of a snake, a plated tea infuser and a plated circular box and cover, the tortoiseshell panel piqué inlaid with animals within a foliate border.
A pair of 19th Century Sheffield plate coasters with gadrooned decoration, and a plated six place egg cruet, together with a collection of plated wares, including a large caster, a pair of fish servers, a serving dish, tea strainer and stand, a model of a cat, a set of twelve fruit knives and forks, cased, a set of six cake forks, and a set of six tea knives, both cased.
A Beswick model of a small Dalmatian, No. 1763, a Beswick model of a cocker spaniel `Horseshoe Primula`, No. 967, together with a collection of Beswick including a male and female badger, Nos. 3393 and 3394, a seated fox, No. 1748, and birds, including a goldfinch, robin, stonechat, bullfinch and Capodimonte porcelain model of a bullfinch.
A Portmeirion `Botanic Garden` pattern soup tureen, cover and ladle, a pair of Portmeirion `Birds of Britain` pattern storage jars and covers, a majolica style game pie dish and cover, an Italian model of a peacock with tail feathers raised, a pair of Delft pottery jars and covers, a Chinese tomb style figure and a small collection of other decorative ceramics (minor faults).
A pair of Paris porcelain figures, mid-19th Century, modelled as a lady and gallant, on square bases, a pair of pottery cow creamers and covers, painted with flowers, a Karl Ens porcelain model of two birds perched on a branch, and four Kaiser bisque porcelain models of animals and birds (minor faults).
A pair of Staffordshire pottery models of standing greyhounds, 19th Century, on oval gilt lined bases, another similar model of a greyhound with a hare in its mouth, a Staffordshire pottery model of a seated spaniel with iron red fur decoration, carrying a basket of flowers in its mouth, and another model of a seated spaniel with a puppy at its feet (faults).
A pair of Staffordshire bone china models of recumbent deer, 19th Century, on oval gilt lined bases and a Staffordshire bone china model of a recumbent sheep, together with two Staffordshire pottery models of a bird and a sheep and a box and cover in the form of a chicken sitting on a basket (faults).
A pair of Volkstedt porcelain figures, late 19th Century, each modelled as a lady and gallant wearing floral costume, on rococo scroll bases, height approx 22cm, together with three other Volkstedt figures, a Meissen porcelain hatpin stand decorated with figures against a yellow ground, a model of a recumbent sheep, and a pair of spill vases (faults).
CHARLES HENRI JOSEPH CORDIER (1827-1905) JUIVE D’ALGER JEWISH WOMAN FROM ALGIERS Épreuve en bronze argenté, doré et émaillé, inscrite sur le foulard et datée 1869. Fixée sur une base en marbre. HAUT. 49 cm (H. 19 5/16 IN.) Provenance : Collection particulière, France. Cordier est l’enfant turbulent d’une famille de Cambrai. Après des études difficiles, il part étudier dans l’atelier du sculpteur Louis Bougron à Lille. Il part pour Paris en 1844, et entre en 1846 dans l’atelier de François Rude. C’est là qu’il rencontre Seïd Enkess, esclave noir affranchi qui deviendra son modèle, et dont il expose le buste au Salon. C’est le début de son œuvre ethnographique. En 1854, il fait un premier voyage en Algérie dont il rapportera "une belle collection de bustes". Il devient un sculpteur reconnu, reçoit des commandes officielles, et expose à Paris, en province et à l’étranger. Il est le grand-père de Suzanne Drouet-Réveillaud. Notre sculpture "La juive d’Alger" est l’une des versions de ce célèbre modèle. Cordier illustre son art de sculpture polychrome, alliant or, argent et émail, et contrastant ainsi avec les sculptures monochromes du Salon. Cordier was the boisterous child of a family of Cambrai. After mediocre studies, he studied in the studio of sculptor Louis Bougron in Lille. He went to Paris in 1844, and joined the studio of François Rude in 1846. This is where he met a black freed slave, Seid Enkess, who became his model. He exhibited Seid Enkess’s bust at the Salon. This is how he started his ethnographic work. In 1854, he made his first trip to Algeria and brought back "a fine collection of busts". He became a famous sculptor, received official orders, and exhibited in Paris, in the provinces, and abroad. He was the grandfather of Suzanne Drouet-Réveillaud. Our sculpture, "The Jewish woman from Algiers”, is a version of this well-known cast. Charles Cordier shows his art through this polychrome sculpture, combining gold, silver and enamel, which contrasts with the monochrome sculptures of the Salon. Bibliographie : - CHARLES CORDIER, "l’Autre et l’ailleurs", Éditions de la Martinière, Paris 2004. - Œuvres similaires reproduites dans cet ouvrage, répertoriées au catalogue raisonné par Jeannine Durand-Révillon et Laure de Margerie, pages 183 à 185, sous les numéros 331 à 340.
A Sanderson Patent hand camera, folding plate action, finely polished mahogany wood interior with lacquered brass slide, runners, etc., probably de-luxe model, sold with spare plate holders, also included in lot a cased Kodak Brownie and an Ensign Simples Auto plate camera. Also includes photographic interest books, i.e. Brandt `Camera in London`, `Camera` magazine Jan 64, featuring the First War photographs and `A Facet of Modernism` by Van Deren Coke with Diana Dupont.

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627811 item(s)/page