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Archibald Knox for Liberty and Co., two Arts and Crafts silver, enamelled and gem set napkin rings, William Hair Haseler, Birmingham 1905, flat backed segment form, applied with asymmetrical knotted tendril motifs in blue green enamel, one set with a turquoise stone cabochon, model 5395, 5cm wide, 1.86ozt (2)
Jessie M King for Liberty and Co., an Arts and Crafts gold, enamel and gem set necklace, the triangular frame with central amethyst and green enamelled leafy tendrils, beaded rosette and amethyst drop below, 42cm long, 5gNote: the design is illustrated in the Liberty sketch book, model 8783, p.229
Man Ray (American, 1890-1976), Natural Painting, signed l.r., circa 1960, acrylic/masonite, 'Panneau Van Eyck 4F' label verso, 31 by 22cm, red painted frameProvenance: gifted by the artist to the current vendor's grandmother, Jacqueline Goddard, nee Barsotti (1911-2003) the free-spirited model to Man Ray.Note: Andrew Strauss and Timothy Baum of the Man Ray Expertise Committee have confirmed the authenticity of this work under reference 00448-P-2024 and that this work will be included in the Catalogue of Paintings of Man Ray, currently in preparation. Lot Essay: The surrealist protagonist Man Ray began a new series of experimental paintings, from the 1950s, which involved squeezing paint directly from the tube onto the visual surface, in a random manner, similar in this first instance to his contemporaries in New York such as Jackson Pollock. However, after the application of the paint, another board surface would be applied and removed to create a stippled effect. The paintings known as his Natural Paintings, followed the surrealist principles of painting without the constraints of calculation or self consciousness, differing from the paintings of Oscar Dominguez in 1936 and Max Ernst in the 1940s, which used the same technique, but in a calculated and representative manner. In his autobiography Man Ray expressed: “By spreading the colors according to the impulse of the moment, I abandoned brushes and palette knives, and applied pressure with other surfaces, withdrawing them to produce a variation of the Rorschach test. The results were astonishing, with details that could have been obtained only through long and meticulous labor by hand.” He continued to experiment with these paintings right through to 1971 and the works often appear in brightly painted frames such as this one.
Charles Fleetwood Varley for Liberty and Co., an Arts and Crafts pewter and enamelled cigar box, circa 1905, the planished lid set with a rectangular plaque of a village pub at dusk, the sides of the box embossed with stylised bud motifs, model 078, 21cm wide, 7.5cm high, 14cm deep
James Powell and Sons, Whitefriars, a set of three Neoclassical champagne glasses, model 1025, circa 1860, the shallow coupe bowls engraved with bands of Greek key motifs between line and beaded borders, on plain stems and conical feet, 11.5cm high (3)Note: see Evans, W. et al, 1995, Whitefriars Glass, London: Museum of London, p.255, pl360, for an example of this pattern and wine service
Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled locket pendant, shield form with knotted tendril corners, blue green enamel channels, gold framed glazed circular vignettes, 4.5cm longNote: the design is illustrated in the Liberty sketch book , model 8295
A group of collectors' items, including a 19th century carved coconut, a Victorian treen pounce pot, a toy police car, a spirit flask, a Victorian leather case, a pair of brass boot chimneypiece ornaments, a treen horse netsuke, a model of the Post Office Tower, a koala bear glass paperweight by Mats Jonasson, and a small Chinese vase.
A George V Arts and Crafts silver shaped rectangular photograph frame with pierced decoration, Birmingham 1913 by E.S. Barnsley & Co, the front later applied with Egyptianesque motifs, including two scarab beetles and a blister pearl mounted model of a turtle, height 18cm (faults).
Rolex. A fine 18K striped white and yellow gold manual wind rectangular wristwatch Model: Prince 'Tiger Stripe' Reference: 1343B Glasgow Import mark for 1929, 15-jewel manual wind Observatory quality, adjusted to 6 positions, No.71351 Two-tone silvered, black Arabic numerals, black inner minute track with five minute markers, blued steel spade hands, subsidiary dial below 6 for seconds, Polished two colour 'tiger stripe' rectangular, snap on back, No.67946, Signed: Case, dial & movement. Size: 20mm x 35mm. Accompaniments: Rolex box retailed by Charles Packer & Co Ltd, 76 Regent St, London W.
Breitling Crosswind Gents Heavy Steel and 18ct Gold Automatic Chronograph and Chronometer Wrist Watch. Model No B13355, Serial No 38583, Ref No 18560, Purchase Date 18th June 2014. Features Blue Dial, Silver and Gold Markers, Multi Dials, Just / Date Display Window, Rotating Bezel, Gold Highlights, Chronometer Movement, 18ct Gold Highlights with Boxes, Booklets, Warranty Card. Low Estimate for this Watch.

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627811 item(s)/page