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Lot 1013
A vintage dark green painted Anglepoise style lamp, of usual form, fully extended upright with shade facing down approximately 85cm to top of shade. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days. ## pat tested ##
Lot 1019
A mid-20th century lamp, the base modelled as a recumbent stylised deer on a dark stained oak plinth, with integral shade and frame, base 41cm x 18cm, height to top of shade 67cm (approximately) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1028
A Victorian oil lamp on black ceramic glazed base, with brass stem, dark purple glass reservoir, white opaque shade with embossed decoration and clear glass chimney, 56cm high to top of white opaque shade. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1065
A mid-20th century Anglepoise desk lamp, painted in cream, with square stepped base, stamped to the back of the arm ‘The Anglepoise PAT in the UK and abroad’, fully extended and with shade facing down 92cm high, the base 15cm square; together with a black desk lamp made by Herbert Terry & Sons Ltd, with round base, stamped to the back of the arm ‘Made in England by Herbert Terry & Sons Ltd Redditch, fully extended and with the shade facing down 87cm high, the base 15.7cm round. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days. ## pat tested ##
Lot 22
Angelo Lelii 'Triennale' three-armed adjustable standard lamp, model no. 12128s, circa 1951Painted aluminium, brass, painted steel.211 cm high, fully extendedManufactured by Arredoluce, Monza, Italy. Interior of each shade impressed MADE IN ITALY/ARREDOLUCE MONZA.Footnotes:ProvenancePrivate collection, TurinAcquired from the above by the present ownerLiterature'Apparecchi per l'illuminazione alla IX Triennale', Domus, no. 261, September 1951, p. 31'La Triennale nel suo quartiere sperimentale Q.T.8', Domus, no. 263, November 1951, p. 7Franco Grigioni, Arredamento, Milan, 1956, fig. 60Anty Pansera et. al., Arredoluce: Catalogo ragionato 1943-1987, Milan, 2018, cover, pp. 137, 287The present model was exhibited at the IX Triennale, Milan, 1951.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 35
Gino SarfattiAdjustable standard lamp, model no. 1055/SP, 1955Painted steel, chromium-plated steel, painted iron.187.5 cm highManufactured by Arteluce, Milan, Italy. Interior of shade with manufacturer's paper label printed AL/MILANO/ARTELUCE and underside of base embossed 1055. Footnotes:ProvenanceGino Sarfatti, Milan Thence by descent to the present ownerLiteratureMarco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 451This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 498
'Umbrellas' a Clarice Cliff Fantasque Bizarre lamp base, shape no.124, made for Lawleys, painted in colours between orange, yellow and blue bands, with a shade painted in the Umbrellas pattern, printed factory marks, damage to shade, restored neck, 22cm. high (base) Provenance Clarice Cliff, Christie's South Kensington, 22nd May 1998 lot 108. The Collection of Stephen and Marjorie Page
Lot 689
An Art Nouveau Galle cameo glass table lamp and shade designed by Emile Galle, the dome cover mottled green with blue overlay, decorated with two dragonflies flying to one side, the reverse with single flying dragonfly, the base with iris and water-lily flowers in a pond, cameo Galle signature to shade and base, 37cm. high (2) Literature Alastair Duncan & Georges de Bartha Galle Lamps, Antique Collector's Club, page 170 plate 7.256 for a comparable dragonfly lamp illustrated.
Lot 831
An Art Nouveau patinated bronze table lamp with Daum glass shade, in the manner of Edouard Colonna, the bowl cast in low relief with radiating leaf design on bun feet, with knopped foliate stem, flaring shade support applied with butterfly motif, with mottled pink glass shade shade signed Daum Nancy, 52cm. high
Lot 262
A Victorian Doulton Lambeth glazed stoneware oil lamp, late 19th century, of baluster form, the body moulded with swallows in flight, above floral and foliate swags, impressed marks to the base, dated 1883, raised on a stepped circular base, fitted with a Hinks' Duplex patent burner, with a period etched glass shade and a Griffin Brand chimney, 21cm diameter, 59cm high Provenance: ex Harlech Castle by reputeCondition report: Well maintained and in full working order, having been used semi-frequently prior to consignment for sale. Shade and chimney associated. Tarnish and discolouration to brass. General light surface wear to body. Some knocks and dents to interior. Some scratches to glass well. Oil currently in the well. General wear commensurate with age and use. Small chips to lower rim of shade.
Lot 263
A Victorian cranberry glass oil lamp, with a faceted well, raised on an embossed spreading brass column and black glass base, fitted with a pierced brass burner, with a period etched pink glass shade and clear glass chimney, 22cm diameter, 56cm highCondition report: In full working order, having been used semi-frequently up until the point of consignment for sale. Crack to base. Some tiny chips to the edges of the well. Tarnish and discolouration to brass. Some chips to rims of shade. General wear commensurate with age and use.
Lot 264
A French brass oil lamp, late 19th century, the urn-shaped body with scrolling foliate repousse decoration, on a pierced circular base, fitted with an argon burner, a period etched amber glass shade and a clear glass chimney, 22cm diameter, 55cm high Condition report: In full working order and well maintained by the previous owner. Small dents, dings and surface scratches to brass. Some tarnish and discolouration. Shade and chimney associated. Some tiny chips and minor scratches to shade. General wear commensurate with age and use.The chips are too small to show up clearly in a photograph
Lot 265
A continental glazed stoneware oil lamp, late 19th century, the upper section of the body with gilt-heightened floral decoration, above a twisted and lobed column, raised on a heavy brass quadripartite base, fitted with a brass burner, a period etched glass shade and a clear glass chimney, 21cm diameter, 65cm high Condition report: In full working order, having been well maintained by the vendor and used semi-frequently up until the point of consignment for sale. General surface wear to the upper part of the body. Some crazing to lower part. Tarnish and discolouration to brass. Small scratches and tiny chips to base rim of shade. General wear commensurate with age.
Lot 266
A Victorian painted glass oil lamp, the body decorated with birds and flowers, on a spreading circular base, fitted with a Messenger's patent brass burner, a faceted glass well, a period etched yellow glass shade and a clear glass chimney, 20cm diameter, 66cm highCondition report: In full working order, having been well maintained by the vendor, and used semi-frequently up until the point of consignment for sale. Shade and chimney associated. Well does not appear to sit perfectly into the body, suggesting that it may be associated. Some scratches and rubbing to paint. Tarnish and discolouration to brass. Some tiny chips to base of shade. General surface wear commensurate with age and use. Currently containing oil.
Lot 267
A cut-glass oil lamp, possibly Waterford, late 19th/ early 20th century, the body of baluster form, raised on a faceted column and a circular base, fitted with a brass Duplex patent burner, a period etched amber glass shade and a clear glass chimney, 24cm diameter, 67cm highCondition report: In working order, having been well maintained by the vendor and used semi-frequently up until the point of consignment for sale. Chips to foot. Shade and chimney associated. Tarnish and discolouration to brass. Containing oil. Chips to lower rim of shade and some scratches. General surface wear commensurate with age and use.
Lot 440
An Edwardian telescope brass standard lamp, originally an oil lamp (now converted to electricity), with Corinthian column and square base with lion's paw feet, with shade, 161cm high to top of reservoir fittingCondition report: Brass partially tarnished, some elements seem to have a copper finish.197cm to top of reservoir fully extended.Scratches, knocks, tarnishing, the reservoir does not sit squarely on the stem. The item has not been tested.
Lot 176
Four Victorian and Edwardian oil lamps, comprising: a pair of white pottery by Bright (late Argand & Co), 43cm high, with painted glass columns and brass fittings, by Palmer & Co (patent), 56cm high (to top of shade holder), the forth with Hinks burner, painted glass reservoir and base with brass fittings, 53cm high (top of burner)Condition report: Pair - both have extensive rust underneath and one has part of metal base missing, no shades or holders.Column lamp - good condition.Other lamp - brass very tarnished and corroded, no funnel or shade.
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65572 item(s)/page