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Lot 499
A LARGE ONYX, BRASS AND BRONZED SPELTER OIL LAMP, with chimney and a yellow, floral patterned glass shade, brass reservoir embossed with flowers, onyx and bronzed spelter column terminating on a square onyx base, supported on four bronzed spelter feet, height to top of chimney 83cm (Condition report: good overall, fleabites to inside rim of shade, nibbles to edges of base, bronzed finish worn) (1)
Lot 514
FOUR BOXES AND LOOSE BOOKS, LAMPS, PICTURES, VINTAGE RADIO, CLOCKS AND SUNDRY ITEMS, to include a large Ever-Ready radio in need of repair, a twentieth century mantel clock, a Bakelite lamp with shade, two brass oil lamps, leaded glass light shades and lamp (largest shade diameter 40cm), a box of twenty four books mainly leather bound novels and history titles, a Stratton compact, a German tin plate clockwork hare (sd), a rotary telephone, a boxed brush set, two vintage framed facsimile prints of old Canterbury, four large framed prints and an original oil on canvas of a Mediterranean townscape (largest frame 64cm x 83cm), a Luton Civic Boater hat, an evening bag and scarves, a boxed Spong 702 mincer, a box of matchbooks etc (sd) (4 BOXES + LOOSE)
Lot 480
A GROUP OF TABLE LAMPS, LAMPSHADES AND VASES, to include six late 20th century/contemporary table lamps of different styles and materials, tallest 64.5cm to top of harp, a vintage Sigma desk lamp and another adjustable desk lamp, two clear glass vases containing artificial flowers, a glass bubble effect light shade, two standard lamp lampshades, etc (sd) (16)
Lot 1066
An Oak Two-Handled Coffer, of plain form, with handle cut-outs to sides, 36ins wide x 13ins deep x 27ins high, a 1930s oak three-tier open shelf, on rectangular base, 32ins wide x 12.5ins deep x 38ins high, a 1930s oak two-tier occasional table with octagonal top, triangular under tier on fretted splayed legs, 14ins wide x 20ins high, and a chrome plated electric table lamp of Art Deco design, 11.25ins high, with Clarice Cliff style frosted and colour glass shade
Lot 55
A Victorian oil lamp, solid brass with glass chimney, shade and reservoir, supported by brass fittings having a duplex twin wick burner inscribed 'Youngs Patent' on the ceramic wick winder knobs. 60cm tall, together with a Victorian finger oil lamp and a T.R.S central draft brass oil lamp. (3)
Lot 89
A collection of ceramic vases and other wares, to include a Japanese jade bamboo porcelain lidded ginger jar, makers mark to base, together with a large Italian flower vase, a pair of blue & white floral Chinese vases, a Chinese ceramic table lamp & shade, a Wedgewood 'Wild Strawberry' ginger jar and other wares.
Lot 102
Designer floor lamp. 1980s.Chromed metal structure. Fabric lampshade.Four points of light.Measurements: 152 cm (total height); 58 cm (lampshade diameter).Lamp of sober and elegant design, adjustable in height. The foot is formed by a structure of metal filaments joined at the top of the ribbed stem and opening at the base, giving dynamism to the design. Cylindrical shade in fabric.
Lot 132
WILLY RIZZO (Naples, 1928-Paris ,2013).Table lamp; Italy, c.1970. Designed for Luminica.Base in chromed steel and brass, and shade in nude fabric. Holds three bulbs.Dimensions: 53 x 14 x 21 cm. (base), 76,5 x 39 x 33 cm. (complete lamp)Designer and photographer, Willy Rizzo began his career in Paris, and since then has built up a solid career in the world of photography. His activity as a designer began in 1966, when he moved with his wife to a small flat in the centre of Rome, which he renovated himself, also designing the furniture. Although he never intended to become a designer, his friends soon began to commission him after seeing his house. In fact, he has counted among his clients such prominent figures as Salvador Dalí and Brigitte Bardot. Rizzo always admired beautiful things, both modern and antique, so he focused his aesthetic experimentation on creating modern furniture that perfectly matched the antique. His style marked an era in Italian design, being recognised as the designer of the Dolce Vita. The demand for his pieces was so great that in 1968 he decided to set up his own company, with which he has since created numerous pieces, always handmade, combining noble materials such as travertine or bronze with other distinctly modern ones such as steel. He eventually opened shops in Paris and other European cities, as well as in New York, Miami and Los Angeles. In 1978 Rizzo sold his company and refocused his career on photography, tired of the business life. During the ten years he spent designing furniture, Rizzo, a great admirer of Mies van der Rohe, Le Corbusier and Ruhlmann, developed a style that is easily recognisable even today. His are pieces of clean lines and geometric shapes, made of carefully selected materials. He always remained faithful to the traditional, handcrafted use of materials, rejecting the mass production system and the use of plastic. Some of his designs have been exhibited at the Metropolitan Museum in New York, and more recently at the Madison Mallet Gallery in London.
Lot 133
WILLY RIZZO (Naples, 1928-Paris ,2013).Table lamp; Italy, c.1970. Designed for Luminica.Base in chromed steel and brass, and shade in orange fabric. With capacity for three bulbs.Dimensions: 53 x 14 x 21 cm. (base), 76,5 x 39 x 33 cm. (complete lamp)Designer and photographer, Willy Rizzo began his career in Paris, and since then has built up a solid career in the world of photography. His activity as a designer began in 1966, when he moved with his wife to a small flat in the centre of Rome, which he renovated himself, also designing the furniture. Although he never intended to become a designer, his friends soon began to commission him after seeing his house. In fact, he has counted among his clients such prominent figures as Salvador Dalí and Brigitte Bardot. Rizzo always admired beautiful things, both modern and antique, so he focused his aesthetic experimentation on creating modern furniture that perfectly matched the antique. His style marked an era in Italian design, being recognised as the designer of the Dolce Vita. The demand for his pieces was so great that in 1968 he decided to set up his own company, with which he has since created numerous pieces, always handmade, combining noble materials such as travertine or bronze with other distinctly modern ones such as steel. He eventually opened shops in Paris and other European cities, as well as in New York, Miami and Los Angeles. In 1978 Rizzo sold his company and refocused his career on photography, tired of the business life. During the ten years he spent designing furniture, Rizzo, a great admirer of Mies van der Rohe, Le Corbusier and Ruhlmann, developed a style that is easily recognisable even today. His are pieces of clean lines and geometric shapes, made of carefully selected materials. He always remained faithful to the traditional, handcrafted use of materials, rejecting the mass production system and the use of plastic. Some of his designs have been exhibited at the Metropolitan Museum in New York, and more recently at the Madison Mallet Gallery in London.
Lot 134
WILLY RIZZO (Naples, 1928-Paris ,2013).Table lamp; Italy, c.1970. Designed for Luminica.Base in chromed steel and brass, and shade in nude fabric. Holds three bulbs.Dimensions: 53 x 14 x 21 cm. (base), 76,5 x 39 x 33 cm. (complete lamp)Designer and photographer, Willy Rizzo began his career in Paris, and since then has built up a solid career in the world of photography. His activity as a designer began in 1966, when he moved with his wife to a small flat in the centre of Rome, which he renovated himself, also designing the furniture. Although he never intended to become a designer, his friends soon began to commission him after seeing his house. In fact, he has counted among his clients such prominent figures as Salvador Dalí and Brigitte Bardot. Rizzo always admired beautiful things, both modern and antique, so he focused his aesthetic experimentation on creating modern furniture that perfectly matched the antique. His style marked an era in Italian design, being recognised as the designer of the Dolce Vita. The demand for his pieces was so great that in 1968 he decided to set up his own company, with which he has since created numerous pieces, always handmade, combining noble materials such as travertine or bronze with other distinctly modern ones such as steel. He eventually opened shops in Paris and other European cities, as well as in New York, Miami and Los Angeles. In 1978 Rizzo sold his company and refocused his career on photography, tired of the business life. During the ten years he spent designing furniture, Rizzo, a great admirer of Mies van der Rohe, Le Corbusier and Ruhlmann, developed a style that is easily recognisable even today. His are pieces of clean lines and geometric shapes, made of carefully selected materials. He always remained faithful to the traditional, handcrafted use of materials, rejecting the mass production system and the use of plastic. Some of his designs have been exhibited at the Metropolitan Museum in New York, and more recently at the Madison Mallet Gallery in London.
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65572 item(s)/page