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Y A PAIR OF GEORGE IV SATINWOOD, TULIPWOOD CROSSBANDED AND LINE INLAID FOLDING CARD TABLESATTRIBUTED TO GILLOWS, CIRCA 1825 each 73cm high, 87cm wide, 43cm deep (when closed) For a card table by Gillows of remarkably similar form but in mahogany, see Susan E. Stuart, Gillows of Lancaster and London, 1730-1840, Volume 1, Antique Collectors' Club, 2008, page 262, plate 266. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and useSome minor old chips and splits.Some old repairs (see images)Of cleaned, restored appearance.Some fading and additional marks to the top (see images)Of solid, stable structure.Some minor fading and discolouration to the baize surfaces.Very few minor areas of lifting to veneerNo obvious breaks to legs, in good original condition.Please see images for a visual reference to condition. Condition Report Disclaimer

Y A PAIR OF GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED DEMI-LUNE CARD TABLESCIRCA 1800The hinged tops enclosing baize lined surfaces73cm high, 97cm wide, 46cm deep Provenance:Purchased from Stair & Company, 30th March December 1989 (Sold for £31,500).A photocopy of the original receipt is available with this lot.Condition Report: Both tables with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits, chips and some minor losses. Some old veneer repairs. The surface with the expected fading in areas. Inset baize surfaces are later replacements. They have some minor scuffs and some small losses which appear to be from moth damage. One table with an old glued repair where one rear leg meets the frieze. A few isolated old worm holes to rear friezes. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Y A PAIR OF PORTUGUESE CARVED ROSEWOOD FOLDING CARD TABLES19TH CENTURY each 77cm high, the tops 92cm wide, 47cm deep Condition Report: Both tables with the marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. One table with filler used to close a large split across the top. Baize inset surfaces to the interiors are later replacements. One rear leg with screw repair to split through it. Some minor old veneer and moulding repairs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A SATINWOOD, MARQUETRY, PAINTED AND PARCEL GILT CARD TABLEFIRST HALF 19TH CENTURY 75cm high, 91cm wide, 45cm deepThis table bears similarities to examples attributed to Mayhew & Ince and Seddon, Sons and Shackleton. For a related table attributed to Mayhew and Ince see Lucy Wood, The Lady Lever Art Gallery Catalogue of Commodes, HMSO Publications, 1994, p220, pl 210-211, similarities include the marquetry painted satinwood, the carved reed and tie border to the table top, leaf carved leg capitals and carving to the legs. See also a pair of related tables attributed to Seddon, Sons and Shackleton see Christie's, Fine English and Continental Furniture, London, lot 119, (£12,000). Please note, this lot likely dates from the first half of the 19th century and not as originally catalogued. Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Various lifting and undulation to the marquetry of the top. As illustrated, the painted and git surfaces with wear, chips, flaking, losses and dark deposits. Some losses to sections of moulding. Baize surface to the interior is a replacement. Later supporting blocks to the back of the rear frieze and across the underside of the top. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A GEORGE III MAHOGANY CONCERTINA ACTION FOLDING CARD TABLEIN THE MANNER OF PAUL SAUNDERS, CIRCA 1765 73.5cm high, 92cm wide, 46cm deep (when closed) Paul Saunders (1722-1771) was recorded in 1761 as 'Cabinet maker, Upholder & Tapestry Worker at the corner of Charlotte and Streatham streets, Bloomsbury'. Throughout his career, Paul Saunders had important clientele, perhaps from his early contacts made in William Bradshaw's workshops, with identifiable commissions to Petworth, Holkham and Uppark.Saunders' cabinet making work has been somewhat overlooked in favour of his tapestry making, he was Tapestry Maker to HM the King from 1757 and his Soho workshop was known as the 'The Royal Tapestry Workshop'.The design of this table shows the influence of the French taste on English furniture in the mid-18th century, the marked curvature of the legs, and the carving to the knee. Saunders, and his then business partner Bradshaw were both subscribers to Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, 1754, which first popularised the French style.

Y A GEORGE IV CARVED ROSEWOOD CARD TABLE ATTRIBUTED TO GILLOWS, CIRCA 1825The revolving and folding top opening to a baize inset playing surface 74cm high, 65cm wide, 41cm deep (when closed) Condition Report: Marks, knocks, scratches and abrasions commensurate with age and useSome old chips and splits.Some fading and additional marks to the top (see images)Of solid, stable structure.Baize inset with some minor marks and scuffsOf rich colour and patina overallPlease see images for a visual reference to condition. Condition Report Disclaimer

A REGENCY CALAMANDER, BRASS MARQUETRY AND GILT BRONZE MOUNTED SIDE CABINET ATTRIBUTED TO GEORGE OAKLEY, CIRCA 1815 146cm high, 160cm wide, 46cm deep This fine side cabinet is of the highest quality, its geometric brass ornament and exotic calamander veneers relates to the work of George Oakley (d.1841), who produced furniture in the Grecian style for the Prince Regent among other distinguished patrons during his long career which lasted from 1789 to 1819. The firm was granted a royal warrant in 1799 after receiving a visit from Queen Charlotte and other members of the royal family upon which '...her MAJESTY, the Duke and Duchess of YORK, and the PRINCESSES, &c., highly approved of the splendid variety which has justly attracted the notice of the fashionable world' (Morning Chronicle, May 1799). The design closely relates to a suite of furniture probably supplied by Oakley for Sir Arthur Grey Hazlerigg, 11th Baronet, upon his succession in 1817, at which time he refurbished his estate Noseley Hall in Leicestershire employing many fashionable suppliers of the day (see Noseley Hall, Sotheby's house sale, 28-29 September 1998, lots 146 and 147). Another well-known commission supplied to Charles Madryll Cheere for Papworth Hall includes a variety of furniture forms executed in calamander with stylized star brass-inlaid borders (a card table from this commission is illustrated in R. Edwards, ed., The Dictionary of English Furniture, rev. edn., vol.III, 1954, p. 202, fig.42). An almost identical cabinet was sold, Christies Important English Furniture, New York, 23rd October 2002, lot 17 $35,850 and another, 19 October 2000, lot 245 ($37,600).  

Y A PAIR OF GEORGE III SATINWOOD, PURPLE HEART AND ROSEWOOD BANDED OVAL PEMBROKE TABLESATTRIBUTED TO GILLOWS, CIRCA 1780Each oval top incorporating a pair of hinged leaves, above a frieze drawer and opposing false drawereach 73.5cm high, 53.5cm wide unextended, 90.5cm deep overallProvenance:Nelson RockefellerSold Christies New York, 500 Years of European Decorative Arts. 22nd October 2010, Lot 396, ($60,000).These fine quality tables represent a rare survival as a pair. Occasional tables with drop leaves are said to have been dubbed 'Pembroke' tables after the architect and courtier, Henry Herbert, the 9th Earl of Pembroke. Earlier examples in the popular taste of the earlier eighteenth century tended to have squarer flaps, but by the 1770s Robert Gillow was advising his customers that an oval shape was the height of fashion. The square legs terminating in castors and rich golden satinwood are characteristic of his work, as are certain elements of ornament: Gillows wrote to a customer in 1780 that "plain satin wood card tables [...] will not look well unless they have some banding & stringing of other sorts of wood to set 'em off".There is a comparable example very similar to the present lot at Tatton Park in Cheshire (inventory number NT 1297246), one of the most splendid surviving Gillows interiors.Please note, the measurements for this lot have been revised. The depth of each table overall is 90.5cm and the width of each table (unextended) is 53.5cm, and not as printed in the catalogue.Condition Report: Marks, scratches and abrasions comensurate with age and usePleasing original colour and patina with original surface. Some old chips and splits as expected for age. Some additional dark marks and scratches to the tops as expected for age.Handles and locks all appear original. Keys are present to operate locks. Some minor old repairs and small areas of replacement to banding mainly only to the edge of one drawer front. . Drawer linings are original. Casters are all original and matching. Operating drawer to one side and false drawer front opposing finished equally to operating drawer and with original matching handle. Some very small later tacks securingt he rear edge of the floors of the drawers. No old breaks to legs. The depth of each table overall is 90.5cm and not as printed in the catalogue. Please refer to all additional images for visual reference to condition. Condition Report Disclaimer

A mid 19th century mahogany fold-over top card table with turned Colum, a tripod base and contentsLocation:RAB

Georgian style walnut fold over card table, the moulded top with hinged lid and green baize above two cock beaded drawers with shell design drop brass handles, moulded shell decoration on cabriole legs and ball and claw feet. Early 20th century. 92x92x75cm approx. (B.P. 21% + VAT)

18th century mahogany card table, the shaped top opening  to reveal four square wells and a later green felt lined interior, above a single drawer, on extending cabriole legs with pad feet, 72.5cm high, 77cm wide and 77cm deep.

An interesting collection of ephemera to include Chilean football penant, postcards, Wills's cigarette card album, Silver Jubilee table tennis programme, Wallsend Warship week programmes, South Bank Festival of Britain exhibition programme, The Royal Aero Club souvenir programme, London Olympics 1948 Official Souvenir, album of 'sporting memories' including tickets for horse racing, cricket, Football Internationals, Newcastle United 1949 Season, table tennis tickets etc. (Q)

Victorian mahogany fold top card table on octagonal tapering pedestal to quadriform base, 73cm by 89cm by 43cm (closed).

A Killarney walnut rectangular occasional table with card-cut edge to the inlaid top, on slender turned supports, 26¼” wide x 29¼” high x 15½” deep (faults to top).

A late 19th century card table, 74cm high, 86cm wide, 43cm deep

A late 19th century card table, 72.5cm high, 84cm wide, 42cm deep

A William IV rosewood card table, 73.5cm high, 91.5cm wide, 45cm deep

A log bin, hinged domed cover, embossed with Art Nouveau style motifs, 50cm wide; a brass cylindrical coal bin and cover; a folding table, "Revertable" manufacturer's label, with a mahogany tea/card table circular reversible drop-in top, 71cm; a Persian style large brass circular tray, 60cm diameter; a copper decorative hunting horn (5)

A ‘George III’ mahogany card table, later hinged top enclosing a baize lined playing surface, internally chamfered square legs, 72.5cm high, 91cm wide, 44cm deep, the base c.1790

A late Victorian mahogany envelope card table, drawer to frieze stamped Gillows Lancaster, 65.5cm high, 55.5cm square

REGENCY ROSEWOOD FOLDOVER CARD TABLE - on a stepped square column and quatrefoil base, baize lined interior, 74cms H, 92cms W, 89cms D

ANTIQUE ROSEWOOD FOLDOVER CARD TABLE - with serpentine shape top, bulbous segmented column on four splayed legs with knurled feet, 71cms H, 89cms W, 89cms D (open)

A Regency rosewood and brass inlaid card table,the foldover top raised on a tapering column, above a platform base and four swept supports terminating in brass castors,89cm wide44cm deep73cm highCondition ReportThe top warped and split. Losses to the brass inlay throughout. Knocks, losses and wear.

A collection of silver items,comprising a Clan Murray of Atholl cap badge, inscribed to the reverse 'Frances P Murray', 7cm high, two silver pendants, one inscribed 'Ayr Academy First Prize Drawing Class 1818' the reverse 'Charlotte Tennant', 3.3cm x 4.5cmthe other inscribed 'Ayr Academy First Prize Greek Clas 1836', 3.3cm x 4.5cm, an Indian bowl, with a band of dancers, 8.5cm diameter, a silver card box, Chester 1899, a salt and dressing table silver-mounted jar, and a silver-mounted scent bottle, lacking stopper, and silver plated Whisky and a Madeira label weighable 8.7ozt (10)Condition ReportDressing jar - worn through with holes. Card box - tarnished and worn.Hole to one dancer on the bowlBoth pendants fair overall - one missing the ring suspension. No stopper on the scent bottle.

A crossbanded walnut fold-over card table,the shaped top opening on double gate supports to reveal counter wells and candle stands around a later red draylon surface over a frieze drawer and pad front legs,81cm wide74cm highProvenance: The Estate of Mrs Althea LloydCondition ReportFaded, poor colour.Repairs to top, veneer splits to top.

A George III mahogany card table, circa 1820, rectangular form, fold-over top enclosing a material playing surface on swing leg supports, raised on inverted supports. 73cm H x 91cm W x 45cm D (90cm unfolded)

Early 20th Century table top six drawer card filing cabinet

A folding card table

A mahogany and leather mounted envelope card table fitted single drawer and under tier AF

A George III mahogany folding card table, width 83cm, depth 42cm, height 73cm

A George II style mahogany folding card table, width 90cm, depth 45cm, height 78cm

A Regency inlaid rosewood D shaped folding card table, width 86cm, depth 44cm, height 74cm

A pair of Georgian style silver sugar nips, by George Unite, Birmingham 1901, a silver topped glass dressing table jar, a silver spoon and rectangular lid, combined weight of silver, 3.65ozt, 113.5gCONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

Michael W Potter (b. 1955), table and chairs outside a cafe, watercolour, signed lower right, 51cm x 38cm, framed and glazed †CONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

A pair of silver handled fish servers, a George III silver cruet stand, with turned wooden base, London 1818, 17cm high, a silver mounted nail buff, a cut glass dressing table jar with silver hair tidy lid, two silver lids and a silver handled nail file, combined weight of weighable silver 2.97ozt, 92.5g, and a set of mother of pearl and silver plated fruit knives and forks for twelve place settings, casedCONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

An Art Deco chrome plated table lamp, the hexagonal stem mounted to a Bakelite disc above a circular stepped foot, 32cm highCONDITION REPORTS & PAYMENT DETAILSIMPORTANT* Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

An Edwardian mahogany envelope card table, having single frieze drawer, raised platform undertier, W 78.5 cm x H 71 cm x D 78.5 cm.

A Victorian mahogany serpentine fold over Card Table, on square tapering legs, signs of woodworm on pull-out and top worn, all shown in pictures, W 91.5 cm x H 71 cm x D 88 cm.

A late Regency mahogany folding tea table, 91cm wide, together with a George III glazed hanging corner cabinet, 71cm wide (2)Card table has no glass top.

A William IV mahogany card table, circa 1835, twist open top, enclosing an inlaid card playing surface on a deep frieze, tulip cylinder column on a quatro platform on castors.

A William IV mahogany card table 

William IV rosewood card table, the top with baize lined interior, on turned and leaf carved column, on quatrefoil plateau, with scrolling feet, 73cm high x 91.5cm wide x 45cm deep

A William IV Rosewood Fold Over Card Table, crossbanded, on canted square section supports, with a shaped plinth over carved scrolling feet, 91cm by 46cm by 75cm

A Continental Marquetry Inlaid Kingwood Foldover Card Table, with gilt metal mounts, 80cm by 60cm by 70cm

A WILLIAM IV ROSEWOOD FOLD OVER CARD TABLE

A WILLIAM IV ROSEWOOD FOLD OVER CARD TABLE.

A ARTS AND CRAFTS OAK FOLD OVER CARD TABLE

TWO EMPIRE STYLE BERGERE CHAIRS, CARD TABLE, BOOKCASE AND AN OAK TABLE (5)

A 53cm Edwardian mahogany and strung fold-over card table with green baise, set on splayed square tapered supports

An oak card table, the baize top with a floral garland decoration, on square tapering legs terminating in brass caps, 72cm high, 79cm wide, 77cm deep.

A Regency rosewood and satinwood banded card table, of canted rectangular form, the hinged swivel top opening to reveal a baize-lined playing surface, on ring turned and baluster column stem, four downswept feet with brass caps and castors, 75 x 91 x 45cm deep

A Victorian rosewood card table stamped ‘Gillows Lancaster’, the ‘D’ shaped folding swivel top with applied gadrooned border opening to reveal a baize lined playing surface, anthemion tablet to frieze, on reeded column with concave sided platform with substantial lappet, scroll and paw feet, on castors, 92 x 46 x 74cms high.

A mid 19th century mahogany fold-over top card table with turned Colum, a tripod base and contentsLocation:

George V silver mounted faux tortoiseshell three piece dressing table set, London 1927; comprised of mirror, comb and brushes; mother of pearl card case (2)

An Edwardian inlaid mahogany envelope card table, with well figured top opening to a baize lined playing surface with counter wells with frieze drawer with brass drop handles raised on turned legs united by stretchers and centre decorative boss, the legs terminating in brass castors. Height 75 cm, top 55.5 cm square. CONDITION REPORT: The table is in generally good order. It is structurally sound with no loose joints. There are minor veneer nibbles to the points of the flaps and some minor liquid damage to the top. The flaps are not warped. The green baize has one small hole and is a little stained but the mahogany surround, all brasswork and counter wells etc are in very good order. The drawer runs smoothly. All legs are in good condition and appear to be free from any repairs. One stretcher is loose where it joins the boss. The castors would appear to be original. There is no evidence of any woodworm. The dowel mechanism that operates the lift works correctly.

A Victorian rosewood turnover top card table, with scrolling mouldings to the frieze, the faceted column and circular base raised on paw feet and castors. Height 73.5 cm, width 91 cm, depth 45 cm.

A William IV mahogany turnover top card table, with canted angles, turned column and triform base. Height 74 cm, width 92 cm, depth 45 cm.

A mahogany blind-fret carved card table, 19th century, with concertina action, the rectangular fold-over top enclosing a green baize playing surface above a blind-fret lozenge carved frieze raised on square channelled legs with fret carved corner brackets73 x 92 x 46cm closed71 x 92 x 92cm opensurface re finished, surface scratches, past restorations, two corner brackets loose, wear to baise

A George III mahogany card table, the crossbanded demi-lune fold over top enclosing a baize lined playing surface raised on square tapered legs and spade feet73 x 91 x 45cm closed72 x 91 x 88.5cm openProvenance:Collection of Mike Handford, 'Hillsleigh', Burford, OxfordshireSignificant play in the joints. Damage to the veneer. Damage to the baize. damage to the crossbanding.

Anish Kapoor (born 1954)a table lamp designed by Anish Kapoor and manufactured by Welwyn Lighting Company for 'At Home With Art',wood and parchment, with seven Three Hundred and Sixty Degrees plates designed by Richard Wentworth, 2017, each with impressed fingerprint motif, four made for the Tate Gallery, two with boxes, and a pair of coat pegs designed by Antony Gormley, in original card boxes,ink AK monogram to lamp35.5cm. high27.5cm. diam. (plates), (10) LiteratureColin Painter, At Home With Art, Hayward Gallery Publications, page 38 & 39 (Kapoor), 32 & 33 (Gormley), 56-57 (Richard Wentworth). Catalogue notesAt Home with Art was a collaboration between nine artists from the contemporary art world and the public through the design and production of household objects. The plates designed by Richard Wentworth were produced by Royal Doulton with Richard Wentworth designing gold-leaf fingerprints to be applied to the surface. The examples in this lot have either the Tate or Royal Doulton backstamp.