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A Victorian rosewood and marquetry decorated envelope card table, circa 1890, opening to a green gilt tooled insert and sunken counter wells, above a frieze drawer on square tapered legs and united by an undertier with a turned gallery, on brass caps and castors, 74cm high, the top approximately 56cm x 56cm unopenedBid Live at the-saleroom.com
A Victorian rosewood and marquetry decorated envelope card table, circa 1890, opening to a green gilt tooled insert and sunken counter wells, above a frieze drawer on square tapered legs and united by an undertier with a turned gallery, on brass caps and castors, 74cm high, the top approximately 56cm x 56cm unopened
A Victorian burr walnut serpentine fold over card table the well figured top with book matched veneers, swivelling to open and reveal storage beneath, on a baluster and ring turned column carved with husks on a matted ground, on four foliate and fruit carved cabriole style supports with scroll feet and brass casters, 35 x 17¾in. (90 x 45cm.), 29¼in. (74.5cm.) high. See Illustration.
A fine quality French Sevres style gilt bronze table casket mid-19th century, believed to have been purchased at the 1851 Great Exhibition by the current vendor`s great grandfather, the rectangular casket with outset columns to the corners surmounted by turned finials, set with six Sevres style gilded and hand painted porcelain panels depicting putti in various playful poses, the shallow pagoda style cover with scroll mounts to the corners, centred with a similar oval panel, the whole with finely engraved floral and foliate decoration, set upon an integral conforming shaped and stepped plinth base with similarly engraved border, the interior lined in the original fine dark blue silk velvet, 9½ x 8in. (24 x 20.25cm.), 4¾in. (12cm.) high, complete with original key, on an ebonised and red velvet base beneath a glass dome (cracked). * The casket contains the original purchaser`s `Exhibition Admission Card 1851` in a gilt lettered morocco leather wallet with emerald green silk lining, containing two `Season Ticket of Admission to the Exhibition of the Works of Industry of All Nations 1851`, No.350 (Henry Baker) and No.4407 (in pink card - Caroline M. Baker). Henry Baker was the son of Sir Robert Baker and the architect and surveyor of St. Pancras Station and the adjoining Baker Street. See Illustration.
An oak five shelf open bookcase, a mahogany two tier side table with a shaped top, an oak rectangular side table, a mahogany effect magazine rack, a mahogany standard lamp with pink shade, a folding card table with a green baize top and a low mahogany seated stool CONDITION REPORTS Standard lamp;assorted scratches and marks, very loose column, frayed and tatty shade. Chair; assorted scratches and marks Card table; General wear and tear including assorted dents and scratches Book case; Assorted chips, scratches, marks etc Mahogany side table; Assorted marks and scratches Oak side table; Gouges to the rail, assorted chips and scratches, woodworm holes Magazine rack; missing slat, general wear and tare.
A 1920`s oak floorstanding side cupboard enclosed by a pair of slender moulded panelled doors with segmented interior raised on tapered column supports together with a Georgian style mahogany toilet mirror, a small freestanding open bookcase with four fixed shelves and a folding card table with base lined top

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32021 item(s)/page