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A Reproduction Mahogany Tray Topped Drinks Table Cabinet, of kidney shape, with bevelled glass panels, and on scroll supports, 73cm by 42cm by 72cm,together with a jug and bowl stand, an Edwardian oak salon chair, an envelope card table, a Victorian style painted bedstead, a drop dial striking wall clock and a triangular three drawer chest with African style carvings, 102cm (7)
A late Victorian walnut card table, the rounded rectangular top with moulded edge, swivelling to reveal a recess and opening to reveal a green baize-lined interior, over a plain frieze, on twin turned and ringed end pillar supports, united by a centre stretcher, on acanthus carved splayed legs, scroll feet and castors, 92 cm wide x 46.5 cm deep x 73 cm high
A 19th century Victorian ebonised and burr yew inlaid card table with gilt metal beading, with a foldover swivel top and raised upon turned and fluted parcel gilt legs, with a shaped stretcher and a decorative large finial, complete with castors, 90.5cms wide x 44cms deep x 77cms high. Estimate £50-100.
An early 19th century mahogany card table with rounded corners and with an internal felt lined playing surface and carved decoration to the frieze, raised upon a turned and carved central column, resting upon a shaped platform base with turned feet and castors, 91cms wide x 45.5cms deep x 76.5cms high. Estimate £50-80.
PATEK PHILIPPE; a porcelain square bowl by Limoges, with decoration inspired by a Patek Philippe cloisonné enamelled gilt brass dome table clock, 18.5 x 18.5cm, in original Patek Philippe box, with further foam-lined plain outer card box.Condition Report: Bowl is in good condition, there are some light scratches to the box lid, otherwise appears ok.
A mid-19th century rosewood fold-over card table, with red baize liner, raised on reeded baluster column and four carved outswept scrolling supports to castors, 76 x 91 x 46cm (af).Condition Report: One castor is detached but present, the upper section when closed has quite a lot of sun bleaching and the veneer is split to the back left and front right of the closed surface, baize lining in overall ok condition and retains good colour to the baize lining frame, further surface wear visible throughout including scuffs, scrapes, fading, staining, splits, losses etc, otherwise appears ok.
Theodor Rombouts, 1597 – 1637KARTENSPIELER AM TISCH MIT EINEM KIEBITZÖl auf Leinwand. Doubliert.145 x 200 cm.Beigegeben eine Expertise von Gianni Papi, Florenz, 11. April 2022, in Kopie.Wie nicht wenige Werke des Malers zeigt sich auch dieses in betontem Großformat. In abgedunkeltem Raum sitzen sich zwei Kartenspieler an einem Tisch gegenüber, zwei weitere Figuren, eine alte Wirtin und ein Jüngling vor seinem Glas und Teller sind rechts am Tischende zu sehen. Links dagegen beugt sich ein grauhaariger Alter weit vor, um in die Karten seines Tischnachbarn zu blicken. Die Figuren sind schlaglichtartig von links beleuchtet, aus einer Lichtquelle, die im Bild nicht zu sehen ist. Die Hell-Dunkel-Malerei des Caravaggismus lässt die Figuren umso plastischer erscheinen. Die Hauptfigur, ein Mann im noblen Landsknechtskostüm mit breitrandigem Hut und roter Feder und umgegürteter Stichwaffe im Halfter, sitzt einzig an der Frontseite des Tisches. Er hält seine Karten in der Linken und ist dabei eine rote Karte zu ziehen. Sein Gegenüber zeigt sich noch unentschlossen. Die Darstellung lässt mehrere Deutungsmöglichkeiten des Spielgeschehens offen. Klar jedoch scheint, dass der Alte als Kibietz fungiert. Möglicherweise ist die Szene rechts dahingegen zu deuten, dass hier der Knappe des Landsknechts von der alten Wirtin ermahnt wird, von der Zusammenarbeit mit dem Betrüger abzulassen, was dieser nur mit einem Lächeln kommentiert.Papi sieht in dem vorliegenden Werk eine zweite eigenhändige Arbeit Theodor Rombouts, das sich im Museo di Belle Arti, Antwerpen, befindet. Bildaufbau und die Inszenierung der Darstellung stehen den Werken Caravaggios sehr nahe. So gilt Rombouts als der primäre Caravaggist dieser flämischen Stilrichtung. Zunächst studierte er unter anderem bei Abraham Janssens, vielleicht auch bei Nicolas Régnier in Antwerpen, bevor er sich 1616 nach Rom begab, um dort fast 10 Jahre zu bleiben. Es wird auch allgemein angenommen, dass er anlässlich eines Aufenthaltes in Florenz für Cosimo II de Medici arbeitete und damit auch mit Bartolomeo Manfredi in nahen Kontakt kam. 1625 wurde er Meister der Lukasgilde in Antwerpen.Auch in seinem bekannten Werk „Verleugnung Petri“ (Liechtenstein Museum) ist das Kartenspiel ein Begleitthema. Es erübrigt sich die Feststellung, dass Werke des Künstlers in weiteren bedeutenden Sammlungen zu finden sind. A.R.Literatur:Benedict Nicolson, Caravaggism in Europe, Bd. III, Turin 1990, S. 164.Andrea Perego, Vittorio Sgarbi et. al., Caravaggio e l‘Europa. Il movimento caravaggesco internazionale da Caravaggio a Mattia Preti, Ausst.-Kat., Palazzo Reale, Mailand 15.10.2005-6.2.2006, Mailand 2005. (1381861) (11) (†)Theodor Rombouts,1597 – 1637CARD PLAYERS AT A TABLE WITH LAPWINGOil on canvas. Relined.145 x 200 cm.Accompanied by an expert’s report by Gianni Papi, Florence, 11 April 2022, in copy.Literature:Benedict Nicolson, Caravaggism in Europe, vol. III, Turin 1990, p. 164.Andrea Perego, Vittorio Sgarbi et. al., Caravaggio e l’Europa. Il movimento caravaggesco internazionale da Caravaggio a Mattia Preti, exhibiton cat., Palazzo Reale, Mailand 15 October 2005-6 February 2006, Milan 2005.
Boxing Autographs, A 75th Anniversary Guest List & Table Plan From Event In Honour Of Bombardier Billy Wells, Menu Card From The Event. And A 75th Anniversary Guest List & Table Plan From Event In Honour Of Bombardier Billy Wells Held At The Café Royal, London On 9 March 1966. Multiple Signatures To Back Cover Inc. Georges Carpentier (1894-1975), Bombardier Billy Wells (1889-1967), Howard Winstone (1939-2000), Reg Gutteridge (1924-2009), Harry Carpenter (1925-2010), Lord Wakefield, Marquess Of Milford Haven, Donald Campbell (1921-1967), Jack Petersen (1911-1990) Etc. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
George III mahogany fold-top card table, shaped rectangular top opening to reveal a baize-lined surface, supported by a concertina pull-out concertina rear mechanism, raised on cabriole supports with foliate carvings terminating in pad feetDimensions: Height: 74cm Length/Width: 91cm Depth/Diameter: 45cm
A VICTORIAN SATINWOOD, BURR YEW AND POLYCHROME PAINTED CARD TABLE SECOND HALF 19TH CENTURY The painted decoration in 18th century style, in the manner of Angelica Kauffman 74cm high, 73cm wide, 36.5cm deep Condition Report: Overall there are some scratches, marks, chips, cracks, knocks and abrasions consistent with age and use.Observations include: there is some craquelure to the top; small bowing to the top which is barely perceptible; the back central leg sliding to support the top so that the legs are equidistant, the horizontal support possibly later; the baize faded and worn with some sign of old moth.A neat decorative satinwood side/card table.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
A GEORGE I WALNUT AND FEATHERBANDED CARD TABLE CIRCA 1720 Incorporating the unusual feature of fine featherbanding to the border of all elements to the interior, with a frieze drawer 71.5cm high, 82cm wide, 40cm deep Condition Report: Overall there are some scratches, marks, chips, cracks, knocks and abrasions consistent with age and use.Observations include: there is some evidence of old worm; the back is veneered.Some losses and restorations: the baize is later; there is some dark staining rubbed away to some areas; some later wood repairs and reinforcements including to legs, ears, interior runners; some spliced repairs.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
Regency mahogany and rosewood brass-strung card table, the fold-over top enclosing a later lined playing surface, on turned columns and platform base with reeded quadripartite supports, terminating in brass animal paw sabots and castors, 76cm high, 91cm wide, 46cm long, and 92cm long extended.
A Regency brass strung mahogany card table with D shaped folding top and ormolu oak leaf and bead mounts, on ring turned stem with downswept legs, fitted brass caps and castors,92cm wide, 46cm deep, 76cm high Good restored condition, an even mid brown tone slightly lighter to the top, minor signs of old wear throughout.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.

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32021 item(s)/page