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A David Flather, Solly Works, brace, late 19th/early 20th Century, the carved beech implement with and applied brass plates and good overall patination, manufacturers insert to the upper pad, 35cm long

A good quality 19th century ebony and brass framed drill brace by Robert Marples 'ultimate brace' having applied brass decoration, length 34cm

JAPANESE TOBACCO BOX. A Japanese lacquered tobacco box (Tabaco-dan), with swing copper handle, a square copper ash box with handle & a square tobacco box over three drawers. Width 26, height incl. handle 30cm. CONDITION REPORTS: The carcass-There is damage to the top rim, especially where the handle has been dropped down. There is loss of the structure on the front right-hand corner, where the metal brace is also missing. There is evidence of old, glued repairs to uprights and areas where the shelves meet the side supports (we have taken close-up photos th show this). On the top right hand side, the metal right-angled mount is missing. The two metal containers are in good condition. There are no splits, metal fatigue or repairs. Two of the three drawers have chips to the upper edges or inside edges.

Follower of John Constable RA, British 1776-1837- Figures by a pond with a cottage in a wooded landscape; oil on canvas, 35.2x43.5cm., (unframed) CONDITION REPORT: canvas has been re-lined circa early-mid 20th century on a replacement wooden stretcher with single vertical cross brace member under inspection with uv lamp there is evidence of retouching and restorations throughout the paint surface some of this restoration is of relatively recent date and others from an earlier point in time with craquelure throughout the paint surface there is much in-filling to the existing craquelure overall in good restored condition

A large collection of brace drills; cog drills; and three wooden saws.

ENGLISH SCHOOL, 1834 TROMPE L'OEIL OF A BRACE OF PARTRIDGES HANGING FROM A NAIL Inscribed and dated Mr. AFR 1834 on a painted label within the image, oil on canvas 54.5 x 45cm. ++ Lined; replaced stretchers; paint separation/craquelure; a few minor chipped/flaked losses; period gilt frame

After Graham Brace, "Rock of Ages Preseli" and "Mid Winter Rendezvous, Broadhaven". Two limited edition coloured prints signed in pencil together with a framed photograph of rocks. (3)

A stained beech artist's studio easel CONDITION REPORTS Mid to late 20th Century. Has scratches, wear etc. conducive with age and use. Top brace has a large split running down it. See images for more details.

Unusual possibly unique iron and wood handled brace Reputed to have been made by the vendors uncle for the American market

After John Frederick Tayler Figures dressed in Medieval costume, with Hawks, Figures Hawking in Horseback, The Young Gamekeeper with his Dogs, After a days Shooting, Four sporting Dogs with a Brace of Pheasant, coloured prints, each 26 x 30.5 cm, together with various other pictures, "French Partridge", prints of flowers, and a garden scene, various sizes (a collection)

Attributed to Alfred Dehodencq, French 1822-1882- Study of a monk, head and shoulders; oil on canvas, in a 19th century gilt composition Empire style frame, 55x46cm CONDITION REPORT: frame looks to be the original, circa mid 19th century with key construction retains the original gilt surface with some losses to the gesso mainly front edge canvas has been re-lined circa early 20th century on a wooden stretcher with cross brace stretcher bears inscriptions in blue crayon some damages to the stretcher and taping disturbance centre right and left edges reverse of canvas with stamp lower right under inspection with uv lamp there is no evidence of recent re-touching or restorations paint surface has been re-varnished but not in recent years and this varnish has not been disturbed

Circle of John Hamilton Mortimer ARA, British 1740-1779- The Expulsion of Adam & Eve; oil on canvas, 44.5x57cm, (unframed) CONDITION REPORT: has been re-lined circa late 19th century or at an earlier date retains the original wooden stretcher and cross brace with wooden wedges some replacements cross brace bowed concave taping to the edges somewhat rubbed with losses here and there some wear and tear to the corners of the tacking edge of the canvas under inspection with uv lamp there is one small area of retouching visible centre right edge crazing to the right hand edge of the canvas with single small area of flaking has been re-varnished but not recently in very good original condition

Charles Joshua Chaplin, French 1825-1891- "The Seamstress"; oil on canvas, signed and dated 1869, 51x32.5cm Provenance: Edward Cross Fine Art Gallery, Weybridge CONDITION REPORT: in a gilt composition frame, circa early-mid 20th century has been re-lined circa late 20th century retains the original wooden stretcher with replacement single horizontal cross-brace painting has been cleaned at some point in time old craquelure is visible throughout there are faint bar marks to the paint surface under inspection with uv lamp there is some very slight evidence of re-touching along the very top edge and in the face of the sitter otherwise very good condition

A cast iron trough, together with three others and an iron wheel brace, 180cm longest

An unusual table lamp constructed from an early brace drill and another of similar form. The tallest 20 1/2" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.

William Marples & Sons, Sheffield. A VICTORIAN BRASS-MOUNTED EBONISED "HIBERNIA" WOODWORKING DRILL BRACE, the mushroom-form handle stamped "WILLIAMS. MARPLES & SONS/ SHEFFIELD" framing shamrock motif , the C-shaped stem with upper brass plate stamped "By Her Majesty's Royal Letters Patent ", the lower brass plate stamped " WILLIAM MARPLES SOLE MANUFACTURER OF THE ULTIMATUM FRAMED BRACE " above Royal Arms and " Sheffield "

William Marples & Sons, Sheffield. A VICTORIAN BRASS-MOUNTED EBONISED "HIBERNIA" WOODWORKING DRILL BRACE, the mushroom-form handle stamped "WILLIAMS. MARPLES & SONS/ SHEFFIELD" framing shamrock motif , the C-shaped stem with upper brass plate stamped "By Her Majesty's Royal Letters Patent ", the lower brass plate stamped " WILLIAM MARPLES SOLE MANUFACTURER OF THE ULTIMATUM FRAMED BRACE " above Royal Arms and " Sheffield "

An ebony and brass 'Genuine Ultimate Framed Brace' by W. Marples & Sons, Hibernia Works, Sheffield. Some cracking. Condition Report: There are no stress marks visible to the eye.

Chippendale style mahogany concertina action folding card table, the rectangular folding top opening to a green baize playing surface over a base pulling out with a sliding counter tray acting as a brace, and with Chinese Chippendale style blind fretwork decoration to the frieze and the upper chamfered square section legs, width 91cm, height 73cm, depth 45.5cm

A taxidermy cased brace of pike, each counter facing in a naturalistic setting fitted in a gilt lined bow fronted case, titled (by) B Williams, Cropston Reservoir October 1998, weights 20lb 4oz and 16lbs 14oz, makers label for Rockware, 120cm wide x 31cm deep x 77.5cm high.

A BRACE OF PRESERVED DUCK hanging together by a piece of twine, the drake 60cm beak to tale (2)

A BRACE OF PHEASANT preserved, suspended by a piece of twine, the cock pheasant 93cm beak to tip of tail (2)

A BRACE OF PRESERVED DUCK hanging together by a piece of twine, the drake 60cm beak to tale (2)

A BRACE OF PHEASANT preserved, suspended by a piece of twine, the cock pheasant 93cm beak to tip of tail (2)

A collection of five Royal Worcester Figures: First Smile, Sweet Dreams, Spirit of the Dance, Goose Girl, Brace (5), all approximately 8? high

A RATCHET brace and various bits G

A brass plated lever pad beech brace by MARSDEN BROS with ebony head G

An Ultimatum brass framed ebony brace by MARPLES lacks ivory ring in ebony head, crack to web G

Two RECORD No 070 cabinet scrapers and a ratchet brace G++

A 19C Dutch brace with four pods G++

A metallic framed lever pad brace by JAMES HOWARTH with ebony head, one crack to ebony web G+

A brass plated button pad beech brace with rosewood head G

A brass plated lever pad brace by MARSDEN BROS G+

A brass plated button pad beech brace G

An early French iron brace with chamfered frame, brass handle and fruitwood head G

A BRACE OF 19thC SIDEARMS. Two French Artillery sidearms with 19"" double edged blades and brass ribbed hilts. Both with leather and brass scabbards, both with various markings.

A BRACE OF SIDEARMS. Two 19thC French Artillery sidearms with 19"" double edged blades and brass hilt with cast grips. Both have scabbards and various markings to the blades and or scabbards.

FRENCH BAYONETS. A brace of French 1866 pattern sabre bayonets with brass hilts and steel scabbards. Clean blades and various markings, forward swept quillions.

A Victorian silver hip flask, George Brace, London 1889, of plain polished form with engraved crest to the centre, with screw cap, 13.5cm high, weight 5.7oz

A Victorian silver hip flask, George Brace, London 1889, of plain polished form with engraved crest to the centre, with screw cap, 13.5cm high, weight 5.7oz

Chagall, M., Drawings for the Bible. (Dessins pour la Bible). Mit 48 Orig.-Lithographien (inkl. Einbd., 25 farb.) von M. Chagall. Paris, Verve bzw. New York, Brace & Comp. 1960. Illustr. OPp. 36 : 26,5 cm.Verve Revue Artistique et littéraire , Vol. X, Nr. 37-38, hrsg. von E. Tériade. - Amerikanische Ausgabe der schönen Chagall-Illustration. Zu Beginn mit einem Vorwort von G. Bachelard, Druck der Farblithographien bei Mourlot Frères. - Gelenke und Kanten berieben.Cramer 42. - Mourlot 230-277. - Sorlier 75.

SIMPLY RED AWARDS - collection of 4 awards to include a platinum BPI award presented to EMI Music Publishing to recognise UK sales of more than 1,200,000 copies of WEA Records C.D. album "Life" (25"x16"), a platinum BPI award presented to Margaret Brace Copyright Bureau Ltd to recognise UK sales of more than 300,000 copies of the Elektra album 'Picture Book' 1985 (20"x16"), a German in house gold award presented to So What Ltd for sales of over 250,000 of the album 'A New Flame (16.5"x16.5") and a gold disc for the album 'Stars' 1992 (20"x16" - no glass).

A George III Mahogany Kettle Stand, late 18th century, the circular top above a turned vasiform support raised on three slayed legs, 30cm by 69cm Good quality timber. Top with good patina, but with ring marks and some staining. Turned support with several fine natural? splits. Underside with metal brace for strengthening. 300914

A George III Mahogany Kettle Stand, late 18th century, the circular top above a turned vasiform support raised on three slayed legs, 30cm by 69cm Good quality timber. Top with good patina, but with ring marks and some staining. Turned support with several fine natural? splits. Underside with metal brace for strengthening. 300914

A vintage woodworking brace.

A taxidermied brace of wall mounting cock pheasants

A Brace of 19th Century Continental 6mm Rimfire Target Pistols, one with 20cm sighted octagonal steel barrel, the other 20.5cm steel barrel, each with steel trigger guard with finger rest and chequered walnut bag butt

A Brace of 19th Century Continental 6mm Rimfire Target Pistols, one with 20cm sighted octagonal steel barrel, the other 20.5cm steel barrel, each with steel trigger guard with finger rest and chequered walnut bag butt

Julie Mellaerts, Belgian, mid-late 19th century- Portrait of a lady, standing half-length in a lace bodice, black coat and hat; oil on canvas, signed and dated 1884, 70x52cm CONDITION REPORT: in a gilt moulding frame, mid-20th century, not the original frame canvas has not been relined retains the original wooden stretcher with single horizontal cross brace the paint surface has been re-varnished at some point in time varnish has bled through the craquelure with widespread staining on the reverse of the canvas patch top right corner on the reverse tear lower left to the left of the sitter's shoulder under inspection with UV lamp there are numerous areas of re-touching and over-painting throughout the paint surface, in particular the face of the sitter and the hat is subject to pronounced raised craquelure and pigment separation/reticulation there is further craquelure and some reticulation of the paint surface elsewhere the canvas is somewhat ruckled the canvas is subject to bar marks, particularly horizontally in the centre overall in fair condition but will require much further restoration

Robert Dumont-Smith, British b.1908- "The Awakening Year"; oil on canvas, signed, bears inscription to the reverse Exhibited RA 1951 and Paris Salon 53, 66x106.5cm, (may be subject to Droit de Suite) CONDITION REPORT: in a gilt composition Louis XIV style frame, early-mid 20th century some splitting to the gesso on all corners and minor wear and tear has been re-lined circa late 20th century with wooden stretcher and single vertical cross brace under inspection with uv lamp there is some evidence of retouching and overpainting namely lower left corner in the vicinity of the signature in the walls and roofs of the houses top left and right hand corners and in the sky however, much of the original varnish is retained otherwise in very good condition

A Vintage Oak Woodwork Brace, by Moulson Bros, Union Works Sheffield together with an antique oak router by A Matrieson & Son, Glasgow and Edinburgh. (2)

A Vintage Oak Woodwork Brace, by Moulson Bros, Union Works Sheffield together with an antique oak router by A Matrieson & Son, Glasgow and Edinburgh. (2)

A LEATHER SHOT GUN CASE, THE BAISE LINED AND FITTED INTERIOR TO ACCOMMODATE A BRACE OF GUNS

A Collection of Woodworking Tools, including a James Howarth Paragon Brace, a boxed Record No.20 compass plane, Record No.42 plane, mortice gauge, chisels, roll of bits, spirit levels etc

A Collection of Woodworking Tools, including a brass bound ebony brace by Marples, roll of chisels etc., in a wooden box

A LEATHER SHOT GUN CASE, THE BAISE LINED AND FITTED INTERIOR TO ACCOMMODATE A BRACE OF GUNS

A SET OF EIGHT MINTON ANIMAL TILES DESIGNED BY POLLY BRACE, c.1930, painted with Tiger, Camel, Kangaroo, Elephant, Chimp, Giraffe, Cheetah and Moose (approximately 15cm x 15cm)

A SET OF EIGHT MINTON ANIMAL TILES DESIGNED BY POLLY BRACE, c.1930, painted with Tiger, Camel, Kangaroo, Elephant, Chimp, Giraffe, Cheetah and Moose (approximately 15cm x 15cm)

A brace of .65? East India Company flintlock cavalry pistols, 16? overall, barrels 9? with London proofs and ordnance inspector?s mark, and stamped with Indian arsenal marks to left of breeches, rounded locks with ring neck cocks, plates stamped with rampant lion mark, dark walnut fullstocks with regulation brass mounts, lanyard rings in butt caps, and swivel ramrods. Good Working Order and basically good condition, (some service wear and patina overall, one pan and touch hole relined with brass during its working life). Plate 45

A PAIR OF EDWARDIAN CAST NOVELTY PEPPERETTES each in the form of a budgerigar with textured plumage & detail, red glass eyes and hinged covers on their undersides, by George Brace, London 1905; 4.6" (11.7 cms) long; 4.6 oz (2)Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk