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A 19TH CENTURY INDIAN SILVER HILTED PATA, 82cm slender fullered blade with rounded tip, reinforced at the forte, characteristic iron hilt, probably earlier overlaid with finely embossed silver sheet decorated with a pair of birds, a lion mask (Narasimah?) a tiger killing a deer and an elephant killing a tiger, all set within scrolling foliage and flowerheads, geometric border, the tubular copper grip rotating around and iron spindle, the iron arm brace cast with the letters GOLOM.

A Collection of Various Vintage Tools to Include Jack Plane, Moulding Planes, Brace etc

NANTGARW PORCELAIN DESSERT PLATE possibly from the Brace Service, brightly painted to the centre with a floral spray, the rim with moulded decoration and further painted sprays of flowers, birds and fruit, impressed Nantgarw, 21.5cms diameter. Also with a similar plate, with a hairline crack to the base, 21cms diameter. (2)

1. Illustrations for the Bible by Marc Chagall [Verve (Vol VIII, Nos. 33-34] CHAGALL, text Jean Wahl, appreciation by Meyer Schapiro, published by Harcourt Brace, New York, 1956. First American edition of this double issue of Verve, (33/34) with only 105 Heliogravure in black and white by the master printers DRAEGER Freres. 2. Marc Chagall - Drawings for the Bible First American edition of this double issue of Verve, 37/38, with additional title-page in English. Frontispiece in French DESSINS pour LA BIBLE Text by Gaston Bachelard translated into English by Stuart Gilbert. This double number of Verve contains the drawings made by CHAGALL in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the Bible reproduced in Verve. 96 Heliogravure in black and white by the master printers DRAEGER Freres. The printing was completed in Paris on 29th July, 1960. Note: neither book contains lithographs nor dust jackets (2)

A George III Oak Tripod Table, 3rd quarter 18th century, of hexagonal moulded form with flip top, on a turned baluster support with three cabriole legs, 47cm by 47cm by 63cmGood colour. The top with natural gap. Small faults to the moulding consistent with age. Some old decay around the legs. Metal brace fitted to the underside for strengthening. Foot is loose due to decay and needs attention (see image).

1984 Nissan Silvia Transmission: automaticMileage:88296The ‘Silvia’ name is a variation of the word ‘sylvia’, which is a scientific genus term assigned to a class of birds, possibly a reference to the Bluebird which was in production at the time the Silvia was introduced. The S12 chassis in Europe was badged as a Silvia and available only in the hatchback configuration, few were equipped with a rally package that included a rally foot brace for the navigator, headlamp guards, headlamp dust cleaners, with the same 1.8 litre SOHC Turbo used in North America, and in some areas the 2.0 litre DOHC ‘FJ’ engine. These models equipped with the rally package were dubbed Rally Spec.This rare and iconic 80’s Nissan Silvia has been family owned from new, the car was purchased new by a gentleman who sadly passed away prior to delivery however his wife continued with the purchase and has owned the car ever since. Presented in very good black coachwork with its typically 80’s contrasting burnt orange trim in great condition, this automatic example is described as drives simply lovely. Still showing its supplying original dealer number plates and having covered a mere 88,000 miles it will be truly hard to find another in this condition with such low ownership. Supplied with a recent MoT test certificate, V5 registration document and similar manual example fetching mid-teens, this looks an enticing opportunity for a potential future investment.Guide Price £6,000 - £9,000Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.

A metalware advertising sign for Ever Ready Batteries; a cast iron Shell Oil plaque and a wheel brace

Two wooden and brass framed braces, one inscribed William Marples The Sole Manufacturers of the Ultimatum Framed Brace

An extra large rectangular mill bin, constructed from riveted and vulcanised board, with a wood and metal brace to frame, L110cm, H38cm, D67cm

A tool chest housing a group of vintage tools including saw, chisels, brace, etc.Additional InformationHeavy general wear throughout. Length of chest 81cm, height 17cm, depth 39cm.

A George VI lined oak coronation stool,with chamfered supports, original velvet-upholstered seat with gold trimming, branded 'GR VI 'cypher and 'Coronation', stamped 'Waring and Gillow', and with paper label '83', 46cm wide31.5cm deep48cm highCondition report: Loss to colour of the seat. Iron brace to the underside. Old worm holes to the brace blocks underside. Otherwise good.

A QUANTITY OF VINTAGE CARPENTRY TOOLS including a wooden rebating plane, a wooden 14in plane, bit and brace, chisels, screwdriver sets, saws, two workmates, etc

A WOODEN BOX AND A TRAY CONTAINING VINTAGE TOOLS including a Joseph Marples of Sheffield brace, a shoulder brace, two other braces, six vintage irons, a modern 80cm sash cramp etc

Henry William Standing, Three brace horses being led to their stables, watercolour, signed and dated 1909 lower left, 35cm x 73cm

Dos Passos (John) [The U.S.A. trilogy], 3 vol., first editions, all signed or with signed presentation inscriptions from the author, comprising The 42nd Parallel, light marking to endpapers, bookseller's ticket to pastedown, spine ends and corners a little bumped, jacket with light sunning to spine, spine ends and corners chipped, upper panel with chipping and creasing to head and foot, split to head and foot of upper fore-edge, Harper & Brothers, 1930; 1919, jacket spine a little browned, chipping to spine ends and corners, light creasing and minor chipping or tearing to head and foot of panels, short split to foot of upper fore-edge, Harcourt, Brace & Company, [1932]; The Big Money, light browning and ink ownership inscriptions to pastedowns and endpapers, jacket price-clipped, very light sunning to spine, spine ends and corners chipped, rubbing and creasing to extremities, panels a little rubbed and marked, Harcourt, Brace & Company, [1936], original cloth, dust-jackets, 8vo.⁂ An inscribed set of Dos Passos' monumental modernist classic, arguably the greatest American contribution to modernist prose and one of the great novels of the 20th century. We can trace no other complete signed sets at auction.

Forster (E.M.) Abinger Harvest, first American edition, first issue with 'A Flood in the Office' present, signed presentation inscription from the author "Dennis from Morgan with love 1936" to endpaper, light browning to endpapers, original cloth, bumping to head and foot, dust-jacket, some light toning but otherwise fine, [Kirkpatrick A18b], New York, Harcourt, Brace and Company, 1936; and the second American edition of the same, 8vo (2)

Forster (E.M.) Virginia Woolf, first American edition, signed by the author on title with strike through the printed name, original cloth, dust-jacket, light browning, light rubbing to extremities, near-fine otherwise, [Kirkpatrick A24b], 8vo, New York, Harcourt, Brace and Company, 1942.

Forster (E.M.) Battersea Rise, first edition, signed presentation inscription from the author "With affection and gratitude, these little first prints from E M Forster, Christmas 1955" to half-title and with ink correction in the author's hand to p.11, light toning to margins, original boards, light browning to spine, spine ends and corners a little bumped and chipped, [Kirkpatrick A33], 8vo, New York, Harcourt, Brace and Company, 1955.⁂ The first chapter of Marianne Thornton printed in a small run as a Christmas gift for friends of the author and publisher.

[Kerouac (Jack)], "John Kerouac". The Town and the City, first edition, signed by the author as "John Kerouac" on endpaper, original cloth, light rubbing and bumping to spine ends and corners, dust-jacket, neat repairs and restorations to spine ends and corners, some light rubbing but in effect a near-fine copy, 8vo, New York, Harcourt, Brace, and Company, [1950].⁂ Kerouac's first novel, rare signed and in such bright condition.

Remarque (Erich Maria) A Time to Love and a Time to Die, first American edition, signed by the author on half-title, Popular Library Inc. presentation label to endpaper, bookplate to pastedown, original cloth, slight bumping to spine ends and corners, dust-jacket, spine slightly dulled, light rubbing to tips of spine and corners, else fine, 8vo, New York, Harcourt, Brace and Company, 1954.⁂ Set on the Eastern Front during the Second World War, the present work is often seen as a counterpart to All Quiet on the Western Front.

NO RESERVE Remarque (Erich Maria) The Black Obelisk, first American edition, signed presentation inscription from the author dated May 16, 1957 to endpaper, some light marginal toning, original cloth, spine ends a corners a little bumped and faded, dust-jacket, very light fading to spine, spine ends and corners a little creased and chipped, light foxing to flaps, light rubbing to extremities, still excellent overall, 8vo, New York, Harcourt, Brace and Company, 1957.

Stein (Gertrude) The Making of Americans, first abridged edition in English, signed by the author on half-title, original cloth, very light rubbing to tips of spine and corners, dust-jacket, spine ends and corners a little chipped, light creasing to head and foot, rubbing to extremities, preserved in folding chemise and custom morocco-backed slip-case, [Wilson A6D], 8vo, New York, Harcourt, Brace and Company, [1934].

Stein (Gertrude) The Autobiography of Alice B. Toklas, first edition, signed presentation inscription from the author to endpaper, Autograph Card signed from Alice B. Toklas discussing assisting in academic research regarding Stein loosely inserted, first issue cloth, light browning to spine and cover margins, light bumping and fraying to spine ends and corners, dust-jacket, light fading to spine, spine ends and corners a little chipped with portion of repair to head of spine, a few very short closed tears and creasing to head and foot, but an excellent example generally, [Wilson A20a], 8vo, New York, Harcourt, Brace and Company, [1933].⁂ Stein's most famous and enduring work, an extraordinary example of literary ventriloquism, rare inscribed.

AN ASSORTMENT OF HAND TOOLS TO INCLUDE BRACE DRILLS AND SAWS ETC

AN ASSORTMENT OF HAND TOOLS TO INCLUDE TIN SNIPS, BRACE DRILL AND FILES ETC

AN ASSORTMENT OF VINTAGE TOOLS TO INCLUDE A BRACE DRILL AND WOOD PLANES ETC

AN ASSORTMENT OF HAND TOOLS TO INCLUDE SPANNERS, BRACE DRILLS AND A MORTISE GAUGE ETC

A joiner's toolbox containing vintage hand tools, woodworking planes, brace etc, together with a plastic box containing further hand tools, spanners, mallets etc.

Colin Graeme (Roe) (British, fl. 1858-1910): a Highland hunting scene, depicting with two setters, a pony beside them with pannier baskets and a brace of hare hanging from the saddle, hills in the distance, signed 'Colin Graeme' lower right, oil on canvas, 45 by 58cm, in a gilt swept frame, 60 by 75cm.

A box of miscellaneous hand tools to include beechwood block plane, marking gauge, brace etc

A late 19th century large heavily carved oak sideboard, having twin partially complete raised mirrorback superstructures to bowfront mid-section, with twin cupboard doors over conforming drawers, flanked by single frieze drawers and cupboard doors, decorated with hanging brace of pheasant, w.210cm. Note: The vendor informs us that this was originally housed at Melford Hall until circa 40/50 years ago.

1959 Matchless 250cc G2Registration no. 436 KPKFrame no. 5092Engine no. 59G2 4572Associated Motor Cycles returned to the 250cc class in 1958 with a brace of all-new models. Shared by the AJS Model 14 and Matchless G2, the four-stroke, overhead-valve power unit incorporated its oil tank within the crankcase and appeared to be of unitary construction, although a separate gearbox was retained. The cycle parts comprised an open, tubular steel frame, closed at the bottom by a pressed-steel channel and complemented by a telescopic front fork and swinging-arm rear suspension. Super sports 'CSR' roadsters arrived in 1962 and continued in production after the basic G2/14 was dropped in July 1963, finally disappearing from the range in 1966. This G2 was last taxed in May 1965 and appears to have been preserved in remarkably original condition. The registration '436 KPK' is listed in the HPI database; nevertheless, prospective purchasers should satisfy themselves with regard to this motorcycle's registration status prior to bidding. Offered without documents.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Offered from the National Motorcycle Museum Collection 1949 Vincent-HRD 998cc Series-B Black Shadow Registration no. VAS 492Frame no. R3588B Rear Frame No. R3588BEngine no. F10AB/1B/1688 Crankcase Mating No. Q7/Q7•Matching upper frame, rear frame, and engine numbers•Delivered new to Australia•Returned to the UK circa 2002Ever since the Series A's arrival in 1937, the Vincent v-twin has been synonymous with design innovation, engineering excellence and superlative high performance. From Rollie Free's capture of the 'world's fastest production motorcycle' record in 1948 on a tuned Series-B Black Shadow to the final, fully enclosed Black Knight and Black Prince, Philip Vincent's stress on appearance and performance is legendary. His machines bristled with innovative features, offering adjustment of brake pedal, footrests, seat height, and gear-change lever. The finish was to a very high standard commensurate with the cost of the machine, which was virtually double that of any of its contemporaries.But above all else it was the 1,000cc v-twin's stupendous performance that captivated motorcyclists, whether they could afford one or not. The appeal of the Vincent, and the Black Shadow in particular, lay in its ability to out-perform just about every other vehicle on the road, and in the early post-war years there was nothing to compare with it. This was a time when the average family saloon was barely capable of reaching 70mph, and not until the advent of Jaguar's XK120 was there a production sports car that could live with the thundering v-twins from Stevenage. The outbreak of WW2 in 1939 had brought production of all Series A models to a halt, and when Vincent resumed production at the war's end it was with the all-new Series B. Its rear suspension aside, the Series A Vincent-HRD had been conventional enough: tubular steel frame, girder forks, separate gearbox, etc but with the Series B Messrs Vincent and Irving effectively established the marque's reputation for the defiance of convention in the pursuit of engineering excellence. For a start there was no 'frame' as such, merely a fabricated box attached to the cylinder heads, that served as the oil tank and incorporated the headstock and the attachment point for the rear springs. The gearbox was integral with the engine, and the swinging arm pivoted directly in the engine/gearbox casings, features commonplace today but unusual 60 years ago. Only in his retention of the pre-war Brampton girder fork did Phillip Vincent appear to be lagging behind other manufacturers, almost all of which had switched to telescopics, but this apparent shortcoming would soon be addressed by the introduction of the famous 'Girdraulic' fork.When it was introduced in 1946, the Vincent-HRD Series-B Rapide was immediately the fastest production motorcycle on sale anywhere, with a top speed of 110mph. The basic design clearly had even greater potential though, as was demonstrated by the tuned Rapide known as 'Gunga Din', ridden by factory tester George Brown, that proved unbeatable in UK motorcycle racing in the late 1940s. Private owners too had expressed an interest in extracting more performance from their machines, all of which convinced Philip Vincent that a market existed for a sports version. Despite opposition from within the company's higher management, Vincent pressed ahead with his plans and together with Chief Engineer Phil Irving, clandestinely assembled a brace of tuned Rapides. The prototypes incorporated gas-flowed cylinder heads, Comet cams, polished con-rods and larger carburettors, these changes being good for a maximum output of 55bhp despite a compression ratio limited to only 7.3:1 by the 72-octane petrol that was the best available in the UK at the time. Ribbed brake drums were fitted to cope with the increased performance, while in a marketing masterstroke Vincent specified a 5'-diameter '150mph' speedometer and black-finished engine cases for his new baby – the Black Shadow. With a claimed top speed of 125mph, soon born out by road tests, the Vincent Black Shadow was quite simply the fastest road vehicle of its day. Deliveries commenced in the spring of 1948 and only around 70-or-so Series-B Black Shadows had been made before the Series-C's introduction at that year's Earl's Court Motorcycle Show. Nevertheless, it would be 1950 before all Vincents left the factory in Series C specification, during which period references to 'HRD' were phased out. The Black Shadow was indeed a legend in its own lifetime, and in the half-century since production ceased, the esteem in which this iconic motorcycle is held has only increased, fuelling the demand among discerning collectors for fine examples of the marque, such as that offered here. This rare Series-B Black Shadow was despatched to Elder Smith in Sydney, Australia on 1st February 1949. The Vincent was later taken to New Zealand and remained there until December 2000 when it returned to Australia. Its new owner commissioned local marque specialist Terry Prince to make the machine roadworthy, which included incorporating numerous stainless steel fasteners and converting the electrics to 12-volt operation. In April 2002 the Vincent was sold to a prominent private collector in the UK and registered here as 'VAS 492' (see purchase agreement on file). It is not known when it was acquired by the NMM. Accompanying paperwork consists of a copy of the Works Order Form; a VOC Dating Certificate; an expired tax disc; and an MoT (2003-2004). There is no V5C document with this motorcycle. The machine's mechanical condition is not known; accordingly, prospective purchasers must satisfy themselves with regard to its condition, completeness, correctness, or otherwise prior to bidding.For further information on this lot please visit Bonhams.com

Quantity of old hand tools, lead beater, wheel brace etc.

Ⓦ A FINE 11 BORE D.B. TUBE-LOCK SPORTING GUN BY WILLIAM MOORE^ 18 EDGWARE ROAD^ LONDON^ NO. 451^ CIRCA 1820¦with browned twist sighted barrels signed on the rib^ numbered and struck with proof marks beneath^ recessed patent breeches engraved with a sunburst^ signed in platinum-lined rectangular recesses^ inlaid with platinum lines^ platinum vents and numbered en suite^ scroll-engraved tang grooved for sighting^ signed engraved flush-fitting locks each decorated with delicate scrollwork and border ornament^ fitted with patent hammer and sprung tube-retainer engraved en suite^ figured walnut half-stock^ chequered fore-end and grip^ engraved steel mounts comprising blued trigger-guard decorated with a hound on the bow^ numbered ~451~ and ~1~ at the rear^ trigger-plate with delicate pineapple finial^ butt-plate decorated with a brace of game birds^ fore-end cap^ vacant silver escutcheon^ engraved silver barrel bolt escutcheons^ and ramrod with white metal tip¦78.5 cm; 31 in barrels¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection¦¦The locks are built on Joseph Manton~s patent no. 4285 of 3rd August 1818. William 3 Moore was Gunmaker-in-ordinary to William IV and described as ~a very ingenious workman and excellent shot~. See Blackmore 1986^ p. 145.

Ⓦ A RARE HORN ARCHERS BRACE^ 17TH CENTURY AND A CROSSBOW BOLT^ 17TH CENTURY¦the first of convex form^ pointed at the rear and with shaped front and side borders; the second with tapering diamond-shaped iron head and tapering tubular socket^ wooden haft and later flight¦the first: 18.0 cm; 7 1/8 in¦(2)¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection

A GEORGE IV MAHOGANY CHEVAL MIRROR CIRCA 1825170cm high, 76.5cm wide, 59cm deep Condition Report: Marks, scratches, chips, splits, abrasions commensurate with age and use.The turned finials lift out of the cheval frame; some minor variations and it is possible that one is a later replacement.The brass fittings well cleaned; the candle arms slightly bent at an angle and one side handle with a small crack and slightly bent.A repair to the back left leg; the left legs lacking the metal brace under-support, with holes where it was originally fitted.Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A Lehman Archer tap and die set cased; a shoulder brace; a military style tool box, other tools; garden forks, spades, hoes, shears etc.

A MID-18TH CENTURY OAK DOUBLE HEIGHT CORNER CHAIROn block supports, 74cm wide; 112cm highCondition report: Overall, in good condition considering age and use. General scuffs, wear, rubbing, some variation in colour and small chips commensurate with age and use. An old repair to the top rail of the comb back, with a pinned brass brace to the underside of the rail.  Split visible to the top and a central spindle peg also visible; repegged at some point.Further wear and  shrinkage to the curved central horizontal back rail with two carcksextending from front to back with opening of splits at the back (see additional images) Signs of  some old repair. The elements and joints would benefit from some strengthening. Later corner block to seat rails. Some old worm holes to other corner blocks. Rush drop-in seat in good condition. Rush work probably replaced at some point, in relatively good condition, but some age and wear, losses, dirt and dust. Seat frame in relatively good solid order. Please see additional photographs on www.bellmans.co.uk

WW1 Grenadier Guards Pastel Portrait of an Officer. A finely executed half length portrait of an Officer wearing service dress uniform and cap, with a double brace Sam Browne belt and pistol. Mounted into a contemporary gilt gesso glazed frame. Overall size 25 x 36 inches.

WW1 Imperial German Issue Binoculars. A good pair of the 1908 pattern, retaining most of the grey painted finish and old leather strap. GC ... Accompanied by a British leather Sam Browne belt with brace strap. GC. (2 items)

This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Jigsaw's (Tobin Bell) screen-matched hidden gauntlet and blade from James Wan's horror film Saw. The gauntlet and its blade, which features a top rivet above two other rivets which are just off center from the attached, arced blade, screen-match to the scene when Jigsaw first unveiled them under his cloak to slash Detective David Tapp's (Danny Glover) throat. This lot consists of a spring-loaded steel gauntlet with a black plastic brace, yellow suede padding, and a retractable metal blade, as well as a matching insertable metal blade created for long shots in which Jigsaw ran. Both pieces exhibit signs of age and production use, including scratches, rusting, and tarnishing to the metal, but the lot remains in good overall condition. Dimensions (gauntlet): 23" x 5" x 5" (58.5 cm x 12.75 cm x 12.75 cm); (knife): 20" x 1.5" x 0.5" (51 cm x 4 cm x 1.5 cm) Contains mechanical components; see notice in the Buyer's Guide. This lot comes from the collection of renowned special effects artist Tom "Brooklyn" Bellissimo. A letter of authenticity from Bellissimo is included. Estimate: $10,000 - 15,000

A later Hornby 0 Gauge No E320 'Flying Scotsman' Locomotive and Tender, in LNER green as No 4472, with 20v AC mechanism, body G-VG, with a few small chips and moderate playwear, driving wheels and one pony wheel with 'fatigue', the tender P-F, wheels replaced, buffers and coupler missing, rear step brace broken, paint flaking and some rusting (2)

K-Line Weaver Industrial Rail and Crown Models Pennsylvania 0 Gauge Goods Rolling Stock, Weaver, Outside brace Boxcar, Steel sided Boxcar, K-Line, REA Freight Car, Classic Sand Boxcar, Classic Sand Stock Car, Depressed center Flat Car with two Transformers, Industrial Rail REA Boxcar and Crown Models Outside braced Boxcar, all in original boxes, E, boxesF-VG (8)

Hornby 0 Gauge GWR No 2 Freight Stock, a circa 1933-4 cattle wagon in green-grey with green base and roof, G-VG, a grey/black breakdown crane in original box, G-VG, retouching to van roof and one crane brace missing, in original box, box F-G, taped repairs to lid, and two Loco Coal wagons no 53962, one F-G, the other G-VG (4)

A complete Stuart Turner operating Vertical Steam Engine, on green=painted cast iron bed with single-arm cast frame and turned steel brace, the single-cylinder approx 2" diameter x 2" stroke with 7¼" diameter flywheel in red, overall G-VG, slight surface corrosion but generally well-oiled

Set including a box with vermeil interior and neck brace hallmark, 2 silver pillboxes with 925 hallmarks and a pillbox with 800 silver hallmark and hallmark with standing rabbit, all in very good condition and of good quality - gross weight: 125 g

Selection of miscellaneous tools to include car jack, wheel brace, hand drills, steels etc

Taxidermy: Brace of two red-legged partridges (Alectoris rufa) tied together with rope around the neck, L34cm

Taxidermy - A brace of Common Pheasant (Phasianus colchicus), cock and hen, mounted to naturalistic base, approximately 52 cm (h).Lot descriptions reflect the cataloguer's opinion only and do not constitute a guarantee. If in doubt, intending bidders should either attend public viewing or request a written condition report. All sales are final.

Giancarlo Piretti - Castelli - DSC Axis 106 - A good set of ten retro 20th Century Italian dining / office stacking chairs. The chairs having a mustard yellow fabric pad upholstered seat and suspended backrest supported by a polished steel brace with ash grey plastic coated tubular legs and floor levelling feet. Condition; slight ware to the fabric throughout, overall good examples. Each measures approx 75cm x 53cm x 45cm.

Items of camping equipment, chair, wind brace etc.,

Aljechin, A. My best games of chess 1924 - 1937. New York, Harcourt, Brace, (1939). 8°. Mit 1 Porträt und vielen Diagrammen. 4 Bll., 284 Seiten, 1 Bl. Orig. schwarzer Leinenband. (46) * Betts 29 - 4. Zustand: Innen etwas gebräunt und vereinzelt fleckig. Einband etwas fleckig und bestoßen. Beiliegt: Wellmuth, Francis J. The golden treasury of chess. New York, Horowitz & Harkness, (1943). 8°. Mit 10 Abbildungstafeln, 1 Textabbildung und vielen Diagrammen. VIII, 304 Seiten (S. 257 – 272 fehlen). Originaler blauer Leinenband mit goldverziertem Vorderdeckel und Kopfgoldschnitt. Betts 24 - 45. No. 32 von 500 Exemplaren der ersten Ausgabe, mit eigenhändiger Unterschrift des Verfassers Francis J. Wellmuth. Zustand: Widmung auf Vorsatz. Innen etwas gebräunt. Einband an Ecken und Kanten bestoßen.

Capablanca, J. R. Chess fundamentals. New York, Harcourt, Brace, und London, Bell, ca. 1921. 8°. Mit Diagrammen. 2 Bll., 246 S. Orig. brauner Leinenband. (44) * Vergl. dazu Betts 11 - 24; Linde - N. 1359. Zustand: Exlibris auf Innendeckel. Vorsatz fehlt. Innen gebräunt. Wenige Seiten mit Randdefekten. Einband bestoßen und mit aufgeklebter Abbildung. Rücken etwas verblichen. Beiliegen: Allen, G. The life of Philidor musician and chess - player. With a supplementary essay on Philidor as chess - author and chess - player by ... Lasa. Nachdruck der Ausgabe von 1865. Olmütz, Publishing House Moravian Chess, ca. 2001. 8°. XII, 156 Seiten. Orig. Pappband. / Edge, F. M. The exploits and triumphs in Europe of Paul Morphy ... Nachdruck. New York, Dover, ca. 1973. 8°. Mit 4 Textabb. und Diagrammen. XIV, 203 Seiten, 8 Bll. Anzeigen. Orig. geheftet. Lusis 1323. / Goodman, K. S. The game of chess. A play in one act. Nachdruck der Ausgabe von 1944. Ohne Jahr. 8°. 22 Seiten, 1 Bl. Orig. geheftet.

Cambridge.- Gradus ad Cantabrigiam; or New University Guide to...the University of Cambridge...By a Brace of Cantabs , first edition, 4pp. advertisements printed on yellow paper bound at beginning, half-title, 6 hand-coloured aquatint plates of university costumes and scenes, woodcut portrait of Jemmy Gordon, offsetting from plates, original boards, uncut, rebacked, rubbed, spine worn at foot, upper joint cracked, [Abbey, Scenery 81], 8vo, 1824.⁂ Including customs and slang peculiar to the University.

A box of misc tools to include shoe last, a joiners bench vice, brace and bit drill, etc.

AN ASSORTMENT OF VINTAGE TOOLS TO INCLUDE A STANLEY NO.4 WOOD PLANE, A BRACE DRILL AND SPANNERS ETC

AN ASSORTMENT OF TOOLS TO INCLUDE A HEDGE TRIMMER, BRACE DRILL AND ELECTRIC DRILL ETC

AN ASSORTMENT OF TOOLS TO INCLUDE BRACE DRILLS, A BLACK AND DECKER ELECTRIC SANDER AND A STOOL ETC

AN ASSORTMENT OF TOOLS TO INCLUDE A GREASE GUN, A BRACE DRILL AND A WEIGH SCALE ETC