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Advertising poster David Hockney Paintings and Drawings for "Parade" a French Triple Bill for the Metropolitan Opera, New York. Riverside studios on 5 May - 7 June 1981. Illustration features David Hockney painting "The Set for Parade 1980" with stylised lettering above and below. The poster was sent as anvitation to the exhibition and has printing on reverse. Good condition, folded. Country: UK. Year: 1981. Size (cm): 99x68.5

In the manner of David Hockney (British born 1937), watercolour with gouache, titled 'Splash 25 LA', 52cm x 50cm in a wooden frame.

After David Hockney (British 1937-): 'Pool with Two Figures 1971', original lithograph exhibition poster 'A Retrospective - The Metropolitan Museum of Art New York June - August 1988' signed dated by David Hockney 1988, 76cm x 94cm Provenance: from the collection of the late Cavan O'Brien of Bridlington who was employed by Marlborough and Fischer Fine Art London (further details with the picture) Condition Report Click here for further images, condition, auction times & delivery costs

*David Hockney (b. 1937), signed limited edition lithograph - Red Square and the Forbidden City, from China Diary (1982), numbered 528 / 1000, framed, 50cm x 54cm, together with a copy of China Diary by Stephen Spender and David Hockney (2)

HOCKNEY (D), HOCKNEYS ALPHABET, with contributions by Stephen Spencer, limited edition of 500 signed by the author and the editor, yellow cloth, in original slip case, Faber & Faber, 1991

*Hockney (David, 1937-). A Rake's Progress and Other Etchings by David Hockney, Editions Alecto, The Print Centre, 8 Holland Street, W8, December 1963, lithographic poster, printed in black and red, 80 x 57.2 cm Hockney Posters 6. (1)

DAVID HOCKNEY (b.1937), "Artcurial", Poster for Paris 1979 Exhibition and featuring a reproduction of a drawing of Gregory Evans, signed in pencil, mounted under perspex (Est. plus 18% premium inc. VAT)

DAVID HOCKNEY, 'Riding Around on a Cooking Spoon,' aquatint, 1969, edition 400, 17cm x 25cm.

DAVID HOCKNEY, 'Straw on the Left, Gold on the Right', aquatint, 1969, edition 400, 16cm x 24cm.

DAVID HOCKNEY, 'The Princess Searching', aquatint, 1969, edition, 400, image, 27cm x 17cm.

DAVID HOCKNEY, 'Pleading for the Child' aquatint, 1969, edition 400, 26.7cm x 25.5cm.

LESLIE HURRY [1909-78] Figures, 1973. gouache. signed. Provenance: John Hurry Armstrong [the artist's nephew, to whom his estate was left]; private collection, UK. 28 x 28 cm [overall including frame 42 x 42 cm]. One of the Neo-Romantic group of artists in the 1940s, including Graham Sutherland, John Piper, Keith Vaughan, John Craxton, Michael Ayrton, etc. A very fine painter, currently hugely underrated. These days he is probably better known for his theatre designs, which he regarded as a job, preferable to teaching - unfortunately he was one of the greatest theatre designers [much better than David Hockney], so these have rather overshadowed his normal paintings, which he considered to be his best work. The Tate Gallery collection includes several of his paintings. [good condition - unexamined out of frame]. Buyers premium of 20% [+ VAT] is payable.

‡ David Hockney RA (b.1937) Cold water about to hit the Prince; Inside the Castle from Six Fairy Tales Two, both etchings from an edition of 100 38.5 x 27cm and 25.5 x 26.25cm (2) Provenance: The Estate of Professor John Ball (1931-2010) Private collection Condition report: The first with a stain lower margin and one or two pinprick fox marks, otherwise both good condition

‡ David Hockney RA (b.1937) The older Rapunzel; The Princess after many years in the glass mountain from the Six Fairy Tales Two, both etchings from an edition of 100 22 x 25cm and 39 x 29.5cm (2) Provenance: The Estate of Professor John Ball (1931-2010) Private collection Condition report: The second with a few pinprick fox marks otherwise both good condition

‡ David Hockney RA (b.1937) Godetias Signed and dated 73 Lithograph, artist’s proof 43 x 29cm (plate size) Provenance: Knoedler Gallery, 1973, No. K2152 Condition report: Good condition - one minor blemish upper centre, one insect under glass centre, some very faint horizontal creasing upper quarter

FINE ART. TWO SHELVES OF BOOKS INCLUDING SCOTTISH COLOURISTS, BRITISH WATER COLOURISTS, DAVID HOCKNEY, TURNER AND OTHERS

David Hockney, signed Limited Edition poster, ' My Mother (Bridlington) '1988, with accompanying certificate, unframed

DAVID HOCKNEY, 'The Lathe and Fire', aquatint, 1969, edition 400, from the story The Boy Who Left Home to Learn Fear for Six Fairy Tales from the Brothers Grimm, 15cm x 16cm, framed and glazed.

DAVID HOCKNEY, 'The Carpenter's Bench, a Knife and Fire', aquatint, 1969, edition 400, from the story The Boy Who Left Home to Learn Fear for Six Fairy Tales from the Brothers Grimm, 15cm x 17cm, framed and glazed.

DAVID HOCKNEY, 'The Enchantress with the Baby Rapunzel', aquatint, 1969, edition 400, from the story Rapunzel for Six Fairy Tales from the Brothers Grimm, 23cm x 13cm, framed and glazed.

DAVID HOCKNEY, 'Gold', aquatint, 1969, edition 400, from the story Rumpelstilzchen for Six Fairy Tales from the Brothers Grimm, 34cm x 26cm, framed and glazed.

LARGE LOT OF FIRST DAY COVERS AND DISPLAYSincluding 'David Hockney', 'Clouds' and 'Ostend to Dover'

David Hockney,Colour lithograph poster for the Munich Olympics 1972, sheet size 40" x 25" unframed

Folder of photo litho prints,containing works by Hockney, Caulfield & Phillips, presentation set in original cover

Duncan Grant (1885-1978) PORTRAIT OF LINDY GUINNESS, c.1965 oil on board Purchased from Christie's by Jonathan Riley, Emscote Lawn;Private collection, Dublin;Dickon Hall Fine Art, Belfast;Collection of Dr Henry McKee, 1988;Whyte's, 29 September 2008, lot 6;Private collection Francis Spalding, Duncan Grant: A Biography, Chatto and Windus, London, 1997, p.434 Lindy Guinness, also known as Lady Dufferin, was born in 1941, the daughter of Loel Guinness and his second wife, Lady Isabel Manners. She first met Duncan Grant when she was seventeen and was encouraged by him to paint, subsequently studying at Chelsea School of Art and the Slade, and with Oskar Kokoschka in Salzburg. Lindy continued to visit Charleston regularly to paint with Grant until his death in 1978. She and Grant painted each other regularly and she was instrumental in encouraging the important 1964 retrospective exhibition of his work at Wildenstein, London. Lindy Guinness continues to exhibit regularly at the Ava Gallery on the grounds of her home at Clandeboye, Bangor. Duncan Grant was a central figure in the Bloomsbury Group and along with his partner, Vanessa Bell, her sister Virginia Woolf and his brief loves Maynard Keynes and Lytton Strachey, defined the British arts world of the pre-war period. This mantel was taken up by a younger generation of post-war Pop artists, including David Hockney, who was given early support and encouragement from Sheridan Hamilton-Temple-Blackwood, 5th Marquess of Dufferin and Ava, and husband of Lindy Guinness. Lord Dufferin was co-owner of the Kasmin Gallery, which opened in 1963 and showed the works of Hockney and Lucian Freud, who was married briefly to Lord Dufferin’s sister, Caroline Blackwood. After their own marriage in 1964, Lord and Lady Dufferin became central figures of the London art scene in the 1960s. 24 by 20in. (61 by 50.8cm)

DAVID HOCKNEY, 'The Glass Mountain', aquatint, 1969, edition of 400, 44cm x 32.5cm, framed and glazed.

DAVID HOCKNEY, 'The Bell Tower', aquatint, 1969, edition of 400, 26.5cm x 16.5cm, from the story The Boy Who Left Home to Learn Fear, framed and glazed.

DAVID HOCKNEY, 'The Older Rapunzel', aquatint, 1969, edition 400, 22cm x 24.5cm, from the story Rapunzel for Six Fairy Tales, from the Brothers Grimm, framed and glazed.

John Ridgewell (1937-2004) Still life with wild flowers on a ledge before a surreal background Signed, oil on board, together with a study of snowdrops in a blue and white jug on a ledge by the same artist, 65cm by 60cm and 29.5cm by 24.5cm respectively (2) Provenance: From the Artist's Estate See Illustration Born in Essex in 1937, John Ridgewell studied at Colchester School of Art between 1954-8 where he was taught the skill of wood engraving by John O'Conner, who was related to the surrealist painter Paul Nash. In 1958 John entered the Royal College of Art aged just 21, he was a student at the same time as David Hockney and R B Kitaj. On graduation he accepted a position to teach at Scarborough School of Art from 1961-6, leaving to focus solely on painting. His artistic style was strongly influenced by the work of Georges Braque in 1956, who John admired throughout his life. John's distinctive artistic style developed during his time in Scarborough where he was inspired by the dramatic landscape around him. It was during his time in Yorkshire that John began to represent and interpret landscape in the surrealist style, which became characteristic of his work. Throughout his life he exhibited in mixed shows at the New Art Centre, Piccadilly Art Gallery and Royal Academy Summer Exhibition. He had a loyal connection with the Austen Hayes Gallery, York. Austen Hayes believed in John's work and held a number of one man exhibitions in the gallery in the 1960's. He also exhibited at the Grape Lane Gallery and Minstral Galleries.

Art books to include: Anatomy for Artists, John Marshall, 1878; volumes on Sorolla; Hockney and others

Two Hockney 'Off The Wall' advertising posters with various other posters (qty)

David Hockney (illustrator) and David Posner A Rake's Progress: A Poem in Five Sections London and New York: Lion & Unicorn Press, 1962.

Attributed to David Hockney (b.1937) The Bridge, circa 1960 inscribed (to reverse) pen and ink 35.2cm x 24.6cm, unframed. Provenance: Purportedly drawn while a student of architecture, one of 12 such bought by Ian Shane from Sylvia Saunders in 1972. According to the inscription to the reverse this one was kept, five were given to friends, and the rest were auctioned at Christie's in '73 or '74.

After David Hockney. Flowers, faces and spaces, 1 May-19 July 1997, Annely Jude Fine Art, coloured poster, 50cm x 59cm

*David Hockney (British, b.1937)THE PRINCESS IN HER TOWER (T.68)Etching with aquatint, 1969, from the unsigned edition of 400, from the story 'The Little Sea Hare', for the book 'Six Fairy Tales from the Brothers Grimm', on wove paper, with full marginsoverall 42.5 x 29.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937) A BOUNCE FOR BRADFORDThe rare handmade print in colours executed on an office copier, 1987, limited edition of unknown size, published in the Bradford 'Telegraph & Argus' (March 1987 edition), designed by the artist for Bradford’s 'Bouncing Back' campaign, on thin wove paper, with marginssheet 42 x 60cm, framedHockney successfully entered a print of this edition for the Summer Exhibition at the Royal Academy of Arts, London, where it was exhibited in 1987.A copy of this print is in the British Museum collection.*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937) THE PRINT COLLECTOR (PORTRAIT OF FELIX MAN) (SAC 113)Lithograph, 1969, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 65, printed at Curwen Studio, London, published by Edition Galerie Wolfgang Ketterer in co-operation with Felix H Man, München 1971 on Arches paper, with full marginssheet 65.8 x 50.5cm, unframed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)PLEADING FOR THE CHILD (T.104)Etching with aquatint, 1969, signed and numbered 52/100 in pencil, from the story 'Rumpelstilzchen', for the book 'Six Fairy Tales from the Brothers Grimm', published by Petersburg Press, London, on Hodgkinson handmade wove paper, with full margins, plate 27 x 26cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE ENCHANTRESS IN HER GARDEN (T.79)Etching with aquatint, 1969, signed and numbered 5/100 in pencil, from the story 'Rapunzel', for the book 'Six Fairy Tales from the Brothers Grimm', published by Petersburg Press, London, on Hodgkinson handmade wove paper, with full marginsplate 23 x 13cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE LATHE AND FIRE (T.92);THE CARPENTER’S BENCH, A KNIFE AND FIRE (T.90)Two etchings with aquatint, 1969, from the unsigned edition of 400, both from the story 'The Boy who Left Home to Learn Fear', for the book 'Six Fairy Tales from the Brothers Grimm', each on wove paper, with full marginseach plate 15.5 x 17cm, framed (2)*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)RED FLOWERS AND GREEN LEAVES, SEPARATE, MAYHandmade print in colours executed on an office copier, 1988, signed, dated and numbered 66/70 in pencil, published by Metropolitan Museum of Art, New York, on two sheets of Arches wove paper as issued, with artist’s blindstamp, the full sheetsoverall sheet 35.6 x 43.3cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)CORPSES ON FIRE (T.88)Etching with drypoint and aquatint, 1969, from the illustrations for 'Six Fairy Tales from the Brothers Grimm', signed and numbered 50/100 in pencil, published by Petersburg Press, London and New York, on Hodgkinson handmade paper, with full margins26 x 24.5cm, unframed*Artist's Resale Right may apply to this lot.

HOCKNEY, DAVID, Illustrator Six Fairy Tales, 18th edition, 1970

After David Hockney, Sir John Gielgud, ca.1970, poster print pencil signed, framed, not glazed, 42 x 52cm.

DAVID HOCKNEY, 'A Room Full of Straw', aquatint, 1969, edition 400, from the story 'Rumpelstilzchen' for 'Six Fairy Tales From the Brothers Grimm', 25cm x 22cm, framed and glazed.

'The Road Across the Wolds', colour print after David Hockney (British 1937-), 48cm x 60cm Condition Report Click here for further images, condition, auction times & delivery costs

DAVID HOCKNEY: 'The Times Literary Supplement, July 29th, 1965', the cover designed by Hockney and a collection of advertising material, gallery posters etc by other artists

A collection of ten unframed prints including an example by David Hockney, an Emily Large limited edition print of cats, a Miro print and others, largest H 82 x W 63cm

A print titled 'The Meetin' or 'Have a Nice Day, Mr Hockney' 1981 - 3, 70 x 70cm

A collection of unframed prints including a David Hockney print and others, largest H 96 x W 72cm

A David Hockney Exhibition poster, a map of Wiltshire and three other prints

§ David Hockney, OM, CH, RA (British, b.1927) Poster for Editions Electo, 1973 lithograph, published by Cotswold Collotype from an edition of 200 97 x 73cm (38 x 28in)

A collection of ten unframed prints including an example by David Hockney, an Emily Large limited edition print of cats, a Miro print and others, largest H 82 x W 63cm

A collection of unframed prints including a David Hockney print and others, largest H 96 x W 72cm

DAVID HOCKNEY, 'He Enquired after the Quality' from the Cavafy Suite, etching in aquatint, 1966, edition of 500. 35cm x 22.5cm.

DAVID HOCKNEY, 'The Enchantress with the Baby Rapunzel', from the Grimm's Fairytale Suite, etching with aquatint, 1969, edition of 400, 27cm x 23cm.

A framed David Hockney exhibition poster'Photocollages - A Wider Perspective'International Centre of Photography, 1130 Fifth Avenue, New York, NY 10128, 14th September - 9th November 1986', 82 x 91cm CONDITION REPORT: Lot 339 - the white looking sky is just due to light on the frame/glass, colour of sky is deeper blue in relaity, in good condition, no issues

A group of Munich Olympics advertising posters 1972, including designs by Hockney, Marino, Poliakoff, etc., unframed, (12).

A David Hockney exhibition poster 'Moving Focus Prints' from the Tate Gallery, H81, W56cm

David Hockney (1937-), "In Despair", signed, dated '66 and numbered 7/75 in pencil in the margin, etching, plate size 35 x 22.5cm.; 13.75 x 8.75in. * This is one of thirteen etchings for Illustrations for Fourteen Poems from C.P. Cavafy. Hockney's first major series of etchings since A Rake's Progress (1961-3), it was conceived almost entirely in terms of line, and contained some of the artist's most accomplished line drawings to that date. Artists' Resale Right ("droit de suite") may apply to this lot.Condition Report: The etching is in good, original condition.  There is foxing across the surface of the print and the paper has undulations as can be seen in the images.  The etching is framed and glazed as can be seen.