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4315 Los(e)/Seite
Los 143
David Hockney (b.1937) Hotel by the Sea Xerox fax copy in 16 parts on xerox thermal paper, 1989, uncut as issued, timestamped '15 OCT '99 16:31', each part 310 x 215mm (12 1/4 x 8 1/2in); overall 4960 x 215mm (195 1/4 x 8 1/2in)Together with a facsimile printed at the same time, as intended by the artist, overall 3710 x 296mm (146 x 11 5/8in) (2)
Los 237
Hockney, David, R.A. Hockney's Alphabet London: Faber & Faber, 1991. 4to, 27 offset lithographic illustrations in colours, on Exhibition Fine Art Cartridge paper, with text, title and justification pages, signed by the artist and editor Stephen Spender in ink on the justification page, original yellow cloth and grey slipcase
Los 263
* RUTH MULVIE (BRITISH b. 1979), BROWN BASKET oil on canvas, signed, titled versounframedoverall size 70cm x 100cm Note: Ruth Mulvie is a contemporary fine artist, known for her vivid palette and for the delightfully unexpected detail in her paintings. She graduated from the Glasgow School of Art and over the years comparisons have been made with Hockney. She cherishes that visceral connection that Kodachrome™ gives us with our past. That single moment frozen in time that one can look at forever. Old photographs are her initial inspiration for each new piece; a digital springboard atop which she dives into her latest delicious fantasy landscape. "Mulvie’s colour choices yell and fizz. They quicken the heartbeat. Sherbet yellow next to candy pink or lime green besides turquoise, they all elevate the mood. In her paintings we are invited to join the most wonderful party or shared experience. Mulvie’s realms surprise and delight. Hers are playful, glamorous worlds with pure glee for oxygen. And in each we are granted a day in happy valley. At the heart of Mulvie’s pieces is the palpable joyfulness in her response to colour. She is at her happiest when mixing and combining paint, waiting for the thrill of the perfect shade. For her, colour is emotion, colour is memory, colour is her favourite place to be. And we are all invited. There’s no place like it." Julie Tellouche
Los 384
Mary Fedden (British, 1915-2012). Oil on canvas still life painting depicting a jug, a sugar bowl, a creamer, and a plate with eggs, 1966. Signed and dated along the lower left.Lot Essay:Mary Fedden was a celebrated British artist, renowned for her vibrant and imaginative still-life paintings and landscapes. Born in Bristol, England, she displayed an early passion for art, studying at the Slade School of Fine Art in London from 1932 to 1936. Her career spanned over seven decades, during which she developed a distinct style characterized by bold colors, simplified forms, and whimsical compositions that balanced both realism and abstraction.Fedden's work was heavily influenced by artists such as Henri Matisse and her contemporary, Ben Nicholson. She often incorporated everyday objects - flowers, fruits, and domestic items - into her work, imbuing them with a sense of warmth and nostalgia. Her art resonated with audiences for its ability to evoke joy and reflection, blending a keen sense of design with poetic subject matter.Throughout her career, Fedden taught at various institutions, most notably as the first female tutor at the Royal College of Art, where she influenced a new generation of artists, including David Hockney.Mary Fedden was married to the artist Julian Trevelyan, and the couple shared a studio in London until Trevelyan's death in 1988. Fedden continued to paint prolifically into her later years, leaving behind a rich body of work. Her legacy is celebrated through numerous exhibitions and collections, securing her reputation as one of Britain's most beloved modern painters.Sight; height: 21 1/2 in x width: 25 1/2 in. Framed; height: 27 in x width: 30 3/4 in x depth: 2 1/2 in.Condition: There are no major visible losses. There is craquelure throughout. Small accretions throughout that fluoresce under UV light. Verso is painted over. Housed under a linen mat. The frame shows some wear, including minute chips in the gilt. It has not been inspected out of the frame.
Los 157
Gill (Evan R.) The Inscriptional Work of Eric Gill, dust-jacket, chipping to spine ends and corners, light surface soiling, 1964 § Arman (Mark) A Diary of Engravings & Linocuts, one of 160 copies signed by author, coloured frontispiece, 1986 § Hockney (David) and Stephen Spender. China Diary, dustjacket, 1982, illustrations, original cloth or boards; and 8 others, illustrated works, 4to & 8vo (11)
Los 122
λ DAVID HOCKNEY (BRITISH B. 1937) FRENCH SHOP (TOKYO 112) Etching with aquatint printed in black and red, 1971, signed and dated in pencil, numbered 343/ 500, printed by Shirley Clement, Print Shop, Amsterdam, published by Observer, London, on BFK Rives wove paper, with full margins Sheet: 81.5 x 61.5cm (32 x 24 in.) Condition Report: The work has been examined out of the glazed frame. The sheet is not stuck down. Slight undulation to the sheet throughout. Staining to the extreme edges of the sheet with some evidence of possible of staining and water damage to the lower edge and lower section of the right edge. Evidence of the staining also visible to the reverse of the sheet. There is one small mark of staining to the centre of the sheet (to the left side of the right hand window). There is a small pin-hole sized mark of staining to the extreme lower left corner within the plate. Condition Report Disclaimer
Los 223
Bailey (David) David Bailey's Box of Pin-Ups, 36 halftone photographic prints, each with biographical notices to verso, loose as issued, between original cardboard pieces stamped "Packing pieces to be thrown away" and sheet of brown paper, contents bright and fresh, the odd very small spot, original drop-back box with photographic illustrations to covers, some tears to edges or joints, a few with tape repair, a little soiled, slightly rubbed, 4to, 1965. *** Only issue of Bailey's iconic collection of 1960s portraits. Sitters include Mick Jagger, David Hockney, Michael Caine, John Lennon, Paul McCartney, Jean Shrimpton and Terence Stamp.
Los 153
Gerald French (British, 1927-2001)'Bobby', oil on board, signed and dated '53 to the lower left, 59.5cm x 37cmProvenance: Yorkshire Artists' Exhibition 1953, no. 219 Note: French studied at Bradford School of Art and David Hockney was one of his contemporaries. He also studied at The Royal Academy of Arts. Some duct tape is attached to the frame. Signs of wear consistent with age and use.
Los 655
1 “Gevaar & Schoonheid: Turner en de traditie van het sublieme”•A Dutch book exploring the themes of danger and beauty in J.M.W. Turner’s works, focusing on his interpretation of the sublime in art.2.“Turner”•A catalog or book focusing on the art of J.M.W. Turner, highlighting his mastery of light, color, and dramatic landscapes.3.“Lucian Freud: Paintings”•A collection of paintings by Lucian Freud, emphasizing his intensely realistic and raw portrayal of the human form.4.“Lucian Freud on Paper”•A focus on Lucian Freud’s works on paper, showcasing his talent in drawing, sketching, and etching. 5.“ David Hockney Portretten”•A book about David Hockney’s portraits, featuring his unique approach to capturing human likeness in vibrant and expressive ways.6.“Lucian Freud: The Painter’s Etchings”•A detailed look at Freud’s etchings, offering insight into his process and techniques in this medium.7.“Lucian Freud: The Studio”•A book that provides an intimate glimpse into Lucian Freud’s studio space and his working environment, featuring his work and life as an artist.
Los 120
Peter Blake (British, b. 1932)For John Constable - Liberty as Suffolk child by John ConstableEtching, signed and numbered 66/100.Comes with two postcards, comprising "A Suffolk Child" by John Constable printed for V & A museum and the Blake's etching. Published by Bernard Jacobson 1976.From the Bernard Jacobson Gallery CollectionSir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts. In the "Young Contemporaries" exhibition of 1961 in which he exhibited alongside David Hockney and R. B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963, Blake was represented by Robert Fraser placing him at the centre of Swinging London and bringing him into contact with leading figures of popular culture. Blake had his first solo exhibition with Robert Fraser Gallery in 1965 and appeared on the front cover of LIFE International in a photograph by Lord Snowdon. Blake was given the final exhibition held at Robert Fraser Gallery which closed in 1969. The same year, Blake had his first exhibition with Waddington Galleries, owned by Leslie Waddington who became his lifelong supporter and representative. In 1999, Blake painted Leslie Waddington with Portrait of a Young Man by Hans Memling.Blake participated in Prince Edward's charity television special The Grand Knockout Tournament in 1987.Measures approx. 13cm x 11.5cm (5" x 4 6/8").
Los 1347
Abe Frajndlich (Frankfurt a.M. 1946 – lebt in New York). „David Hockney, Köln, December 19“. 1997Cibachrome-Abzug, 2000. 27,8 × 25,2 cm (35,5 × 27,8 cm) (11 × 9 ⅞ in. (14 × 11 in.)). Rückseitig mit schwarzem Filzstift signiert, datiert (Aufnahme sowie Abzug), betitelt und Copyrightvermerk.[2047]Literatur und Abbildung: Abe Frajndlich: Portraits. München 2000, S. 42 (dort betitelt und datiert: David Hockney, artist, Cologne, Germany, December 19)Zustandsbericht: In sehr gutem Zustand. Hochglänzendes festes Papier. Keine Mängel erkennbar.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.
Los 1209
ARR AFTER DAVID HOCKNEY (b.1937) *ARR'French Shop - Alimentation', etching with aquatint in black and red, number 261 of a limited edition of 500, signed and dated (19)71 in the margin, some foxing,62.5 x 55cm. there is foxing throughout and staining. It is framed and glazed. No restoration as far as we are aware. Brought by the current vendor in 1971 from the Observer.
Los 58
David Hockney (b.1937)The Princess in Her Tower, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 68)Etching with aquatint, 1969, signed in pencil, inscribed edition D and numbered from the edition of 100 verso, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, the sheet printed to the edges, sheet 450 x 301mm (17 3/4 x 12 1/2in)
Los 57
David Hockney (b.1937)The Tower Had One Window, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 82)Etching, 1969, signed in pencil, from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, with full margins, sheet 440 x 300mm (17 1/4 x 11 3/4 in)
Los 59
David Hockney (b.1937) The Haunted Castle, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 89)Etching with aquatint, 1969, signed in pencil, inscribed edition D and numbered from the edition of 100 in bistre verso, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, the sheet printed to the edges, sheet 455 x 310mm (17 7/8 x 12 1/4in)
Los 61
David Hockney (b.1937)Baby Sumo. My WindowThe book, 2019, signed in black ink, numbered from the edition of 1000, with title-page, text and illustrations, published by Taschen, London, on wove paper, bound as issued in the original boards with pictorial boards, and matching clamshell box, overall size 500 x 385mm (19 3/4 x 14 7/8 in)
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4315 Los(e)/Seite