Brian Edwards (British, Contemporary), Sheringham, Norfolk, acrylic on canvas, signed.Brian Edwards is a retired architect and currently Professor Emeritus of Architecture at Edinburgh College of Art/ Edinburgh University. He studied architecture in an art school environment and has painted all of his life.Brian Edwards has exhibited widely and is the author of many books including ‘Understanding Architecture through Drawing’ published with English and Mandarin editions. His drawings and watercolours have also featured in profession journals such as Architectural Review and Building Design and a number are held in public collections in Glasgow, Wakefield and Vancouver.The paintings explore urban character with a view to capturing the special qualities of how architecture and place coexist. Line, draughtsmanship, perspective and colour are important ingredients. The paintings start their life as location sketches drawn straight on to canvas and are developed using iPad images. They are mainly in acrylics. John Piper, David Gentleman and David Hockney are important influences.More information on Professor Brian Edwards is available at www.brianedwards.eca.ed.ac.uk
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![Hockney (David)A Bigger Book, Taschen, 2016, numbered limited edition of 10,000 [9000], signed by the artist, (L.A., 2016), 7](https://cdn.globalauctionplatform.com/14475c71-50ce-4469-99eb-ae1400d34598/7a0e8d2b-86be-4a40-8e58-ae8a00ffa10b/468x382.jpg)
Hockney (David)A Bigger Book, Taschen, 2016, numbered limited edition of 10,000 [9000], signed by the artist, (L.A., 2016), 71cm x 52cm, dust wrapper, complete with adjustable acrylic and painted metal tripod stand designed by Marc Newson, together with assembly instructions, allen keys and white gloves, book in original paper wrapping, stand parts in original packaging/bubblewrap. Retail price £4,500 (www.taschen.com)[Please note that at the request of the vendor, in order to maintain the 'as new' condition, viewing of this lot will be restricted]
A collection of contemporary art reference books to include Lucian Freud, Uproar The first 50 years of the London Group 1913 - 1963, David Hockney, John Piper in the 1930s, Alexej Von Jawlensky, Picasso, painter and sculptor, Sydney Moderns, Henri Rousseau, Primitivism, Cezanne Portraits, Vincent Van Gogh, Impressionists
David HOCKNEY (1937) Lithography on Japanse paper Portrait of Felix Mann 1969 Signed and numbered H.C. Lithografie op Japans papier Portrait of Felix Mann 1969 Gesigneerd en genummerd H.C. 73 x 51 cm Published by Galerie Wolfgang Ketterer, Munich, 1971, in the portfolio Europäische grafik No 7.
HOCKNEY, D. & W. STEVENS. The blue guitar / The man with the blue guitar. Lond./NY, Petersburg Press, (1977). Square-4°. Obrds. w. (slightly worn) dust-j. -- G. FERENC. Határtalan. Nijm./Amst., (1990). W. or. silk prints by F. Ferenc. Fol. Loose in owrps. and ocl. portfol. Tog. in ocl. slipcase. Printed in 90 numb. & signed copies. -- W. v. AMEN. 240 days/dagen/jours/Tage. (1985). Obrds. w. dust-j. -- A. MERMOUD, hrsg. Paris ma ville. Cendrars, F. Léger. (1987). Fol. Ocl. In obrds. dust-j. -- LE CORBUSIER (=C.E. Jeanneret). Textes et dessins pour Ronchamp. (1975). Sm-8°. Owrps. (A bit browned). -- (K.G. HULTÉN, a.o.). The inner and outer space, an exhibition devoted to universal art. Stockholm, 1965. 4°. Or. bind. held tog. w. 3 screws. In or. slipcase. (Slipcase dam./browned). -- (6).
Framed "The Usual Suspects" (1995) movie poster with signatures from - Kevin Pollak (Todd Hockney), Gabriel Byrne (Dean Keaton), Stephen Baldwin (Michael McManus), Benicio Del Toro (Fred Fenster) and Kevin Spacey (Roger 'Verbal' Kint). The frame shows some wear. Size: 69 x 48 cm. Condition: Very good. Location: Switzerland.
DAVID HOCKNEY (1937 Bradford, lebt in Los Angeles) Still lifeRadierung und Aquatinta auf leichtem Velinkarton. 1969.54,3 x 68,8 cm (71 x 93 cm). Signiert „David Hockney“ und datiert. Auflage 75 num. Ex. Scottish Arts Council 111.Provenienz: Lempertz Köln, Auktion 6/89, Los 934Prachtvoller, klarer Erstdruck des großformatigen Blattes mit blind mitdruckender Facette, mit breitem, vollem Rand, an zwei Seiten mit dem Schöpfrand. Herausgegeben von Petersburg Press, London 1970.Stillleben – das Arrangieren scheinbar banaler Alltagsgegenstände, derer wir uns doch so unmittelbar bedienen, von Hockney umgesetzt im gleichnamigen Genre des kunsthistorischen Gattungskanons, wo es an der niedersten Stelle geführt wird. Subversiv, provozierend, bewusst rückt er die eingefahrene Hierarchie in den Mittelpunkt der Aufmerksamkeit, entspricht ganz der Natur der Pop Art, der er zugeschrieben wird. Es sind die Mittel des Künstlers, Stifte, Messer, Köcher, die er zentral vor sein Fenster positioniert. Eindeutiger kann das Sujet der künstlerischen Mittel wohl kaum vorgeführt werden; ein Ziel, das insbesondere von den Nachkriegsschaffenden verfolgt wurde im Sinne der Freiheit der Kunst. Hockney legt im inspirativen Moment des Suchens und Auswählens eines werkwürdigen Motivs Hand an, Hand an die ihn umgebende Welt. Es ist, als fühle man sein Greifen nach seinem Handwerk. Wie er auch meint: „Keep being driven. Man braucht nicht immer talentiert zu sein, man muss aber getrieben sein. Ich bin getrieben. Ich arbeite immer.“ (zit. nach David Hockney, in: Ich bin ein Anarchist, David Hockney im Interview mit Tobias Timm, zeit.de, 12.3.2022).Ein stilles, wenngleich sehr ausdrucksstarkes Blatt von einem der einflussreichsten Künstler unserer Zeit. Ihm widmeten zahlreiche Museen retrospektive Ausstellungen, darunter das Hamburger Bucerius Kunstforum (2020) oder im jetzigen Frühjahr das Bank Austria Forum Wien.
David Hockney (Bradford 1937). Olympische Spiele München. 1970. Farboffset, 99 x 62 cm, r. u. drucksign. und dat. David Hockney 70, unter Glas gerahmt, ungeöffnet. - Maler, Bühnenbildner und Photograph. H. studierte am Royal College of Art in London und war mehrfacher Documenta-Teilnehmer. Er ist einer der bedeutendsten und bekanntesten Künstler der Gegenwart. Hockney, David (Bradford 1937). Olympische Spiele München. 1970. Offset in colours, 99 x 62 cm, lo. ri. print sign. and dat. David Hockney 70, framed under glass, uninspected out of frame. - Painter, stage designer and photographer. H. studied at the Royal College of Art London and exhibited among others repeatedly at the Documenta. He is one of the most important and most famous contemporary artists.
David Hockney (British b.1937) Salts Diner Menu 2, 1993, lithograph, measurements 42.5 x 30 cm (SH)The print is a work on paper, unframed. The sheet appears in generally good condition with no obvious evidence for rips, tears or creasing. The colours are well preserved and appear stable. There are some sparsly distributed spots of foxing to the left edge of the sheet and top edge of the sheet.
David Hockney (British b.1937) A Bounce for Bradford, 24 February 1987, Newsprint, measurements 42.3 x 60 cm (SH) Bounce for Bradford was published by the Telegraph and Argus in March 1987 to support Bradford's Bouncing Back campaign 1986-1988. Hockney refers to these works as 'newsprints' as they were conceived as an original newspaper print.Condition report: The newsprint is a work on paper, unframed. The sheet has some general yellowing due to age, the full sheet is present with margins and there are no visible tears, creasing or losses to the main sheet. The top corners have small tears to the edges (see additional photographs) There are some minor faint spots of foxing to the margins. There is a central vertical fold to the paper due its nature as a newspaper release. The colours are well preserved and appear stable.
David Hockney (British b.1937) Two Apples, One Lemon and Four Flowers, newsprint, together with the original issue The Independant, 7th January 1997, measurements 37 x 58 cm (SH) Two Apples, One Lemon and Four Flowers was a print published in the centrefold of The Independant on the 7th January 1997. Hockney refers to these works as 'newsprints' as they were conceived as an original newspaper print.
David Hockney, a signed (in silver ink) promotional card for the dual celebration of Hockney's 80th birthday and the 30th anniversary of the opening of Salts Mill, an art gallery, shopping centre and restaurant complex based in Saltaire, Bradford. Salts Mill is the home of the 1853 Gallery, which houses one of the largest collections of Hockney's work. Further information and calendar of events to back of card. A British artist considered to be one of the most influential of the 20th century. Good condition Est.
Marcel BreuerEarly and rare 'Long Chair', designed 1935-1936, produced circa 1935Laminated birch plywood.69.5 x 62.5 x 137 cm Seat manufactured by Venesta, Estonia for Isokon Furniture CompanyLtd., London, United Kingdom. Front of seat stamped MADE IN/ESTONIA. Frame manufactured by Isokon Furniture Company Ltd., London, United Kingdom. Footnotes:ProvenancePrivate collection, LondonAcquired from the above by the present owner LiteratureChristopher Wilk, Marcel Breuer Furniture and Interiors, exh. cat., Museum of Modern Art, New York, 1981, pp. 127, 145Jack Pritchard, View from a Long Chair: the memoirs of Jack Pritchard, London, 1984, front cover, frontispiece, pp. 90, 113, 120, 179Martin Eidelberg, ed., Design 1935-1965: What Modern Was, New York, 1991, p. 35Magdalena Droste, Manfred Ludewig and Bauhaus Archiv, Marcel Breuer Design, Germany, 1994, pp. 29, 132-133James Peto and Donna Loveday, eds., Modern Britain: 1929-1939, exh. cat., Design Museum, London, 1999, pp. 90, 92Charlotte and Peter Fiell, eds., Decorative Art - 1930s & 1940s, Cologne, 2000, pp. 319, 384Alastair Grieve, For Ease For Ever, London, 2004, pp. 4, 28, 30, 33, 42Hugh Aldersey-Williams, British Design, New York, 2010, p. 70Christopher Wilk, Plywood A Material Story, London, 2017, front coverGive and Take: The Cosmopolitanism of British DesignBy Glenn AdamsonINDEPENDENT WRITER AND CURATOR, NEW YORKOn the second of June, 1961, the SS Canberra - billed as the 'ship of the future' - set sail from Southhampton, bound for far-off Australia. On board were over two thousand people, about half of them intending to emigrate permanently, and a wealth of art and design. There was a restaurant and pool by Sir Hugh Casson. Harry Bertoia's diamond chairs for Knoll, upholstered in canary yellow, graced the 'crow's nest.' And down in the cleverly titled Pop Inn – a jukebox lounge – an interior by John Wright was enlivened with pyrography murals by a 23-year-old artist by the name of David Hockney.Wright's armchairs from the SS Canberra are an obvious reminder of the internationalism of British design; they were literally sent on the high seas as emissaries of a newly energised nation. But many other objects in the present sale performed similar roles, or conversely, reflected global currents of influence. Marcel Breuer's prewar 'Long Chair,' a masterwork by the great German designer, was principally manufactured in Estonia of high-quality Baltic birch. Aluminium die-casting, which Ernest Race used to such effect in his iconic BA3 chair, was pioneered in America, and first applied to furniture by Otto Wagner in Austria. Race adopted it in 1945 to take advantage of British manufacturing capacity in the metal, which had dramatically increased during World War II. Lucie Rie, born and raised in Austria, is considered the most significant of all British potters, having emigrated in 1938 to find refuge from the Nazis. Though her flared bowl with its luminous gold rim was made many years later, it reflects the refined sensibility she imbibed in prewar Vienna. Today, when Britain's role in the world is hotly debated, it is salutary to remember how very cosmopolitan its design history has been, even (and perhaps especially) in the years when its empire was breaking apart. This is true of ideas just as much as technology. The potter Bernard Leach, despite his reputation for introverted traditionalism, was actually a marvelously syncretic thinker. The 'Tree of Life' that appears on the vase in the present sale was originally inspired by ancient cave paintings in China. Leach loved the motif above all, though, because it appears in the art and mythology of so many cultures. Meanwhile, at first glance, William Plunkett – who, as it happened, created designs for another ocean liner, the QE2 – would seem to be the most British of designers. Trained at Kingston School of Art, he operated his own small manufactory in Croydon and even liked to upholster his seating in Harris Tweed. Yet he was born in India, a child of empire, and while his Epsom chair may be named for a town in Sussex it takes its stylistic cues primarily from contemporaneous French designers like Pierre Paulin.At the other end of the aesthetic spectrum from Leach's earthy earnestness and Plunkett's finely calibrated modernism, there is the rough and tumble phenomenon known as Creative Salvage. This was the design equivalent of New Wave, the post-punk movement in music, and similarly combined sharp intellectualism with a freewheeling experimental spirit. Though the movement wasn't named until 1985 (by Mark Brazier-Jones, Nick Jones, and Tom Dixon), its progenitor was Ron Arad, who had relocated to London from Tel Aviv to study architecture. His shop One Off, founded in 1981, quickly became the engine room of avant garde British design – a space where the new was both made and shown. Arad's use of found objects and materials, as seen in his Rover Chair and Tree Light, were pragmatically expedient, but also indebted to the Duchampian Readymade – an import from France and the USA. As a final example, consider Deborah Thomas, who operated in the wider orbit of Creative Salvage. She made her way into design from the London theatre scene, and showed primarily at the Notting Hill gallery Theme and Variations. All very British, you might say. Yet it's impossible to look at her compositions of shattered glass without seeing the impact of Arad's work, or equally, her anticipation of sculptural lighting that followed in the succeeding decade, notably by the German designer Ingo Maurer (whose famous Porca Miseria! fixture, made of broken crockery, was designed in 1994). So far as I know, nobody ever decked out an ocean liner with Thomas' ferociously brilliant chandeliers and sent it around the world, bearing a message of Britain's deep connections to everywhere else. Maybe the time has come?This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Ɵ SPENDER, Stephen. (1909 - 1995). HOCKNEY, David. (b.1937). Hockney's Alphabet. Special Edition, SIGNED. Faber and Faber, for the Aids Crisis Trust, 1991. single volume, Special edition, one of an unspecified number of copies, 4to, (331 x 250mm), original yellow buckram, gilt lettering to black panel on spine, half-title, SIGNED by the artist and the editor to preliminary page, 26 colour lithographs by David Hockney, The letter 'Q' featured a previously unpublished poem by T S Elliot to an aspiring young writer and Alphabetical Alliteration by C. C. Bombaugh chosen by John Julius Norwich, contained within original grey cloth slipcase.(Qty. 1). Condition Report: a fine copy. a small circular white hole to grey cloth slipcase, o/w. clean.Condition Report Disclaimer
David Hockney R.A. (British, born 1937)White Lines Dancing in Printing Ink (Tokyo 323) Lithograph printed in colours, 1990, on wove, signed, dated and inscribed 'A.P. III/X' in pencil, one of ten artist's proofs aside from the numbered edition of 35, published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, 736 x 995mm (29 x 39 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)The Sexton Disguised as a Ghost, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 86; Scottish Arts Council 89) Etching and aquatint, 1969, on Hodgkinson handmade wove, signed and numbered 21/100 in pencil, inscribed 'G Portfolio' in sepia ink verso, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, 620 x 445mm (24 3/8 x 17 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red, 1971, on wove, signed, dated and numbered 69/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with full margins, 626 x 536mm (24 5/8 x 21 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Olympische Spiele München 1972 Lithographic poster printed in colours, 1970, on wove, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich, the full sheet, 1020 x 640mm (40 1/8 x 25 1/8in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Homage to Michelangelo, from 'Omaggio a Michelangelo' (MCA Tokyo 162; Scottish Arts Council 173) Etching and aquatint printed in black and red, 1975, on BFK Rives, signed, dated and inscribed 'h.c.' in pencil, an hors commerce impression aside from the numbered edition of 200, printed by Atelier Crommelynck, Paris, published by Studio Bruckmann, Munich, with full margins, 595 x 793mm (23 3/8 x 31 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Two David Hockney exhibition posters, for the "Dog Paintings" exhibition held at the 1853 Gallery, Salts Mill in 1995, the design featuring "Dog 38", 53cm x 64cm overall, and the "New Drawings" exhibition held at the 1853 Gallery, Salts Mill in 1994, the design featuring "Black And White Dogs", 70cm x 83cm, each unframed (2)
Two David Hockney exhibition posters, for the "David Hockney" exhibition held at the Metropolitan Museum Of Art, New York, in 2016, the design featuring "Mount Fuji And Flowers", 86.5cm x 63.5cm, and the "David Hockney" exhibition held at the 1853 Gallery, Salts Mill, the design featuring "Montcalm Interior At Seven O'Clock", 70cm x 83.5cm, each unframed (2)
Set of ten original vintage art exhibition advertising posters. 1. Eugene Atget (b. 1857) exhibition Photographs of Old France in Serpentine Gallery, Kensington Gardens W2, 25 February - 25 March 1984, open daily 10-5.30, admission free, from Museum of Modern Art New York, Art Council of Great Britain. The poster features the photograph of a town square at Pontoise, Place du Grand-Martroy, France, 1902. Eugène Atget was a French photographer documenting the architecture and street scenes. Good condition, creasing, folds, minor staining. Country of issue: UK, , size (cm): 76x51, year of printing: 1984.; 2. What's new at the Victoria & Albert Museum? Summer 1987 featuring announcements of various art exhibitions - Wally Gilbert and Thomas Gentile Jewellery Gallery, Alvar Aalto in association with the Museum of Modern Art MOMA New York, Judaica from the V&A, Susie Cooper Productions, Francis Williams Exhibition Contemporary book and magazine illustration, Zika Ascher - Fabric Art Fashion. Good condition, creasing, folds, pinholes. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1987.; 3. Step Into Summer 1985 Victoria & Albert Museum, featuring photographs of three centuries of shoes in the Dress collection, a yellow silk shirt with caption - Explore the decorative riches of the East, One of our 15000 plates most are in the ceramics Galleries, Take tea in the Restaurant or strawberries and cream in the Garden - with a couple seated under a red umbrella. Good condition, creasing, folds, pinholes, minor staining. Country of issue: UK, size (cm): 76x51, year of printing: 1985. 4. Spring Events Calendar 1985 by Victoria & Albert Museum, featuring artwork inviting to visit various exhibitions - The People and Places of Constantinople Watercolours by Amadeo, Count Preziosi; William Staite Murray and His Pupils Studio Pottery of the 1920s and 1930s; From Manet to Hockney Modern Artists' Illustrated Books; Frances Bendixson Contemporary Jewellery; Mouton Rothschild Paintings for the Labels; Handel in St. Martin's Lane Theatre Museum in association with English National Opera. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1985.; 5. What's New at the Victoria & Albert Museum? Spring 1986, inviting to visit the museum for various exhibitions - Designs for British Dress and Furnishing Fabrics 18th Century to the Present; Photographs by Roger Mayne; Characters in Cloth Textile Portraits; Chess in Art and Society - French 18 Century Drawings - Swiss Stained Glass Designs of the Formation; American Dolls The Lawrence Scripps Wilkinson Collection; and The New Restaurant reviewed by The Guardian. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1986.; 6. What's New at the Victoria & Albert Museum? Summer 1986, inviting to visit the museum for various exhibitions - Characters in Cloth Textile Portraits; American Dolls The Lawrence Scripps Wilkinson Collection; Knit One Purl One; 17th Century Tapestries; American Potters Today. Good condition, creasing, folds, pinholes. Country of issue: UK, size (cm): 76x51, year of printing: 1986.; 7. Edward Middleditch (b. 1923) exhibition in Serpentine Gallery, Kensington Gardens W2, A South Bank Centre touring exhibition, 9 April to 15 May 1988, open daily 10am to 6pm, admission free, supported by City of Westminster and funded by Art Council. The poster features the painting Flowers, Chairs and Bedsprings, 1956 and travel information: Underground: South Kensington or Lancaster Gate, buses: 9 52 73 12 88. The poster is designed by Trilokesh Mukherjee, printed by Expression Printers Ltd. London N7. Good condition, creasing, folds, minor staining, tears on edges. Country of issue: UK, designer: Trilokesh Mukherjee, size (cm): 76x51, year of printing: 1988.; 8. Lights at the Crafts Council. An Exhibition of Innovative Lighting 17 November 1982 - 30 January 1983 in Crafts Council Gallery 12 Waterloo Place Regent Street London SW1 4AU. The poster features a collage of a photo of a lamp and its scheme and another advertisement of The Well Dressed Christmas Tree. Nine Craftspeople Decorate Christmas Trees 17 November 1982 - 9 January 1983. Trees provided by the British Christmas Tree Growers Association. Crafts Council is the organisation for contemporary craft in the UK. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1982.; 9. What’s New In the Arts Council Collection in Wolverhampton Art Gallery, Lichfield Street Wolverhampton, 9 February - 16 March 1985, Monday to Saturday 10am - 6pm, Arts Council of Great Britain. The poster features artworks Toy by Richard Wentworth (b.1947), Bingo Bango Bongo by Bruce McLean (b. 1944), Head of Miss DeianTaylor by John Clinch (b. 1934), Study for Massacre of the Innocents by Jacqueline Morreau (b. 1929). The Arts Council Collection is a collection of modern and contemporary British art. Good condition, creasing, folds. Country of issue: UK, size (cm): 59x42, year of printing: 1985.; 10. David Drew Baskets, A Crafts Council touring exhibition with documentary photographs of Chris Chapman Provision for blind and partially sighted and exhibition by Vanessa Robertson Woven ikat Rugs 22 January - 30 March 1986 in Crafts Council Gallery 12 Waterloo Place, Lower Regent Street, London SW1. The poster features two photographs of artists with baskets and a loom by Chris Chapman. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1986.
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),OLYMPISCHE SPIELE MÜNCHENlithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesimage size 98cm x 62cm, overall size 105cm x 69cm Framed and under glass.Condition report: Condition of picture is good overall, with no visible signs of any damage, restoration or known issues. Additional images have been uploaded to our website. Print is on paper.
DAVID HOCKNEY; a first day cover dated 1981 bearing the artist's signature, dated April 19th 1990.We have not authenticated this signature, please satisfy yourself as to the veracity of the item prior to bidding. CONDITION REPORT The signature is written in pencil. There is no provenance for this lot.
*Pauline Boty (1938-1966)The artist's husband, Clive Goodwin, reclining, c.1963pencil 25 x 20cm Provenance: Estate of Pauline Boty;estate of Clive Goodwin;Nicholas Grindley.Exhibited: The Mayor Gallery, London, 'Pauline Boty and Other Modern British Artists', 7 September - 7 October 2009.Pauline Boty was the only female founder of the British Pop Art movement and an icon of 1970s feminism. Born in South London in 1938, she was the youngest of four children and grew up in a conservative Catholic family. In 1954, she won a scholarship to Wimbledon School of Art, which she accepted with the support of her mother (whose artistic ambitions had been thwarted by her parents).Boty studied lithography and stained-glass making, but also painted in a distinctive style. She exhibited with the Young Contemporaries alongside Robyn Denny and Bridget Riley in 1957 and 1959. Her developing friendships with Pop artists such as David Hockney and Peter Blake drew her further into this circle, and in 1961, she participated in a group show titled ‘Blake, Boty, Porter, Reeve’. Just two years later, she had her first solo show at the Grabowski Gallery, which was received with acclaim. After a brief stint in acting and on radio, Boty returned to painting. Her work became increasingly political with anti-Vietnam War and anti-patriarchy themes emerging. After a whirlwind romance, she married Clive Goodwin, who Boty captures in this intimate drawing of her husband with eyes shut, reclined and apparently sleeping. In 1965, Boty became pregnant, but early into the pregnancy, doctors discovered a cancerous tumour. Knowing that treatment would damage the foetus, Boty chose not to pursue this. She died aged just twenty-eight, only five months after the birth of her daughter.In 2013, Boty received her first retrospective at the Wolverhampton Art Gallery; later travelled to Pallant House Gallery.*Artist's Resale Right may apply to this lot.Condition report: Viewed out of frame, a few creases that have been flattened out lower right corner and one small crease lower left corner, also smaller ones top two corners, a soft fold line diagonally across work, generally these are not obvious once work is within glazed frame, it generally appears to be in good order. Please refer to condition report images that illustrate work out of frame.
*David Hockney RA (b.1937)'The Print Collector (Felix Mann)', 1970lithograph, artist's proof, signed in pencilsheet 76 x 53cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.*Artist's Resale Right may apply to this lot.Condition report: Some small spots of foxing to the lower portion, see illustration.
*David Hockney RA (b.1937)'The Connoisseur', 1969lithograph studio proof, signed and dated '69 in pencilsheet 76 x 57cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.*Artist's Resale Right may apply to this lot.Condition report: Crease upper left corner, light handling creases, one small area of foxing emerging, generally in good order.
*David Hockney RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours, from an open edition101 x 64cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Can be rolled in a tube for shipping. There is a light crease at the bottom of the poster likely caused by impact in when rolled in a tube, otherwise the poster is generally in good condition.
Visual Aid for Band Aid (1985)screenprint in colours, signed in pencil in the margins by all 104 contributing artists and numbered 199/500 in pencil l.c., published by Coriander Studio, London120 x 91cmSold with certificate of authenticity.Signatures include David Hockney, Bridget Riley, Howard Hodgkin, Eduardo Paolozzi, Peter Blake, Paula Rego, Sandra Blow, Elisabeth Blackadder, Elisabeth Frink, Patrick Caulfield.Band Aid were a charitable organisation featuring mostly British and Irish musicians and recording artists. It was founded by Bob Geldof and Midge Ure in 1984, to raise money for famine relief in Ethiopia, its largest event being Live Aid (1985). Visual Aid for Band Aid poster was created alongside this and aimed to raise £250,000 to support the charity.Condition report: Framed size: 131 x 102cm. Not viewed out of glazed frame, sheet is attached to backing at the corners, a few dots on mid-right edge (printing imperfection) and small indent to paper, otherwise appears to be in good condition. Small loss to top-right corner of frame, but overall well-presented.
David Hockney (British B.1937) - Le Nid du Duc, lithographic type coloured print with date and initials and titles within plate, 55 x 37.5cm approx, (damp damaged) together with a study of a recumbent nude, gouache on paper, unsigned, inscribed verso, Beach Reclining, 20 x 29.5cm approx, both framed (2)
David Hockney, considered to be one of the most influential British artists of the 20th century. A 1992 signed (in green and blue ink) European Market FDC with insert. The stamp was designed by David Hockney. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
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4315 Los(e)/Seite