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§ David Hockney OM, CH, RA (1937-) An exhibition poster for The Dramatists Guild Fund in Association with Circle Repertory Company - Young Playwrights Festival, 1982offset lithograph, showing a detail from Pulcinella with Applause, unframed104 x 77cm

TWR WEST RACING CAR CONCEPT BOARDS, DESIGNS AND ILLUSTRATIONS TOGETHER WITH THE RAKES PROGRESS ILLUSTRATED BY DAVID HOCKNEY

After Hockney. A Retrospect of the Metropolitan Museum of Art, poster, June 18 - Aug 14 1988, print, 73cm x 79cm.

After Hockney. Tate Gallery 1986 Moving Focus, poster, print, 79cm x 58cm.

Peter Blake, "The Meeting or Have a Nice Day Mr Hockney"

David Hockney (b.1937) Some Very New Paintings, 1993 off-set lithograph 63 x 101cm, unframed.

David Hockney (b.1937) Mount Fuji and Flowers for Metropolitan Museum of Art, New Yor off-set lithograph 86 x 65cm, unframed.

David Hockney (b.1937) David Hockney New Drawings, 1994 for Salts Mill off-set lithograph 83 x 69cm, unframed.

David Hockney (b.1937) Dog Paintings 38, 1995 for Salts Mill off-set lithograph 53 x 64cm, unframed.

A David Hockney Exhibition Poster Dog Drawings Salt Mills 19951853 Gallery64cm x 52cmNo condition issues.

A collection of 1970s exhibition promotional posters to include David Hockney at the Royal Academy of Arts Summer Exhibition, Serpentine Gallery Kensington Gardens, Institute of Contemporary Arts, Sculptures by Rodin at the Bethnal Green Museum, Olivetti - Concept and Form at Euston Station, Hogarth at The Tate Gallery etc, largest size 76.5cm x 50.5cm. (8)

Dorothy Mead (1928-1975) oil on canvas - still life after Cezanne, dated '66, 101.5cm x 77cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. Some minor paint shrinkage.

Dorothy Mead (1928-1975) oil on canvas - Three bathers, signed and dated '62, 114cm x 132cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined.

Dorothy Mead (1928-1975) oil on canvas - abstract, dated '70, 91cm x 137cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. The canvas has not been lined, areas of paint flaking/chipping, as seen in images. Otherwise good condition.

Dorothy Mead (1928-1975) oil on canvas - Lacrimosa, crucifixion, signed and dated '71, 77cm x 127.5cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction.

Dorothy Mead (1928-1975) oil on canvas - reclining nude, signed and dated '65, 102cm x 77cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. Some minor paint loss lower left corner and top edge.

Dorothy Mead (1928-1975) oil on canvas - seated nude, signed and dated '64, 77cm x 64cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’.In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction.Generally good original condition, the canvas has not been lined.

Dorothy Mead (1928-1975) oil on canvas - still life (with losses), 72cm x 92cm, unframed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Numerous losses as seen in the images, the canvas has not been lined.

Dorothy Mead (1928-1975) oil on canvas - Ancient Egyptian figures, dated '72, 61cm x 51cm, unframed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction.

Dorothy Mead (1928-1975) oil on canvas - still life with black vase, dated '74, 46cm x 61cm, in painted framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Good overall condition, ready to hang.

Dorothy Mead (1928-1975) two works, oil on canvas - still life, dated '74, 25.5cm x 18cm, unframed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Provenance by family descent from the artist. Both in very good condition. Please see further images at www.reemandansie.com

Dorothy Mead (1928-1975) oil on canvas - bathers after Cezanne, signed and dated '65, 102cm x 91.5cm, framed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. A couple of minor paint chips.

Dorothy Mead (1928-1975) oil on canvas - three figures, dated '70, 71.5cm x 91.5cm, unframed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Areas of loss as seen in images, the canvas has not been lined.

Dorothy Mead (1928-1975) oil on canvas - figure reclining, signed and dated '61, 76.5cm x 63.5cm, unframed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. Areas of paint shrinkage and a few minor losses.

Dorothy Mead (1928-1975) oil on canvas - abstract, dated '74, 61cm x 71cm, unframed. Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. A couple of paint chips lower right corner.

Dorothy Mead (1928-1975) oil on canvas - Blue seascape, signed and dated '66, 91cm x 61cm, framed.Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. Some minor paint shrinkage.

§ David Hockney OM, CH, RA (1937-) Exhibition poster for The Metropolitan Museum, New York, showing Mount Fuji and Flowers, 1972offset lithograph, unframed 86.5 x 64cmThe condition is generally good. Wear to the edges, with a noticeable dent to the right side. Some further denting across the rest of the paper.

§ David Hockney OM, CH, RA (1937-) Fiesta '88 (Bradford Festival) exhibition poster, 1988, showing 'Flowers Apple & Pear on a Table, July 1986'offset lithograph, unframed63.5 x 43cmGenerally, the condition is good. Some surface dirt.

David Hockney OM, CH, RA (1937-)Tower, Saltaireoffset lithograph, unframed68 x 41.5cmThe condition is generally good. Small crease to the top third running across the poster. some wear to the edges and dents throughout

§ David Hockney OM, CH, RA (1937-) Exhibition poster for 1853 Gallery, Salts Mill, Bradford, showing Montcalm Interior at Seven O'Clock, 1988offset lithograph on paper, unframed 70 x 84cmThe condition is generally good. a small rip to the bottom right quadrant. Ware to the corners and some denting to the paper

§ David Hockney OM, CH, RA (British 1937-) Exhibition poster for 1853 Gallery, Saltaire, Yorkshire, showing The Other Side, 1990/93offset lithograph, unframed63 x 101cmGenerally, good condition, wear to the edges of the paper and some denting throughout

MANUEL TERÁN (Chile, 1974)."Tribute to Kusama and Velázquez".Oil on masonite.Signed in the lower right corner. Signed, dated and titled on the back.Size: 108,5 x 108,5 cm; 131 x 130 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

David Hockney CH RA (b.1937)'Hockney's Alphabet', 1991signed by the artist and publisher, published by Faber & Faber34.5 x 25 x 2.7cmCondition ReportIn excellent condition

DAVID HOCKNEY 'Igor Stravinsky: Metropolitan Opera', offset lithographic poster in colours, published by Petersburg Press, 203cm x 88cm, framed.

After David Hockney(b.1937)Poster for "David Hockney: A Retrospective / The Metropolitan Museum of Art" (1988), depicting "Nichols Canyon" (1980),offset lithograph,98 x 60cms, framed.

After David Hockney (b.1937)An exhibition poster; "Paintings and Drawings for 'Parade' - A French Triple Bill for the Metropolitan Opera, New York." (1981),depicting the "Set for Parade" by Hockney,bearing the autograph of the artist in black ink, lower right,99 x 69cms, framed.

Hockney (David). That's the Way I See It, Hockney's posters, works relating to Banksy, Cecil Beaton, etc. (a quantity)

David Hockney OM CH RA, British b. 1937- Two Apples, One Lemon and Four Flowers, 1997; photolithograph in colours on newspaper, initialled in the plate, published by The Independent Newspaper, sheet: 57.6 x 37 cm, (unframed) (ARR)Nine small puncture holes to the right margin, and a crease through the centre (as this was originally in a newspaper). Some discolouration and fading to the paper, most notably to the margins, otherwise in good condition.

David Hockney, Limited Edition colour print ' An Etching..... ', numbered 234 of 2000, 76cms x 50cms approximately, in a silvered frame (glass at fault)Not under glass and paper is a little dirty and creased to bottom (please see photos) otherwise ok condition

Original vintage sports poster for the 1972 Summer Olympics in Munich (Olympische Spiele Munchen) designed by artist Horst Antes (b. 1936) - one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. The sporting nature of the event was largely overshadowed by the Munich massacre in the second week, in which eleven Israeli athletes and coaches and a West German police officer at Olympic village were killed by Black September terrorists. The 1972 Summer Olympics were the second Summer Olympics to be held in Germany, after the 1936 Games in Berlin, which had taken place under the Nazi regime. The West German Government had been eager to have the Munich Olympics present a democratic and optimistic Germany to the world, as shown by the Games' official motto, "Die Heiteren Spiele", or "the cheerful Games". The logo of the Games was a blue solar logo (the "Bright Sun") by Otl Aicher, the designer and director of the visual conception commission. The Olympic mascot, the dachshund "Waldi", was the first officially named Olympic mascot. The Olympic Fanfare was composed by Herbert Rehbein. The Olympic Park (Olympiapark) is based on Frei Otto's plans and after the Games became a Munich landmark. The competition sites, designed by architect Günther Behnisch, included the Olympic swimming hall, the Olympics Hall (Olympiahalle, a multipurpose facility) and the Olympic Stadium (Olympiastadion), and an Olympic village very close to the park. The design of the stadium was considered revolutionary, with sweeping canopies of acrylic glass stabilized by metal ropes, used on such a large scale for the first time. Very good condition, minor staining. Country of issue: Germany, designer: Horst Antes, size (cm): 102x64, year of printing: 1970.

Original vintage sports poster for the 1972 Summer Olympics in Munich (Olympische Spiele Munchen) designed by artist Fritz Winter (1905-1976) - one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. The sporting nature of the event was largely overshadowed by the Munich massacre in the second week, in which eleven Israeli athletes and coaches and a West German police officer at Olympic village were killed by Black September terrorists. The 1972 Summer Olympics were the second Summer Olympics to be held in Germany, after the 1936 Games in Berlin, which had taken place under the Nazi regime. The West German Government had been eager to have the Munich Olympics present a democratic and optimistic Germany to the world, as shown by the Games' official motto, "Die Heiteren Spiele", or "the cheerful Games". The logo of the Games was a blue solar logo (the "Bright Sun") by Otl Aicher, the designer and director of the visual conception commission. The Olympic mascot, the dachshund "Waldi", was the first officially named Olympic mascot. The Olympic Fanfare was composed by Herbert Rehbein. The Olympic Park (Olympiapark) is based on Frei Otto's plans and after the Games became a Munich landmark. The competition sites, designed by architect Günther Behnisch, included the Olympic swimming hall, the Olympics Hall (Olympiahalle, a multipurpose facility) and the Olympic Stadium (Olympiastadion), and an Olympic village very close to the park. The design of the stadium was considered revolutionary, with sweeping canopies of acrylic glass stabilized by metal ropes, used on such a large scale for the first time. Good condition, tears. Country of issue: Germany, designer: Fritz Winter, size (cm): 102x64, year of printing: 1970.

Original vintage sports poster for the 1972 Summer Olympics in Munich (Olympische Spiele Munchen) designed by artist Kitaj (Ronald Brooks) - one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide. The 1972 Summer Olympics, officially known as the Games of the XX Olympiad, was an international multi-sport event held in Munich, West Germany, from 26 August to 11 September 1972. The sporting nature of the event was largely overshadowed by the Munich massacre in the second week, in which eleven Israeli athletes and coaches and a West German police officer at Olympic village were killed by Black September terrorists. The 1972 Summer Olympics were the second Summer Olympics to be held in Germany, after the 1936 Games in Berlin, which had taken place under the Nazi regime. The West German Government had been eager to have the Munich Olympics present a democratic and optimistic Germany to the world, as shown by the Games' official motto, "Die Heiteren Spiele", or "the cheerful Games". The logo of the Games was a blue solar logo (the "Bright Sun") by Otl Aicher, the designer and director of the visual conception commission. The Olympic mascot, the dachshund "Waldi", was the first officially named Olympic mascot. The Olympic Fanfare was composed by Herbert Rehbein. The Olympic Park (Olympiapark) is based on Frei Otto's plans and after the Games became a Munich landmark. The competition sites, designed by architect Günther Behnisch, included the Olympic swimming hall, the Olympics Hall (Olympiahalle, a multipurpose facility) and the Olympic Stadium (Olympiastadion), and an Olympic village very close to the park. The design of the stadium was considered revolutionary, with sweeping canopies of acrylic glass stabilized by metal ropes, used on such a large scale for the first time. Very good condition, minor creasing, small tears on edges. Country of issue: Germany, designer: Kitaj (Ronald Brooks), size (cm): 102x64, year of printing: 1970.

A crate of art related books including Renoir, Dictionary of Painters, David Hockney etc.

After David Hockney OM, CH, RA (b.1937)Exhibition poster "New Drawings Salts Mill 1994" the design featuring "Celia Birtwell 1994"Together with a further Hockney poster for a Spanish exhibition "Hockney Fotografo" in Madrid, 1985, 98cm by 68cm and 61.5cm by 41.5cm respectively (2)

Three David Hockney art exhibition posters; Tate Gallery 1988, Tate Britain 1997, Royal Academy of Arts 2012, 76.5cm x 50.5cm and a David Hockney poster print - Salts Mills Saltaire Yorkshire, 45cm x 99.5cm (4)

David Hockney, a signed and dedicated (in green, red and blue ink) white 6. 5x3 card. A British artist considered to be one of the most influential of the 20th century. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) A WEDDING PARTY MENU, 2ND OCTOBER 1993 Lithograph, ed. 25, signed with initials and dated in plateDimensions:41cm (16in), 30cm (12in)Note: Note: The menu was designed by Hockney and privately printed to celebrate the marriage of his friend and lawyer, Desmond Heap's daughter, Jane.

§ SIR PETER BLAKE C.B.E., R.A. (BRITISH 1932-) DAVID HOCKNEY IN A HOLLYWOOD/SPANISH INTERIOR, 1965 Off-set lithograph, 192/250, signed and numbered in pencil to marginDimensions:46cm (18in), 37cm (14 1/2in)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) [UNTITLED FAX PRINT], 1999 timed 15/10/99 at 16:40 with printed message and signature, 16 sheets of A4 paper photocopied from a fax, with similar instruction sheet, together with 3 other Hockney items including Prints 1954-1995, Tokyo: Museum of Contemporary Art, 1996 (first edition, 8vo, original wrappers, dust jacket, rare)Provenance:Provenance: David Lay, 27 October 2017, lot 124.

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) KAISARION AND ALL HIS BEAUTY - 1961 Etching, signed and dated in pencil (to margin)Dimensions:plate size 49cm (19 1/4in), 27.5cm (10 3/4in)Provenance:Provenance: Mallams, Oxford, 19th May 2016, lot 462.Note: Kaisarion was standing a little forward, dressed in pink tinted silk, on his dress a garland of hyacinths, his belt a double row of sapphires and amethysts; his shoes were tied with white ribbons embroidered with rose coloured pearls… Kaisarion all grace and beauty.David Hockney first experimented with printmaking as an art student studying at the Royal College of Art in London. At one point, having run out of funds, he was unable to purchase any further art materials until he discovered that in the printing room, materials were free. In this period, Julian Trevelyan was in post as Professor of Printmaking at the College, inducting students into the process and its extensive potential for creative expression. With a painter’s perspective, Hockney brought a spontaneity to the technical process of etching and his abilities were quickly recognised when he won the prestigious Guinness Award for Etching while still a student.Kaisarion and all his Beauty dates from 1961, the year prior to Hockney’s graduation from the RCA. Hockney had recently discovered the work of contemporary Greek poet Cavafy and was captivated. Cavafy did not shy away from his gay identity and his work has been described as holding ‘the historical and the erotic in a single embrace.’ In this etching, Hockney takes inspiration from the poem which describes, in sumptuous detail, the imagined figure and dress of Julius Caesar and Cleopatra’s son, Kaisarion (Caesarion).The composition is deceptively simple at first glance, with hand-written text overlaying the image like graffiti and the figures conveyed in a sketchy and naïve style. Yet the imagery is complex; this Kaisarion stands atop a cloaked figure, possibly the artist, and his classical, regal profile is at odds with his round, patterned body and spindly limbs. To the right appears the artist’s mother, depicted as Cleopatra, with the Royal College of Art insignia a floating crown above her head. A miniature army spreads along the bottom and up the left-hand edge. The work is compelling, an entanglement of the ancient and modern as the artist interweaves his own response and experience into the imagery of the poem.

DAVID HOCKNEY, a collection of approx. 70 b/w (& 1 col.) proof illustrations for an unidentified publication or reprint of Hockney sketches 1960's & early 70's, most with pencil captions giving date, title, provenance & photographer, average image size approx. 4 x 5 inches on larger sheets, some folded, unframed (Q).

A David Hockney 1987 poster "Royal College of Art"

After David Hockney, colour print, Portrait of an artist (pool with two figures), 41 x 59cm

Lawson E. Rudge (b. 1936), 'David Hockney and myself behind the goal, Ladder of Success,' print, 35.5cm x 27cm, signed proof, overmounted, together with six signed giclee prints, one with card overmount (7) Provenance: from the studio of Lawson Rudge.

early 20th century, with height and lean angle adjustment, height as photographed 195cm. *from the studio of Anne Bruce, John Moores Prize Winner 1961 alongside the likes of Peter Blake and David Hockney, and wife of renowned stained glass artist Patrick Reyntiens. ** Heavy wear from use, lacking winders.

'St. Ives 1939-64 Twenty Five Years of Painting, Sculpture and Pottery', published 1985 Tate Gallery Publishing, together with Rose Hilton by Ian Collins, signed by the author and Rose Hilton, 'Stanley Spencer' by Keith Bell, 'Autobiography David Hockney' and 'Print Makers 1855-1955' published by Garton & Co.

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),OLYMPISCHE SPIELE MÜNCHENlithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesimage size 98cm x 62cm, overall size 105cm x 69cm Framed and under glass.Condition is good overall, with no visible or known issues or damage.

Art. Nineteen Goldmark Gallery catalogues, various dates from to December 2002 to June 2012, including David Hockney Three Early Suites, illustrated, some loosely-inserted prices, original wrappers, square 4to, (19).

X DAVID HOCKNEY; a signed limited edition coloured poster, 'Nichols Canyon', a retrospective at the Metropolitan Museum of Art, signed lower right, 10/50, the image 97 x 59.5cm, framed and glazed.97 X 59.5CMQty: 1This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org Good condition. The image does not sit flat in the frame when hung.frame with minor wear.

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) XIV OLYMPIC WINTER GAMES, SARAJEVO - 1984 Off-set lithograph, signed in ink, published by the Petersburg Press, LondonDimensions:the sheet 85cm x 62cm (33.5in x 24.5in), unframed