4315 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Mappenwerke -- Edition Olympia25 Plakate. Rastersieb- und Offsetdrucke auf Velin. 1972.Bis ca. 100,8 x 63,7 cm (Blattgröße).Herausgegeben von der Edition Olympia, 1972. Neben der signierten Auflage von 200 Exemplaren entstand die unsignierte, limitierte Auflage von 3000 Exemplaren. Die Veranstalter der XX. Olympischen Spiele München 1972 und der Bruckmann Verlag forderten international bekannte Künstler der Gegenwart auf, Werke zu schaffen, die im Sinne des Baron de Coubertin die Verbindung zwischen Kunst und Sport dokumentieren. Das Ergebnis ist eine Folge, die einen breiten Überblick über die Kunst um 1970 bietet und ein beeindruckendes Zeugnis der stilistischen Vielfalt dieser Zeit darstellt. Enthalten sind Arbeiten folgender Künstler: Valerio Adami, Josef Albers, Ottmar Alt, Horst Antes, Shusaka Arakawa, Allan d'Arcangelo, Max Bill, Eduardo Chillida, Alan Davie, Piero Dorazio, Hans Hartung, David Hockney, Ronald Brooks Kitaj, Oskar Kokoschka, Charles Lapicque, Jacob Lawrence, Jan Lenica, Marino Marini, Peter Phillips, Richard Smith, Pierre Soulages, Victor Vasarely, Tom Wesselmann und Paul Wunderlich (2).- Erratum: Bei der Technik handelt es sich um Rastersieb- und Offsetdrucke statt, wie ursprünglich angegeben, um Siebdrucke und Lithographien. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Henry Avoiding the Sun, August. 1975C-Print, 1976. Kodak-Papier. 24 × 17,9 cm (27 × 20,6 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ⅛ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Henry Avoiding the Sun, August. 1975C-print, 1976. Kodak paper. 24 × 17,9 cm (27 × 20,6 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ⅛ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Yves Marie Asleep, May. 1974C-Print, 1976. Kodak-Papier. 24 × 17,9 cm (27 × 20,8 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ¼ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Yves Marie Asleep, May. 1974C-print, 1976. Kodak paper. 24 × 17,9 cm (27 × 20,8 cm) ( 9 ½ × 7 in. (10 ⅝ × 8 ¼ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). John St. Clair Swimming, April. 1972C-Print, 1976. Kodak-Papier. 18 × 23,8 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). John St. Clair Swimming, April. 1972C-print, 1976. Kodak paper. 18 × 23,8 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Two Lemons and Four Limes, Santa Monica. 1971C-Print, 1976. Kodak-Papier. 18 × 23,9 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 + 20 A.P. nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2001] Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Two Lemons and Four Limes, Santa Monica. 1971C-print, 1976. Kodak paper. 18 × 23,9 cm (20,8 × 27 cm) ( 7 ⅛ × 9 ⅜ in. (8 ¼ × 10 ⅝ in.)). Initialed in the margin lower right: "DH“, editioned lower left (ligature).One of 80 + 20 A.P. editioned prints from the Edition „Twenty Photographic Pictures by David Hockney“ published by Sonnabend Gallery, New York, 1976. [2001] We charge 30% premium on the hammerprice.

David Hockney, Hockney's Alphabet, with contributions by Stephen Spencer, limited edition, signed by the author and the editor, yellow library buckram, Faber & Faber, 1991, no slip case, and four further books on Hockney (5)Condition report: No slip case, other with dust jackets worn.

Art to include David Hockney by David Hockney, Gordon Smith "Mervyn Peake", Sue Rowe "Gwen John", Thames & Hudson Art History, many volumes, Degas, Gaugin, etc (1 box and volumes) BOOKS NOT COLLATED UNLESS OTHERWISE STATED, PLEASE ENSURE YOU ARE SATISFIED BEFORE YOU BID

DAVID HOCKNEY (BORN 1937)AN EXHIBITION POSTER FOR THE TATE GALLERY EXHIBITION, "TRAVELS WITH PEN, PENCIL AND INK, DRAWINGS AND PRINTS, 1961-1979", July 2 - August 3 1980, unframed. 76cm by 50.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Not signed, poster print. Good condition. Unframed, slight folding to tips of two corners. 

Olivia Manning, The Levant Trilogy: 'The Danger Tree - The Battle Lost and Won - The Sum of Things', London, Weidenfeld & Nicholson, 1977, 1978, 1980, 1st editions, all original cloth, all in unclipped dust wrappers by David Hockney, Edward Ardizzone & Alun Hood respectively. Manning's second major semi autobiographical wartime novel sequence (3)

A collection of approximately 20 assorted art books, mainly Modern art including Edward Hopper, Paula Rego, Andre Derain, Lucian Freud, Euan Uglow, Anita Klein, Francis Bacon, David Hockney, Julio Larraz, Kevin Sinnott, Paula Modersohn-Becker etc. From the collection of Nicholas Simington (1930-2020), DA Glasgow School of Art, professional artist of over 40 years, who exhibited at The Serpentine Gallery, London, and in one-man shows in numerous galleries across the UK. Following his studies at the Glasgow School of Art from 1968-1972, he taught at Garrion Academy before moving to Norfolk in 1975, from then on painting tirelessly and producing an impressive body of work. To his delight, at the age of 83, he was shortlisted for the Artist of the Year award by Artists & Illustrators magazine, and he continued to paint every day until he was 86.

David Hockney 'A Bigger Picture' RA Exhibition Poster & 'The Stage' Hayward Gallery Exhib. poster, both framed 75cm x 50cm and 'Danse a l'Opera' Stephane Ruet photo. Exhib. poster (3)

Norah McGuinness HRHA (1901-1980) Melon on Terrace Table (1950) Oil on canvas, 55.5 x 89cm (21¾ x 35'') Signed; inscribed with title verso 'Terrace Table with Melon' Provenance: With Taylor Galleries, Dublin, March/April 1979, where purchased by the current owner. In the early 20th century Irish Art was steeped in tradition. The formation of the Free State in 1922 saw a nation scrambling to recapture its identity, focussing on academic depictions of rural life to separate them from an ever more modern Britain. For those artists who wished to escape this insularity, continental Europe provided the perfect opportunity. Like many Irish artists before her, Norah McGuinness travelled to Paris in 1929 to study under André Lhote and was immersed in the excitement of the European art scene. Under Lhote, McGuinness learned Cubism but, within her circles, she would have been exposed to Fauvism, Impressionism, Futurism and a myriad of ideologies in between. Leaving Paris, McGuinness took what she had learned and went to London where she briefly settled until WWII convinced her that it was time to return to Ireland. Arriving in Dublin alongside many fellow artists in the same position, McGuinness found a country devoid of new thought. Art remained in the clutches of academia, with the RHA acting as the sole exhibition space for contemporary artists. Dissatisfied, the Irish Exhibition of Living Art was established in 1943, with McGuinness among its founding members. A year later, McGuinness succeeded Mainie Jellett as president of the foundation and she continued to head it for over twenty years, encouraging and promoting modern art in Ireland. The IELA served as a platform for non-academic artists to show their works and, following the end of the War, continental artists were invited to exhibit their pieces also, creating an influx of modern ideals to the country. Suddenly, pieces by Hockney, Picasso, Manet and Miro were all accessible from Dublin and the artistic revolution was well underway. A pioneer for the modern art movement, Norah McGuinness was selected, alongside Nano Reid, to represent Ireland at the 1950 Venice Biennale. This was the first time that Ireland had entered the exhibition and it was therefore paramount that they put their best work forward. Believing that the unique styles of Reid and McGuinness could proudly hold their own against paintings by Jackson Pollock and Willem de Kooning, they were sent off with twelve works each. The exhibition was a success, with the Italian president even purchasing one of McGuinness' works. In the same year, McGuinness painted the current lot, 'Melon on Terrace Table'. A joyful and eclectic mix of different styles, this work oozes continental charm and demonstrates McGuinness as someone who is acutely aware of the progress ravaging the art world. The neon yellow table tips its hat to the Fauves, whilst the flattened subject matter and distorted perspective shows Lhote's Cubist legacy. Furthermore, the swift, loose treatment of the spoon and cloth belie the influence of early 20th century Impressionism, yet the image is distinctly McGuinness. The bold lines remember her time as an illustrator and the carefully placed items are reminiscent of her days in set design. A beautiful piece, 'Melon on Terrace Table' is representative of mid-20th century Irish art in that, rather than following a specific and doctored method of painting, it is all-inclusive, allowing the scene's energy to dictate the style.

Olympische Spiele München 1972. 28 originalgraphische Plakate (Farblithographien, Farbserigraphien). 1972. 102 : 64 cm. Im Druck signiert. Vollständige Folge aller 28 Plakate zu den Olympischen Spielen. - Jeweils 200 Exemplare erschienen nummeriert und signiert und in unterschiedlichen Formaten, weitere 4000 Exemplare wurden (wie hier vorliegend) originalgraphisch gedruckt. Die Blätter dieser Auflage sind im Druck signiert. Die unlimitierten Offsetdruck-Auflagen weichen im Format ab. - Folgende Künstler waren an dem Projekt beteiligt: Valerio Adami, Josef Albers, Otmar Alt, Horst Antes, Shusaki Arakawa, Max Bill, Eduardo Chillida, Allan d'Arcangelo, Alan Davie, Piero Dorazio, Hans Hartung, David Hockney, Friedensreich Hundertwasser, Allen Jones, Ronald Brooks Kitaj, Oskar Kokoschka, Jan Lenica, Charles Lapicque, Jacob Laurence, Marino Marini, Peter Philipps, Serge Poliakoff, Richard Smith, Pierre Soulages, Victor Vasarely, Tom Wesselmann, Fritz Winter und Paul Wunderlich. - Enthalten sind 18 Farblithographien, davon drei mit Prägedruck (Davie, Philipps, Wunderlich) und eine mit Papiermontagen (Richard Smith) sowie zehn Farbserigraphien, davon eine mit Metallauflagen (Hundertwasser) und eine auf Silberfolie (Arakawa). - Gedruckt wurden die Poster bei Matthieu, Kroll, Mourlot, Maeght, Domberger u. a. - Sehr gut erhaltene Folge.Vier Blätter im Unterrand und rückseitig etwas fleckig (druckbedingt), eins mit leichten Randknittern - sonst tadellos frisch.Werkverzeichnisse (Auswahl): Antes: Lutze 638 a. - Chillida: vgl. van der Koelen 72032. - Hundertwasser: Koschatzky HWG 54. - Kokoschka: Wingler/Welz 449. - Marini: Guastalla 264. - Poliakoff: Rivière 77. - Soulages: Rivière 31. - Wunderlich: Jenssen 191

David Hockney signed colour postcard. Signed on reverse. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

David George Fawcett AID FRSA (1935-1973), Wooded landscape, oil on board, together with a further example by the same hand (2) David George Fawcett was a friend and contemporary of David Hockney

After David Hockney (b.1937), a poster for 'David Hockney: A Retrospective', offset lithographic poster printed in colours, 1988, on wove paper, published by the Metropolitan Museum of Art, New York, 24.2 cm x 29.3 cm with margins, framed and glazed.

Alan CristeaPatrick Caulfield The Complete Prints 1964-1999The catalogue raisonné, with Craig Hartley The Etchings of Lucian Freud, 1946-1995, five books on David Hockney, two on R.B.Kitaj and a catalogue on Paula Rego's Nursery Rhymes, all with title-pages, text and reproductions, bound as issued in the original boards and most with slipcases, various sizes (vol) (11)

δ David Hockney (b.1937)David Hockney at Andre EmmerichOffset lithographic poster printed in colours, from the first edition, 1969, published by Andre Emmerich Gallery, New York, on wove paper, the full sheet printed to the edges, sheet 664 x 930mm (26 x 36 6/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet printed to the edges, 845 x 620mm (33 1/8 x 24 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Anthony Gross (1905-1984) La Bourdette, 1932 signed and titled in pencil (in the margin), dated (in the plate) etching 25 x 38cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

David Hockney (b.1937) Modern Graphics 1969-1979 exhibition poster for Arun Art Centre, West Sussex offset lithograph 81 x 51cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

David Hockney (b.1937) The Nineteenth New York Film Festival, 1981 exhibition poster for The Film Society of Lincoln Center offset lithograph on wove paper 99 x 67cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Brendan Neiland (b.1941) West Central II, 1976 signed, titled, dated, and numbered in pencil (in the margin) screenprint 68 x 88.5cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Jeffery Edwards (b.1945) The Morning After, 1973 53/85, signed, titled, dated, and numbered in pencil (in the margin) screenprint 64 x 74cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Boyd & Evans (b.1944 and b.1945) Passing Through, 1980 115/125, signed, dated, and numbered in pencil (in the margin) screenprint 38 x 89cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

David Oxtoby (b.1938) Roger Who?, 1974 28/30, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Roger Daltrey etching and aquatint 58 x 39cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

David Oxtoby (b.1938) Rock on J.C, 1974 24/50, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Jim Capaldi etching and aquatint 58.5 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Terry Willson (b.1948) Eighteen Portraits, 1978 portfolio of 18 etchings, aquatints, lithographs and screenprints 92/100, each signed and numbered in pencil published by Palm Tree Editions, London 26.2 x 22cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

David Hockney (b.1937) Santa Fe Festival Theatre, 1981 exhibition poster offset lithograph published by Petersburg Press 79 x 63cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Peter Schmidt (1931-1980) Flowing in the Right Direction, 1971 artist's proof, signed in pencil (in the margin) lithograph 73 x 53cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Gerd Winner (b.1936) Underground Holborn, 1970 67/75, signed and numbered in pencil (in the margin) screenprint 97 x 70cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

Anthony Gross (1905-1984) Study of Waves, 1935 36/50, signed, titled, and numbered in pencil (in the margin) etching 21 x 27cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Gerd Winner (b.1936) Mince Wall, 1978 66/75, signed and numbered in pencil (in the margin) screenprint 99 x 71cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Henry Moore (1898-1986) Sculptures Dark Interior, 1973 proof aside from the edition of 75 lithograph published by Curwen Prints 51 x 67cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Tom Phillips (b.1937) Four lithographs from a Humument, circa 1970 each numbered 12/15 and signed in pencil (in the margin) lithographs 38 x 28cm (4). Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Glynn Boyd Harte (1948-2003) James Smith & Sons (Umbrella Shop) 13/160, signed and numbered in pencil lithograph 71 x 56cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Tom Phillips (b.1937) Ten Views of the Union Jack, 1976 screenprint published by Editions Alecto 97 x 56cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Michael Fell (b.1939) Riverscape 3/100, signed, titled, and numbered in pencil (in the margin) etching 55 x 78cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

David Oxtoby (b.1938) The Man, 1974 24/50, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Steve Winwood etching and aquatint 58 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

After Alexander Calder (1898-1976) Abstract from Derrière le Miroir 171, 1968 bears inscription in pencil (to reverse) printed text by Giovanni Cardente and Jacques Dupin (to reverse) lithograph 38 x 28cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Tess Jaray (b.1937) Untitled, 1967 artist's proof, signed in pencil (in the margin) screenprint 56 x 63cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Anthony Gross (1905-1984) La Foule, Praire des Filtres, Toulouse, 1957 40/40, signed, titled, and numbered in pencil (in the margin) etching 29 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

Norman Stevens (1937-1988) Mount Etna; China Wall; and Easter Island, 1974 each signed, titled, numbered, and dated in pencil etching and aquatints 38.5 x 36cm, unframed (3). Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

David Oxtoby (b.1938) Experienced Acquaintance, 1974 28/30, signed, titled, dated, and numbered in pencil (in the margin) etching and aquatint 58 x 39cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Tsuyoshi Yayanagi (b.1933) Robe Otee, 1975 13/15, signed, titled, numbered, and dated in pencil (in the margin) screenprint 79 x 55cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Norman Stevens (1937-1988) Square, 1973 37/50, signed, titled, numbered, and dated in pencil (in the margin) etching and aquatint 57 x 79cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Richard Beer (1928-2017) Strong Ladies 1/100, signed and numbered in pencil (in the margin) etching and aquatint 77 x 58cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Norman Stevens (1937-1988) A Corner of Crathes Castle Garden, 1982 115/125, signed, titled, dated, and numbered in pencil (in the margin) screenprint 80 x 94cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

Alfred Hrdlicka (1928-2009) Karfreitag, 1966 signed, dated, and titled in pencil (in the margin) etching and aquatint 109 x 75cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Anthony Gross (1905-1984) Paper Dolls - Madrid, 1925 signed, titled, and dated in pencil (in the margin) etching 31 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Terry Willson (b.1948) Anonymous Portrait No.5, 1977 signed and dated (lower right) mixed media 72 x 52cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Ceri Richards (1903-1971) Trafalgar Square, 1962 77/100, signed, dated and numbered in blue crayon (in the margin) lithograph 47 x 83cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Patrick Hughes (b.1939) Solid Sky, 1979 signed, dated, and titled in pencil (in the margin) lithograph 52 x 61cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Derrick Greaves (1927-2002) Vase and Falling Petal, 1971 artist's proof, signed in pencil lithograph 66 x 50cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

David Hockney (b.1937) In an old book (MCA Tokyo 52), 1966 etching on Crisbrook handmade paper from a numbered portfolio numbered 134 of 500 published by Editions Alecto, London, 1967 34.5 x 22.5cm. 

Joe Tilson (b.1928) Transparency, 1970 artist's proof, signed and dated in pencil lithograph 79 x 58.5cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Allen Jones (b.1937) Life Class, 1968 exhibition poster for Editions Alecto Ltd, London offset lithograph 85 x 54.5cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

*After David Hockney 'Little Boodge'offset-lithograph, published by 1853 Gallery, Salt Mills, Saltaire, Yorkshiresheet 28 x 42cm, unframed*Artist's Resale Right may apply to this lot.Condition report: in original condition, some slight yellowing to the very edges of the sheet.

A DAVID HOCKNEY EXHIBITION POSTER IN CLIP FRAME.