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MANUEL TERÁN (Chile, 1974)."Eclectic Lucio Fontana". Tribute to genius series, 2021.Oil on canvas.Damaged on the frame.Signed in the lower right corner. Signed, dated and titled on the back.Size: 107 x 139 cm; 114 x 142 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

MANUEL TERÁN (Chile, 1974). "Tribute to Kusama and Velázquez". Tribute to genius series, 2022.Oil on panel.Slight damage to the frame.Signed in the lower right corner. Signed, dated and titled on the back.Measurements: 101 x 82 cm; 133 x 114 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

MANUEL TERÁN (Chile, 1974)."Tribute to Picasso", Tribute to the Geniuses Series, 2020.TechniqueWork reproduced in the Catalogue of the exhibition Tribute to the Geniuses at the Antonio Saura Foundation. Casa Zavala. Cuenca. Cuenca. Spain. 2021.p.30.Signed in the lower right corner. Signed, titled and dated on the back.Measurements: 73 x 116 cm.In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

David Hockney OM CH RA, British b. 1937- Dog 38, 1995; Dog 43, 1995;each offset lithographic poster, each 53 x 64.8 cm, (unframed) (ARR) (2) Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- Little Boodge, 1993; offset lithographic poster on wove, sheet: 28 x 42, (unframed) (ARR)Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- Gorge d'Incre (from Some More New Prints), 1993; lithograph and screenprint on Arches 88 wove, signed, dated and numbered 45/68 in pencil, published by Gemini G.E.L., Los Angeles, image: 53 x 64 cm, (framed) (ARR) Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- David Hockney: Complete prints, Gallerie Mikio, Berlin, 1968; offset lithographic poster, sheet: 84 x 59.5 cm, (unframed) (ARR) Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- My Mother (Bridlington) 1988;offset lithographic poster on T.H Saunders Waterford paper, signed in black pen, from the edition of 250, printed by the Westerham Press, sheet: 77 x 51.5 cm, (ARR)Note: This poster was produced exclusively for the Mail on Sunday to accompany the artist's retrospective exhibition at The Tate Gallery, London. The work comes with a certificate of authenticity from the Mail on Sunday, dated 1988Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- Olympische Spiele München, 1972; offset lithographic poster in colours on thin wove, stamped signature, printed by Editions Olympia, Munich, sheet 101 x 64 cm, (unframed) (ARR)Please refer to department for condition report

AMENDMENT- please note this lot is unframed.David Hockney OM CH RA, British b. 1937- Waiting at York, 180, 2010; ipad drawing in colours on wove, signed, dated and numbered from an edition of 25, 94 x 71.1 cm, (unframed) (ARR) Note: Hockney’s experimentalism with new medias and technologies is represented in ‘Waiting at York’, an early iPad drawing, made in the first year Hockney was working on an iPad. Prior to working on an iPad, Hockney experimented with the capabilities of an iPhone. Hockney first discovered the iPhone during the winter of 2008. “I was fascinated by it, because I think it’s a stunning visual tool”. He stated that “It took a while to master how to get thicker and thinner lines, transparency and soft edges. But then I realised that it had marvellous advantages.” He uses an app called Brushes. “People keep sending me new drawings apps to try out, but once you get used to one it’s sufficient.” Hockney often explores new technologies in his art. In the mid-1980s he bought one of the first colour photocopying machines and used it to create a series of works entitled Hand-Made Prints. A few years later, he did the same with the fax. When discussing using an iPhone, he states “There are gains and losses with everything. You miss the resistance of paper a little, but you can get a marvellous flow. So much variety is possible. You can’t overwork this, because it’s not a real surface. In watercolour, for instance, about three layers are the maximum. Beyond that it starts to get muddy. Here you can put anything on anything. You can put a bright, bright blue on top of an intense yellow.” In 2010, Hockney got his first iPad and was immediately converted to using that instead. “I thought the iPhone was great, but this takes it to a new level – simply because it’s eight times the size of the iPhone, as big as a reasonably sized sketchbook.” One discovery that came with the iPad was that the process of drawing could be re-run at the tap of a finger. The screen goes blank again, then lines and washes reappear one after another, apparently of their own accord. The result is, in effect, a performing drawing.Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- New Drawings, Salts Mill (portrait of John Fitzherbert), 1994; offset lithographic poster on smooth wove, signed in marker, produced by Salts Mill, visible image: 93 x 62.8 cm, (framed) (ARR) Please refer to department for condition report

MAPPENWERK: "Omaggio a Michelangelo", 1975.Mappe mit 13 Grafiken, darunter 8 teils farbige Radierungen und 5 Farblithografien, jeweils mit Textblättern und Impressum, erschienen bei "Studio Bruckmann Kunst" im "Druck Fine Art GmbH", München 1975. Aus Anlass des 500. Geburtstags von Michelangelo Buonarotti, hrsg. von der Bruckmann-Stiftung. Exemplar 59 / 200 in Leinenmappe mit goldgeprägtem grünen Lederdeckel, seitlich mit Druckknöpfen zu schließen. Die Blätter mit Bleistift signiert, limitiert und teils datiert, eines bezeichnet bzw. stellvertretend signiert "für Fritz Wotruba Lucy Wotruba". Auf unterschiedlichen Velinpapieren bis 79 x 59,5 cm. Umfasst die Arbeiten folgender Künstler: HORST ANTES (WVZ. Lutze 775(2)a), JORGE CASTILLO, EMILIO GRECO, RENATO GUTTUSO, DAVID HOCKNEY (WVZ. Scottish Arts Council 173), JEAN IPOUSTÉGUY, GIACOMO MANZÙ, MARINO MARINI (WVZ. Guastalla 325), ANDRÉ MASSON (nicht mehr bei Passeron), HENRY MOORE (WVZ Cramer 333), EDUARDO PAOLZZZI, FRITZ WOTRUBA, PAUL WUNDERLICH (WVZ. Riediger 506). Aus dem Nachlass einer westfälischen Sammlung. Die Grafiken vollständig und makellos, die Mappe mit Lagerpuren: an den Ecken berieben, Leinen partiell gelöst und Lederdeckel leicht verkratzt. Mappengröße 85 x 63 cm.

David Hockney, Limited Edition colour print ' An Etching..... ', signed and numbered 234 of 2000, 30ins x 19.5ins approximately, in a silvered frame (glass at fault)

Walasse Ting Grell und voller Lebensfreude One cent life. Herausgegeben von Sam Francis. Bern, E. W. Kornfeld 1964. - Großartiges Malerbuch der 60er Jahre - Eine der schönsten Publikationen der Pop-Art und des abstraktem Expressionismus - Gemeinsames Künstlerprojekt von europäischer und amerikanischer Avantgarde 'Die Bibel der amerikanischen Pop-Art' (Wulf D. von Lucius) Die wohl bekannteste und wichtigste Synthese der avantgardistischen künstlerischen Strömungen Europas und Amerikas der 60er Jahre. Unter anderem im Stil des abstrakten Expressionismus, Tachismus und der Pop-Art verbinden sich hier Text und Illustration auf einfallsreiche Art. - 1 von 2000 numerierten Exemplaren. Druck bei Maurice Baudet, Paris, die Typographie stammt von Georges Girard. Enthalten sind u. a. Arbeiten von Pierre Alechinsky (Rivière 324-238), Karel Appel, Enrico Bay, Allen Davie, Jim Dine (Bonin/Cullen 78), Sam Francis (Lembark L78-L83), Robert Indiana, Asger Jorn (van de Loo 266, 267), Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Antonio Saura, K. R. H.Sonderborg, Walasse Ting, Bram van Velde, Andy Warhol und Tom Wesselmann. 'In Wahrheit handelt es sich bei weitem nicht nur um Pop-Künstler, sondern ebenso um viele Vertreter des abstrakten Expressionismus wie Sam Francis oder außerhalb Amerikas A. Saura. Das vom Buch insgesamt ausstrahlende Lebensgefühl von Grellheit, Lebensfreude und Ansätzen von trash culture (z. B. bei Mel Ramos) ist aber doch ganz das der Pop-orientierten 60er Jahre.' (W. D. von Lucius) 'This book was characteristic of the casual and iconoclastic nature of the 1960s.' (Logan Coll.) EINBAND: Lose Bogen in farbig illustriertem Orig.-Leinenband mit Orig.-Umschlag, in Schuber. 41 : 30,5 cm. - ILLUSTRATION: Mit 62 tlw. doppelblattgroßen farbigen Orig.-Lithographien von S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle u. a. - PROVENIENZ: Privatsammlung Hamburg. LITERATUR: Castleman S. 208-209. - From Manet to Hockney 135. - Logan Collection 155. - Lucius, Bücherlust 40. - Das Buch des Künstlers 14. - Arnold 2827. The presumably most renowned and most important synthesis of avant-garde artistic European and American tendencies of the late 1960s. With 62 orig. lithographs, partly double-page and in colors, by S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle et al. Loose sheets in orig. cloth illustrated in colors with illustr. orig. wrappers, slipcase in Green. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

David Hockney The Boy who left home to learn fear, from Six fairy tales from the Brothers Grimm. (London, Petersburg Press 1969-70). Seltene Portfolio-Ausgabe des Märchens im Leporelloformat, das Titelblatt von Hockney signiert und numeriert. 1 von 100 numerierten Exemplaren auf Hodgkinson Büttenpapier mit dem Wasserzeichen 'DH PP'. - Prachtvoll gestaltetes Leporello mit Hockneys Interpretation des Grimmschen Märchens The boy who left home to learn fear . Mit den Orig.-Radierungen Home - The bell towe - The sexton disguised as a ghost - The sexton disguised as a ghost stood still as stone - Corpses on fire - The haunted castle - The carpenter's bench, a knife and fire - A black cat leaping - The lathe and fire - Inside the castle - Cold water about to hit the prince. 'Die virtuos radierten Illustrationen vermitteln in ihrer technischen Vielfalt eine Vorstellung von den Ausdrucksmöglichkeiten der Graphik als bildkünstlerischem Mittel, über die David Hockney verfügt' (Schulz) EINBAND: Lose Lagen in Leporellofaltung in Plexiglas-Kassette. 46,5 : 64 cm. - ILLUSTRATION: Mit 11 (4 ganzseitigen) Orig.-Radierungen von David Hockney. LITERATUR: Scottish Arts Council 87-97. - Schulz, Malerbücher S. 50. - Arnold Malerbuch 1097. - From Manet to Hockney 146. Rare portfolio edition, copy 54 of 100, with full margins, bound as leporello, with 11 orig. etchings (4 full page), title page and text, on Hodgkinson handmade wove paper, signed and numbered in pencil on the title page. - Wrappers with minor soiling and minim. creases, otherwise in good condition. Dieses Objekt wird regelbesteuert angeboten (R).

A framed and glazed David Hockney "The Metropolitan Museum of Arts" poster for June 18th to August 14th 1988

A David Hockney original lithographic print 1970 ICA

Box of mixed books to include David Hockney Camera Works and Birds Britannica etc

▴ David Hockney CH RA (b.1937)'Two Apples, One Lemon and Four Flowers', 1997offset lithograph in colours, as published in The Independent newspaper on 7 January 1997, the artist called it a 'newsprint' image size 33 x 53cmCondition ReportIn a clip frame, size: 40 x 60cmNot examined out of glazed frame, time staining and colours a little faded.

▴ David Hockney OM CH RA (b.1937)'Little Boodge'offset lithograph, published by Salts Mill, Yorkshiresheet 28 x 42cm Condition ReportPrint taped at the back in each corner to a piece of paper. Yellowing to extreme edges. Framed in clip frame

David Hockney CH RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours, signed and dated in plate102 x 64cm, unframedCondition ReportUnframed. There is a crease roughly midway along bottom edge with a tiny upward tear (1mm) and very slight crease lower left corner, please refer to images. The bottom left corner has a slight mark on it. The appearance of this may be reduced by having the work framed. Other than this, the rest of the print is in good condition.

Don Bachardy (American, b.1934)Portrait of Sir John Galway FosterSigned 'Bachardy' l.l., signed 'J Foster' and dated 'Nov 4 1964', pencil and ink on paper 73 x 57cmFoster was notable English lawyer who ran in the same circles as David Hockney, Christopher Isherwood, Don Bachardy, and Marguerite Littman in the late 1960s. He is notable for having owned Hockney's famous double portrait of Isherwood and Bachardy.Condition ReportFramed: 78 x 62cm. Not viewed out of glazed frame. Paper appears to be in good condition. See images for further details.

David Hockney (1937) 'Sun', colour poster for touring exhibition January 1979-March 1980 of his prints 1954-77, produced and published by Gemini GEL, 95.5 x 66.5cmCondition reportFoxing all round the edges and going into the top right of image.

Kalender Olympische Spielealle signiert und bezeichnet Edition Olympia 1972 GmbH 1970, Abreißkalender des Bruckmann Verlag München mit dreizehn Reproduktionen der Künstlerplakate von Allen Jones, Horst Antes, Jan Lenica, David Hockney, Allan D'Arc Angelo, Serge Poliakoff, Pierre Soulages, Marino Marini, Piero Dorazio, Charles Lapicqu'e, Fritz Winter, Shusaku Arakawa und Victor Vasarely, sehr gute Erhaltung, im originalen Einschlagpapier, Maße 48 x 29 cm.

Plakat Olympische Spiele München 1972datiert und bezeichnet Reproduktions-Plakat © Edition Olympia 1972 GmbH 1971, Printed in Germany, signiert, Arbeit von David Hockney, Farboffsetdruck auf Papier, leichte Altersspuren, ungerahmt, Blattmaße je ca. 100 x 64 cm.

Dushyant Patel (Indian, B.1987)Untitled (Landscape) signed and dated in Gujarati 2021 lower right and signed, dated, medium, size and year versooil on canvas, framed30.3 x 30.3cm (11 15/16 x 11 15/16in).Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Born in Ahmedabad, Patel obtained his Diploma in Painting from the Sheth C.N College of Fine Arts, Ahmedabad and subsequently obtained his Post Diploma in Printmaking from the University of Baroda, Vadodara. Heavily influenced by Hockney and Dali, his works have a surreal quality to them. This can be seen through the two landscapes in this auction, in which he attempts to draw out emotion and the two watercolours through which he explores the relationship between male and female; the metaphorical house seated on the dog, and the flowers on the donkey.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Nine various hardback and paperback books relating to David Hockney plus ephemera, gallery exhibition catalogues etc.

Hockney, David - 'Secret Knowledge', published by Thames & Hudson, London, 2001, first edition, yellow cloth boards with dust jacket, large 4to, also twelve other modern art and antiques reference works. (13)

Band Aid: Visual Aid For Band Aid,1985,No.399 of 500, limited edition print, published by Coriander Studios, featuring various artworks, signed and annotated in various inks and pencils by 104 artists including David Hockney, Bridget Riley, Howard Hodgkin, Eduardo Paolozzi, Peter Blake, Sandra Blow, Paula Rego, Patrick Heron, John Piper, Richard Hamilton, Elisabeth Frink and Patrick Caulfield, among others; rolled, framed and glazed, accompanied by a copy of the certificate, 48in x 36in (122cm x 91.5cm)Footnotes:The aim of the Visual Aid for Band Aid prints was to raise £250,000 for the poorest people of Africa following the Live Aid broadcast.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY (BRITISH B. 1937)PISCINES DE PAPIERColour exhibition poster, 197893 x 85.5cm (36½ x 33½ in.)Condition Report: Unexamined out of glazed frame. Appears to be in good original condition. Colour is good.Condition Report Disclaimer

Neil Bousfield The Calling, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield Scout, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield Coastal Sunrise, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield The Return, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

A set of Glyndebourne opera programmes, including covers by David Hockney and John Piper

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). „Henry reading the newspaper“. 1976Lithografie auf Papier. 62 × 46 cm (24 ⅜ × 18 ⅛ in.). Signiert.Scottish Arts Council 197.–Einer von 71 nummerierten Abzügen (im Werkverzeichnis abweichend als Auflage von 21 angegeben). Los Angeles, Gemini GEL, 1977 (mit dem Prägestempel des Herausgebers sowie rückseitig mit dem Stempel des Herausgebers und der Werkstattnummer in Bleistift: DH 16-801). [3587] Gerahmt.Provenienz: Sammlung Kampmann-Ludwig, Berlin (1978 in der Galerie Mikro, Berlin, erworben)Zustandsbericht: Ex. 49/71 In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Oben mittig mit einer hauchfeinen Fingerspur. Schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). „Henry Geldzahler with Hat“. 1976Lithografie auf Papier. 36,5 × 32 cm (14 ⅜ × 12 ⅝ in.). Signiert, datiert und rückseitig betitelt.Scottish Arts Council 181.–Einer von 76 nummerierten Abzügen (im Werkverzeichnis abweichend als Edition von 96 angegeben). Los Angeles, Gemini GEL, 1976 (mit dem Prägestempel des Herausgebers sowie rückseitig mit dem Stempel des Herausgebers und der Werkstattnummer in Bleistift: DH 76-760). [3587] Gerahmt.Provenienz: Sammlung Kampmann-Ludwig, BerlinZustandsbericht: Ex. 66/76 In gutem Zustand. Das Papier leicht gebräunt. Die Blattkanten ohne Einrisse oder Fehlstellen. Am rechten Rand stellenweise leicht stockfleckig. Schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). „Mo McDermott“. 1976Lithografie auf Velin. 82,5 × 60 cm (32 ½ × 23 ⅝ in.). Signiert, datiert und rückseitig betitelt.Scottish Arts Council 178.–Einer von 100 nummerierten Abzügen, aus einer Gesamtauflage von 132. Los Angeles, Gemini G.E.L, 1976 (mit dem Prägestempel des Herausgebers sowie rückseitig mit dem Stempel des Herausgebers und der Werkstattnummer in Bleistift: DH 76-774). [3339] Gerahmt.Provenienz: Privatsammlung, Bayern (1977 in der Galerie Mikro, Berlin, erworben)Zustandsbericht: Ex. 17/100In gutem Zustand. Das Papier etwas gebräunt und mit einem leichten Lichtrand. Die Blattkanten ohne Einrisse oder Fehlstellen. Die linke untere Ecke etwas stockfleckig. Am rechten Rand vereinzelte hauchfeine Druckfalten sowie zwei hauchfeine Bereibungen. Schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Original vintage sport poster promoting the 1972 Summer Olympic Games in Germany featuring a great image by a British artist David Hockney (b.1937) of a diver diving into water. Acceptable condition, creasing, tears, paper skimming, pen drawing and writing on reverse side. Country of issue: Germany, designer: David Hockney, size (cm): 100x64, year of printing: 1971.

DAVID HOCKNEY (1937 Bradford, lebt in Los Angeles) Portrait of Felix Man (The Print Collector)Lithographie auf Arches-Velin. 1969.65,5 x 50,2 cm.Signiert "David Hockney". Auflage 65 num. Ex.Scottish Arts Council 113.Prachtvoller Druck der blattfüllenden Darstellung, oben und unten mit dem Schöpfrand.Blatt 2 aus der Mappe "Europäische Graphik VII (Englische Künstler)", das den Fotojournalisten und Kunstsammler Felix Man in nüchternem Profil auf einem Stuhl sitzend darstellt. Erschienen in der Edition Wolfgang Ketterer, München 1971, mit deren Trockenstempel unten links.

DAVID HOCKNEY (1937 Bradford, lebt in Los Angeles) Homage to Michelangelo, aus "Omaggio a Michelangelo"Radierung und Aquatinta in Schwarz und Rot auf Arches-Velin. 1975.46,6 x 66,5 cm (59,7 x 79,3 cm).Signiert "David Hockney" und datiert. Auflage 25 artist's proofs.Scottish Art Council 173. Museum of Contemporary Art Tokyo 162.Prachtvoller Druck des großformatigen Blattes mit breitem, vollen Rand, an zwei Seiten mit dem Schöpfrand.Aus dem Portfolio "Omaggio a Michelangelo", erschienen zum 500. Geburtstag von Michelangelo Buonarotti. Herausgegeben von Studio Bruckmann Kunst im Druck Fine Art GmbH, München 1975, gedruckt bei Atelier Crommelynck, Paris, mit deren Trockenstempel unten links. Außerhalb der Auflage von 200 nummerierten Exemplaren.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a Centaur on Sofa, H 31cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a studio pottery sculpture of a Grazing Cow, H 26cm, together with another Cow, at fault (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a reconstituted stone garden sculpture of a Headless Horse, on a rocking style base, H 57cm.  Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), The Hunt, oil on canvas laid down on board, signed L. E. Rudge lower right, 59cm x 140cm, framed, mildewed, some minor losses and needs cleaning. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a studio pottery sculpture of a Baby, modelled laying on her stomach, L 36cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a Centaur, with rainbow design, firing crack to arm and nibbles to base and sides, L 37cm x H 51cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture Centaur on Pedestal Base, numbered 52, firing crack to arm and some chips to base, H 53cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of an elongated Cow, with chess board design, numbered 25, H 45cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery Sculpture, H 32cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a large fibreglass garden sculpture of a Pony, modelled grazing, L 105cm x H 75cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of George Stubbs, modelled riding a horse, raised on a plinth base, chip to boot, H 58cm overall. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a studio pottery Vase, with glazed swirl decoration, H 17cm, together with a tall Vase, with circle decoration similar, some nibbles to edge, H 62cm (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), abstract landscape, oil on canvas, 50cm x 66cm, framed. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a Grazing Horse, with self portrait of the artist with a fox, H 26cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a round Cow, numbered 522, H 26cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter..

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a Border Collie, modelled playing with a football, L 38cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a flat Bunny, with orange decoration, H 20cm, together with a Hare (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), Not Another International, oil on canvas, signed with initials lower right, labelled verso 'Westward TV Open Art Competition 1979-1980', 122cm x 90cm, framed, mildewed and some minor losses Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lawson E. Rudge (b. 1936), a raku fired studio pottery sculpture of a Cow, modelled wearing red stilettos, H 31cm. Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.