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DAVID HOCKNEY FOR OZ , 1971, a print originally published to raise money for the OZ Obscenity Trial and portraying the OZ magazine editors Richard Neville, Jim Anderson and Felix Dennis as naked/innocent; thirty of these signed and numbered prints were auctioned to raise money and public awareness for the magazine's Obscenity Trial Appeal, but this print is unsigned and unnumbered, 58.5 x 91.5cm

DAVID HOCKNEY 'Stanley & Boodge II', lithograph, produced in 1995, on wove paper, published by 1853 Gallery, 81cm x 62cm, framed.

DAVID HOCKNEY 'Little Boodge', off set lithograph, produced in 1993, 27cm x 40cm, framed and glazed.

David Hockney, 'The Boy Hidden in a Fish', unsigned, etching, aquatint and drypoint, pl.23.5 x 27.5cm. 

David Hockney (b.1937)'In The Dull Village' from Fourteen Poems by C. P. CavafyEtching on handmade Crisbrook paperPublished by Editions Alecto 1966/7from the numbered book edition 258/500- Edition B.With receipt from The Goldmark Gallerysigned in pencil22cm x 34cm Framed - 48cm x 63cm*This Lot May Be Subject To Artist's Resale Rights*

A souvenir ash tray 'David Hockney' Royal Academy of Arts plus other item

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet, 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet, 845 x 620mm (33 1/8 x 24 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney (b.1937) framed lithographic exhibition poster print 'The Metropolitan Museum of Art 1992' 45 cm x 57 cm (size including frame)

DAVID HOCKNEY 'Living Room and Terrace', 1986, lithograph in colours, 66cm x 91cm, unframed. (Subject to ARR - please see Buyers Conditions)

DAVID HOCKNEY 'Snow without Colour', original lithograph, on white Arjoman paper, signed in pencil, with publisher's blindstamps, 19/88, framed and glazed, 111cm x 95cm. (Subject to ARR - please see Buyers Conditions)

David Hockney, 4 menu card prints, including Langans Brasserie and Maxim's, framed (4)

David Hockney, lithograph, portrait of John Gielgud, signed in ink and in the plate, image 10" x 8", framed

δ David Hockney (b.1937)Rain on the Studio WindowInkjet printed computer drawing, 2009, signed, dated and numbered from the edition of 75 in pencil, on Epson Hot Press Natural paper, the full sheet, loose (as issued), together with the volume David Hockney My Yorkshire: Conversations with Marco Livingstone, the colophon page signed and numbered from the edition of 75 in pencil, the deluxe edition published in 2011 by Enitharmon, sheet 559 x 432mm (22 x 17in); Portfolio 588 x 458 x 30mm (23 1/8 x 18 x 11 3/4in) (one framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)The Poet (S.A.C 190)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 456 x 525mm (18 x 20 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Untitled No.12Ipad drawing printed in colours, 2010, signed, dated and numbered from the edition of 25 in pencil, on wove paper, with full margins, image 840 x 635mm (33 x 25in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Untitled No. 516, from A Bigger Book: Art Edition DiPad drawing in colours, 2010/2016, signed, dated and numbered from the edition of 250 in pencil, printed on archival paper, co-published by the artist, with their blindstamp, and Taschen, Berlin, the full sheet, sheet 560 x 432mm (22 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x 25 1/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Michelle and John SpikeInkjet printed computer drawing in colours, 2009, signed and numbered from the edition of 12 in pencil, on wove paper, framed to the artist's specificiations, with full margins, image 1150 x 780mm (45 1/4 x 30 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A modern presentation silver Armada dish, by Asprey Plc, London 1997, circular form, inscribed 'To Jimmy Benson with deep appreciation and affection from your Trustees American Associates of The Royal Academy Trust,' and with the names of the Trustees including David Hockney and Alfred Taubman, diameter 34.4cm, approx. weight 47.5oz. Sold on behalf of the Executors, The Estate of James 'Jimmy' Benson deceased. James "Jimmy" Benson (1925-2018) had two completely different distinguished careers: the first during World War II as a 'charioteer' and submariner; and the second from the 1960s in advertising at Oglivy & Mather International, where he oversaw many successful campaigns including Rolls Royce, Shell and Schweppes. In 1953, drawing on his war-time experiences, he co-wrote with his fellow submariner C E T Warren 'Above Us the Waves', which chronicled the attacks undertaken by the chariots and midget submarines on the German battleship 'Tirpitz' in the fjords of Norway. The book proved to be highly successful, and in 1955 turned into a film of the same name starring John Mills and Donald Sinden.

§ David Hockney (British B.1937) Paper Pools Signed and dated '80 and numbered 453/1000 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York, bears blindstamp, on Arches Cover paper, lithograph; Together with 'Paper Pools', the accompanying book, signed by the artist in red ink and stamp numbered 453 on the justification, with blue canvas covers and original slipcase (Dimensions: 26.5cm x 23cm (10.5in x 9in) (2))(26.5cm x 23cm (10.5in x 9in) (2))Footnote: Think of David Hockney, and immediately picture the sunshine-soaked, boldly-hued scenes of California homes and swimming pools that he is widely known for. After formative years spent in comparatively dreary Yorkshire, Hockney was immediately captivated by the bold colours and widespread luxury of Los Angeles. Private swimming pools were an extravagance in the U.K., but in the City of Angels, Hockney found them everywhere: he had discovered a subject. Paper Pools is a book chronicling a very specific moment in Hockney's creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were then applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting. Hockney found learning this new technique and its specific restrictions, creatively freeing. He realised the process could be very conducive to variations on a theme, and the swimming pool and the effects of different lights and movements on the water was captivating him once again - as he swam in and looked at Tyler's outdoor pool each day. In the resulting series, Paper Pools, Hockney creatively addresses a formal, and paradoxical problem: how to depict the elusive, ever-changing qualities of a body of water, in a flat, stationary, two-dimensional form. There is something conceptually satisfying in such a water-heavy process being used to attempt this. In these works, colour does not sit, it is fused, completely integrated into the medium. Water is the same; light and movement are subsumed into it, and thus its appearance and qualities change. The beautiful book fully illustrates this process, with a reflective text written by Hockney and accompanied by various illustrations - reference polariods he took of the swimming pool in different lights, line drawings capturing the physical process, reproductions of each work in the series as well as some in-process photographs; of the works still at the wet pulp stage before they were pressed. There is a vivid sense of the finished product, but also of the process that went into it: physical effort, litres of water, eclectic equipment, artistic imagination and a strong feeling of camaraderie. To celebrate the publication of the work, Hockney produced a six-colour, hand-drawn lithograph, which he signed and numbered. It revives his favoured subject, boldly depicting the swimming pool and diving board in strong colours. The gently rippling water is depicted with surface watery, wavy marks, overlaying the deeper, overlapping shadows - there is depth and movement, as Hockney manipulates different effects of lithographic mark-making. Paper Pools is a celebration of the artistic innovation and imagination of a very particular moment in Hockney's career, but also an encapsulation of some of the key themes and subjects of his wider oeuvre.

§ David Hockney (British B. 1937) Olympische Spiele Munchen, 1972 (Baggott 34) Lithograph, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, unframed (Dimensions: 115cm x 64cm (40in x 20.25in))(115cm x 64cm (40in x 20.25in))

§ David Hockney (British B.1937) 'Little Boodge' poster Offset lithograph, published by 1853 Gallery, Salts Mill, Saltaire, Yorkshire, unframed (Dimensions: 28cm x 42cm (11in x 16.5in))(28cm x 42cm (11in x 16.5in))

David Hockney, print for The Obscenity Fund, Richard, Jim and Felix, signed in the plate, 58 x 90cm and a group of assorted drawings and prints

After David Hockney (British 1937-): 'Nichols Canyon', lithograph exhibition poster 'A Retrospective The Metropolitan Museum of Art' 98cm x 60cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

A DAVID HOCKNEY ROYAL ACADEMY EXHIBITION CARRIER BAG circa 1980s, 38cm x 30.5cm, framed.

[David Hockney] Six Fairy Tales from the Brothers Grimm with Original Etchings by David Hockney published Petersburg Press 1970 first edition, a miniature leather bound book with silver lettering on cover  

R Nichols modern abstract 3D sculpture in perspex display case, label to front reads 'R Nichols Opus 2094 Oct 2004', width 44cm together with various modern art prints including Collywood tower block, Peter Joseph limited edition print, David Hockney interest print etc

1780 leather dictionary, David Hockney Six Fairy Tales etc

David Hockney R.A. (British, born 1937)Prisoner Offset lithograph, 1975, on wove, signed and numbered 13/100 in pencil, published for Amnesty International, Prisoners of Conscience Year 1977, the full sheet printed to the edges, 735 x 600mm (29 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR

David Hockney (British, born 1937)Untitled (Ashtray for Museo Tamayo Exhibition) Painted and glazed ceramic ashtray, 1984, signed with initials in red ink, from the edition of an unknown size, published on the occasion of the artist's exhibition at Museo Tamayo, Mexico City, 85 x 130 x 30mm (3 3/8 x 5 1/8 x 1 1/8in)(overall)This lot is subject to the following lot symbols: AR

After Sir Peter BlakeDavid Hockney in a Hollywood/ Spanish Interior Offset lithograph printed in colours, on smooth wove, signed and numbered 194/250 in pencil, with margins, 450 x 370mm (17 3/4 x 10 5/8in)(I)This lot is subject to the following lot symbols: AR

AR After David Hockney colour poster "An Exhibition of costume drawings and set designs" Ashmolean Museum, Oxford May 18 - June 30 1981, 75 x 93cm together with a further David Hockney poster "Parade" (2)

DAVID HOCKNEY, SWIMMING POOL CARPET, VORWERK -ARTERIOR COLLECTION, SIGNED WITH APPLIED LABEL TO UNDERSIDE. C.1988 196 x 301cms.

MARGARET HOCKNEY (20th century); pencil signed limited edition print depicting poppies, numbered 51/100, signed and dated 2003 lower right, 32.5 x 25.5cm, framed and glazed. (D)

David Hockney (British b.1937), 'A Bigger Splash 1967, folio giclee print on Somerset Enhanced cotton rag paper, published by The Tate; sheet: 45 x 35cm ARR

David Hockney (born 1937)Dog Wall Number 7 Etching, 1998, on Somerset white wove paper, signed, dated and numbered 30/35 in pencil, published by Pace Editions, New York, the full sheet, in very good condition, framedPlate 350 x 300mm. (13 3/4 x 11 7/8in.);Sheet 472 x 417mm. (18 5/8 x 16 3/8in.)This lot is subject to the following lot symbols: AR

David Hockney (born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 529/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framedSheet 265 x 228mm. (10 5/8 x 9in.)This lot is subject to the following lot symbols: AR

David Hockney (born 1937)My Pool and Terrace Etching and aquatint in colours, 1983, on wove paper, signed, dated and numbered 133/250 in pencil, from the portfolio 'Eight by Eight to Celebrate the Temporary Contemporary', published by the Museum of Contemporary Art, Los Angeles, the full sheet, in very good condition, framedImage 603 x 905mm. (23 3/4 x 35 5/8in.); Sheet 737 x 1059mm. (29 x 41 5/8in.)This lot is subject to the following lot symbols: AR

David Hockney (born 1937)Red Flowers and Green Leaves, Separate, May Hand-made print in colours executed on an office copier, 1988, on two sheets of Arches paper (as issued), signed, dated and numbered 44/70 in pencil (there were also 16 artist's proofs), with the artist's blindstamp, published by the Metropolitan Museum of Art, New York, the full sheets, in very good condition, framed Overall 355 x 431mm. (14 x 17in.)This lot is subject to the following lot symbols: AR

David Hockney (born 1937)Rain on the Studio Window Inkjet printed computer drawing, 2009, on Epson Hot Press Natural paper, signed, dated and numbered 30/75 in pencil, the full sheet, loose (as issued), together with the volume David Hockney My Yorkshire: Conversations with Marco Livingstone, the colophon page signed and numbered 30/75 in pencil, the deluxe edition published in 2011 by Enitharmon Editions (there was also a regular edition of 5000), within the original green fabric folio case, in very good condition Sheet 559 x 432mm. (22 x 17in.); Portfolio 588 x 458 x 30mm. (23 1/8 x 18 x 11 3/4in.)This lot is subject to the following lot symbols: AR

δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x 25 1/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)A French Triple Bill Poster (Baggott 109)Screenprint in colours, 1982, on wove paper, signed and inscribed 'For Mike with love from David' in white ink, published by Petersburg Press, New York, the full sheet printed to the edges, 2053 x 1046mm (80 2/5 x 41 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)A Bigger BookThe book, 2016, signed on the title-page in black ink, from the total edition of 10,000, and the painted metal bookstand designed by Marc Newson, with title-page text and reproductions, bound as published, overall size 500 x 700mm (19 1/2 x 27 1/2in) (multiple)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Mo Mcdermott (Tokyo 167)Lithograph, 1976, signed, dated and numbered from the edition of 100 in pencil, on Arches paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp and with the work number in pencil verso, the full sheet printed to the edges, 825 x 603mm (32 ¼ x 23 ¾in) (framed) Whilst being an accomplished artist in his own right, Mo Mcdermott was also Hockney's long-time assistant and was present in Los Angeles when many of the artist's career defining paintings were produced, whilst in Los Angeles he was heavily featured in Jack Hazan's seminal 1974 film A Bigger Splash which documented Hockney and his close circle of friends. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Celia Looks (Tokyo 247)The scarce lithograph, 1980, signed, dated, inscribed 'A.P.' and numbered in numerals from the edition of XIV in pencil, an artist's proof aside from the edition of 54, on tan HMP koller paper, printed and published by Gemini G.E.L., Los Angeles, with full margins, sheet 267 x 273mm (10 5/8 x 10 ¾in) (unframed)Celia Birtwell first met David Hockney in Los Angeles in 1964, she has since then been a muse for the painter appearing in hundreds of images by the artist. The tender non sexualised depictions of her often feature her dressed in clothes designed by her former husband Ossie Clark made of fabrics with patterns designed by her. Hockney said of her "she's a very feminine woman, not a masculine woman, and a very sweet-natured, gentle person"δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Big Celia Print #2 (Tokyo 253)Lithograph, 1981, signed, dated and inscribed AP in pencil, an artist's proof aside from the edition of 100, on wove paper, printed and published by Gemini G.E.L., Los Angeles, the full sheet printed to the edges, 1334 x 1461mm (52 5/8 x 57 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

NO RESERVE Modern Art.- Feaver (William) Lucian Freud, New York, 2007 § Cooper (Douglas) The Work of Graham Sutherland, 1961 § Garrould (Ann) Henry Moore: Drawings, 1988 § Hockney (David) Hockney on 'Art': Conversations with Paul Joyce, 1999, illustrations, many colour, the second original pictorial boards, rubbed, spine repaired, the rest original cloth with dust-jackets, the first also with slip-case; and 10 others on modern British art, 4to (14)

David Hockney (British, born 1937), Parade Metropolitan Opera New York 1981 poster, mounted on board, 96cm x 60cm

HOCKNEY DAVID: (1937-    ) British Artist. Signed and inscribed colour 4 x 6 postcard, being a reproduction of the artist's screenprint Cleanliness is Next to Godliness (1964). Signed by Hockney in blue ink to the verso. About EX

David Hockney (b.1937) 'Hockney's Progress', depicting Hockney's mother, 1980 signed in pencil (lower right) lithograph poster 79cm x 56cm.

David Hockney (b.1937) 'Red flowers and blue spots', 1991 for Art for Equality at the ICA, London signed in pen (upper right) lithograph poster 66cm x 50cm.

David Hockney (b.1937) 'Hockney on Photography, Conversation with Paul Joyce', 1988 published by Jonathan Cape signed in pen (lower right) lithograph poster 58cm x 40cm. Provenance: Christies London, Hockney Posters, 25th March 1999, lot 37.

David Hockney (b.1937) 'The Blue Guitar, Etchings by David Hockney', 1983 for British Council Touring Exhibition signed in pencil (lower right) lithograph poster 58cm x 41cm. Provenance: Christies London, Hockney Posters, 25th March 1999, lot 128.

After David Hockney (b.1937) 'Nichol's Canyon', 1988 for David Hockney: A Retrospective at the Metropolitan Museum of Los Angeles lithograph poster 98cm x 60cm.

David Hockney - Le Nid du Duc - 20th Century depicting a coloured pencil drawing of a single rose in a vase on a windowsill, signed within the print. Framed and glazed. Measures 62cm high x 45cm wide.

HOCKNEY (DAVID)WEBB (PETER) The Erotic Arts, NUMBER 41 OF 126 COPIES WITH ORIGINAL ETCHING BY HOCKNEY AND SCREEN PRINT BY ALLEN JONES, each signed and numbered by artist in pencil, further numbered on the colophon, illustrations throughout, light foxing to half-title and title, publisher's green morocco gilt, g.e., slipcase (soiled), large 8vo, Secker & Warburg, 1975This lot is subject to the following lot symbols: •

Three art exhibition posters,: comprising David Hockney Drawings for the Theatre, Nishimura Gallery Tokyo 1983, Max Ernst Museum Ludwig 1991 and Andy Warhol Go West-Go East With a Truck 1986, largest 92 x 80cm. [3]

* David Hockney [b.1937]-The Lake,:-etching and aquatintsigned in pencil in the margin, No. 16 of 100image 35 x 20cm.* Note. - Literature. Fundevogel, Brothers Grimm Fairy Tale.

* David Hockney [b.1937]-The Boy Hidden in an Egg,:-etching, aquatint and drypointsigned in pencil in the margin, artist's proof,inscribed on the reverse of the sheet 'For Maurice',image 19.5 x 17cm.* Note. - Literature. From The Little Sea Hare Brothers Grimm Fairy Tale.