§ RAY RICHARDSON (BRITISH B.1964) PASTIME PARADISE - 2016Screenprint, PP, signed, dated and editioned in pencil to margin, unframed and another screenprint by the same artist 'Dreamtime' (Dimensions: 30cm x 72cm (11.75in x 28.25in)) (Qty: 2)Biography: Ray Richardson is a contemporary British artist known for his cinematic paintings which employ symbols of working-class London, including English Bull Terriers, soccer pitches, urban landscapes and gritty dockyards. Richardson was born in 1964 in London, in the neighbourhood of Woolwich Dockyard, an area that would eventually deeply influence his art. He attended Saint Martin's School of Art and Goldsmiths College in the 1980s and won his first British Council Award in 1989 followed by the BP Portrait Award in 1990. It was during this time that he gained recognition for his narrative-based representational works and began a long collaborative relationship with three international galleries: Boycott Gallery in Brussels, Galerie Alain Blondel in Paris and Beaux Arts gallery in London. Since 2016, he has collaborated with the Zedes Art Gallery in Brussels. Combining academic pictorial tradition with contemporary culture and his interest in film noir, Richardson’s works capture the everyday scenes in southeast London mixed with social commentary and his personal concerns. In 2014, two of his works were included in the exhibition ‘Reality: Modern and contemporary British painting,' which was held at the Sainsbury Centre for Visual Arts and the Walker Art Gallery. This show highlighted the most influential painters from the last sixty years, exhibiting Richardson’s works alongside the likes of Francis Bacon, Ken Currie, Lucian Freud, and David Hockney.
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δ David Hockney (b.1937)Fiesta (Baggott 178)Offset lithograph printed in colours, 1988, on wove paper, the full sheet, 630 x 429mm (24 5/8 x 16 3/4in) (unframed)This poster was created on the occasion of the artist's inclusion in the Fiesta of 1988 in Bradford, the artist's birthplace. It is unusual in that the reproduced image of 'Flowers, Apple & Pear on a Table, July 1986' is exactly the same size as the original artwork.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x 25 1/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Gregory Reclining (Tokyo 198)Lithograph, 1976, signed and numbered from the edition of 28 in blue pencil crayon, on newsprint-coloured, BFK Rives paper, the full sheet, 648 x 498mm (25 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Things RecentThe book, 1991, with one pigment print in colours, with title-page, text, reproductions and justification, this copy stamp numbered from the edition of 1250, printed at the artist's studio, published by Andre Emmerich Gallery, New York, on wove paper, the full sheets, spiral bound as published, overall size 217 x 285mm (8 ½ x 11 ¼in) (vol)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Artist David Hockney signed to back of postcard of his painting Cleanliness is Next to Godliness. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
David Hockney R.A. (British, born 1937)Steering Wheel, October 1982 1982 signed, titled, dated October 1982 and numbered #19photographic collage on paper83 by 75 cm.32 11/16 by 29 1/2 in.This work is number 19 from an edition of 20.Footnotes:ProvenanceGalerie Forsblom, HelsinkiAcquired directly from the above by the present owner in 1993ExhibitedNew York, André Emmerich Gallery, New Work with a Camera, 1983, no. 19, another example exhibitedLiteratureMark Haworth-Booth, Hockney's Photographs, London 1983, p. 21, no. 70, another example illustrated in colourLawrence Weschler, David Hockney: Cameraworks, London 1984, p. 22, fig. 31, another example illustrated in black and whiteMark Haworth-Booth, David Hockney fotógrafo, Lisbon 1985, n.p., no. 16, another example illustrated in colourMark Haworth-Booth, Hockney's Photographs, New Zealand 1986, p. 16, no. 71, another example illustrated in colourPaul Joyce, Hockney on Photography: Conversations With Paul Joyce, London 1988, p. 63, another example illustrated in black and whiteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (Northern British 1937-): 'Inside the Castle', from 'The Story of the Boy who Left Home to Learn Fear' for 'Six Fairy Tales from the Brothers Grimm', etching with aquatint pub.1969 signed and numbered 49/100 in pencil on wove paper, with full margins, 30cm x 30cm Provenance: with the Goldmark Gallery, UppinghamDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
David Hockney (British 1937-): 'Corpses on Fire', etching with aquatint limited edition signed and numbered 9/100 in pencil on handmade paper, pub. Christies 45cm x 40cmProvenance: from the collection of the late Brian Hill of Bridlington, with certificate and photo of the vendor with David Hockney versoDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
David Hockney (British 1937-): 'Cold Water About to Hit the Prince', etching and aquatint from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on Hodgkinson's handmade wove paper 42cm x 29cmDDS - Artist's resale rights may apply to this lot Condition Report Separate title sheet with facsimile signature versoClick here for further images, condition, auction times & delivery costs
δ David Hockney (b.1937)Composition Red & Blue (Momart)Lithograph printed in colours, 2005, on wove paper, the full sheet printed to the edges, housed within the original blue paper portfolio with the artist's name embossed on the cover, sheet 114 x 279mm (4 1/2 x 11in) (unframed)This work is accompanied by the original Momart Ltd document, confirming that another from this edition is part of the Victoria & Albert Museum's permanent collection, London.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE Hockney (David).- Stevens (Wallace) The Blue Guitar, first edition, illustrations by David Hockney, original boards, very slight bumping to spine extremities, price-clipped dust-jacket, small tear, rubbing to spine extremities, Petersburg Press, 1977 § Jarman (Derek) Blue, limited edition, original paper wrappers, slight rubbing to extremities, 1993; 4to (2)
A framed and glazed David Hockney exhibition poster - Nishimura Gallery, Tokyo, February/March '83, the poster as detail from 'Parade' by Hockney 1980 (91.5cm x 79cm)In the Auctioneer's opinion it looks like an original poster from the '83 exhibition, later framed and glazed. There are some marks mostly to be found on the outside of the glass which do appear to rub off. The poster appears to be in good honest condition with no tears, rips, folds or restoration noted.
David Hockney R.A. (British, 1937-), "Sunflowers II", signed, dated '95 and numbered 36/80 in pencil in the margin, on Arches paper, co-published by the artist and Lococo Mulder, Inc., St. Louis, with the artist's blindstamp, with full margins, etching and aquatint, plate size 46.5 x 39cm, 18.25 x 15.25in, sheet size 68.5 x 57.5cm, 27 x 22.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are one or two tiny spots of foxing in the margins and a small area of light browning in the top centre margin. The sheet has slipped from its mountings and will need reattaching. The print is ornately framed and glazed.
David Hockney R.A. (British, 1937-), "A Picture of a Landscape in an Elaborate Gold Frame" from A Hollywood Collection, 1965, signed, dated '65 and numbered 76/85 in pencil, published by Editions Alecto, London, printed by Gemini Ltd., Los Angeles, on wove paper, lithograph in colours, 77 x 56.5cm, 30.25 x 22.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are some very light creases to the corners of the sheet and some light time staining and browning in the central white area. The print has dropped slightly in its mount and would need reattaching. The print is framed and glazed.
David Hockney R.A. (British, 1937-), "Study of Lightning Medium", signed, dated '73 and numbered 28/60 in pencil, published by Gemini G.E.L, Los Angeles, 1973, with their blindstamp, on Arches paper, the full sheet, with deckle edges at left and right, lithograph, image size 63.5 x 48.5cm, 25 x 19.25in, sheet size 76.5 x 57cm, 30 x 22.5in.Condition report: The print is in good, original condition. The paper has yellowed universally across the sheet. The paper is mounted by tape in each corner of the sheet. The print is framed and glazed.
David Hockney R.A. (British, 1937-), "Picture of a Simple Framed Traditional Nude Drawing" from A Hollywood Collection, 1965, signed, dated '65 and numbered 19/85 in pencil, published by Editions Alecto, London, printed by Gemini Ltd., Los Angeles, on Rives BFK, lithograph in colours, 76.5 x 56cm, 30 x 22in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are some very light creases across the sheet and some light time staining and browning in the central white area. There is a very slight scuff to the top right corner of the sheet. The print is ornately framed and glazed
David Hockney R.A. (British, 1937-), "Dark Mist", 1973, signed, titled and dated in pencil, numbered 8/25 (there were also seven artist's proofs), on Moulin du Verger du Puymoyen handmade paper, published by Gemini G.E.L., Los Angeles, with their blindstamps, lithograph in black and brown, image size 73 x 63cm, 28.75 x 24.75in, sheet size 88 x 71cm, 34.5 x 28in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition. There is some very light time staining and yellowing around the edge of the print and running approximately half way across each margin. There are some small spots of foxing and browning in the margins and some light creases running in from and around the edges of the sheet. The paper is mounted by tape in each corner of the sheet. The print is ornately framed and glazed.
AR Colin Self (born 1941 "Nuclear Bomber" black and white etching, signed, dated 2 Nov 2005, inscribed (Unique Variation) intaglio, Odyssey/Iliad Suite in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Odysseus, the Resourceful" (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Euro" (from The Odyssey Series) black and white etching, signed, dated 27 Sept 2006 and numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "The Roots of Language" (primary colours) (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 106 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Ploughman" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Holly Johnson, Frankie goes to Hollywood (Two Tribes)" (from The Odyssey Series) mixed media, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower image 105 x 74cmColin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "The Siege of Troy" (Old Men's Battle Tales (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "John Barry, String Beat" (from the Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "The Dream of the Trojan Horse" (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Stealth Bomber II" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Dirty Money" (from The Odyssey Series) mixed media, signed, dated 2 Nov 2005, numbered 15/40, and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "A Journey to my Childhood" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Money Man" (from The Odyssey Series) black and white etching, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower right image 105 x 75cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Madonna" (from The Odyssey Series) mixed media, signed, dated 27 9 2006, numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Nuclear Bomber" (variation) (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Stealth Bomber I" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
Tea in Athens signed 'Patrick Procktor' (lower left); titled and dated 'Athens 6.8.63' (lower right) oil and pastel Provenance Sale; Bonhams, Knightsbridge, 20 Jan 2004, lot 43 Patrick Procktor, a contemporary of David Hockney, was a prominent British artist known for his thin wash watercolours and depictions of the male form. The subject of Tea in Athens may be the artist, Michael Upton, who travelled with Procktor on his Grecian Odyssey. In 1962, upon graduating from the Slade, Procktor was awarded an Abbey Minor travel scholarship of £250. He spent the summer in Italy and Greece with Upton and his girlfriend, Anne McKechnie, and produced a number of watercolours of Upton swimming in the Aegean Sea. (Dimensions: 33.5 x 22.5cm)(33.5 x 22.5cm)
ART BOOKS. Four books: The Shining Sands, Artists in Newlyn & St. Ives 1880 - 1903, hardback by Tom Cross, 1999; Catching the Wave, First Edition hardback, by Tom Cross, 2002; Forty Years of Modern Art, 1945 - 1985, Tate Gallery 1986 & Portrait of David Hockney, a hard back First Edition by Peter Webb, 1988.
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4315 Los(e)/Seite