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4315 Los(e)/Seite
Los 45
*David Hockney (b.1937) An Erotic Etching etching, 1975, from the Erotic Arts, signed and numbered 18/100 in pencil on handmade paper, printed by Michael Rand, published by Secker and Warburg, London plate 15 x 11.2cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in excellent condition.
Los 177
Collection of Seven Pictures including Museum poster, 'Man Laying By a Swimming Pool' - print after Hockney, Sketch of Lady and Baby, 'Not from British Museum,' gold frame, Print of an Urn with Eiffel Tower in background, 25/99, Print of Hercules, Print of three females, 'Exercise 12/25,' gold frame
Los 354
Plakate - - Sammlung von 51 Plakaten zu Kunstausstellungen u. anderen kulturellen Veranstaltungen (vereinzelt mit Doubletten). Ca. 1970-1990. Verschiedene Techniken, u.a. Offset u. Lithographie. Blattmaße von ca. 60 x 28 cm bis. ca. 90 x 65 cm. Enthält u.a.: Haring 1986. Stedelijk Museum Amsterdam. - Vorsicht Kunst! Heidelberg/Göttingen, 1982. Entwurf: Klaus Staeck. - David Hockney. Europalia 73, Great Britain. - Vostell. Der Frieden ist das größte Kunstwerk! 1. Mai 1982. - Pierre Alechinsky. Imp. Arte Paris. - Ders. Europalia 80 Belgique 150 Belgie. - Patrick Caulfield. Europalia 73. Great Britain. Arts festival in Belgium. - Donaueschinger Musiktgage '73. Folienlithographie von Jorge Castillo Edition Richard P. Hartmann, München. - Vereinzelt mit Randläsuren bzw. leichten Gebrauchsspuren. Collection of 51 posters for art exhibitions and other cultural events (occasionally with doublets). Ca. 1970-1990. Various techniques, among others offset and lithography. Sheet sizes from ca. 60 x 28 cm to ca. 90 x 65 cm. Occasionally with marginal tears and slight signs of wear.
Los 308
ALISON BRITTON (born 1948); a square earthenware box (minus its cover) decorated with pigs, made circa 1972, height 9cm. (D)PR – I got this pot (which I call ‘Topless Pigs’) from someone who studied at the RCA at the same time as Alison Britton. I showed it to Alison who was greatly embarrassed by it and asked me to destroy it. In my opinion, Alison is one of the most important potters of the last quarter of the 20th century – and while this is certainly very far from a masterpiece, it is an interesting documentary work which, I think, should be preserved. Would you destroy a student drawing by David Hockney?Additional InformationHairline extending from one corner into body, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1042
§ David Hockney (British, b.1937). 'French Shop', etching and aquatint, signed and dated '71 in pencil lower right, numbered 90/500, image size 53 x 45cm. Provenance: with copy of Marlborough Fine Art Insurance Valuation 2003Please note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information. Condition Report: § Minor foxing to edges of paper, including lower right corner. Crease to right border. Diagonal crease from bottom of shop to lower right corner. Crease to lower left. More photographs to follow.
Los 1043
After David Hockney, Poster for the 1972 Munich Olympics, published by Edition Olympia 1972 GmbH 1970, printed by Matthieu AG Zurich, 62.5 x 101cm Condition Report: Paper with undulations especially to lower section of poster. Also some crease marks to lower section. Stain to lower left corner and stain to lower right corner. Crack to lower right corner of perspex. No information on edition number or which print run it came from.
Los 55
§ David Hockney OM, CH, RA (British 1937-)A group of three unframed etchings from his series 'Illustrations for Six Fairy tales from the Brothers Grimm - Rapunzel', 1969, to include: The Enchantress with the baby Rapunzel, 45.5 x 31cm; Rapunzel, Rapunzel, Let down your Hair, 45.5 x 31cm; and The Enchantress in her Garden, 45.5 x 31cm; together with the justification page signed and numbered 'David Hockney / 49/100' (4).
Los 164
Minton (John, illustrator). Time Was Away. A Notebook in Corsica. Written by Alan Ross, 1st edition, London: John Lehmann, 1948. 8vo, original yellow cloth, dust jacket, front inner hinge cracked, jacket price-clipped and with loss to spine-panel - Freud (Lucian, illustrator). The Glass Tower by Nicholas Moore, 1st edition, London : PL, 1944. 8vo, original quarter cloth, decorative boards, dust jacket, spotting to outer leaves, dust jacket spotted, price-clipped, and with a few water-stains - Steadman (Ralph, illustrator). Lewis Carroll's Alice in Wonderland, 1st edition thus, London: Dobson Books, 1967. 4to, original boards, dust jacket (price-clipped) - Leighton (Claire). Country Matters, 1st edition, London: Victor Gollancz, 1937. 4to, original cloth, dust jacket - ibid. Four Hedges. A Gardener's Chronicle, 1935. 4to, original cloth, dust jacket (price-clipped) - together with approx. 30 similar illustrated books (various formats, mainly in dust jackets, artists including Mervyn Peake, David Hockney, David Gentleman, etc.), approx. 10 related modern reference works (e.g. James Russell, Ravilious in Pictures, Sparham: Mainstone Press, 2011), and a quantity of related ephemera including Ralph Steadman-illustrated Oddbins lists (qty: 3 cartons)
Los 1114
Hockney, David "The Blue Guitar", etchings by David Hockney who is inspired by Wallace Stephens who was inspired by Pablo Picasso, Petersburg Press (1977), boards with pastedown to front cover, dj a little chipped and worn "Six Fairytales from the Brothers Grimm ..., Original Etchings", Petersburg Press, small 16mo"Paul Nash a Memorial Exhibition 1948", The Tate Gallery 17th March to May 2nd 1948 catalogue "Bridget Riley Paintings and Drawings 1951 to 71", The Haywood Gallery, bkpl from the Glasgow School of Art LibraryBlake, William "Visions of the Daughters of Albion", reproduced in facsimile by J M Dent & Sons 1932, beige cloth, gilt titles to front board, dj and other related artists to include Paul Klee, Braque, Stanley Spencer, Etrog, Ben Nicholson and Penguin Modern Painters (8) (23)
Los 202
δ David Hockney (b.1937)Cleanliness is Next to Godliness (MCA Tokyo 39)Screenprint in colours, 1964, signed and inscribed for Chris and dated in pencil, an artist's proof aside from the edition of 40, printed by Christoper Prater at Kelpra Studios, published by the Institute of Contemporary Arts, London, on smooth wove paper, with wide, presumably full margins, the sheet printed to the edges, sheet 830 x 545mm (32 5/8 x 21 ½ in) (unframed)Provenance:Ex. Coll Christopher Prater, a gift from the artist. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 204
δ David Hockney (b.1937)Man (Mikro 20)The rare lithograph, 1964, signed and numbered from the edition of 60 in pencil, published by Galerie Krugier, Geneva, on BFK Rives wove paper, the full sheet 450 x 575mm (17 3/4 x 22 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 207
δ David Hockney (b.1937)Sunflowers II (MCA Tokyo 348)Etching with aquatint, 1995, signed, dated and numbered from the edition of 80, printed by Maurice Payne, Los Angeles, published by Lococo Mulder Inc. and the artist, on Arches paper, with full margins, 689 x 571mm (27 x 22 1/2in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 207A
δ David Hockney (b.1937)The Tall Tree, September 1986 (MCA Tokyo 314)Home made print executed on an office colour copy machine, 1986, signed, dated and numbered from the edition of 10 in pencil, printed and published by the artist, on two sheets of Arches Text paper, the full sheets, 710 x 216mm (27 5/8 x 8 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 209
δ David Hockney (b.1937)Diver Poster for Olympische Spiele München (Baggot 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on heavy wove paper, with full margins, sheet 1150 x 640mm, (40 x 25 1/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 211
δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, on smooth wove paper, with full margins, sheet 894 x 254mm, (35 ¼ x 10in), (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 293
David Hockney (British b.1937)'He Enquired After the Quality'Artist's etching and aquatint Signed and dated '66 in pencilLimited edition numbered 26/7534.5 x 22cm (image size)****Artist's resale rights may apply to this lot*** CONDITION REPORT: Some discolouration / yellowing, could do with re-framing, signature is clear
Los 376
Hurst (Alex A.). Arthur Briscoe, Marine Artist, his life and work, 1st edition, Brighton: Teredo Books Ltd., 1974, signed by the author to the front endpaper, numerous monochrome illustrations, some light spotting to the text-block, publishers original gilt decorated blue cloth in slipcase, 4to, together with; Hockney (David), Martha's Vineyard and other places, my third sketchbook from the summer of 1982, 2 volumes, 1st edition, New York: Harry N. Abrams Inc., 1985, numerous colour & monochrome facsimiles, publishers original bindings in slipcase, slipcase slightly toned & rubbed, large 8vo, plus Staley (Allen), The Pre-Raphaelite Landscape [Oxford Studies in the History of Art and Architecture], 1st edition, Oxford: Clarendon Press, 1973, colour & black & white illustrations, previous owner inscription to the front endpaper, original cloth in price-clipped dust jacket, covers slightly rubbed to head & foot, spine faded, large 8vo, and other British art reference & related, mostly original cloth in dust jackets, some paperbacks, 8vo/4toQty: (55 )
Los 1521
DAVID HOCKNEY INTEREST: A 19th/20th CENTURY FIVE-PANEL SCREEN The mahogany frame with two brass collars on each edge, blank canvas panels Each panel 200 x 79cm; sold with a poster from the 1981 exhibition, showing Hockney standing by this screen. (2) * This screen features in Hockney's Looking at Pictures on a Screen (1977) and was lent to the artist by the vendor's husband. The browser in the original oil was Hockney's friend Henry Geldzahler of the Metropolitan Museum in New York. During the 1970's the National Gallery instituted a program of exhibitions titled "The Artist's Eye". The museum invited a nominated artist to curate a small exhibition selecting works from the museum collection as well as his own work. Hockney's exhibition in 1977 was the last in the series. He decided to include the Vermeer, Piero de la Francesca, Van Gogh and Degas paintings which he had painted on the screen in his own painting Looking at Pictures on a Screen. This screen with the reproductions pinned onto it was also on view. Provenance: The vendor's husband collaborated with Hockney from 1963, publishing prints and being closely involved with the artist's exhibitions, opera sets and other aspects of Hockney's life.
Los 427
Derain (André).- Rabelais (François) Les Horribles et Espovantables Faictz et Prouesses du Très Renommé Pantagruel..., number 172 of 250 copies on Velin d'Arches signed by the artist, c.180 colour woodcut illustrations and initials by André Derain, 22 full-page, loose as issued in original wrappers, paper label on upper cover, uncut, glacine wrapper (very slightly frayed at edges), original board folder and slip-case (folder lacking backstrip, slip-case joints rubbed and partly split), [Artist & the Book 81; From Manet to Hockney 111; Artist & the Book in France p.330], 4to, Paris, Albert Skira, 1943.⁂ Magnificent work on which Derain worked for three years. "A rare example of multi-color printing from single blocks." Artist & the Book.
Los 1582
Hockney, DavidBradford/Yorkshire, geboren 1937Blattgröße: 76,5 x 57 cm; 70 x 49 cm, R.Yves Marie, 1974. Lithografie auf BFK Rives Bütten. In Bleistift unten rechts signiert und datiert sowie unten links nummeriert 65/75. Herausgeber: Petersburg Press, London (mit Trockenstempel).Privatbesitz, Baden-Württemberg.
Los 1237
Adrian George (British, b.1944) Study of a sleeping woman, lithograph, signed in pencil to the margin, framed and mounted under glass, 80 x 97 cm (total) Adrian George studied at the Royal College of Art between 1961-64. He has exhibited extensively worldwide, and his work is included in both the National Portrait Gallery and the V&A. George studied alongside contemporary British artists such as David Hockney, a portrait of the latter by George, having sold at Christie's in 2008.
Los 132
Simon Palmer Smelling the Leafmould, 2021 Ink and Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Simon Palmer is an acclaimed, contemporary artist, whose work details scenes of the British landscape. Bearing the traces of Eric Ravillious and Paul Nash, Palmer's work revels in palettes of soft, woody greens and earthy browns, favouring a non-linear perspective which perfectly captures the undulations of the Yorkshire Dales or the labyrinthine layout of a meandering forest. There is an honesty to Palmer's work, which often depicts a barren winter, a silhouetted branch framed against an ice-white sky: herein lies the beauty, as any lover of the English countryside will attest to. Born in Yorkshire in 1956, Palmer graduated from art school in 1977. In 2004 his first retrospective show, Territories of the Imagination, was shown at the Mercer Art Gallery, Harrogate. He has shown at the Royal Academy Summer Exhibition on a number of occasions. Other notable group exhibitions include: the National Trust centenary; British Landscape painting in the twentieth century at Crane Kalman Gallery; Dreamers of landscape at Bohun Gallery; Art & Yorkshire: Turner to Hockney at the Mercer Art Gallery; and the Glyndebourne Festival Opera exhibition. The Art of Simon Paler was published in 2011. Palmer's work is held in public galleries and private collections across the world.
Los 133
Simon Palmer Melting Snow, 2021 Ink, Watercolour and Gouache on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Simon Palmer is an acclaimed, contemporary artist, whose work details scenes of the British landscape. Bearing the traces of Eric Ravillious and Paul Nash, Palmer's work revels in palettes of soft, woody greens and earthy browns, favouring a non-linear perspective which perfectly captures the undulations of the Yorkshire Dales or the labyrinthine layout of a meandering forest. There is an honesty to Palmer's work, which often depicts a barren winter, a silhouetted branch framed against an ice-white sky: herein lies the beauty, as any lover of the English countryside will attest to. Born in Yorkshire in 1956, Palmer graduated from art school in 1977. In 2004 his first retrospective show, Territories of the Imagination, was shown at the Mercer Art Gallery, Harrogate. He has shown at the Royal Academy Summer Exhibition on a number of occasions. Other notable group exhibitions include: the National Trust centenary; British Landscape painting in the twentieth century at Crane Kalman Gallery; Dreamers of landscape at Bohun Gallery; Art & Yorkshire: Turner to Hockney at the Mercer Art Gallery; and the Glyndebourne Festival Opera exhibition. The Art of Simon Paler was published in 2011. Palmer's work is held in public galleries and private collections across the world.
Los 134
Simon Palmer Plantation, 2021 Pen and Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Simon Palmer is an acclaimed, contemporary artist, whose work details scenes of the British landscape. Bearing the traces of Eric Ravillious and Paul Nash, Palmer's work revels in palettes of soft, woody greens and earthy browns, favouring a non-linear perspective which perfectly captures the undulations of the Yorkshire Dales or the labyrinthine layout of a meandering forest. There is an honesty to Palmer's work, which often depicts a barren winter, a silhouetted branch framed against an ice-white sky: herein lies the beauty, as any lover of the English countryside will attest to. Born in Yorkshire in 1956, Palmer graduated from art school in 1977. In 2004 his first retrospective show, Territories of the Imagination, was shown at the Mercer Art Gallery, Harrogate. He has shown at the Royal Academy Summer Exhibition on a number of occasions. Other notable group exhibitions include: the National Trust centenary; British Landscape painting in the twentieth century at Crane Kalman Gallery; Dreamers of landscape at Bohun Gallery; Art & Yorkshire: Turner to Hockney at the Mercer Art Gallery; and the Glyndebourne Festival Opera exhibition. The Art of Simon Paler was published in 2011. Palmer's work is held in public galleries and private collections across the world.
Los 135
Simon Palmer Old Oak, 2021 Pen and Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Simon Palmer is an acclaimed, contemporary artist, whose work details scenes of the British landscape. Bearing the traces of Eric Ravillious and Paul Nash, Palmer's work revels in palettes of soft, woody greens and earthy browns, favouring a non-linear perspective which perfectly captures the undulations of the Yorkshire Dales or the labyrinthine layout of a meandering forest. There is an honesty to Palmer's work, which often depicts a barren winter, a silhouetted branch framed against an ice-white sky: herein lies the beauty, as any lover of the English countryside will attest to. Born in Yorkshire in 1956, Palmer graduated from art school in 1977. In 2004 his first retrospective show, Territories of the Imagination, was shown at the Mercer Art Gallery, Harrogate. He has shown at the Royal Academy Summer Exhibition on a number of occasions. Other notable group exhibitions include: the National Trust centenary; British Landscape painting in the twentieth century at Crane Kalman Gallery; Dreamers of landscape at Bohun Gallery; Art & Yorkshire: Turner to Hockney at the Mercer Art Gallery; and the Glyndebourne Festival Opera exhibition. The Art of Simon Paler was published in 2011. Palmer's work is held in public galleries and private collections across the world.
Los 189
Maïa Régis Fly Variation, 2021 Acrylic and Marker on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Artist statement: "I want to transform the canvases into living beings, into visceral surfaces. They have to be fed from chance, traces of work, dirt, cuts and seams. This year I used paper glued on canvas, coffee bags, old hessian postbags, ancient moth eaten French embroideries, and Sicilian embroidered white tablecloths. An unconventional and irregular canvas link to smells, noises, dialogues... It adds a cinematic feeling to it and the matter is for tactile sensations. What I'm looking for in my work is for it to be the most full of life possible. I need to work on a large scale, so that painting becomes a physical act. That's where I feel the more confident, the freer. I like to navigate in troubled waters, between the real and the imaginary. Ambiguity for me is the key to a lively work." Education -Royal College of Art, London, MA Painting (2017-2019) -Chelsea College of Art and Design, London, BA Fine Arts (2014-2017) -Camberwell College of Art, Foundation diploma in Art and Design (2013) Awards and residencies -Elephant Lab, November residency, 2019 -Bloomberg New Contemporaries 2018 (selected by Benedict Drew, Katy Moran and Keith Piper) -Bloomberg New Contemporaries 2017 (selected by Caroline Achaintre, Elizabeth Price and George Shaw) -Griffin Art Prize 2017 (selected by Ansel Krut, Jenny Linden Urnes, Becca Pelly-Fry and Robert Shore) -FBA Futures 2018 Selected exhibitions -The First Swing of The Bat, Paint Talk exhibition, Gallery 46, London, UK (april 2021) -A Future Cast In Our Image, Grove Collective, London, UK (february 2021) -Inside/Outside, Janet Rady Fine Art, online exhibition, Arsty (february 2021) -International Gruppeudstilling, Curated by JB Fals, Grand Teatret, Copenhagen, Denmark (2020) -What Kind of Spirit Is This?, Sim Smith Gallery, London, UK (2019) -Cicatrices, VO Curations, 12th Floor, London, UK (2019) -Signori Prego Si Accomodino, Nuove / Contemporary Art Production, Palermo, Italy (2018) -Bloomberg New Contemporaries 2018, John Moore's University, Liverpool Biennial, UK -Bloomberg New Contemporaries 2018, South London Gallery, London, UK -Bloomberg New Contemporaries 2017, Baltic Center for Contemporary Art, Newcastle, UK -Bloomberg New Contemporaries 2017, Block 336, London, UK -Griffin Art Prize 2018, Griffin Gallery, London, UK -FBA Futures 2018, Main Gallery and Threadneedle Space, Mall Galleries, January, London, UK -More Life, Hockney Gallery, Royal College of Art, London, UK (2018)
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4315 Los(e)/Seite