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4315 Los(e)/Seite
Los 1773
David Hockney R.A. (British 1937-) "A Bounce for Bradford", the rare print dated February 24 1987 limited edition of unknown size, published in the Bradford 'Telegraph and designed by the artist for Bradford’s 'Bouncing Back' campaign, on thin wove paper, with margins.41cm x 59cm (16.25in x 23.25in)Footnote Hockney successfully entered a print of this edition for the Summer Exhibition at the Royal Academy of Arts, London, where it was exhibited in 1987. A copy of this print is in the British museum The print is in very good, original condition.Framed and glazed.
Los 56
David Hockney R.A. (British, born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 19 February iPad drawing in colours, 2011, on wove paper, signed, dated and numbered 17/25 in pencil, the full sheet, framedSheet 1400 x 1050mm (55 x 41 1/2in)Footnotes:The iPad drawings that constitute The Arrival of Spring series by David Hockney might have been received at first with a hint of suspicion when they were introduced in the Royal Academy A Bigger Picture blockbuster exhibition in 2012. Some questioned the choice of the iPad as an artistic tool, others complained about the digital rendering, yet all were taken aback by David Hockney's ability to revolutionise landscape paintings at this stage of his career, embracing the digital revolution of the 21st century. Just over ten years later, The Arrival of Spring iPad drawings have become some of the most instantly recognisable and highly sought-after works in the artist's oeuvre. They have come to define the David Hockney of the noughties, celebrating the Yorkshire landscape by depicting the impact of the incoming Spring from January to June 2011. As an eager exponent of drawing first on an iPhone then on an iPad, David Hockney proved that digital advances were not to be feared but celebrated, praising the iPad as 'a fantastic medium for landscape', helping to capture the rapid changes of light better than any other medium could allow. The strength of these works is also in how they inscribe themselves within an important history of landscape paintings, one especially dear to British art. Constable, Monet, Turner, Claude, Spencer or Van Gogh come to mind and their approach to nature continues to impact an artist who, after many years spent in the Californian sun, became fascinated by the spectacle of the changing seasons, and the English Spring in particular. As such, Hockney further enhances his position as one of the most important artists of our time, continuously challenging the viewers and artworld's expectations of landscape paintings, pushing the boundaries of creation and medium, making art a welcome field for all. The queues to go and experience the first exhibition of his iPad drawings amongst paintings and videos at the Royal Academy in 2012, and the enthusiastic responses said it all. We are thrilled to present the following three works from The Arrival of Spring series in this sale. Each beautifully capturing the landscape, light, and colours of Hockney's beloved birth county, Yorkshire, slowly waking up to Spring. A season many now associate with Hockney's later work. Here, art and nature complement each other at their best, in works that have become just as historically relevant to art in the 21st century as those of Constable and Turner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 32
David Hockney R.A. (British, born 1937)Mirror, Mirror on the Wall (M.C.A. Tokyo 10) Etching and aquatint in black and red, 1961, on Crisbrook handmade wove paper, signed and dated in pencil, from the edition of approximately fifty impressions, printed by Ron Fuller and Peter Mathews at the Royal College of Art, London, published by the artist, with wide margins, framedPlate 400 x 500mm (16 x 19 5/8in)Sheet 568 x 762mm (22 3/8 x 30in)Footnotes:ProvenanceGifted by the artist to the painter and fellow student at the Royal College of Art, Michael Simpson.Thence by descent to the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 57
David Hockney R.A. (British, born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 16 March iPad drawing in colours, 2011, on wove paper, signed, dated and numbered 17/25 in pencil, the full sheet, framedSheet 1400 x 1050mm (55 x 41 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 36
David Hockney R.A. (British, born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 132/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, framedSheet 266 x 229mm (10 1/2 x 9in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 58
David Hockney R.A. (British, born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 19 March iPad drawing in colours, 2011, on wove paper, signed, dated and numbered 24/25 in pencil, the full sheet, framedSheet 1400 x 1050mm (55 x 41 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 62
David Hockney R.A. (British, born 1937)Reading in the Studio Photographic drawing in colours, 2015, on wove paper mounted on Dibond (as issued), signed, dated and numbered 12/25 in black ink, the full sheet, framedSheet 1080 x 1511mm (42 1/4 x 59 1/4in)Footnotes:ProvenanceL.A. Louver, Los Angeles (with their label).Annely Juda, London (with their label).Acquired directly from the above by the current owner.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 33
David Hockney (British 1937-), 'Remember That You Cannot Look At The Sun Or Death For Very Long', 2021, Lithographic poster with a yellow silkscreen overlay on 170gsm paper, sheet; 25.4 x 89.4cmARR sheet; 25.4 x 89.4cm In very good condition No knocks, tears, or creases to the sheet This work has been stored flat and has never been framed.
Los 36
David Hockney (British 1937-) 'Olympische Spiele München 1972', 1970, lithographic poster printed in colours on paper, published by Edition Olympia, 1972; sheet: 101 x 64cmARR sheet: 101 x 64cm In very good condition No knocks or tears to the sheet One minor crease to the upper edge of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Los 36a
David Hockney (British 1937-), 'A Bigger Book', 2016, Sumo Collectors Edition Hard-Cover Book, signed and numbered from an edition of 10,000 to the title page, published by Taschen, with adjustable bookstand designed by Mark Newton; book: 72 x 52 x 9cmARR book: 72 x 52 x 9cm In very good condition Stored inside original packaging No apparent issues.
Los 3
David Hockney R.A. (British 1937-) "A Retrospective, The Metropolitan Museum of Art June 18 - August 14, 1988" Unsigned, colour lithograph poster.98 x 60cm (framed 102 x 64.5cm)The poster is in very good, original condition with no obvious faults to report. The poster is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 153
A TRAY OF AUTOGRAPHS AND PHOTOGRAPHS, LETTERS, CARD AND PAPER OF MISCELLANEOUS PERSONALITIES, including authors, fashion designers, politicians, state figures etc., to include Reverend Jessie Jackson, Billy Graham, Gracie Fields, Dalai Lama, Sir Edmund Hilary, Sir Edward Heath, Margaret Thatcher, Charles Lindberg, John Le Carre, Bill Clinton, President Jack Chirac , Jim Callaghan, Prince Ranier, Tony Blair, Frank Oz, Ronald & Nancy Reagan, Mary Quant, Dan Quale, Pricilla Presley, Yves St Laurent, Vidal Sassoon, Norman Schwarzkoff, Mary Rice Davies, Claudier Schiffer, Ruth Rendell, Betty Boothroyd, Richard Branson, Jackie Collins, Quentin Crisp, David Hockney, Mohammed Al Fayed, Vivienne Westwood, Lech Walensa, P D James, Terry Waite, Graham Greene, Jean Paul Gautier, John Major, Nelson Mandela, Angela Merkel, Donatella Versace, etc.** VIEWING IN PERSON RECOMMENDED**Condition Report:The signed items in this lot are part of a private lifetime collection consigned by the deceased 's relative. There is no provenance other than the confirmation they were an avid p autograph collector during their lifetime.
Los 363
David Hockney (b.1937)Olympische Spiele München, 1972for Andre Emmerich Gallery, New Yorkoff-set lithograph101 x 64cm, unframed. The smallest of nicks to the right edge. Has been rolled previously. Top right corner slightly scuffed/bent. Otherwise condition good. Not signed physically by artist. See condition report photos.
Los 364
David Hockney (b.1937)New Work with a Camera, 1984for Andre Emmerich Gallery, New Yorksigned in ink (lower right)off-set lithograph99 x 63cm, unframed. Fading or sun staining to pink outer edges. Three corners slightly scuffed. Dotted black mark to right edge. Left corner a bigger crease, about 20-30cms. White line mark near the word 'Emmerich'. Light surface dirt to pink colour and other faint handling marks. The composition with man and camera is a good condition.Light finger marks top left corner.See new condition report photos.
Los 365
David Hockney (b.1937)El Gran Teatro de David Hockney, 1984for Museu Rufino Tamayosigned in crayonoff-set lithograph90 x 60cm, unframed. This one has a glossy finish to it. To the right is a long crinkled vertical line running about three quarters of the way along. No tears but crinkled top right corner. Surface scratches visible in good light. Outer edges slightly browned and this most evident from the reverse. Pencil inscriptions '418' and 'S' to reverse.One area of the black bit has a slightly raised feel. Minor, minor dots/marks to cream area, about three or four. See new condition report photos.
Los 366
David Hockney (b.1937)Drawing with a Camera 1984for Andre Emmerich Gallery, New Yorksigned in ink (lower right)off-set lithograph100 x 69cm, unframed. Scuffs to corners and edges and upon close inspection surface scratches, dents, marks, and discolouration to cream border.Reverse with time staining predominately around the edges.See photos.
Los 106
David Hockney R.A. (British, born 1937) A Year in Normandie; Vide Poche; Astray (detail) Three hand-cast, fine bone china ceramic ashtray multiples, 2020-21, the first two stamp-numbered 162/170 and 085/200 respectively verso, the first two housed within the original boxes Overall 163 x 203mm (6 1/2 x 8in)(and smaller)(3) This lot is subject to the following lot symbols: AR AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com
Los 103
David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching with aquatint, 1971, on wove paper, signed, dated and numbered 115/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with margins, framedPlate 535 x 455mm (21 1/4 x 17 3/4in)Sheet 630 x 530mm (24 5/8 x 20 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 104
David Hockney R.A. (British, born 1937)Olympische Spiele München 1972 Offset lithographic poster in colours, 1970, on wove paper, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich, the full sheetSheet 1009 x 640mm (39 3/4 x 25 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 105
David Hockney R.A. (British, born 1937)Los Angeles 1984 Olympic Games (Baggot 105) Offset lithographic poster, 1982, on wove paper, with complimentary signature in pencil, from the edition of 750, published by Knapp Communications Inc., Los Angeles, for the Los Angeles Olympics 1984, with full margins, framedSheet 915 x 611mm (36 x 24in)Footnotes:ProvenanceBonhams, Los Angeles, Sunset Estate Auction, A Collection of David Hockney Posters from the Estate of Paul Bartel, 27 February 2011, lot 7114.Acquired from the above by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 6152
Greater London Arts Association & the Arts Council of Great Britain, 1971. Softcover, 21.5 x 25 cm, 28 pp. Edited by Robin Campbell and Norbert Lynton. Original purple card covers with seven pear-shaped windows cut out of the front cover and underlying blue sheet. Catalogue for the Art Spectrum London exhibition at Alexandra Palace Great Hall, 11 - 30 August 1971, part of a series of seven concurrent exhibitions forming a major nationwide survey of contemporary art in the United Kingdom. Among the circa 100 artists were David Hockney, John Lennon, Yoko Ono, Victor Passmore, Scratch Orchestra, Birgit Skiold, Allen Jones, Su Braden, Ian Breakwell, Marc Chaimowicz, Barry Flanagan, John Latham, Liliane Lijn, Bruce Mc Lean, Gustav Metzger, John Stezaker et al. Moderate soiling on covers with some small scratches on the purple front cover. Interior is fine. Scarce.
Los 6292
Multimedia magazine of the arts published by Phyllis Johnson from 1965 to 1971, editors and designers changed for each issue. The magazine came in a customized box filled with booklets, phonograph recordings, posters, postcards. Included in this lot are: (1) Aspen 5 + 6, for Stephane Mallarmé (aka The Minimalism Issue), 1967. Boxed edition consisting of 28 numbered elements edited and designed by Brian O’Doherty, with art direction by David Dalton and Lynn Letterman. Contributions by Susan Sontag, Roland Barthes, William Burroughs, John Cage, Marcel Duchamp, Merce Cunningham, Dan Graham, Sol LeWitt et al. Two-part box, with all items present except item 15 in photocopy (Michel Butor poem) and missing item 24, the often lacking 8 mm film reel that was meant to be send after publication but never made it to this copy (replaced by the publisher's note that the reel was to follow separately). Box a bit soiled and with small repair. (2) Aspen 6A: The Judson Manipulations (aka The Performance Art issue). This was an extra number only distributed to the subscribers, focused on the performance art scene around New York’s Judson Gallery. The contents are kept in a paper folder, missing the original mailing envelope (a photocopy of the front of the envelope is added). (3) Aspen 7, the British issue. Cardboard box with die-cut colour cover design by Richard Smith. Works by Ossie Clark, Eduardo Paolozzi, Peter Blake, Ian Hamilton Finlay, John Furnival, David Hockney, as well as two flexi-disks - one has John Lennon playing Radio Play and the other contains Yoko Ono's Song for John. Fourteen items as issued (not as described on box). Box with wear, item 13 (Finlay's poem) is trimmed 1 cm, all other contents fine. (total 3)
Los 2132
David Hockney OM CH RA (b.1937) 'Remember You Cannot Look At The Sun Or Death For Very Long', 2021, Lithographic poster with a yellow silkscreen overlay. Bears David Hockney Circa Economy label verso. Edition 2751 of 3000. Measures 89.4 by 25.4cm. Sold with Circa Economy Certificate of Authenticity. In fair condition with light handling marks. ARR charges may be applicable.
Los 63
▴ David Hockney OM CH RA (b.1937)'Gregory Evans'lithograph in colours, 1979, signed 'David Hockney' in pencil l.r., an Artcurial poster from an edition of 500 published by Mourlot Editions with Mourlot blind stamp l.l.72 x 54cm, visibleCondition ReportFramed: 115 x 93cmTime staining with discolouration to the edges. Light crease marks, mainly to the edges and a small 1cm rip to the centre of the top edge. Not viewed out of glazed frame. The work has an acidic mount.
Los 62
David Hockney OM CH RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours, from an open editionsheet 101 x 64cm, unframedCondition ReportLight time staining to the edges of the white area at the bottom of the sheet. A tiny dirty mark to the left of the logo in the bottom left corner. Previously rolled.
Los 64
David Hockney OM CH RA (b.1937)'A Bounce for Bradford'four copies of an offset lithograph in colours, a limited edition of unknown size, reprinted and published by The Telegraph & Argus, Bradford, in 1987sheet 42 x 60cm, with centre fold as issued (4) Condition ReportTime staining and discolouration to the paper. In addition to the centre fold (as issued) each print has been folded horizontally. A small rip to the corner of one copy.
Los 423
David Hockney, The Student (Aus: Homage to Picasso)Radierung und Aquatinta auf Karton 75,5 x 56,5 cm. Signiert, datiert und nummeriert. Exemplar 19/90. (+XXX +60). Edition Propyläen Verlag, Berlin.Scottish Arts Council/Petersburg Press (Hg.), David Hockney prints 1954-77, London 1979, WVZ-Nr.153ProvenienzPrivatsammlung, Hessen
Los 854
David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). „The Student: Homage to Picasso“. 1973Radierung und Aquatinta auf Papier. 57,3 × 44 cm (75,8 × 56,7 cm) (22 ½ × 17 ⅜ in. (29 ⅞ × 22 ⅜ in.)). Signiert und datiert.Scottish Arts Council 153.–Eines von 30 römisch nummerierten Exemplaren aus einer Gesamtauflage von 180. Aus dem Portfolio „Hommage à Picasso“. Berlin/Rom, Propyläen Verlag/Pantheon Press, 1974. [3333] Gerahmt. Provenienz: Privatsammlung, NorddeutschlandWir berechnen auf den Hammerpreis 32% Aufgeld.
Los 51
David Hockney, Grand Hotel Terrace, VittelFarbstift und Wachsfarben auf Karton 43,2 x 35 cm. Unter Glas gerahmt. Monogrammiert, datiert und betitelt 'Grand Hotel, Vittel. DH june 70'.ProvenienzKasmin Gallery, London; James Kirkman, London (jeweils mit rückseitigem Aufkleber); Sotheby's, New York, 01.05.1991, Lot 133; André Emmerich Gallery, New York (mit rückseitigem Aufkleber) (1992); Privatsammlung, BelgienLiteraturNikos Stangos (Hg.), David Hockney by David Hockney, London 1976, Kat.Nr.322, S.234 mit Abb.; Nikos Stangos, Pictures by David Hockney, London 1976, S. 108 mit Abb.Als schillernde Figur des „Swinging London“ in den 1960er Jahren und Chronist des „Californian Way of Life“ ist David Hockney bekannt geworden. Dabei verweigerte er selbst als Maler, Grafiker, Fotograf und Bühnenbildner mit Anklängen an die britische Pop-Art jegliche Zuordnung zu einer der Stilrichtungen des 20. Jahrhunderts. Auch bei der Wahl seiner Wohn- und Arbeitsorte liebte Hockney die Abwechslung – nach Jahren in London und Kalifornien weilte er Anfang der 1970er Jahre über einen längeren Zeitraum in Europa, dort überwiegend in Frankreich, später dann in Marokko und in Japan. Die farbige Zeichnung „Grand Hotel Terrace, Vittel“ ist 1970 in jenem Luxus-Hotel im Départment Vosges südlich von Nancy entstanden. Mit farbigen Wachskreiden zeichnete er einen grünen Tisch mit Sonnenschirm, zwei Korbsessel und einen dahinterliegenden Park mit Pool. Wie Hockney über das nur wenige Jahre später, 1974, entstandene Gemälde „Contre-jour in the French Style“ schrieb, sind die in Frankreich entstandenen Bilder in erster Linie eine Hommage an die französische Kultur und an das Land, in dem er von 1973-1975 lebte. Französisch wirkt „Grand Hotel Terrace, Vittel“ aufgrund des Mobiliars, der traditionellen Stühle, des grazilen Metalltisches und des Fransenschirms, aber auch aufgrund der Farbigkeit mit zartem Rosé, Koralle und den vielen Nuancen von Grün. Die Rückenlehne des vorderen Stuhls lädt den Betrachter ein, Platz zu nehmen und dem Maler Gesellschaft zu leisten. Das Werk gehört tatsächlich zu einer Serie von Kreidezeichnungen aus den frühen 1970er Jahren, die alle Hockneys Aufenthalts- und Urlaubsorte zum Thema haben und in Marrakesch, Calvi, Vichy, Nizza oder Kyoto entstanden sind. Die unter dem Titel „Travels“ zusammengefasste Reihe zeigt stets luxuriöse, aber immer menschenleere Räume oder Plätze und zur Ausstattung häufig einen Sonnenschirm, der als einziges Bildmotiv Schatten auf diese perfekte Welt wirft. Maltechnisch griff er in dieser Zeit häufig zu Wachskreiden und schuf die zauberhaften Zeichnungen, die ihm schon lange nicht mehr nur zur Vorbereitung eines Ölgemäldes dienten. Wie er selbst immer wieder betonte, liebte er das Reisen – auch aufgrund der landestypischen Speisen: „I had fallen in love with Europe again in 1967; it had been four or five years since I travelled around. I’d been so full of America for five years, but coming back to Europe you realise it’s certainly more interesting to drive around than America. America is wonderful as landscape, but every time you pull into a restaurant you know what the menu’s going to be. The thing is I love glamour places. I love going to places that have glamour. So any place that’s new for me is good. I like to travel…“ (Zit. nach: David Hockney, Travels with Pen, Pencil and Ink, London 1978, o.S.).
Los 196
Peter Blake (British, b. 1932) For John Constable - Liberty as Suffolk child by John Constable Etching, signed and numbered 66/100. Comes with two postcards, comprising "A Suffolk Child" by John Constable printed for V & A museum and the Blake's etching. Published by Bernard Jacobson 1976. 13 x 11.5cm ( 5" x 4 6/8") From the Bernard Jacobson Gallery Collection Sir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette. Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art. From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts. In the "Young Contemporaries" exhibition of 1961 in which he exhibited alongside David Hockney and R. B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963, Blake was represented by Robert Fraser placing him at the centre of Swinging London and bringing him into contact with leading figures of popular culture. Blake had his first solo exhibition with Robert Fraser Gallery in 1965 and appeared on the front cover of LIFE International in a photograph by Lord Snowdon. Blake was given the final exhibition held at Robert Fraser Gallery which closed in 1969. The same year, Blake had his first exhibition with Waddington Galleries, owned by Leslie Waddington who became his lifelong supporter and representative. In 1999, Blake painted Leslie Waddington with Portrait of a Young Man by Hans Memling. Blake participated in Prince Edward's charity television special The Grand Knockout Tournament in 1987. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 268
Hockney Paints the Stage by Martin L. Friedman is a hard cover book about the work of British artist David Hockney as a set and costume designer for the stage. It covers over 20 productions and includes interviews with Hockney and others. The book is illustrated with over 200 color and black-and-white reproductions within its 227 pages of Hockney's stage designs. It is an essential resource for anyone interested in Hockney's work, the art of stage design, or the performing arts in general. ISBN: 0896593967 Issued: 1983Dimensions: 10.75"W x 1.25"D x 10.75"HManufacturer: Abbeville PressCountry of Origin: United States
Los 18
David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). Ouesten. 1994Gouache auf Velin. 56 × 76,5 cm (22 × 30 ⅛ in.). Unten links monogrammiert und datiert: DH 94. Auf der Rückpappe mit dem Etikett und Stempel der Galerie Andre Emmerich, New York, den Etiketten der Nishimura Gallery, Tokio, und der Richard Gray Gallery, Chicago, sowie einem Etikett mit den gedruckten Werkangaben und der Werknummer: 94G23.[3216] Gerahmt. Provenienz: Privatsammlung, Bayern (1995 über die Richard Gray Gallery, Chicago, vom Künstler erworben)Wir berechnen auf den Hammerpreis 32% Aufgeld.
Los 275
Hockney (David) Hockney's Alphabet, edited by Stephen Spender, one of 250 copies signed by the artist and 23 of the contributors, colour lithographs and etchings, original vellum-backed boards, slip-case, 4to, Faber and Faber for the Aids Crisis Trust, 1991.⁂ A fine copy of Hockney's graphic interpretation of the alphabet, with each illustrated letter accompanied by a textual interpretation by the following contributors: Stephen Spender, Joyce Carol Oates, Iris Murdoch, Paul Theroux, Gore Vidal, Norman Mailer, Seamus Heaney, Martin Amis, Erica Jong, Ian McEwan, Nigel Nicolson, Margaret Drabble, Craig Raine, William Boyd, V.S. Pritchett, Doris Lessing, William Golding, T.S. Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, Julian Barnes, John Updike, Susan Sontag, Anthony Burgess, Douglas Adams and Patrick Leigh Fermor.
Los 276
Hockney (David).- Spender (Stephen) Hockney's Alphabet, special edition signed by both Hockney and Spender, 26 colour illustrations by David Hockney, original yellow cloth, grey cloth slip-case, 4to, Faber and Faber for the Aids Crisis Trust, 1991.⁂ Produced in aid of the AIDS Crisis Trust; contributors include Iris Murdoch, Norman Mailer, Seamus Heaney, Ian McEwan, William Golding, T.S.Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, John Updike, and Susan Sontag.
Los 6193
(Counter Culture.) 'Oz Magazine', London, OZ Publications Ink, 33 issues May 1967 to November 1973 (final issue), comprising No.'s 4, 6-8, 19-44, 46-48. Includes the following issues/content amongst others: Oz No.4, June 1967, with large fold out Hapshash and the Coloured Coat cover poster by Michael English & Nigel Waymouth, Martin Sharp Tarot cards images to the reverse; Oz No.6 'OZ & Other Scenes', August 1967, Martin Sharp cover illustration; Oz No.7, October 1967, Bob Dylan 'Blowin in the Mind' psychedelic cover by Martin Sharp; Oz No.8, January 1968, Louise Ferrier cover, with Che Guevara poster and psychedelic While Dads Away, Mum Will Play poster on reverse); Oz No.19, March 1969, Germaine Greer/Viv Stanshall cover; Oz No.21, May 1969, Elektra Records Amazement advert cover with Outcry & Running Man inserts; Oz 24, November 1969, with Honeybunch Kaminski poster insert; Oz No. 26, February 1970, Pussy Power issue with rare "Print Mint" insert; Oz No. 27, April 1970, Acid Oz Robert Crumb cover The Acid Facts text and graphic 2; Oz No. 28, May 1970, The Schoolkids issue white & blue cover with green inset; Oz No. 30, October 1970, with Jimi Hendrix folding poster pull out; Oz No. 35, May 1971, Special Pig issue with pink cover by Ed Belchamber; Oz No. 36, July 1971, with Janis Joplin folding poster pull out; Oz No. 40, February 1972, Special 5th Anniversary John Hurford; Oz No. 41, April 1972, Crime & Conspiracy Issue; OZ No. 43, July 1972, Bali: Hippy Paradise/Van Gough Bowie Lou Reed Hawkwind Martin Sharp etc, The Rock 'n' Roll Show flyer intact; Oz No. 44, September 1972, The Virgin Sperm Dancer + cozmic comics flyer intact, John Lennon etc; Oz No. 47, April 1973, The Rising of the Women issue Soft Machine Yoko Ono Loudon Wainwright etc; OZ No. 48, November 1973, The last issue, nude Oz staff & Nixon cover, plus many others; together with a scarce lithograph print for the OZ Obscenity Fund by David Hockney, London, 1971, depicting the three editors Richard Neville, Jim Anderson and Felix Dennis posing nude. By celebrating the innocence of the naked male form, Hockney playfully portrays the OZ magazine editors as innocent. Approx size 58.5 x 91cm, a/f, with large closed tear. Oz was an independent alternative/underground counterculture magazine founded & edited by Richard Neville, and with many issues with cover art by, and containing superb cartoon, pop art and psychedelic art illustrations by co founder Martin Sharp, and whose staff writers included Germaine Greer, Philippe Mora, Lillian Roxon, Michael Leunig, Angelo Quattrocchi, Barney Bubbles & David Widgery. A good run of issues of the foremost anti-establishment underground press magazine of the 1960s, subject to a famous obscenity trial in the UK in 1971. (34)
Los 6206
Elisabeth Frink: 'Elisabeth Frink Sculpture catalogue raisonné', Harpvale Books, 1984, 1st edition, profusely illustrated throughout in colour and b/w (some double page), 4to, original cloth, dust wrapper (fine/fine); together with 'David Hockney: A Bigger Picture', L, Royal Academy of Arts, 2012, profusely illustrated throughout in colour, original pictorial wraps (2)
Los 6224
Ten assorted art and illustrated titles, including four Philip Hofer Edward Lear limited edition booklets, comprising 'Calico Pie', 1952, (500), 'The Duck and the Kangaroo', 1956, (500), 'A Drawing Book Alphabet', 1954, (1000), Edward Lear', 1962, (960), each illustrated throughout, each original wraps; David Hockney: 'The Blue Guitar. Etchings by David Hockney. Who was Inspired by Wallace Stevens. Who was Inspired by Pablo Picasso', Petersburg Press, 1977, 2 colour plates as called for, original boards, d/w; Pete Morgan: 'One Greek Alphabet', Ceolfrith Press, 1980, signed & inscribed by Morgan on half title, orig. card wraps, dust wrapper; two Albert Skira published titles 1940's 'Anthologie du Livre Illustré par les Peintres et Sculpteurs de l'Ecole de Paris', [1946], ills. by Pierre Bonnard, Georges Braque, Marc Chagall, Raoul Dufy, Henri Matisse, Pablo Picasso etc., 'Editions Albert Skira - Vingt Ans D'Activité', 1948, ills. by Henri Matisse, André Derain, Pablo Picasso, Marc Chagall etc, of which some tipped in colour plates, orig. pictorial wraps (2nd title with front cover by Matisse); plus another French title with ills. by Raoul Domenjoz; plus 'London a la Carte', Habitat, 1967, 2nd edition, 30 facsimile menus from leading London restaurants of the period, housed loose as issued in original pictorial portfolio (10)
Los 386
HOCKNEY, DAVID1937 BradfordTitel: Untitled, 468 (iPad-Drawing). Datierung: 2010. Technik: Inkjet-Print auf Archivpapier. Darstellungsmaß: 44 x 33cm. Blattmaß: 56 x 43cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Taschen Verlag, Köln (Hrsg.). Exemplar: 171/250. Bei diesem Druck handelt es sich um ein Exemplar der Art Edition C (Nrn. 501-750) zu dem Projekt "David Hockney. A Bigger Book" welches als "SUMO" Buch 2017 im Taschen Verlag erschien. Der Druck befindet sich in seinem originalen Umschlag. Zudem liegt das dazugehörige original verpackte "SUMO" mit Buchständer von Marc Newson bei. Hier im Impressum nochmals signiert, datiert, nummeriert sowie bezeichnet (Ex. 671/9000).Provenienz:- Privatsammlung Norddeutschland Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
Los 387
HOCKNEY, DAVID1937 BradfordTitel: "Stage". Datierung: 1964. Technik: Mischtechnik auf Papier. Maße: 35,5 x 28cm. Bezeichnung: Betitelt, monogrammiert und datiert unten rechts: Stage. DH. 64. Rahmen/Sockel: Rahmen. Provenienz:- Privatsammlung Nordrhein-Westfalen- Frühes Werk aus seiner Zeit in Los Angeles, wohin der Künstler 1964 übersiedelte - Mit wenigen Elementen dargestellte, menschenleere Theater-Bühne, die unverkennbar die Handschrift des Künstlers trägt - Während seiner Zeit in Californien gelingt Hockney der internationale Durchbruch - Hockney zählt zu den bedeutendsten Künstlern und hat einige der einprägsamsten und einflussreichsten Werke des 20. Jahrhunderts geschaffen David Hockney zählt zu den gefragtesten Künstlern weltweit. Spätestens seitdem im Jahr 2018 sein Gemälde "Portrait of an Artist (Pool with Two Figures)" für über 90 Millionen Dollar versteigert wurde ist er aus dem Olymp des Kunstmarktes nicht mehr wegzudenken. In der vorliegenden, sehr frühen Arbeit von Hockney aus dem Jahr 1964 wird bereits deutlich, warum sich Hockney zu einem der bedeutendsten Künstler unserer Zeit entwickeln wird. Die Zeichnung bildet den Ausgangspunkt seines künstlerischen Werkes und diente Hockney oft dazu, spontane Gestaltungsideen festzuhalten, auszuformen und schließlich in letzter Konsequenz als Malerei zu realisieren. Die vorliegende Zeichnung ist dabei bereits stark ausgearbeitet und deutlich treten die Charakteristika der Pop-Art - zu deren bedeutendsten Vertretern Hockney zählt - zum Vorschein. Ein Fransenvorhang, in unterschiedlichen Blaustufen schraffiert, schwebt über einer kleinen Bühne. Die roten Ornamente im Vorhang lassen den Betrachter unweigerlich an die "Flowers" seines Pop-Art-Kollegen Andy Warhol denken. Der Vorhang scheint den Blick auf das in der Bildmitte befindliche Quadrat nur widerwillig freizugeben und erst bei genauerem Hinsehen offenbart sich dem Betrachter ein gleichartiges Rechteck, welches fast gänzlich hinter dem Vorhang verborgen ist.Die vorliegende Arbeit zeigt eindrucksvoll, wie es Hockney mit einfachsten Mitteln gelingt, in seinen Arbeiten eine gesamte Geschichte zu erzählen. Mit simpel gehaltenen Elementen erzeugt Hockney eine unwahrscheinliche Dramatik und zieht den Betrachter in den Bann seines Werkes. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
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