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δ David Hockney (b.1937)The boy Hidden in an Egg (Tokyo 69)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 198 x 170mm (7 7/8 x 6 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)The Princess in Her Tower (Tokyo 68)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 447 x 323mm (17 1/2 x 12 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Wayne Sleep (Scottish Arts Council 112)Etching, 1969, signed and dated in pencil, numbered from the edition of 30, printed by Maurice Payne, London, on Crisbrook handmade paper, with full margins, plate 245 x 245mm (9 5/8 x 9 5/8in) (framed) Wayne Sleep, dancer, director and choreographer, was the shortest male dancer ever to be admitted to the Royal Ballet School, he is noted for his unusual physique and often had roles created specifically for him including notably that of Mr. Mistoffelees by Andrew Lloyd Webber in Cats. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Cardigan Road, BridlingtonInkjet printed computer drawing on paper, 2008, signed, dated and numbered from the edition of 25 in pencil, published by the artist and Annely Juda Fine Art, London, housed within the artist's original designated frame, with the Annely Juda label affixed to the reverse of the frame, with full margins, sheet 1137 x 813mm (44 3/4 x 32in) (artist's frame)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
HOCKNEY, DAVIDNEW PAINTINGS, DRAWINGS AND GRAPHICS OCTOBER 29 - NOVEMBER 16, 1977 New York: André Emmerich Gallery, 1977. 4to, signed on leaf after title "For Jonathan, David", original pictorial wrappers, wrappers slightly discoloured; Hockney, David Another copy. 1977, signed on leaf after title "For Tom, David"; Hockney, David On Photography. With Hockney's "Squiggle" signature: "[Squiggle] was here, 18, 19 20 July 1985 Bradford" on leaf before title. 8vo, National Museum of Photography, 1985. 8vo; Hockney, David Six Fairy Tales. Petersburg Press. First edition, 32mo, original leatherette, slightly rubbed (4)
Robert Ballagh b.1943HOMAGE TO MAGRITTEAcrylic on 8 panels, each 24" x 24" (61 x 61cm), overall 96" x 48" (244 x 122cm), signed with initals and dated 1973Robert Ballagh began his series of ‘People Looking at Art’ in the late 1960s when he was the most challenging new kid on the block in Irish art. Coming from a background in pop/rock music and a discontinued education in architecture, he brought a new and iconoclastic eye to the art world, not just in Ireland but internationally. From the outset, Ballagh carved a wide gap between himself and the traditionalists in the RHA as well as the cult of international modernist abstraction, favoured by the Arts Council. The ‘Looking at Art’ series was given its first public iteration in the artist’s inaugural exhibition at the Hendriks Gallery in 1972, when it threw Irish critics and collectors into a spin of excitement. It later formed the basis for a commission for a shopping centre in Clonmel in which many of the compositional elements in the paintings here were used. The series provides a visual equivalent to Brian O’Doherty’s[1] ground-breaking essays about how knowledge of art empowers the privileged, who can enjoy it, in clean, white spaces, neatly separated from the vicissitudes of the world outside. For the series Ballagh employed a neo-realist style derived from advertising, and thus, quite shocking to traditionalists. The paintings exposed the crass commercial realities and the crude branding of art works, as ‘a Lichenstein’, ‘an Ellsworth Kelly’, ‘a Hockney’ or ‘a Bridget Riley’, and also pointed out the preciousness of the gallery space, where the audience is generally fashionable but sparse. That first series was an immediate sell out to collectors like Gordon Lambert, the Arts Council and Ronnie Tallon (on behalf of Bank of Ireland) and led to considerable international exposure for the artist.Catherine Marshall, October 2016.[1] Brian O’Doherty, Beyond the White Cube, 1975.In this work the viewer is looking at Renee Magritte’s Le Monde des Image 1950.[1] Brian O’Doherty, Beyond the White Cube, 1975. In this work the viewer is looking at Renee Magritte’s Le Monde des Image 1950.
After David Hockney (British, b. 1937): 'My Mother, Bridlington, 1988', four colour lithograph, limited edition of 250, unnumbered, signed in pen lower right on October 22nd 1988, published by Tate Gallery Publications, printed by Westerham Press Ltd, 76 by 51cm, unframed, together with Certificate of Authenticity from The Mail on Sunday who commissioned this edition of 250 prints. ***Subject to ARR***Provenance: private collection since purchase via The Mail on Sunday in 1989.
Three volumes E T McDermot, History of the Great Western Railway by GWR 1927-31An H Greenly and W J Bassett Lowe "Model Railways and Locomotives", bound copies of the magazines, volumes 1 to 5, 1909 to 1913. ABC Railway Guide for 1921, The Life of George Stephenson, second edition, published 1857, R Jung, Timothy Hackworth and the Locomotive, first edition published 1923 along with other assorted railway interest, A box of ephemera and pamphletsTo include a David Hockney BT Bradford Phone Book, 1989, Dennis Wheatley murder mystery "Who killed Robert Prentice", first edition, two titles in the Ariel Poem series by W H Auden and Stephen Spender, a set of Cruik Shank prints, a Francis Moore's Loyal Almanac for 1858, Maple's Furniture Catalogue 1953 and other items, 8 Volumes The Children's Hour Illustrated with Numerous Colour Plates.
Munich Olympics 1972 - Podium on Grass Original vintage poster advertising the 1972 Summer Olympics in Munich (Olympische Spiele Munchen). Open edition print. Very good condition. This Munich Olympic poster signed by artist Richard Smith is one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide". County: Germany, year of printing:1972, designer: Richard Smith, size (cm): 101x64
Munich Olympics - Chariot Original vintage poster advertising the 1972 Summer Olympics in Munich (Olympische Spiele Munchen). Limited edition. Very good condition, small tear on bottom margin. This Munich Olympic poster signed by artist Charles Lapique is one of the series of posters by various popular artists of the period (Peter Phillips, Horst Antes, Otl Aicher, David Hockney among others) commissioned to design the 1972 Olympic Games posters in Germany for their advertising campaign, which aimed to "represent the intertwining of sports and art worldwide". County: Germany, year of printing:1972, designer: Charles Lapique, size (cm): 101x65
A box of ephemera and pamphletsTo include a David Hockney BT Bradford Phone Book, 1989, Dennis Wheatley murder mystery "Who killed Robert Prentice", first edition, two titles in the Ariel Poem series by W H Auden and Stephen Spender, a set of Cruik Shank prints, a Francis Moore's Loyal Almanac for 1858, Maple's Furniture Catalogue 1953 and other items.
David Hockney (British 1934-): 'Paint the Stage', signed exhibition poster for the Hayward Gallery 1st Aug. to 29th Sept. 1985, 142cm x 101cmProvenance: from the collection of the late Cavan O'Brien of Bridlington who was employed by Marlborough and Fischer Fine Art London Condition Report Click here for further images, condition, auction times & delivery costs
David Hockney (British 1934-): 'New World Festival of the Arts', signed exhibition poster for Greater Miami and the Beaches June 1982, pub. Petersburg Press 98cm x 91cmProvenance: from the collection of the late Cavan O'Brien of Bridlington who was employed by Marlborough and Fischer Fine Art London Condition Report Click here for further images, condition, auction times & delivery costs
David Hockney (British 1937-): 'Andalucia. Mosque, Codova detail', original lithograph exhibition poster 'Royal Academy of Arts Summer Exhibition 2004' signed in pencil by David Hockney 75cm x 50cmProvenance: from the estate of Keith Beverley of Sand Condition Report Click here for further images, condition, auction times & delivery costs
DAVID HOCKNEY (b. 1937) 'Geography book (Félicité's only view from abroad)' An illustration for 'A Simple Heart' by Gustave Flaubert, signed, dated '74 and numbered 39/100, limited edition etching and aqua-tint in colours, on arches paper, published by Petersburg Press, London and New york, the plate 22cm x 23.5cm Literature: No. 151, David Hockney: Catalogue Raisonne of the Prints, published by the Museum of Contempo-rary Art, Tokyo, 1996
David Hockney, British (b.1937) "Loading his Camera" Offset Lithograph Poster, Signed Lower, dated May 7 to June 3, 1983. Measures 38-1/4" H x 24-3/8" W, frame measures 41-3/8" H x 27-1/2" W. Condition: Small crease lower center, signs of fading Estimate: $50.00 - $100.00 Domestic Shipping: Third party
*David Hockney (British, b.1937) A BOUNCE FOR BRADFORD The handmade print in colours executed on an office photocopier, 1987, limited edition of unknown size, published by Bradford & District Newspapers, designed by the artist for Bradford’s 'Bounce Back' campaign, on thin wove, the full sheet sheet 42 x 60cm, framed *Artist's Resale Right may apply to this lot.

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