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DAVID HOCKNEY, Flowers, off set poster.

DAVID HOCKNEY, a pair, off set lithographs, Yorkshire countryside, each 40.5cm x 59.5cm overall.

The Wolds across the World a David Hockney print Shipping unavailable.

Young Playwrights Festival 27th April - 16th May 1982, a framed coloured poster depicting David Hockney painting Pulcinella with Applause. H.113 W. 85cm.

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) LITTLE BOODGE - 1993 Off-set lithograph, published by 1853 Gallery, Salts Mill, Saltaire, YorkshireDimensions:the sheet 28cm x 42cm (11in x 16.5in), unframed

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) OLYMPISCHE SPIELE MÜNCHEN - 1972 (BAGGOTT 34) Lithograph, signed and dated 1970 in plate, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, MunichDimensions:the sheet 102cm x 64cm (40in x 25.25in), unframed

§ DAVID BAILEY C.B.E. (BRITISH 1938-) BOX OF PIN-UPS - 1965 Thirty-six half-tone prints, with captions and biographical details by Francis Wyndham printed verso, in original card box, published by Weidenfeld & NicolsonDimensions:each sheet 37cm x 32cm (14.5in x 12.5in), unframedNote: Note: An iconic survey of the movers and shakers of the Swinging Sixties, including portraits of Michael Caine, Lennon and McCartney, Jean Shrimpton, Terence Stamp, Lord Snowdon, Vidal Sassoon, Cecil Beaton, David Hockney, Rudolf Nureyev, and, controversially, the Kray Brothers.

DAVID HOCKNEY: 'THE RAKE'S PROGRESS', A POSTER produced for the Ashmolean for an exhibition of costumes and set designs, 1981

A 1986 David Hockney Tate Gallery poster

David Hockney is a prominent British artist who was born in 1937 in Bradford, England. He is widely regarded as one of the most influential artists of the 20th century and is known for his contributions to the Pop art movement.Hockney's work spans a variety of media, including painting, drawing, printmaking, and photography. He is best known for his colorful and vibrant paintings of swimming pools, landscapes, and portraits. Hockney often works in a vibrant, bright palette, and his work often exudes a sense of joy and optimism.Some of Hockney's most famous works include "A Bigger Splash," a painting of a swimming pool that is one of his most recognizable pieces, as well as ""Portrait of an Artist (Pool with Two Figures),"" which sold for a record-breaking $90 million at auction in 2018.Throughout his career, Hockney has been recognized with numerous awards and honors, including a Knighthood from the British Crown and an Order of Merit. He continues to create new work and has embraced digital technology in recent years, creating art on his iPad and iPhone.Measures 20 x 16.5.Writing is in the plate.Verso is blank.

David Hockney, born in 1937 in Bradford, England, is a renowned British artist whose work spans various mediums, including painting, drawing, photography, and collage. He is considered one of the most influential artists of the 20th and 21st centuries, known for his vibrant use of color, innovative techniques, and exploration of space and perspective.Hockney rose to prominence in the 1960s as a leading figure in the Pop Art movement. He gained recognition for his iconic swimming pool paintings, which captured the California lifestyle and reflected his fascination with the interplay of water, light, and space. These works, characterized by their bold colors and clean lines, established Hockney as a master of depicting the modern urban environment.Beyond his exploration of the swimming pool motif, Hockney's diverse body of work encompasses a wide range of subjects and styles. He has painted landscapes, portraits, still lifes, and abstract compositions, continually experimenting with new techniques and approaches. Hockney's ability to capture the essence of his subjects and convey a sense of joy and vitality is a defining characteristic of his art.In addition to his paintings, Hockney has been at the forefront of using technology in art, particularly in his exploration of photography and digital media. He embraced the use of Polaroid cameras, creating innovative photo collages known as "joiners" that captured a scene from multiple perspectives. Later in his career, Hockney embraced iPad drawing, creating intricate and vibrant digital artworks that pushed the boundaries of traditional artistic practices.Hockney's contributions to the art world have been widely recognized and celebrated. He has been the subject of numerous major retrospectives and exhibitions around the world. In 2011, he was appointed a member of the Order of Merit, one of the highest honors bestowed on individuals who have made exceptional contributions in the fields of arts, science, literature, or other areas.David Hockney's artistic legacy is marked by his immense talent, versatility, and innovative spirit. His work continues to inspire and captivate audiences with its vibrant colors, meticulous craftsmanship, and unique perspectives. Hockney's ability to capture the beauty and essence of the world around him, combined with his constant exploration of new techniques and technologies, firmly places him among the most significant artists of our time.Measures 21 x 21.

David Hockney (B. 1937), Olympische Spiele Munchen 1972, The Diver, poster for the Summer Olympic Games, 100.5 x 63.5cm., clip frame

After David Hockney OM, CH, RA (b.1937)"The Skater, New York"Lithographic poster for the Olympic Winter Games, Sarajevo 1984, together with a further lithographic poster for 1853 Salts Mill Gallery Bradford, "Montcalm Interior at 7 o'clock", 85cm by 63cm and 70cm by 83.5cm respectively (2) unframed

Books - Art Reference, Artists and General Reference, various titles including Jeremy Maas Victorian Painterss, David Hockney By David Hockney, Carl Justi Velazquez and his Times, Euan Uglow The Complete Paintings etc (quantity in four boxes)

[MODERN ART] HEDGCOE (J.) Henry Moore, 4to, illus., clo., slipcase, 1st Edn., L., 1968; & 3 David Hockney books (4).

David Hockney RA (b.1937), 'Digging Up Glass', etching and aquatint from 'Illustrations For Six Fairy Tales From The Brothers Grimm', 1969, pencil signed and numbered 'AP III', 12.5 cm x 11 cm with margins, framed and glazed.Private collection, deceased estate. Goldmark Gallery label verso.Appears in good condition, with no damage or repair. Some minor wear to the frame. Sealed in the frame and glazed - not inspected out of the frame.

A framed advertising poster for the San Francisco Opera 1982 Summer Festival designed by David Hockney for the Bedlam scene in Stravinsky's the Rake's Progress. H.109 W.94cm.

Contemporary British Drawings at the Tel Aviv Museum, Summer 1980, a framed coloured advertising poster depicting Celia by David Hockney. H.79 W.54cm.

ART REFERENCE. - David HOCKNEY. Off the Wall. London: Pavilion Books, 1994. First edition, 4to (353 x 260mm.) Numerous colour illustrations. (Mild toning.) Original white cloth, dust-jacket. - And a quantity of approximately fifty further volumes related to art reference (including Ronald G. Pisano's 'William Merritt Chase', 2006, 4to) (a quantity).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

nach HOCKNEY, DAVID (geb. 1937 in Bradford, Großbritannien), Lithographie: "Flowers / Sunflowers". Farblithographie auf Bütten mit Blindstempel "S.P.A.D.E.M Paris" (Société de la propriété artistique des dessins et modèles), unten rechts mit Drucksignatur "David Hockney" und unten links mit Bleistift limitiert 58/200; revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Druck 32,3 x 24 cm, Blattgröße 50 x 35 cm. Druck in gutem Zustand. Dabei "Certificato di Autenticita".

nach HOCKNEY, DAVID (geb. 1937 in Bradford, Großbritannien), Lithographie: "Sun" (from Weather Series). Farblithographie auf Bütten mit Blindstempel "S.P.A.D.E.M Paris" (Société de la propriété artistique des dessins et modèles), unten rechts mit Drucksignatur "David Hockney" und unten links mit Bleistift limitiert 106/200; revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Druck 27,5 x 23,2 cm, Blattgröße 50 x 35 cm. Druck in gutem Zustand. Dabei "Certificato di Autenticita".

nach HOCKNEY, DAVID (geb. 1937 in Bradford, Großbritannien), Lithographie: "Tulpen". Farblithographie auf Bütten mit Blindstempel "S.P.A.D.E.M Paris" (Société de la propriété artistique des dessins et modèles), unten rechts mit Drucksignatur "David Hockney" und unten links mit Bleistift limitiert 22/200; revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Druck 30,8 x 21,5 cm, Blattgröße 50 x 35 cm. Druck in gutem Zustand. Dabei "Certificato di Autenticita".

nach HOCKNEY, DAVID (geb. 1937 in Bradford, Großbritannien), Lithographie: ohne Titel (Pink Flowers). Farblithographie auf Bütten mit Blindstempel "S.P.A.D.E.M Paris" (Société de la propriété artistique des dessins et modèles), unten rechts mit Drucksignatur "David Hockney" und unten links mit Bleistift limitiert 164/200; revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Druck 30 x 22,5 cm, Blattgröße 50 x 35 cm. Druck in gutem Zustand. Dabei "Certificato di Autenticita".

David Hockney, An Exhibition of Costume Drawings and Set Designs Ashmolean Museum, Oxford, May 18 - June 30 1981, print, framed and glazed, 74.5 x 92cm

After David Hockney OM, CH, RA (b.1937)"Still Life With Book"Exhibition poster together with three Brian Davis botanical posters and two Iris prints by Julia Robson (6)

David Hockney (British, B. 1937)'Catherina Dorothea Viehmann' from 'Illustrations for Six Fairy Tales from The Brothers Grimm', etching and aquatint, signed in pencil below image, mounted and framedplate size 280 x 225mm, framed size 62.5 x 52.5cmCondition: In good overall condition; the item has not been examined out of the frame.

Manchester Pitt Club 1813: a silver medal by Thomas Wyon Jr, obverse bust of William Pitt, bare head left, reverse Pitt arousing the Genius of Britain to resist the demons of Anarchy who have overthrown Religion and Royalty, a group of Virtues, left, await the result, covered by glass in silver pendant mount, 5.0cms wide. Note: Another example is housed in The British Museum M.5412. There is a trial striking of the obverse die in the Ashmolean Museum the design for which is from a bust of Pitt by Nollekens. See Fitzwilliam Museum, 'Cambridge Portraits from Lely to Hockney', Cambridge University Press, 1978, No. 87. See also note to Brown 1 p171.703.Bibliography: Hocking, W. J. 'Catalogue of the coins, tokens, medals, dies and seals in the museum of the Royal Mint', Vol. II, London, 1910, 247/10.

Exhibition Posters. David Hockney: A Retrospective, The Metropolitan Museum of Art, 18 June to 14 August 1988, 98cm by 60cm; David Hockney: A Retrospective, Tate Gallery, 27 October 1988 to 8 January 1989, 75cm by 49.5cm; Colour Chart Of A Way: Paintings by Norman Adams, Royal Academy of Arts, 19 October to 20 November 1988, 75cm by 49.5cm, framed & glazed (3)

A collection of five david Hockney books

David Hockney, A Bigger Picture, Royal Academy of Arts, 2012, paperback

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, 420 x 280mm (16 3/8 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney (b.1937) after.Dog 38; Dog 43 Two offset lithographs printed in colours, 1995, each from the edition of unknown size, on wove paper, each sheet printed to the edges, sheet 530 x 648mm (20 3/4 x 25 1/2in) (2)

NO RESERVE δ David Hockney (b. 1937)Vide-PocheHand-cast, fine bone china ash-tray, 2020, numbered from the edition of 200 on accompanying pamphlet, housed within the original box, the overall size 160 x 200 x 30mm (6 1/4 x 7 7/8 x 1 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Swimming Pool for the 1984 Olympics (Baggot 131)Offset lithograph printed in colours, 1982, published by Knapp Communications Inc., for the Los Angeles Olympics 1984, on smooth wove paper, with full margins, sheet 914 x 610mm (36 x 24in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, the full sheet printed to the edges, sheet 1010 x 640mm (39 7/8 x 25 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney (b. 1937) after.Fiesta (Baggott 178)Offset lithograph printed in colours, 1988, on wove paper, the full sheet, sheet 630 x 429mm (24 5/8 x 16 3/4in)

David Hockney (b.1937) after.Le Nid De DucOffset lithograph printed in colours, 1971, on wove paper, with full margins, sheet 607 x 453mm (23 7/8 x 17 7/8in)

δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

David Hockney, a signed (in silver ink) 8X6 promotional card. The card was produced in 2017 for the dual celebration of Hockney's 80th birthday and the 30th anniversary of the opening of Salts Mill. An art gallery, shopping centre and restaurant complex based in Saltaire, Bradford, it houses one of the largest collections of Hockney's work. Further information and calendar of events to back of card. A British artist considered to be one of the most influential of the 20th century. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

Louisiana Museum for Moderne Kunst [publisher] - 'David Hockney, Beverly Hills Housewife' (Poster for the Exhibition), offset lithograph, printed circa 2001, sheet size 49cm x 79cm, within a silvered frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

David Hockney R.A, 2016 Limited Edition (5714/10000) of 'A Bigger Book', Published by Taschen, Signed and Complete with Dust Jacket and Adjustable Acrylic and Painted Metal and Perspex Tripod Stand Designed by Narl Newson. 53 X 71 X 9 cm.

A David Hockney exhibition poster - Recent Works, Valerie Kaj Forsblom, Helsinki, 1986. 69.5cm x 41cm

David Hockney OM CH RA (British b.1937) 'A Lawn Being Sprinkled' print, 1967, Reproduction work digitally printed on 250 gsm matt card. Artist-authorised reproduction print of David Hockney’s A Lawn Being Sprinkled 1967 with description written along the bottom of the work. Image measures 26 by 18cm. Full sheet measures 36 by 28cm. Unframed This David Hockney reproduction print has never been framed or displayed and comes flat in good condition in a clear wallet. Only been opened to be checked. No signs of damage or marks on the image itself or on the edges. No crease marks, tears or stains. ARR charges may be applicable

Original vintage advertising poster for David Hockney's (b.1937) artwork exhibition organised by the Ministry of Culture of the Czech Socialist Republic and the British Council of the Czech Republic Union of Fine Artists, the poster features an illustration of a man tearing himself apart set over a mustard yellow background. Good condition, creasing, small tears. Country of issue: Czechoslovakia, designer: David Hockney, size (cm): 87x60, year of printing: 1980.

David Hockney RA (British, b.1937), 'The Blue Guitar', twenty etchings on card, housed in perspex cases, Petersburg Press London and New York, card sizes approx. 6x7ins, case size 16x20ins.

David Hockney (British, b.1937) "David Hockney Pritns and Drawings of Celia 1970-1980 Petersburg Press at the Chicago Art Fair 14-19 May 1981", offset lithograph, circa 1981, framed and glazed.

David Hockney, a signed (in green and blue ink) 1992 European Market FDC with insert. The stamp was designed by Hockney. A British artist considered to be one of the most influential of the 20th century. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

David Hockney signed with his two dogs Stanley and Boodgie black and white Photo. 7 x 5 Inch. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

Three Hockney Posters and A Hockney Book, "Arrival of Spring, Normandy, 2020"

Cecilia Charlton Woven Mosaic (Portal 2), 2023 Pencil, coloured pencil and cotton thread on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About London-based American artist Cecilia Charlton received a BFA Painting in 2015 from Hunter College in NYC, and an MA Painting from the Royal College of Art, London in 2018. She creates hand-made embroideries and weavings that engage with the formal histories of abstraction to explore a broad range of themes including the cosmos, memory, and current events. Through manipulations of geometric pattern and colour her artworks achieve an optically challenging and playful approach, questioning the hierarchy between painting and textiles. Themes of feminism, human history, time and transcendence are inherently part of the hand-sewn work, and her investigation into the history of textiles from creative, cultural, and socio-economic perspectives underpins Charlton's studio practice. Spanning the mediums of textiles, installation, and art in the social sphere, the work results in conversation tending towards both the personal and the universal. Education MA Painting, RCA (2018); BFA Painting, Hunter College (2015) Select Exhibitions/Awards Selected Exhibitions 2023 Altered Sites: On Psychedelic Architecture, West Dean College, West Dean UK Memory Garden, Garden Museum, London UK (solo) COLLECT Art Fair, Candida Stevens Gallery, Somerset House, London UK Syzygy, Candida Stevens Gallery, Chichester UK (solo) 2022 Jerwood Art Fund Makers Open, Jerwood Arts (London), Newlyn Art Gallery (Newlyn, Cornwall), Aberdeen Art Gallery (Aberdeen, Scotland) COLLECT Art Fair, Candida Stevens Gallery, London 2021 Mammoth Loop, SPACE Ilford, London, sponsored by Mercers Charitable Foundation (solo) Love Token, Robert Young Antiques, London (solo) Folk Art, London Art Fair, Platform, Candida Stevens Gallery, London 2020 Aurora, Candida Stevens Gallery, Chichester UK (solo) Hanging by a thread, freethegallery, London When you make sense I feel, Fitzrovia Gallery, London 2019 In Praise of Shadows, curated by Ione & Mann, London Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK Domestic Hospitality, Zetter Hotel, London RA Summer Exhibition, Royal Academy of the Arts, London Tender Touches, AMP Gallery, London Grid :: Preset, Blyth Gallery, London 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London Lifeline as Medium, 532 Gallery, NYC STUDIO.US is an Experiment: Mix.B, Dyson Gallery, Royal College of Art, London From This Time - Unchained, curated by Ione & Mann, London Rogue Objects, Bloomsbury Festival, University College London, London Girls Just Want to Have Fun, Unit 3 Projects, London COUPLES, The Hand, Brooklyn NY SURGE: the East Wing Biennial, Courtauld Institute, London RCA Degree Show, Royal College of Art, London Rubber-chew // Clink, adieu, Unit 1 Gallery, London An Audience of Echoes, Hockney Gallery, Royal College of Art, London Plants People Pots [an invitation], Pinch Project Space, London Selected Honours 2022 Brookfield Properties Craft Prize, short-listed 2021 Jerwood Arts, Jerwood Makers Open Award 2020 Vlieseline Fine Art Textiles Award, short-listed 2016 Fulbright UK Open Award, short-listed Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Lately, I have been thinking of my artworks as portals. Not only for the viewer but also for myself to fall into during the process of making. Using artwork to access a transcendental space; utilizing colours, materials, and process to experience the sublime.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Chris Stevens Young Blood, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Chris Stevens studied Fine Art at the University of Reading. He is a figurative painter who has exhibited regularly since graduating in 1978. His studio is in the South of France where he spends most of his time. His solo exhibitions include the PM Gallery, London, Smelik & Stokking and Galerie Rademakers in Amsterdam, the GlynnVivian Museum & Art Gallery, Swansea and the Howard Gardens Gallery, Cardiff. Group shows include REALITY, with artists such as Lucien Freud, David Hockney and Walter Sickert, Fussball in Der Kunst, with Andy Warhol and Marcus Lupertz in Germany, the BP Portrait Award at the National Gallery London, and Heads at Flowers East, London. He has been a prize winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery. He has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport. He has work in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Hertzegovena and many private collections in UK, South Africa, USA and Europe. Education University of Reading, Fine Art Select Exhibitions/Awards   2022. Art Contemporain, EXPO Internationale Maison Gramont, Fanjeaux, France Amplitudes, Maison de la Chartité, Caunes Minervois, France Affinities, L'Ecurie, Caunes Minervois, France La Table Des Vignirons, Trausse Minervois, France 2021. Painting of the year, EuropArtFair, Westergas, Amsterdam Major Figures, Saatchi Art. 2020 du 9 à Caunes, Caveaux de l'Abbaye, Caunes Minervois, France   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Cecilia Charlton Portal 1, 2023 Pencil, coloured pencil and pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About London-based American artist Cecilia Charlton received a BFA Painting in 2015 from Hunter College in NYC, and an MA Painting from the Royal College of Art, London in 2018. She creates hand-made embroideries and weavings that engage with the formal histories of abstraction to explore a broad range of themes including the cosmos, memory, and current events. Through manipulations of geometric pattern and colour her artworks achieve an optically challenging and playful approach, questioning the hierarchy between painting and textiles. Themes of feminism, human history, time and transcendence are inherently part of the hand-sewn work, and her investigation into the history of textiles from creative, cultural, and socio-economic perspectives underpins Charlton's studio practice. Spanning the mediums of textiles, installation, and art in the social sphere, the work results in conversation tending towards both the personal and the universal. Education MA Painting, RCA (2018); BFA Painting, Hunter College (2015) Select Exhibitions/Awards Selected Exhibitions 2023 Altered Sites: On Psychedelic Architecture, West Dean College, West Dean UK Memory Garden, Garden Museum, London UK (solo) COLLECT Art Fair, Candida Stevens Gallery, Somerset House, London UK Syzygy, Candida Stevens Gallery, Chichester UK (solo) 2022 Jerwood Art Fund Makers Open, Jerwood Arts (London), Newlyn Art Gallery (Newlyn, Cornwall), Aberdeen Art Gallery (Aberdeen, Scotland) COLLECT Art Fair, Candida Stevens Gallery, London 2021 Mammoth Loop, SPACE Ilford, London, sponsored by Mercers Charitable Foundation (solo) Love Token, Robert Young Antiques, London (solo) Folk Art, London Art Fair, Platform, Candida Stevens Gallery, London 2020 Aurora, Candida Stevens Gallery, Chichester UK (solo) Hanging by a thread, freethegallery, London When you make sense I feel, Fitzrovia Gallery, London 2019 In Praise of Shadows, curated by Ione & Mann, London Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK Domestic Hospitality, Zetter Hotel, London RA Summer Exhibition, Royal Academy of the Arts, London Tender Touches, AMP Gallery, London Grid :: Preset, Blyth Gallery, London 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London Lifeline as Medium, 532 Gallery, NYC STUDIO.US is an Experiment: Mix.B, Dyson Gallery, Royal College of Art, London From This Time - Unchained, curated by Ione & Mann, London Rogue Objects, Bloomsbury Festival, University College London, London Girls Just Want to Have Fun, Unit 3 Projects, London COUPLES, The Hand, Brooklyn NY SURGE: the East Wing Biennial, Courtauld Institute, London RCA Degree Show, Royal College of Art, London Rubber-chew // Clink, adieu, Unit 1 Gallery, London An Audience of Echoes, Hockney Gallery, Royal College of Art, London Plants People Pots [an invitation], Pinch Project Space, London Selected Honours 2022 Brookfield Properties Craft Prize, short-listed 2021 Jerwood Arts, Jerwood Makers Open Award 2020 Vlieseline Fine Art Textiles Award, short-listed 2016 Fulbright UK Open Award, short-listed Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Lately, I have been thinking of my artworks as portals. Not only for the viewer but also for myself to fall into during the process of making. Using artwork to access a transcendental space; utilizing colours, materials, and process to experience the sublime.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Cecilia Charlton Woven Portal (Portal 1), 2023 Pencil, coloured pencil and cotton thread on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About London-based American artist Cecilia Charlton received a BFA Painting in 2015 from Hunter College in NYC, and an MA Painting from the Royal College of Art, London in 2018. She creates hand-made embroideries and weavings that engage with the formal histories of abstraction to explore a broad range of themes including the cosmos, memory, and current events. Through manipulations of geometric pattern and colour her artworks achieve an optically challenging and playful approach, questioning the hierarchy between painting and textiles. Themes of feminism, human history, time and transcendence are inherently part of the hand-sewn work, and her investigation into the history of textiles from creative, cultural, and socio-economic perspectives underpins Charlton's studio practice. Spanning the mediums of textiles, installation, and art in the social sphere, the work results in conversation tending towards both the personal and the universal. Education MA Painting, RCA (2018); BFA Painting, Hunter College (2015) Select Exhibitions/Awards Selected Exhibitions 2023 Altered Sites: On Psychedelic Architecture, West Dean College, West Dean UK Memory Garden, Garden Museum, London UK (solo) COLLECT Art Fair, Candida Stevens Gallery, Somerset House, London UK Syzygy, Candida Stevens Gallery, Chichester UK (solo) 2022 Jerwood Art Fund Makers Open, Jerwood Arts (London), Newlyn Art Gallery (Newlyn, Cornwall), Aberdeen Art Gallery (Aberdeen, Scotland) COLLECT Art Fair, Candida Stevens Gallery, London 2021 Mammoth Loop, SPACE Ilford, London, sponsored by Mercers Charitable Foundation (solo) Love Token, Robert Young Antiques, London (solo) Folk Art, London Art Fair, Platform, Candida Stevens Gallery, London 2020 Aurora, Candida Stevens Gallery, Chichester UK (solo) Hanging by a thread, freethegallery, London When you make sense I feel, Fitzrovia Gallery, London 2019 In Praise of Shadows, curated by Ione & Mann, London Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK Domestic Hospitality, Zetter Hotel, London RA Summer Exhibition, Royal Academy of the Arts, London Tender Touches, AMP Gallery, London Grid :: Preset, Blyth Gallery, London 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London Lifeline as Medium, 532 Gallery, NYC STUDIO.US is an Experiment: Mix.B, Dyson Gallery, Royal College of Art, London From This Time - Unchained, curated by Ione & Mann, London Rogue Objects, Bloomsbury Festival, University College London, London Girls Just Want to Have Fun, Unit 3 Projects, London COUPLES, The Hand, Brooklyn NY SURGE: the East Wing Biennial, Courtauld Institute, London RCA Degree Show, Royal College of Art, London Rubber-chew // Clink, adieu, Unit 1 Gallery, London An Audience of Echoes, Hockney Gallery, Royal College of Art, London Plants People Pots [an invitation], Pinch Project Space, London Selected Honours 2022 Brookfield Properties Craft Prize, short-listed 2021 Jerwood Arts, Jerwood Makers Open Award 2020 Vlieseline Fine Art Textiles Award, short-listed 2016 Fulbright UK Open Award, short-listed Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Lately, I have been thinking of my artworks as portals. Not only for the viewer but also for myself to fall into during the process of making. Using artwork to access a transcendental space; utilizing colours, materials, and process to experience the sublime.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Chris Stevens Adams, 2023 Oil on linen Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Chris Stevens studied Fine Art at the University of Reading. He is a figurative painter who has exhibited regularly since graduating in 1978. His studio is in the South of France where he spends most of his time. His solo exhibitions include the PM Gallery, London, Smelik & Stokking and Galerie Rademakers in Amsterdam, the GlynnVivian Museum & Art Gallery, Swansea and the Howard Gardens Gallery, Cardiff. Group shows include REALITY, with artists such as Lucien Freud, David Hockney and Walter Sickert, Fussball in Der Kunst, with Andy Warhol and Marcus Lupertz in Germany, the BP Portrait Award at the National Gallery London, and Heads at Flowers East, London. He has been a prize winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery. He has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport. He has work in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Hertzegovena and many private collections in UK, South Africa, USA and Europe. Education University of Reading, Fine Art Select Exhibitions/Awards   2022. Art Contemporain, EXPO Internationale Maison Gramont, Fanjeaux, France Amplitudes, Maison de la Chartité, Caunes Minervois, France Affinities, L'Ecurie, Caunes Minervois, France La Table Des Vignirons, Trausse Minervois, France 2021. Painting of the year, EuropArtFair, Westergas, Amsterdam Major Figures, Saatchi Art. 2020 du 9 à Caunes, Caveaux de l'Abbaye, Caunes Minervois, France   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Cecilia Charlton Portal 2, 2023 Pencil, coloured pencil and pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About London-based American artist Cecilia Charlton received a BFA Painting in 2015 from Hunter College in NYC, and an MA Painting from the Royal College of Art, London in 2018. She creates hand-made embroideries and weavings that engage with the formal histories of abstraction to explore a broad range of themes including the cosmos, memory, and current events. Through manipulations of geometric pattern and colour her artworks achieve an optically challenging and playful approach, questioning the hierarchy between painting and textiles. Themes of feminism, human history, time and transcendence are inherently part of the hand-sewn work, and her investigation into the history of textiles from creative, cultural, and socio-economic perspectives underpins Charlton's studio practice. Spanning the mediums of textiles, installation, and art in the social sphere, the work results in conversation tending towards both the personal and the universal. Education MA Painting, RCA (2018); BFA Painting, Hunter College (2015) Select Exhibitions/Awards Selected Exhibitions 2023 Altered Sites: On Psychedelic Architecture, West Dean College, West Dean UK Memory Garden, Garden Museum, London UK (solo) COLLECT Art Fair, Candida Stevens Gallery, Somerset House, London UK Syzygy, Candida Stevens Gallery, Chichester UK (solo) 2022 Jerwood Art Fund Makers Open, Jerwood Arts (London), Newlyn Art Gallery (Newlyn, Cornwall), Aberdeen Art Gallery (Aberdeen, Scotland) COLLECT Art Fair, Candida Stevens Gallery, London 2021 Mammoth Loop, SPACE Ilford, London, sponsored by Mercers Charitable Foundation (solo) Love Token, Robert Young Antiques, London (solo) Folk Art, London Art Fair, Platform, Candida Stevens Gallery, London 2020 Aurora, Candida Stevens Gallery, Chichester UK (solo) Hanging by a thread, freethegallery, London When you make sense I feel, Fitzrovia Gallery, London 2019 In Praise of Shadows, curated by Ione & Mann, London Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK Domestic Hospitality, Zetter Hotel, London RA Summer Exhibition, Royal Academy of the Arts, London Tender Touches, AMP Gallery, London Grid :: Preset, Blyth Gallery, London 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London Lifeline as Medium, 532 Gallery, NYC STUDIO.US is an Experiment: Mix.B, Dyson Gallery, Royal College of Art, London From This Time - Unchained, curated by Ione & Mann, London Rogue Objects, Bloomsbury Festival, University College London, London Girls Just Want to Have Fun, Unit 3 Projects, London COUPLES, The Hand, Brooklyn NY SURGE: the East Wing Biennial, Courtauld Institute, London RCA Degree Show, Royal College of Art, London Rubber-chew // Clink, adieu, Unit 1 Gallery, London An Audience of Echoes, Hockney Gallery, Royal College of Art, London Plants People Pots [an invitation], Pinch Project Space, London Selected Honours 2022 Brookfield Properties Craft Prize, short-listed 2021 Jerwood Arts, Jerwood Makers Open Award 2020 Vlieseline Fine Art Textiles Award, short-listed 2016 Fulbright UK Open Award, short-listed Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Lately, I have been thinking of my artworks as portals. Not only for the viewer but also for myself to fall into during the process of making. Using artwork to access a transcendental space; utilizing colours, materials, and process to experience the sublime.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), OLYMPISCHE SPIELE MÜNCHEN lithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesframed and under glassimage size 98cm x 62cm, overall size 105cm x 69cm

DAVID HOCKNEY (B. 1937)Study for the First Marriage (A Marriage of Styles I) 1962 signed, dated '62 and inscribed Berlin; numbered 6723 on the reverseink, pencil and coloured pencil on paper34 by 49 cm.13 3/8 by 19 5/16 in.Footnotes:ProvenanceGift from the artist to the present ownerThe present drawing from 1962, is a preparatory drawing for one of David Hockney's celebrated canvases from the same year, The First Marriage (A Marriage of Styles I) that today resides in the Tate Britain in London. Here, Hockney focuses on his female sitter featured in the final painting, who has been portrayed in the manner of an ancient Egyptian identified by her headdress and the pointed cups covering her breasts. Hockney roughly sketches the outline of the palm tree behind her keeping to a primitive representation and also includes the grey gothic arch shape seen to the lower left in the final canvas. His male figure has not been drafted in the present study, but in the canvas, he represents him in modern dress standing in profile behind the woman. As in several of Hockney's paintings made in the 1960s, much of the finished canvas has been left in its natural state with little detail or imagery in the background. 1962 marked an integral year for Hockney, it was the year that he graduated from the Royal College of Art in London and The First Marriage (A Marriage of Styles I) was painted in September after a trip to Germany. On a visit to the Pergamon Museum in Berlin, Hockney saw his friend standing in profile at the end of a corridor, next to an ancient Egyptian seated wooden figure. He explained: 'from the distance they looked like a couple, posing as it were for a wedding photograph' (the artist in a letter to the Tate Gallery: 'The First Marriage (A Marriage of Styles I)', tate.org.uk, 9 June 2023). He was interested in the idea of a marriage between these two people, ancient and modern, real and unreal and the accompanying idea of a 'marriage of styles', which he chooses in the title of both drawing and canvas. The raw draughtsmanship of Hockney's drawing is unboundedly apparent, revealing his mastery as an artist and his ability to work across an array of media. During his formative years at Bradford School of Art in the early 1950s he received traditional training which was based on drawing from life, producing figurative studies, portraits and cityscapes in graphite and coloured pencil. Indeed, his early graphic works can be said to have laid the foundations for his highly celebrated artistic oeuvre.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY (B. 1937)Swimming Pool circa 1978 signed and dedicated for Peterink on paper22.9 by 16.7 cm. 9 by 6 9/16 in. This work was executed circa 1978. Footnotes:ProvenanceGift from the artist to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY (B. 1937)Study circa 1962-1965 signed coloured pencil, pencil and gouache on paper28.8 by 22.7 cm.11 5/16 by 8 15/16 in.This work was executed circa 1962-1965.Footnotes:ProvenanceGift from the artist to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY (B. 1937)Study circa 1962-1965 signedcoloured pencil, pencil, ink and gouache on paper28 by 21.3 cm. 11 by 8 3/8 in.This work was executed circa 1962-1965.Footnotes:ProvenanceGift from the artist to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com