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Hockney (David ) The Blue Guitar, original boards with paper label printed in red and blue on upper cover, dust-jacket reproducing boards and label but with label printed only in red (lacking lettering in blue), Petersburg Press, 1977; 18 portraits..., limited edition, original cloth, dust-jacket (faded and stained), Los Angeles, 1977; Dessins et Gravures, original pink boards, spine torn, Paris, 1975; Martha's Vineyard and other places: My Third Sketchbook..., 2 vol. including facsimile sketchbook, text original wrappers, sketchbook original half roan, slip-case (browned), 1985; That's the Way I See It, 1993; Hockney on 'Art': Conversations with Paul Joyce, Boston [& others], 1999, illustrations, many colour, the last two original cloth with dust-jackets; and 10 others on Hockney, mostly catalogues/pamphlets, 8vo & 4to (17)

DAVID HOCKNEY Pembroke Studio with Blue Chairs and Lamp 1984Signed poster for the Ninth British International Print Biennale75 x 50cm

Framed David Hockney exhibition poster ' The Metropolitan Museum of Art ', 27ins x 39ins

[§] DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) PAPER POOLS Signed and dated '80 and numbered 524/1000 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York, bears blindstamp, on Arches Cover paper, lithograph; Together with 'Paper Pools', the accompanying book, signed by the artist in red ink and stamp numbered 524 on the justification, with blue canvas covers and original slipcase 27cm x 23cm (9in x 10.25in) Note: Think of David Hockney, and immediately picture the sunshine-soaked, boldly-hued scenes of California homes and swimming pools that he is widely known for. After formative years spent in comparatively dreary Yorkshire, Hockney was immediately captivated by the bold colours and widespread luxury of Los Angeles. Private swimming pools were an extravagance in the U.K., but in the City of Angels, Hockney found them everywhere: he had discovered a subject. Paper Pools is a book chronicling a very specific moment in Hockney's creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting. Hockney found learning this new technique and its specific restrictions, creatively freeing. He realised the process could be very conducive to variations on a theme, and the swimming pool and the effects of different lights and movements on the water was captivating him once again - as he swam in and looked at Tyler's outdoor pool each day. In the resulting series, Paper Pools, Hockney creatively addresses a formal, and paradoxical problem: how to depict the elusive, ever-changing qualities of a body of water, in a flat, stationary, two-dimensional form. There is something conceptually satisfying in such a water-heavy process being used to attempt this. In these works, colour does not sit, it is fused, completely integrated into the medium. Water is the same; light and movement are subsumed into it, and thus its appearance and qualities change. The beautiful book fully illustrates this process, with a reflective text written by Hockney and accompanied by various illustrations - reference polariods he took of the swimming pool in different lights, line drawings capturing the physical process, reproductions of each work in the series as well as some in-process photographs; of the works still at the wet pulp stage before they were pressed. There is a vivid sense of the finished product, but also of the process that went into it: physical effort, litres of water, eclectic equipment, artistic imagination and a strong feeling of camaraderie. To celebrate the publication of the work, Hockney produced a six-colour, hand-drawn lithograph, which he signed and numbered. It revives his favoured subject, boldly depicting the swimming pool and diving board in strong colours. The gently rippling water is depicted with surface watery, wavy marks, overlaying the deeper, overlapping shadows - there is depth and movement, as Hockney manipulates different effects of lithographic mark-making. Paper Pools is a celebration of the artistic innovation and imagination of a very particular moment in Hockney's career, but also an encapsulation of some of the key themes and subjects of his wider oeuvre.

[§] DAVID HOCKNEY O.M, C.H., R.A. (BRITISH B.1937) EXTENDING FEBRUARY, 1990 Signed and dated '90 in pencil, numbered 28/50, diptych (2 sheets), homemade (screen) print 43cm x 55cm (17in x 21.5in)

[§] DAVID HOCKNEY O.M, C.H., R.A. (BRITISH B.1937) PARADE, FROM BLUE GUITAR, 1977 Signed and numbered 61/200 in pencil, original color etching and aquatint from two copper plates on white wove paper 45cm x 36cm (17.75in x 14.25in)

[§] DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) PORTRAIT STUDY WITH SPECTACLES Signed with initials and indistinctly inscribed 'Colorado 1965', pen and ink 44cm x 31cm (17.25in x 12.25in) Exhibited: Kasmin Gallery, New Bond Street, London (bears gallery label verso)

Book, The Blue Guitar, 'Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso' hardback

An acrylic portrait painting of David Hockney by Neville Broughton, image 15 x 20 cm

David Hockney (1937 ) British. "Gregory", Study of a Seated Man on a Red Stool, with a Vase of Flowers on a Table behind him, Etching with Soft Ground Etching Printed in Colours, Signed, Dated '75, and Numbered 72/75 in pencil, with (c) stamp, 27" x 21.25".

After David Hockneymonochrome printRichard, Jim and Felix, for the 0z Obscenity Fund 23 x 36in. a drawing signed Owen and a colour mezzotint

Hockney (David and Stephen Spender). Hockney's Alphabet, Faber and Faber for the Aids Crisis Trust, 1991, 26 colour illustrations, loose folded prospectus, original yellow cloth, slipcase, 4to Signed by David Hockney and Stephen Spender. (1)

A pair of David Hockney prints, A road across the Wolds 1997 and North Yorkshire 1997 (2)

 HOCKNEY DAVID: (1937-  ) British Artist. Signed 8 x 12 photograph, the image depicting Hockney in a head and shoulders pose. Signed ('David H') in bold lack ink with his name alone, to the lower white border. About Ex 

David Hockney, Celia with Green Hat, 1985 poster

David Hockney RA (b.1937) LOS ANGELES BICENTENNIAL PROMOTIONAL POSTER FEATURING 'SKATERS, VENICE' lithographic print signed lower right 30.50 by 24.75in. (77.5 by 62.9cm)

David Hockney RA (b.1937) POSTER FOR ARTCURIAL, PARIS, 1979 poster signed lower right ARTCURIAL, Paris 1979, Centre D'Art plastique Contemporain. Printed by Mourlot. This poster incorporates David Hockney's lithograph of his partner Gregory Evans, originally printed in 1976. 30 by 21in. (76.2 by 53.3cm)

David Hockney RA (b.1937) A DRAWING RETROSPECTIVE PROMOTIONAL POSTER FEATURING 'CELIA WEARING CHECKED SLEEVES, 1974' lithographic print signed lower right 33 by 23.25in. (83.8 by 59.1cm)

David Hockney RA (b.1937) WE TWO BOYS TOGETHER CLINGING photographic print signed lower right 3.75 by 5.50in. (9.5 by 14cm)

After David Hockney (b.1937)monochrome printRichard, Jim and Felix, for the 03 Obscenity Fund23 x 36in.

Robert Louis Stevenson, Memories, published by Foulis, cover illustrated by Jessie Marion King, 1912; Gowan's Nature books, Our Flowers and How to Know Them, published 1918; and Six Fairy Tales, with etchings by David Hockney, Petersbury Press. (3) Condition Report RLS - Chipped, discoloured dust wrapper attached to spine. Inscribed on blank end paper. Foxing and dust staining throughout. Some splitting.Gowan Nature - Chipped, discoloured dust wrapper, creased plain paper wrapper. Discolouration/staining to the page, mainly in borders.Hockney - Good modern binding. Clean inside, pages slightly yellowed but uniformly so. Pages undulate from damp, but no staining.

David Hockney (British, b.1937) He Tore Himself in Two, 1969 from Six Fairy Tales From the Brothers Grimm artist's proof, XX/XX, signed in pencil (lower right), numbered and inscribed (to reverse) etching and aquatint published by Petersburg Press, London 45cm x 31cm, unframed.

David Hockney (b.1937) 'According to Prescriptions of Ancient Magicians' from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto 1966/7 from the numbered portfolio edition 134/500 35cm x 22cm, unframed.

David Hockney (b.1937) 'In Despair' from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto 1966/7 from the numbered portfolio edition 134/500 35cm x 22cm, unframed.

David Hockney (b.1937) 'In The Dull Village' from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto 1966/7 from the numbered portfolio edition 134/500 35cm x 22cm, unframed.

Stamp Out Art Collection of stamps and postcards to include work by David Hockney, Allen Jones, Ralph Steadman, Richard Hamilton, Joe Tilson, Eduardo Paolozzi produced for Edizioni O various sizes. As a consequence of the prolonged postal strike of 1971, Hockney along with a group of British artists including Allen Jones and Richard Hamilton, published Culture Carriers Stamp Out Art to raise funds for striking workers.

δ David Hockney (b.1937)Serenade (from The Blue Guitar) (M.C.A. Tokyo 196)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Apples, Pears & Grapes, May 1986 (M.C.A. Tokyo 291)Homemade print in colours executed on an office colour copy machine, 1986, signed, dated and numbered from the edition of 50 in pencil, on Arches rag paper, the full sheet printed to the edges, 215 x 354mm (8 1/2 x 14in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

AFTER DAVID HOCKNEY (b.1937), Glass Mountain Shattered, lithograph, unsigned, plate size 9" x 10 1/2", ebonised frame (Est. plus 18% premium inc. VAT)

A David Hockney lithograph, entitled 'A Bounce for Bradford' February 24, 1987. A fold out 'Original' produced to be given away in a Sunday Publication

A Bounce for Bradford, David Hockney, eleven screenprints, a limited edition reprinted from the Telegraph & Argus, March 3 1987

Royal Academy and National Portrait Gallery exhibition posters for David Hockney and Cecil Beaton 2004, together with others

David Hockney: The Blue Guitar, 1977; Whitechapel Art Gallery catalogue, 1970; 3 catalogues of contemporary artists

Hockney (David) ill. Six Fairy Tales from the Brothers Grimm, Petersburg Press, 1970, Carol (L) Alice's Adventures in Wonderland, Macmillan & Co, 1903 with 32 colour illustrations by John Tenniel and other antiquarian children's books

David Hockney at Andre Emmerich, colour Exhibition poster dated 1969 print 91.5cm x 66cm Condition Report Click here for further images, condition, auction times & delivery costs

A framed David Hockney 1986 exhibition poster, 96 x 87cm.

Collector's Miscellany : The Taschen David Hockney Sumo Collector's Editions 1991 - Today, 2016. Folio Hb + Dj; Tolkien J. : Beren and Luthien, De Luxe slipcase edition, 2017; Bates H. : The Darling Buds of May, 2011. Folio Society. Brom G. : Diarium Van Arend Van Buchell, 1907. 8vo Hb. Scarce CONDITION REPORT: All vg+ / nf copies. Tolkien & Bates in publisher's sealed wrap.

*After David Hockney (British, b.1937)AN EXHIBITION OF POSERS BY DAVID HOCKNEY (BRADFORD ART GALLERIES & MUSEUMS)Offset lithographic poster printed in colours, 1986, signed in black ink, on smooth wove paper, with full sheet printed to the edgessheet 59 x 41.5cm, unframed*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)THE THREEPENNY OPERAOffset lithographic poster printed in colours, 1972, for the opera at Prince of Wales Theatre opened on 10 Feb 1972, before transferring to the Piccadilly Theatre on 10 Apr 1972, printed by A E King & Jackson Ltd.,together with another theatre poster for the Nottingham Playhouse Production of LULU, each on wove paper, the full sheets sheet 51 x 32cm, unframed (2)*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)INSIDE THE CASTLE (Tokyo 93)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 25.5 x 26cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)A ROOM FULL OF STRAW (TOKYO 101)Etching with aquatint, 1969, from 'Rumpelstilzchen' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 25 x 22cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)COLD WATER ABOUT TO HIT THE PRINCE (Tokyo 94)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 37.5 x 27cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)PLEADING FOR THE CHILD (Tokyo 103)Etching with aquatint, 1969, from 'Rumpelstilzchen' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 25cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE CLOCK TOWER AND THE CLOCK (Tokyo 76)Etching and aquatint, 1969, from 'Fundevogel' for 'The Brothers Grimm Fairy Tales', signed in pencil, from an edition of 400, on wove paper, with full marginsimage 28 x 12.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE PRINCESS SEARCHING (Tokyo 71)Etching with aquatint, 1969, from 'The Little Sea Hare' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 17.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)CORPSES ON FIRE (Tokyo 88)Etching with aquatint, 1969, from 'The Boy Who Left Home To Learn Fear' for 'Six Fairy Tales from The Brothers Grimm', the edition was 400, on wove paper, with full marginsimage 26.5 x 24.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)GREGORY (SAC 169)Etching with soft-ground etching printed in colours, 1974, signed, dated and inscribed 'A.P XIII' in pencil, an artist's proof, the edition was 75, printed and published by Petersburg Press, London, on Inveresk mould-made paper, with full marginsplate 68.5 x 54.5cm, framedExhibited: The Walker Gallery, Liverpool.*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)THE ARTIST’S EYE - LOOKING AT PICTURES ON A SCREENOffset lithographic poster printed in colours, 1981, signed in black pen, designed by Gordon House, printed by Rapier Press, Derbyshire, published by The National Gallery, London, on wove paper, the full sheet sheet 76 x 51cm, unframed*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)HOCKNEYS PROGRESS (THE ARTIST’S MOTHER)Offset lithographic poster printed in colours, 1997, signed and inscribed ‘for Paul, David’ in black crayon, printed by the Petersburg Press, London, published by Graves's Art Gallery, Sheffield, on wove paper, the full sheet sheet 80 x 57cm, unframed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)ONE NIGHT (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE BEGINNING (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE SEXTON DISGUISED AS A GHOST (Tokyo 86)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 26.5 x 13cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE CARPENTER’S BENCH, A KNIFE AND FIRE (Tokyo 90)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 25.5 x 24.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)HE ENQUIRED AFTER THE QUALITY (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE PRINCESS IN HER TOWER (T.68)Etching with aquatint, 1969, from the unsigned edition of 400, from the story 'The Little Sea Hare', for the book 'Six Fairy Tales from the Brothers Grimm', on wove paper, with full marginsoverall 42.5 x 29.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE BLACK CAT LEAPING (TOKYO 91)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 23 x 26.5cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)TO REMAIN (SAC 55)Etching, 1966, from 'Illustrations for Fourteen Poems from C P Cavafy', the edition was 500, published by Editions Alecto, London, on wove paper, with full marginssheet 46.5 x 33cm, mounted*Artist's Resale Right may apply to this lot.

*After David Hockney (British, b.1937)MY MOTHER (BRIDLINGTON)Offset lithographic poster printed in colours, 1988, from the Tate Retrospective, signed in black pen, printed by Waterman Press Ltd., Kent, published by The Tate, London, on wove paper, the full sheet sheet 76.5 x 50.5cm, unframed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)A BOUNCE FOR BRADFORDThe handmade print in colours executed on an office photocopier, 1987, limited edition of unknown size, published by Bradford & District Newspapers, designed by the artist for Bradford’s 'Bounce Back' campaign, on thin wove, the full sheetsheet 42 x 60cm, framed*Artist's Resale Right may apply to this lot.

*David Hockney (British, b.1937)THE SEXTON DISQUISED AS A GHOST STOOD STILL AS STONE (TOKYO 87)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', signed in pencil, from an edition of 100, on wove paper, with full marginsimage 31 x 29.5cm, framed*Artist's Resale Right may apply to this lot.