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Maïa Régis Carne e Ventilatori, 2021 Acrylic and Marker on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Artist statement: "I want to transform the canvases into living beings, into visceral surfaces. They have to be fed from chance, traces of work, dirt, cuts and seams. This year I used paper glued on canvas, coffee bags, old hessian postbags, ancient moth eaten French embroideries, and Sicilian embroidered white tablecloths. An unconventional and irregular canvas link to smells, noises, dialogues... It adds a cinematic feeling to it and the matter is for tactile sensations. What I'm looking for in my work is for it to be the most full of life possible. I need to work on a large scale, so that painting becomes a physical act. That's where I feel the more confident, the freer. I like to navigate in troubled waters, between the real and the imaginary. Ambiguity for me is the key to a lively work."   Education -Royal College of Art, London, MA Painting (2017-2019) -Chelsea College of Art and Design, London, BA Fine Arts (2014-2017) -Camberwell College of Art, Foundation diploma in Art and Design (2013) Awards and residencies -Elephant Lab, November residency, 2019 -Bloomberg New Contemporaries 2018 (selected by Benedict Drew, Katy Moran and Keith Piper) -Bloomberg New Contemporaries 2017 (selected by Caroline Achaintre, Elizabeth Price and George Shaw) -Griffin Art Prize 2017 (selected by Ansel Krut, Jenny Linden Urnes, Becca Pelly-Fry and Robert Shore) -FBA Futures 2018 Selected exhibitions -The First Swing of The Bat, Paint Talk exhibition, Gallery 46, London, UK (april 2021) -A Future Cast In Our Image, Grove Collective, London, UK (february 2021) -Inside/Outside, Janet Rady Fine Art, online exhibition, Arsty (february 2021) -International Gruppeudstilling, Curated by JB Fals, Grand Teatret, Copenhagen, Denmark (2020) -What Kind of Spirit Is This?, Sim Smith Gallery, London, UK (2019) -Cicatrices, VO Curations, 12th Floor, London, UK (2019) -Signori Prego Si Accomodino, Nuove / Contemporary Art Production, Palermo, Italy (2018) -Bloomberg New Contemporaries 2018, John Moore's University, Liverpool Biennial, UK -Bloomberg New Contemporaries 2018, South London Gallery, London, UK -Bloomberg New Contemporaries 2017, Baltic Center for Contemporary Art, Newcastle, UK -Bloomberg New Contemporaries 2017, Block 336, London, UK -Griffin Art Prize 2018, Griffin Gallery, London, UK -FBA Futures 2018, Main Gallery and Threadneedle Space, Mall Galleries, January, London, UK -More Life, Hockney Gallery, Royal College of Art, London, UK (2018)  

Maïa Régis Carne e Sigari, 2021 Acrylic and Marker on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Artist statement: "I want to transform the canvases into living beings, into visceral surfaces. They have to be fed from chance, traces of work, dirt, cuts and seams. This year I used paper glued on canvas, coffee bags, old hessian postbags, ancient moth eaten French embroideries, and Sicilian embroidered white tablecloths. An unconventional and irregular canvas link to smells, noises, dialogues... It adds a cinematic feeling to it and the matter is for tactile sensations. What I'm looking for in my work is for it to be the most full of life possible. I need to work on a large scale, so that painting becomes a physical act. That's where I feel the more confident, the freer. I like to navigate in troubled waters, between the real and the imaginary. Ambiguity for me is the key to a lively work."   Education -Royal College of Art, London, MA Painting (2017-2019) -Chelsea College of Art and Design, London, BA Fine Arts (2014-2017) -Camberwell College of Art, Foundation diploma in Art and Design (2013) Awards and residencies -Elephant Lab, November residency, 2019 -Bloomberg New Contemporaries 2018 (selected by Benedict Drew, Katy Moran and Keith Piper) -Bloomberg New Contemporaries 2017 (selected by Caroline Achaintre, Elizabeth Price and George Shaw) -Griffin Art Prize 2017 (selected by Ansel Krut, Jenny Linden Urnes, Becca Pelly-Fry and Robert Shore) -FBA Futures 2018 Selected exhibitions -The First Swing of The Bat, Paint Talk exhibition, Gallery 46, London, UK (april 2021) -A Future Cast In Our Image, Grove Collective, London, UK (february 2021) -Inside/Outside, Janet Rady Fine Art, online exhibition, Arsty (february 2021) -International Gruppeudstilling, Curated by JB Fals, Grand Teatret, Copenhagen, Denmark (2020) -What Kind of Spirit Is This?, Sim Smith Gallery, London, UK (2019) -Cicatrices, VO Curations, 12th Floor, London, UK (2019) -Signori Prego Si Accomodino, Nuove / Contemporary Art Production, Palermo, Italy (2018) -Bloomberg New Contemporaries 2018, John Moore's University, Liverpool Biennial, UK -Bloomberg New Contemporaries 2018, South London Gallery, London, UK -Bloomberg New Contemporaries 2017, Baltic Center for Contemporary Art, Newcastle, UK -Bloomberg New Contemporaries 2017, Block 336, London, UK -Griffin Art Prize 2018, Griffin Gallery, London, UK -FBA Futures 2018, Main Gallery and Threadneedle Space, Mall Galleries, January, London, UK -More Life, Hockney Gallery, Royal College of Art, London, UK (2018)  

NO RESERVE Hockney (David ) Cut signature of the author, mounted below colour portrait photograph of the artist, together 260 x 155mm., framed and glazed, n.d..

Elda Abramson, 20th c - Still Life, watercolour, 25 x 16cm, another watercolour, Ascot racing print, marine print and a print after Hockney (5)

Oil on canvas nude girl on lilo with pair of legs on the poolside, in the style of Hockney, 150 x 120cm, in painted frame

DAVID HOCKNEY PRINT ENTITLED 'STILL LIFE AT THE TAJ HOTEL, BOMBAY' 59CM X 73CM APPROX

Hockney, David, after,'Olympische Spiele Munchen, 1972', poster 100 x 63 cm.Hockney, David, naar ontwerp van, 'Olympische Spiele Munchen, 1972', poster 100 x 63 cm.

FIVE BOXES OF BOOKS ON THE SUBJECTS OF ART AND ARCHITECTURE, publishers include Tate Gallery - Max Ernst, late Picasso, Cezanne, George Stubbs, etc, Royal Academy - Picasso, Kandinsky, Mantegna, John Sloan, etc, other artists covered by other publishers include Man Ray, Lucien Freud, Renoir, Frank Lloyd Wright, Degas, David Hockney, Egon Schiele, etc

DAVID HOCKNEY - TATE Gallery Exhibition poster (1980) (20" x 30") together with an additional HOCKNEY poster (22.5"x30")(2)

David Hockney (British 1934-): 'Parade' exhibition poster for Metropolitan Opera New York 1981 featuring an acrobat in costume. In a green enamelled frame (unglazed).

David Hockney OM, CH, RA (British, b.1937), Photographic reproduction of an artist's proof of a colour lithograph by David Hockney, titled Views of Hotel Well 111, 18½ x 14¼in. (47 x 36cm.). * Notes: This is one of a group of images that Hockney produced of the Hotel Romano Angeles in the little town of Acatlán, where he stayed when his car broke down on the way from Mexico City to Oaxaca. When he returned to Los Angeles he told his printer Ken Tyler of Tyler Graphics Ltd, Mount Kisco, New York about his experience. Tyler encouraged him to return to the hotel and make these images which were then transferred to a photosensitive plate back at Tyler's workshop. This is a photographic copy of the artist's proof number 8 of an edition of 18 produced by Hockney in 1984-5.

Sir Frank Bowling R.A. (British, born 1934)Potaroway signed twice, inscribed and dated 'FRANK/BOWLING/'POTAROWAY'-1975/FRANKBOWLING/FOR THE/CHELSEA ARTS CLUB' (verso)acrylic on canvas61 x 109.2 cm. (24 x 43 in.)Footnotes:ProvenanceSale; Sotheby's, London, The Chelsea Arts Club Auction, 24 October 1988, lot 82, where purchased by the present ownerPrivate Collection, U.K.Born in what was then British Guyana in 1934, Frank Bowling moved to London aged 19 and after a few years was accepted to study at the Royal College of Art. There he became part of the fabled generation of students (enrolled 1959-1962) whose emergence announced a shift in the prevailing fashion from fifties abstraction to sixties pop. His fellow students included Derek Boshier, Pauline Boty, David Hockney, Allen Jones, R.B. Kitaj and Peter Phillips. Bowling achieved success rapidly with a solo exhibition mounted at the Grabowski Gallery the year he graduated, from which the Arts Council purchased the canvas Birthday (1962), and he was subsequently selected for inclusion in the era-defining photobook Private-View compiled by Bryan Robertson and John Russell in 1965.Throughout the late 1960s his work embraced a hard-edged pop aesthetic in which dazzling slabs of colour fuse with text, pin-up and screen-printed imagery. Yet Bowling yearned for development. He had first visited New York in 1964 where he met Jasper Johns and Larry Rivers and two years later he relocated to the city. There he quickly began exhibiting with Terry Dintenfass, and before long received the Guggenheim fellowship, allowing him to take a large studio in SoHo. His immersion in New York's colour field painting gave rise to his highly regarded 'Maps' series (1966-1971) in which Bowling combined his by then abstract approach with political and personal concerns. Massive in scale (some span more than 6 meters) they present forms representative of continents, hovering in front of shimmering fields of stained colour. These works featured prominently in his first solo institutional show, staged at the Whitney Museum of American Art in 1971 (when Bowling was aged 37), to much acclaim.Ever the progressive, his practice developed further in 1973 when he first developed his 'poured' painting method. In his studio Bowling built a wooden platform on which a canvas would be supported. This could then be tilted to allow for the paint, poured from a height, to run down the canvas in a controlled manner. Whilst managing the palette to some extent, this technique purposefully allowed for an element of automatism to enter his work. Curator of the recent and highly celebrated Tate retrospective, Elana Crippa, elaborates; 'Bowling's was the pursuit of an organic interplay between line and medium, so that structure would not be imposed on the unruly plasticity of paint, but found and adopted through the process of making' (Elana Crippa, Frank Bowling, exh.cat., Tate Publishing, London, 2019, p.51). This process encapsulates Bowling's fascination with challenging the accepted conventions of painting, which can be traced right from his early works through to his present practice.In 1975, the year the present work was painted, Bowling returned to London which would act as his primary base for the next fifteen years. Working at first from a studio above St. Anselm's Church in Kennington, he continued to develop his 'poured' paintings. Whilst the 'Maps' series that immediately proceeded them addressed Bowling's global concerns, the poured paintings from the mid-70s are arguably more personal. Many derive their title from Guyanese locations such as the present example which takes its name from the Potaro, the vast river which winds its way 140 miles east from its source at Mount Ayanganna. Similarly, the Government Art Collection's Kaieteurtoo (1975) titled after the famous waterfall situated on the Potaro, and Bartica Bressary (1978-9, Private Collection) named after Bowling's birth town.Seen here in public for the first time since its acquisition in 1988, Potaroway is charmingly unusual among these pictures for several reasons. The execution appears to have been relatively slow, resulting in a rich and viscus marbling and pooling of paint, rather than the quick and energetic waterfall effect seen in Kaieteurtoo. Bowling has adopted a horizontal composition rather than his more common vertical format. As such a landscape emerges from his action led process. Mark-making along the two strips of land-toned pigment suggest a far and near shoreline, the abundance of cloud-white at the top recalls the sky, reflected in the central passage of the gentle and powerful Potaro river. The overall result makes for an epic, yet placid vista. For Bowling this engagement proved successful and river subjects feature heavily in his works of the following decade, notably his 'Great Thames' series of the late 1980s.In 1987 Bowling made history as the first artist of afro-Caribbean descent to have their work enter the Tate Collection and again in 2005 when he was elected the first black Royal Academician in the institution's history. Sir Frank Bowling was awarded a knighthood in the Queen's birthday honours, 2020, aged 86.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British, b. 1937)Fiesta '88, St James' Market, Bradfordlithographic poster63 x 42.5cm(unframed)ARR

David Hockney (British, b. 1937)Little Boodge, 1993lithographic posterpublished by 1853 Gallery, Salts Mill, Saltaire, Yorkshire28 x 42cm(unframed)ARR

David Hockney (British, b.1937)Igor Stravinsky, Metropolitan Opera 1981/1982inscribed by the artist ‘For Peter with love from David’ (in lower margin)lithograph in colours, published by Petersburg Press94.5 x 41cmARRProvenanceGifted by David Hockney to Peter Langan, by whom gifted to the present ownerSome very minor and very small dark spots to margins.Small crease visible to margin upper centre.Overall appearance generally good.

David Hockney (British, b. 1937)Parade, Metropolitan Opera New York 1981inscribed by the artist ‘For Peter with love from David X’colour poster95 x 58.5cmARRProvenanceGifted by David Hockney to Peter Langan, by whom gifted to the present ownerCondition reportThe sheet is sound.  Slight discolouration.  Framed and under glass; unexamined out of frame.

David Hockney (British, b. 1937)Little Boodgelithographic posterpublished by 1853 Gallery, Salts Mill, Saltaire, Yorkshire28 x 42cm(unframed)ARR

EARLY 20THC EUCHARIST PLATES WITH 6 FAIRY TALE HOCKNEY BOOK & OTHER ITEMS

A David Hockney signed poster 

Collection of 3 pop art prints circa 1990s artist's include Andy Warhol (Close cover before striking (Pepsi Cola), David Hockney (Two boys in a pool) and Robert Indiana (Love). All mounted but unframed, approx overall sizes 20 x 16 inches. Cellophane wrapped.

David Hockney (British 1937-), 'Untitled No.346, from A bigger book: Art Edition B', 2010/2016, iPad Drawing printed in colours on cotton-fibre archival paper, signed and numbered from an edition of 250 in pencil, published as part of 'A Bigger Book'; sheet: 56 x 43.2cm (Framed) ARR

David Hockney (British 1937-), 'Little Boodge' 1993, offset lithograph on wove paper, bearing the Artists Copyright verso; sheet: 28 x 42cm ARR

WILDE (OSCAR) - JIM DINEThe Picture of Dorian Gray. A Working Script for the Stage from the Novel... with Original Images & Notes on the Text by Jim Dine, 2 vol., ONE OF 15 ARTIST'S PROOFS FROM THE 115 COPIES OF EDITION C, and an overall edition of 565 copies, signed 'Jim Dine A/P' on the colophon and INSCRIBED TO ONE OF THE DEDICATEES ('for Michael & Sara [White] with love J.D. London 1969'), 12 original lithographed plates, with an additional SUITE OF 6 LITHOGRAPHS AND 4 ETCHINGS SIGNED BY THE ILLUSTRATOR loose as issued, one ('Hose Lamp') slightly toned at edges, de luxe red calf binding by Rudolph Rieser of Cologne, screenprinted with snakeskin pattern on all surfaces, the suite of ten additional plates in a separate chemise, the whole enclosed in a velvet-lined box cut away on upper cover to reveal a large sculpted-leather heart 'dripping blood' (after a design by Dine, signed 'Jim Dine A/P 1968' on paper slip pasted on verso), some abrasion to lower cover with chemise and upper cover adhered together, box somewhat faded with extremities rubbed [A Century of Artist's Books, p.71; From Manet to Hockney 142], folio (455 x 310mm.), Petersburg Press, 1968Footnotes:This copy belongs to Edition C, one of 115 copies 'bound in leather, with a heart built up on the upper cover', and an extra suite of 10 prints, each signed by Dine. Editions A and B were issued in 225 copies, each with fewer prints. The inscription to Michael and Sara White appears above the acknowledgements on reverse of the title-page, one of the facsimile ink notes alongside Michael's name intriguingly reading 'for having great class at a lousy moment'.The portfolio includes lithographs of costume and prop designs for a London stage adaptation of the novel, along with an annotated copy of the script. 'The original setting of the novel was late Victorian London. The stage version—developed by Dine, Michael Kidd, and Michael White—was set in London in 1967's Summer of Love. The play was never performed because James Fox, the lead actor, found the costumes to be obscene. His refusal to be involved forced the cancellation of the whole production' (Toledo Museum of Art, website).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

HOCKNEY (David): SIGNED COPY: 'David Hockney by David Hockney'.. London, Thames & Hudson, 1977 reprint: 4to, publishers cloth with dustjacket: title page inscribed by author in red and green ink, second line of printed title crossed through in same and above added 'for Victor Ross'. (1)

David Hockney (born 1937)Pretty Tulips (Scottish Arts Council 115) Lithograph in colours, 1969, on wove paper, signed, dated, titled and numbered 157/200 in pencil, published by Petersburg Press, London, 1970, the full sheet, with very pale time and light-staining, the colours very slightly attenuated but still good, otherwise in good condition, framedSheet 725 x 506mm. (28 1/2 x 19 3/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Office Chair (MCA Tokyo 320) Home made print in colours executed on an office copy machine, 1988, on six sheets of Arches Text paper (as issued), signed, dated and numbered 20/40 in pencil, published by the artist, with his blindstamp, the full sheets, in very good condition, framedOverall 1295 x 560mm. (51 x 22in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Marguerites (M.C.A. Tokyo 141) Etching, softground etching and aquatint in colours, 1973, on wove paper, signed, dated and numbered 27/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, the full sheet, in good conditionPlate 235 x 18mm. (9 1/4 x 7 1/8in.); Sheet 415 x 316mm. (16 1/4 x 12 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)A Picture of Two Chairs, from Moving Focus Series (MCA Tokyo 286) Lithograph and etching in colours, 1985-86, on HMP hand-made paper, signed, dated and numbered 28/60 in pencil, published by Tyler Graphics, Los Angeles, with their blindstamp, the full sheet, with pale time staining at sheet edges, otherwise in good conditionSheet 480 x 559mm. (18 3/4 x 22in.) Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Untitled No.329, from A Bigger Book: Art Edition A iPad drawing in colours, 2010/2016, printed on archival paper, signed, dated and numbered 130/ 250 in pencil, co-published by the artist and Taschen, Berlin, with their blindstamp, the full sheet, in very good condition, with the original blue fabric-covered portfolio, together with the publication A Bigger Book, copy number 130, and the accompanying Marc Newsom stand, the iPad drawing framedImage 439 x 330mm. (17 x 13in.); Sheet 559 x 432mm. (22 x 17in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven)- 5 May ipad drawing in colours, 2011, on wove paper, signed, dated and numbered 17/25 in pencil, the full sheet, in very good condition, framedSheet 1400 x 1050mm. (55 x 41 1/2in.) Footnotes:ProvenanceGalerie Lelong, Paris.Acquired directly from the above by the current owner.Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

DAVID HOCKNEY. A David Hockney original exhibition poster 'Drawing From Life' at the National Portrait Gallery. 76 x 50cm, unframed.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.  

DAVID HOCKNEY. Four books: 'Portrait of David Hockney', by Peter Webb, 1988; 'Pictures by David Hockney', ed. Nikos Standos, reprint 1988 & two other volumes.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.  

Artist: David Hockney (British, b.1937). Title: "Views of Hotel Well III [David Hockney/Moving Focus Prints exhibition]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 32 x 22 in. (813 x 559 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Baggot/Hockney Posters 124 (1987); Baggot/Hockney Posters 157 (1994). Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): This poster (unsigned) sold for US$2,064 at Christie's South Kensingston, 03/25/1999, lot 124. Scarce/rare with the signature. Published by the Tate Gallery for the "Moving Focus Prints from Tyler Graphics, Ltd." exhibition, March to May, 1986. Features Hockney's print "Views of Hotel Well III," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23683-5-150]

David HOCKNEY (1937), D’AprèsPetter getting out of Nick’s poolSérigraphie en couleur sur papier, signée dans la planche, Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 30 x 40 cm. Le certificat de l'éditeur est joint à l’oeuvre.

David HOCKNEY (1937), D’AprèsDavid swimming poolSérigraphie en couleur sur papier, signée dans la planche, Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 30 x 40 cm. Le certificat de l'éditeur est joint à l’oeuvre.

David HOCKNEY, D’AprèsStop AheadSérigraphie en couleur sur papier, signée dans la planche, Cachet de l'éditeur en bas à droite. Numéroté à 150 ex. 30 x 40 cm. Le certificat de l'éditeur est joint à l’oeuvre.

David Hockney (British b. 1937), Lithographic Print titled ' Le Nid du Duc ' signed with initials and dated May 1971, 58cm x 44cm, framed and glazed

After David Hockney OM, CH, RA (b.1937) ''My Mother, (Bridlington)'' 1988 Signed, offset lithographic poster, from an edition of 250 for the 1988 Tate retrospective, 74.5cm by 49.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Slight cockling to paper. Some light surface dirt and debris trapped under glass. Otherwise appears in good overall condition. Not examined out of the frame. The odd chip and knock to frame.

David Hockney OM, CH, RA (b.1937) ''The Haunted Castle'' - (The Boy Who Left Home to Learn Fear) Artist's proof aside from the unsigned edition of 400, etching, one of 39 etchings created for the series ''Six Fairy Tales from the Brothers Grimm'', 40.5cm by 25cm Provenance: Goldmark Gallery, Rutland Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration The paper has a deckled edge. Cockling to paper. Otherwise good overall condition. Not examined out of the frame.

After David Hockney OM, CH, RA (b.1937) ''The Rake's Progress'' Lithographic poster created in 1981 for an exhibition of costume drawings and set designs at The Ashmolean Museum, Oxford, 74.5cm by 94cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration

David George Fawcett AID, FRSA (1935-1973) Kitchen interior Oil on board, 60.5cm by 22.5cm David Fawcett was a close friend and contemporary of David Hockney at art college Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Diverse Künstler des 20. Jahrhunderts,Kunstplakate Olympia 1972, 102 x 64 cm (Blattgröße),19 Plakate: Horst Antes, Ronald Kitaj, Charles Lapicque, Marino Marini, Piero Dorazio, Serge Poliakoff, Hans Hartung, Otmar Alt, David Hockney, Allen Jones, Jan Lenica, Allen d'Arcangelo, Eduardo Chillida, Fritz Winter, Tom Wesselmann, Shusaku Arakawa, Pierre Soulages, Josef Albers und Max Bill (beschnitten), jedes Blatt im Stein/Druck signiert, in Originalmappe, Gebrauchsspuren

David Hockney (British 1937-): Exhibition Poster 'Galerie Mikro Berlin, - David Hockney Complete Prints', pub. 1968 signed in pencil 84cm x 60cm

Art Car von David Hockney. "BMW 850 CSi". Aus dem Jahr 1995. Im Schaukasten aus Plexiglas. 14x 35x 21 cm.

Art Car von David Hockney und Art Car von Ken Done. "BMW 3 Series" aus dem Jahr 1995 und "BMW M3", aus dem Jahr 1989. L. ca. 23 cm. Beigegeben: Zwei Art Car Booklets.

HOCKNEY, D. A Bigger Picture 2012, London, 4to orig. cl. d/w, plus 3 others, plus SYKES, C.S. Hockney: The Biography 2 vols. 2011-12, London, 8vo orig. cl. d/ws (6)

David Hockney R.A. (British, born 1937)Olympische Spiele München 1972 lithographic poster printed in colours, 1970, on wove, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich, the full sheet102 x 64cm. (40 1/8 x 25 1/4in.)unframedThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney Paintings, 2000 4to. British Art Now, 1993, large 4to, protected dj. The Arts of Thailand. Indigena, Native Canadian Art, 1992. (4)

After David Hockney (British 1937-): 'David Hockney & Allen Jones', exhibition poster with facsimile signature 71cm x 52cm (unframed)

After David Hockney (British 1937-): 'Sun - David Hockney prints 1954-77', exhibition poster pub. 1979, 96cm x 68cm

After David Hockney (British 1937-): 'The Nineteenth New York Film Festival', exhibition poster pub. 1981, 99cm x 67cm

After David Hockney (British 1937-): 'A Year in Yorkshire', exhibition poster pub. Annely Juda Fine Art, London 2006, 61cm x 72cm

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash“. 1978-80Farblithografie auf Bütten. 50,5 × 70,3 cm (66 × 87 cm) ( 19 ⅞ × 27 ⅝ in. (26 × 34 ¼ in.)). Signiert und datiert.Tyler 245. Einer von 80 nummer­ier­ten Abzügen aus einer Gesamtauflage von 102. Bedford, New York, Tyler Graphics Ltd, 1978-80 (mit dem Präge­stempel). [3489] Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Lithograph of Water Made of Thick and Thin Lines, a Green Wash, a Light Blue Wash, and a Dark Blue Wash”. 1978-80Colour lithograph on laid paper. 50,5 × 70,3 cm (66 × 87 cm) ( 19 ⅞ × 27 ⅝ in. (26 × 34 ¼ in.)). Signed and dated.Tyler 245. One of 80 numbered prints from a total edition of 102. Bedford, New York, Tyler Graphics Ltd, 1978-80 (with blindstamp). [3489] We charge 30% premium and 7% import tax on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Peter brushing his teeth“. 1966Tinte auf gestrichenem Papier, auf Karton aufge­zogen. 32 × 25,7 cm ( 12 ⅝ × 10 ⅛ in.). Unten rechts betitelt, monogrammiert und datiert: Peter brushing his teeth. DH. '66.[3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Peter brushing his teeth”. 1966Ink on coated paper, laid down on cardboard. 32 × 25,7 cm ( 12 ⅝ × 10 ⅛ in.). Titled, monogrammed and dated lower right: Peter brushing his teeth. DH. '66.[3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Chair, 38 The Colony Malibu“. 1973Lithografie auf Velin. 59 × 48,3 cm (Blattmaß) ( 23 ¼ × 19 in. (Blattmaß)). Betitelt, signiert und datiert.Scottish Arts Council 143. Einer von 60 nummerierten Abzügen aus einer Gesamtauflage von 71. Los Angeles, Gemini GEL, 1973. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1975 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Chair, 38 The Colony Malibu”. 1973Lithograph on wove paper. 59 × 48,3 cm (sheet size) ( 23 ¼ × 19 in. (sheet size)). Titled, signed and dated.Scottish Arts Council 143. One of 60 numbered prints from a total edition of 71. Los Angeles, Gemini GEL, 1973. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1975 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Godetia“. 1973Radierung und Aquatinta auf Velin. 43,5 × 29 cm (59 × 41,5 cm) ( 17 ⅛ × 11 ⅜ in. (23 ¼ × 16 ⅜ in.)). Signiert und datiert.Scottish Arts Council 155. Einer von 100 nummerierten Abzügen aus einer Gesamtauflage von 123. New York, Petersburg Press, 1973. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Godetia”. 1973Etching and aquatint on wove paper. 43,5 × 29 cm (59 × 41,5 cm) ( 17 ⅛ × 11 ⅜ in. (23 ¼ × 16 ⅜ in.)). Signed and dated.Scottish Arts Council 155. One of 100 numbered prints from a total edition of 123. New York, Petersburg Press, 1973. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „pretty tulips“. 1970Farblithografie auf Velin. 72,5 × 50,5 cm ( 28 ½ × 19 ⅞ in.). Betitelt, signiert und datiert.Scottish Arts Council 115. Einer von 200 nummerierten Abzügen aus einer Gesamtauflage von 230. New York, Petersburg Press, 1970. Unregelmäßig gebräunt. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”pretty tulips”. 1970Colour lithograph on wove paper. 72,5 × 50,5 cm ( 28 ½ × 19 ⅞ in.). Titled, signed and dated.Scottish Arts Council 115. One of 200 numbered prints from a total edition of 230. New York, Petersburg Press, 1970. Unevenly time stained. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Ohne Titel (Two young Men on a Sofa, für: „Illustrations for Fourteen Poems from C.P. Cavafy“). 1966Radierung und Aquatinta auf Velin. 35 × 22 cm (56,3 × 39,2 cm) ( 13 ¾ × 8 ⅝ in. (22 ⅛ × 15 ⅜ in.)). Signiert.Vgl. Scottish Arts Council 47-59. Künstlerabzug. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Untitled (Two young Men on a Sofa, for: ”Illustrations for Fourteen Poems from C.P. Cavafy”). 1966Etching and aquatint on wove paper. 35 × 22 cm (56,3 × 39,2 cm) ( 13 ¾ × 8 ⅝ in. (22 ⅛ × 15 ⅜ in.)). Signed.See Scottish Arts Council 47-59. Artist's proof. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „Corpses on Fire“ (aus: Six Fairy Tales). 1969Radierung und Aquatinta auf Velin. 25,8 × 24,5 cm (45 × 31,4 cm) ( 10 ⅛ × 9 ⅝ in. (17 ¾ × 12 ⅜ in.)). Signiert und bezeichnet.Scottish Arts Council 91. Einer von 100 nummerierten Abzügen aus einer Gesamtauflage von 120. Petersburg Press, New York, 1970. [3359] Gerahmt. Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”Corpses on Fire” (from: Six Fairy Tales). 1969Etching and aquatint on wove paper. 25,8 × 24,5 cm (45 × 31,4 cm) ( 10 ⅛ × 9 ⅝ in. (17 ¾ × 12 ⅜ in.)). Signed and inscribed.Scottish Arts Council 91. One of 100 numbered prints from a total edition of 120. Petersburg Press, New York, 1970. [3359] Framed. Provenance: Private Collection, BerlinWe charge 30% premium on the hammerprice.

(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). „The Student: Homage to Picasso“. 1973Radierung und Aquatinta auf Velin. 57 × 43,8 cm (75,2 × 56,5 cm) ( 22 ½ × 17 ¼ in. (29 ⅝ × 22 ¼ in.)). Signiert und datiert.Scottish Arts Council 153. Einer von 90 arabisch nummerierten Abzügen aus einer Gesamtauflage von 180. Berlin, Propylaen Verlag, 1974. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1975 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). ”The Student: Homage to Picasso”. 1973Etching and aquatint on wove paper. 57 × 43,8 cm (75,2 × 56,5 cm) ( 22 ½ × 17 ¼ in. (29 ⅝ × 22 ¼ in.)). Signed and dated.Scottish Arts Council 153. One of 90 Arabic numbered prints from a total edition of 180. Berlin, Propylaen Verlag, 1974. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1975 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.