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David Hockney R.A. (British, born 1937)Dancing Flowers (MCA Tokyo 307) Hand-made print in six parts, 1986, created on an office colour copy machine, on acid-free Xerox paper, signed, dated and numbered 27/60 in pencil, published by the artist with his blindstamp, the full sheets, each 280 x 217mm (11 x 8 1/2in)(SH)(6); overall 560 x 647mm (22 x 25 1/2in)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Rain on the Studio Window iPad drawing in colours, 2009, printed on Epson Hot Press Natural paper, signed, dated and numbered 31/75 in pencil, the full sheet, 559 x 432mm (22 x 17in)(SH); together with the accompanying book 'David Hockney My Yorkshire: Conversations with Marco Livingstone', the justification page signed and numbered 63/75 in pencil, the deluxe edition, published in 2011 by Enitharmon Editions, London, housed within the original green fabric folio case, overall 588 x 458 x 30mm (23 1/8 x 18 x 1 1/8in)(Folio)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Untitled No.516, from 'A Bigger Book: Art Edition D' iPad drawing in colours, 2010/2016, printed on archival paper, signed, dated and numbered 213/250 in pencil, co-published the artist, with their blindstamp, and Taschen, Berlin, the full sheet, 560 x 432mm (22 x 17in)(SH); together with the original blue fabric-covered portfolio case, lacking the accompanying book and stand, overall 580 x 460 x 10mm (22 7/8 x 18 1/8 x 3/8in)(Folio)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney RA (British, born 1937)/Portrait of Cavafy in Alexandria (SAC 47; Tokyo 47)/etching and aquatint from 'Illustrations for Fourteen Poems by C P Cavafy'/signed and dated '66 in pencil, numbered 45/75, published by Editions Alecto, 36cm x 23cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

David Bailey (born 1939)/Sir Roy Strong dressed in the London style of the Swinging Sixties/wearing a Regency style velvet jacket with a silk cravat tied in a bow/photograph, 28cm x 28cm/Note: In 1971 the National Portrait Gallery gave space to a Welsh Arts Council Exhibition entitled 'Snap, Instant Image 1971', it was partly a manoeuvre by Roy Strong to cross portrait barriers that would have upset the Trustees if staged as a purely Gallery event, Bailey was the photographer, David Hockney the artist and Gerald Scarfe the cartoonist. Strong sat for Bailey attired as the photographer wanted, Bailey emerged as one of the photographers who visually defined Swinging London, born in 1939 he emerged seemingly almost from nowhere and from 1960 onwards was one of the photographers who visually defined an era CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

David Hockney, RA (born 1937)/Portrait of Richard Hamilton at Cadaques/full-length seated (SAC 126; Tokyo 118)/signed and inscribed 'for Roy and Julia from David H Oct 1971' in red crayon (on the occasion of their wedding)/artist's proof/etching, 35cm x 28cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukPaper has been laid down unevenly although there are no creases.

David Hockney, RA (born 1937)/Portrait Study of Sir Roy Strong/half-length, in profile/pencil, 33.5cm x 25cm/Note: this study was drawn at Cecil Beaton's House on Whitsun weekend, 1969 CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukThe paper has very slightly discoloured.It is not signed.From Roy Strong's personal collectionWe confirm that it is by Hockney.

*After David Hockney Fiesta '88 poster offset lithographic poster printed in colours, 1988, showing 'Flowers Apple & Pear on a Table, July 1986', a poster for the artist's exhibition at St James' Market, Bradford, Sunday 12th June 1988 63 x 42.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some hard horizontal creases in the lower half. One corner a little soft.

DAVID HOCKNEY, 'Male bather', quadrichrome on board, 48cm x 45cm.

DAVID HOCKNEY 'Godetia', 1973, serigraph, 34cm x 48cm, 50cm x 64cm, framed and glazed.

DAVID HOCKNEY (BRITISH B. 1937) On It May Stay His Eye, from "The Blue Guitar" portfolio, 1976-77 etching plate: 35.5 x 42.5 cm (14 x 16 3/4 in.) signed lower right, inscribed with edition 19/200 lower left PROVENANCEMargo Leavin Gallery, Los Angeles (gallery label on verso)CONDITION Observed in frame, some discoloration apparent in the lower margin of the sheet, not affecting the image. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

David Hockney - Eleven various volumes including Hockney on Art; Off the Wall Hockney posters; Portrait of David Hockney; Hockney - A Retrospective and others, etc

A David Hockney 1981 poster - " Exhibition of Costume Drawings and Set Designs for the Ashmolean Museum Oxford ", 30" x 38"

David Hockney - Nine various volumes including Hockney Paints the Stage, David Hockney Cameraworks; Hockney on Art; David Hockney A Retrospective; David Hockney Photographs, etc (9)

A David Hockney Tate Gallery 1980 exhibition poster and a Glyndebourne Touring Opera David Hockney related poster (2)

*David Hockney RA (b.1937)'Beautiful and White Flowers'etching and aquatint, signed, dated '66 and numbered 46/75 in pencilplate 34.5 x 22.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Brown marks to upper margin, a few tiny orange spots on print. Looks overall like there may be a little discolouration. Paper a little cockled. Thunderbugs under galss.

NO RESERVE Modern Art.- Figura (Starr) Lucian Freud: The Painter's Etchings, New York, 2007 § Stewart (Angus) Anna Pugh: Catalogue Raisonné 1987-2006, 2007 § Hockney (David) A Year in Yorkshire, Annely Juda Fine Art, 2006 § Campbell (Colin) & others. The Art of William Nicholson, 2004 § Jenkins (D.F.) & Chris Stephens. Gwen John and Augustus John, 2004 § Lewison (J.) Ben Nicholson, 1993 § Gale (M.) & Christ Stephens. Francis Bacon, 2008 § Lampert (C.) & others. Frank Auerbach: Painting and Drawings 1954-2001, 2001, illustrations, many colour, the first three original cloth or boards, the first two with dust-jackets, the rest original wrappers; and a quantity of others on modern British art, many dealers' catalogues, 4to & 8vo (Qty)

A David Hockney print together with pebble photographs, poster and print

After David Hockney O.M., C.H., R.A. (b1937), Offset colour lithograph on newsprint paper, 'Two Apples, One Lemon and Four Flowers', As published in The Independent newspaper on 7 January 1997, 37cm x 58cm, Unframed

230: Box of art interest 20+ books and magazines including CHARLES MERYON ETCHINGS + HOLBEIN TO HOCKNEY + IMAGES OF A GOLDEN AGE, DUTCH 17TH CENTURY PAINTINGS

To be sold on behalf of the YMCA, David Hockney, self portrait in bathroom mirror with sink, New York 2002, print, 82 x 56 cm, watermark to top left corner.

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) OLYMPISCHE SPIELE MÜNCHEN, 1972 (BAGGOTT 34) Lithograph, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, signed and dated 1970 in plate(the sheet 102cm x 64cm (40in x 25.25in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) XVI RIP ARLES (THERESA RUSSELL) POSTER - 1985 Off-set lithograph on gloss paper, signed in ink(the sheet 108.5cm x 72cm (42.75in x 28.25in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) CITY OF LONDON BARBICAN POSTER - 1982 Off-set lithograph on gloss paper, signed in ink(the sheet 95cm x 72.5cm (37.5in x 28.5in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) LITTLE BOODGE - 1993 Off-set lithograph, published by 1853 Gallery, Salts Mill, Saltaire, Yorkshire, signed in black ink(the sheet 28cm x 42cm (11in x 16.5in), unframed)

§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) TATE GALLERY RETROSPECTIVE POSTER - 1989 Off-set lithograph, signed in ink(the sheet 76cm x 51cm (30in x 20in), unframed)

A coloured print after David Hockney of 'The Diver' 35" x 26" (watermarked)

* AFTER DAVID HOCKNEY (b. 1937) 'Painting on Paper', an exhibition poster for a Hockney exhibition at Annely Juda Fine Art, 23 Dering Street, London, 17th January - 1st March 2003, the poster featuring the Artist's portrait of Tom and Charles Guard, framed and glazed, the poster 94cm x 64cm

* Hockney (David, 1937-). Parade, Metropolitan Opera New York, together with David Hockney: A Retrospective, The Metropolitan Museum of Art, 1988, two offset lithograph posters, slight old waterstaining to lower right corner of second poster, both in rolled condition with minor creases, 96 x 59 cm / 99 x 61 cm (37 x 23 / 39 x 24 ins)Qty: (2)

David Hockney (B. 1937)Papageno (The Magic Flute) 1977 titled and variously inscribed watercolour and ink on paper43 by 35.5 cm. 16 15/16 by 14 in.This work was executed in 1977.Footnotes:ProvenancePrivate Collection, UK (gift from the artist)Acquired from the above by the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (British 1937-), 'My Window, Art Edition' 'No. 778', 2011, iPad Drawing printed in colours on archival paper, signed, dated and numbered from an edition of 250 in pencil; sheet: 56 x 42.3cm ARR

David Hockney (British 1937-) 'Untitled 329', 2010, iPad Drawing printed in colours on cotton-fibre archival paper, signed and numbered from an edition of 250 in pencil, published as part of 'A Bigger Book', with original blue and yellow portfolio; 59 x 46cm inc frame ARR

DAVID HOCKNEY (b.1937), The Road to York through Sledmere", 1997, lithograph in colours, signed, 19 3/4" x 24 1/4", framed (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)good, bar some minor fading

David HOCKNEY (Né en 1937), D’AprèsSans titreSérigraphie en couleur sur papier, signée dans la planche, Cachet de l’éditeur en bas à droite. Numéroté à 150 ex. 38 x 28 cm. Certificat de l’éditeur au dos

λ David Hockney (British b. 1937)Olympische Spiele München 1972Lithographic poster printed in colours99 x 62.5cm (38¾ x 24½ in.)Unframed

David Hockney - An exhibition poster for The Tate Gallery exhibition 'Travels with pen, pencil and ink, drawings and prints 1961-1979', July 2nd - August 3rd 1980, lithograph, signed in pencil, framed, 75cm x 50cm, frame size 77cm x 51.5cm, S/D.

After David Hockney (b.1937) - Still life with Fruit and Flowers, lithograph, signed in the stone, framed, 33cm x 53cm.

DAVID HOCKNEY - TATE Gallery Exhibition poster (1980) (20" x 30") together with an additional HOCKNEY poster (22.5"x30")(2)

A collection of various Antique and Art reference books, to include examples on antique boxes, silver, Velazquez, Hogarth, David Hockney, etc.Click here to view further images, condition reports, sale times & delivery costs for this lot.

Evi Pangestu Left Unsquared, 2020 Graphite and Gesso on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Evi Pangestu (b.1992, Indonesia) is a painter who investigates rebellion and control within the parameter of convention. Pangestu is currently based between Oakland and Jakarta. She has lived and worked itinerantly since she graduated from Royal College of Art in 2019.     Education   2017 - 2019 MA Painting, Royal College of Art, London, UK 2015 - 2017 BA (Hons) Fine Art, Birmingham School of Art, Birmingham, UK 2011 - 2015 Fine Art - Painting, Indonesian Institute of the Arts Yogyakarta, Indonesia 
Exhibitions & Awards:   2021(Upcoming) PARADISE AIR residency, Matsudo, Japan 2021Influx: Inauguration, Ruang Dini, Bandung, Indonesia 2020Summer Exhibition, Royal Academy of Arts, London, UK 2020Touch Me, virtual exhibition
2020Online interview with Where's The Frame
2020Arisan Karya edisi pertama, Museum MACAN, Jakarta, Indonesia 2020Almost There, virtual exhibition of PADA Studios March Residency 2019Selected artist on Friend of the Artist Volume 10 2019Sekala / Niskala, Kinship Studio, Bali, Indonesia 2019 Royal College of Art Graduate Show, Royal College of Art, London, UK 2019We Can Only Have Fun on Certain Days, Stour Space, London, UK 2019 Longlisted for Ivan Juritz Prize 2019MICRO, Air Gallery, Altrincham, UK 2018Workshop scholarship, Anderson Ranch Art Center, Colorado, USA 2018Component, The Old Biscuit Factory, London, UK 2018Thumbnails, Hockney Gallery Royal College of Art, London, UK 2018RCA WIP Show, Royal College of Art, London, UK     About the postcard artworks Tolerable settlement between shapes, squared away by lines. Condition Report:   Condition Report Disclaimer

Evi Pangestu Compromised But Not Forgotten, 2020 Graphite, Gesso and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Evi Pangestu (b.1992, Indonesia) is a painter who investigates rebellion and control within the parameter of convention. Pangestu is currently based between Oakland and Jakarta. She has lived and worked itinerantly since she graduated from Royal College of Art in 2019.     Education   2017 - 2019 MA Painting, Royal College of Art, London, UK 2015 - 2017 BA (Hons) Fine Art, Birmingham School of Art, Birmingham, UK 2011 - 2015 Fine Art - Painting, Indonesian Institute of the Arts Yogyakarta, Indonesia 
Exhibitions & Awards:   2021(Upcoming) PARADISE AIR residency, Matsudo, Japan 2021Influx: Inauguration, Ruang Dini, Bandung, Indonesia 2020Summer Exhibition, Royal Academy of Arts, London, UK 2020Touch Me, virtual exhibition
2020Online interview with Where's The Frame
2020Arisan Karya edisi pertama, Museum MACAN, Jakarta, Indonesia 2020Almost There, virtual exhibition of PADA Studios March Residency 2019Selected artist on Friend of the Artist Volume 10 2019Sekala / Niskala, Kinship Studio, Bali, Indonesia 2019 Royal College of Art Graduate Show, Royal College of Art, London, UK 2019We Can Only Have Fun on Certain Days, Stour Space, London, UK 2019 Longlisted for Ivan Juritz Prize 2019MICRO, Air Gallery, Altrincham, UK 2018Workshop scholarship, Anderson Ranch Art Center, Colorado, USA 2018Component, The Old Biscuit Factory, London, UK 2018Thumbnails, Hockney Gallery Royal College of Art, London, UK 2018RCA WIP Show, Royal College of Art, London, UK     About the postcard artworks Tolerable settlement between shapes, squared away by lines.  

Evi Pangestu Silent Compromise, 2020 Graphite and Gesso on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Evi Pangestu (b.1992, Indonesia) is a painter who investigates rebellion and control within the parameter of convention. Pangestu is currently based between Oakland and Jakarta. She has lived and worked itinerantly since she graduated from Royal College of Art in 2019.     Education   2017 - 2019 MA Painting, Royal College of Art, London, UK 2015 - 2017 BA (Hons) Fine Art, Birmingham School of Art, Birmingham, UK 2011 - 2015 Fine Art - Painting, Indonesian Institute of the Arts Yogyakarta, Indonesia 
Exhibitions & Awards:   2021(Upcoming) PARADISE AIR residency, Matsudo, Japan 2021Influx: Inauguration, Ruang Dini, Bandung, Indonesia 2020Summer Exhibition, Royal Academy of Arts, London, UK 2020Touch Me, virtual exhibition
2020Online interview with Where's The Frame
2020Arisan Karya edisi pertama, Museum MACAN, Jakarta, Indonesia 2020Almost There, virtual exhibition of PADA Studios March Residency 2019Selected artist on Friend of the Artist Volume 10 2019Sekala / Niskala, Kinship Studio, Bali, Indonesia 2019 Royal College of Art Graduate Show, Royal College of Art, London, UK 2019We Can Only Have Fun on Certain Days, Stour Space, London, UK 2019 Longlisted for Ivan Juritz Prize 2019MICRO, Air Gallery, Altrincham, UK 2018Workshop scholarship, Anderson Ranch Art Center, Colorado, USA 2018Component, The Old Biscuit Factory, London, UK 2018Thumbnails, Hockney Gallery Royal College of Art, London, UK 2018RCA WIP Show, Royal College of Art, London, UK     About the postcard artworks Tolerable settlement between shapes, squared away by lines.  

Cecilia Charlton Shape Play (Triangle), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence."    

Cecilia Charlton Shape Play (Vesica Piscis), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence." Condition Report:       Condition Report Disclaimer

Cecilia Charlton Shape Play (Diamond), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence."

Cecilia Charlton Shape Play (Circle), 2021 Silk Thread, Pencil and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   Cecilia Charlton creates technicolour, highly-patterned textile works that question notions of medium by bringing together traditions of painting, craft, abstraction, and folk art. Shape-shifting compositions appear with a visual flickering as their forms simultaneously subsume and embrace, and their colours confound and complement. Aesthetically revolving around formal references to abstraction, the works' titles often reveal autobiographical content, such as issues of mortality, drug use, sexuality, family relationships, and mental health.   Education   BFA Painting Hunter College 2015, summa cum laude; MA Painting Royal College of Art 2018   Exhibitions/Awards   London Art Far, Platform, Candida Stevens Gallery, London, 2021; Aurora, Candida Stevens Gallery, Chichester UK (solo) 2020; In Praise of Shadows, curated by Ione & Mann, London, 2019; Parade, Broadway Gallery, curated by Kris Day, Letchworth Garden City UK, 2019; Domestic Hospitality, Zetter Hotel, London, 2019; RA Summer Exhibition, Royal Academy of the Arts, London, 2019; Tender Touches, AMP Gallery, London, 2019; Grid :: Preset, Blyth Gallery, London, 2019; 2018 FAKERS, curated by Cypher Collective, Thamesside Gallery, London, 2018; Lifeline as Medium, 532 Gallery, NYC, 2018; From This Time - Unchained, curated by Ione & Mann, London, 2018; Rogue Objects, Bloomsbury Festival, University College London, London, 2018; SURGE: the East Wing Biennial, Courtauld Institute, London, 2018; RCA Degree Show, Royal College of Art, London, 2018; Rubber-chew // Clink, adieu, Unit 1 Gallery, London, 2018; An Audience of Echoes, Hockney Gallery, Royal College of Art, London, 2018; Plants People Pots [an invitation], Pinch Project Space, London, 2018; The Abstraction of Continents / The Continent of Abstraction, Lychee One Gallery, London, 2016 Honors Vlieseline Fine Art Textiles Award, short-listed, 2020; Fulbright UK Open Award, short-listed, 2016; Vermont Studio Center, Artist Grant, 2015; Art of the Northeast Exhibition, Andy and Marsha Glazer Painting Award, 2015; Hunter College, Kossak Painting Fellowship, 2014, 2014, 2015; Yale University, Ellen Battel Stoeckel Painting Fellowship, 2014; NYFA, Strategic Opportunities Stipend, 2009, 2010   Gallery Representation   Candida Stevens Gallery   About the postcard artworks   These works, as is often the case with my works on paper, is an opportunity to play around with geometry, colour and materials to create a totemic object which emanates a power beyond the limits of its physicality. The gradients of colours with the silk thread as well as the three-dimensional illusion created in the use of coloured pencils work together to achieve a sense of mysticism and transcendence."

Freya Douglas-Morris Evening Dove, 2021 Watercolour and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   My painting practice covers both work on canvas and on paper. In many ways the scenes I paint are based on something tangible, but there is a leaning on memory and a heightened sense of colour that leaves the paintings somewhere in the realm of the remembered and unreal. Narrative plays a part and for these two postcard paintings I took inspiration from poetry and music alongside many other sources.   Education   Painting MA, Royal College of Art, London 2011 - 2013 Fine Art BA, Brighton University 1999 - 2002   Exhibitions/Awards   2021 (Solo show, Lychee One, London UK - future) (Solo show, Arusha Gallery UK - future) Inside/Outside, Janet Rady Fine Art, UK 2020 10 Year anniversary exhibition, Contemporary 6, UK Viewing Rooms, on-line presentation of paper works, Lychee One, UK Staycation, Lychee One, UK Tides, Arusha Gallery, UK Isolated Observations, Candida Stevens Gallery, UK London Art Fair, Lychee One, UK Picture Palace, Transition Gallery, UK 2019 The Sun Long Night, Lychee One, UK (Solo) Art Shenzhen, HDM Gallery, Shenzhen China Art 021, HDM Gallery, Shanghai China 2018 Winter Exhibition, Campden Art Gallery, UK Bone Memory, Lychee One, UK Exhibition and shortlisted for Denton's Art Prize 2018, UK Fresh Paint, Messums Wiltshire, UK 2017 The Manchester Contemporary, Manchester UK The Diamond Sea, Saatchi Gallery, curated by Kristian Day, London UK Where They Hum, Lychee One, London UK What is This Place? Group Exhibition, Newlyn Art Gallery, Cornwall UK Benefit Auction & Exhibition, CS Hospiz is Rennweg & Sotheby's, Vienna, AT 2016 The Classical, Transition Gallery, London UK Landing, curated by Kristian Day, London UK Sampler, Arcade Fine Arts, curated by Kristian Day, London UK Artificial Arcadia, Bosse & Baum, London UK Paper, Publication, Performance, Lychee One, London UK Light For Company, Lychee One, London UK - January (Solo) 2015 Carnival Glass, Block 336, London UK A Crazed Flowering, Frameless Gallery, London, UK 2014 Studiolo #11 'One place or another' Studiolo Project, Milan, IT (Solo) 100 Painters of Tomorrow, New York, USA Elsewhere, Yellow Gallery & Transition Gallery, Varese, IT East End Painting Prize, Bow Arts Trust, London, UK Freya Douglas-Morris & Marita Fraser, Peter Von Kant Gallery, London, UK Re-Define, Dallas Contemporary Museum, USA Paper & Colour, Griffin Gallery, London, UK The Catlin Guide, Art London, UK 2013 Atomic, Transition Gallery (off-site) London, UK Art Britannia, Miami, USA New Sensations 2013, Saatchi Gallery & Channel 4, London, UK Painting Show, Winter Projects, London, UK Paper, Saatchi Gallery, London, UK Selected Works from the RCA Show, Christie's, London, UK RCA Degree Show, Royal College of Art, London, UK See Think Different, Drawing Room Projects (off-site) London, UK Big Rock Candy Mountain, MOT International Projects, London, UK Secret Postcards, Royal College of Art, London, UK Near that place, Hockney Gallery, RCA, London, UK 2012 Passing Through Landscape Campden Gallery, UK (Solo) Bloomberg New Contemporaries, ICA, London, UK Bloomberg New Contemporaries, Liverpool Biennial, UK CHASE Charity Exhibition, Royal College of Art, London, UK Collectible Zeitgeist Art Group, London, UK WIP Show, Royal College of Art, London, UK   Residencies/Awards Nigel Greenwood Prize, shortlisted 2018 Denton's Art Prize, commended 2018 Varese, Italy - Residency with Yellow Space, Varese & Transition Gallery, London, September 2014 Kuwait - Participated in Out of Britain with the RCA and British Council, September 2012 & April 2013 Barcelona - Pantocrator Gallery, May 2011 Berlin - Milchhof Art Studios, May 2008 Publications, Catalogues, Articles Journal, Cohabiting' Dateagle Interview with Anna Souter, '2019 Talking Points, Make Believe - Harper's Bazaar, 2019 Buying Art - House & Garden, 2018 5 Questions with Freya Douglas-Morris, Elephant, Magazine Issue 32, 2016 Elsewhere/Altrove - Exhibition Publication, Vera Portatadino & Cathy Lomax, Italy, 2015 100 Painters of Tomorrow - Kurt Beers and Thames & Hudson, 2014 The Catlin Guide 2014 - Justin Hammond, 2014 Freya Douglas-Morris Studiolo#11 - Wall St International, 2014 New Sensations 2013 - Exhibition Catalogue, Saatchi Gallery, 2013 Paper - Exhibition Publication, Saatchi Gallery, 2013 Bloomberg New Contemporaries Review - The Guardian, 2012 Bloomberg New Contemporaries Catalogue, 2012 - Nairy Baghramian, Cullinan Richards, Rosalind Nashashibi, ICA & Cornerhouse Collections Saatchi Gallery and many private collections worldwide   About the postcard artworks   Evening dove' & 'Lilac tree' - these scenes are part imagined, part remembered and part observed. Two moments captured in time, both have an air of narrative. And a sense of escape ..." Condition Report:   Condition Report Disclaimer

Freya Douglas-Morris Lilac Tree, 2021 Watercolour and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My painting practice covers both work on canvas and on paper. In many ways the scenes I paint are based on something tangible, but there is a leaning on memory and a heightened sense of colour that leaves the paintings somewhere in the realm of the remembered and unreal. Narrative plays a part and for these two postcard paintings I took inspiration from poetry and music alongside many other sources.   Education   Painting MA, Royal College of Art, London 2011 - 2013 Fine Art BA, Brighton University 1999 - 2002   Exhibitions/Awards   2021 (Solo show, Lychee One, London UK - future) (Solo show, Arusha Gallery UK - future) Inside/Outside, Janet Rady Fine Art, UK 2020 10 Year anniversary exhibition, Contemporary 6, UK Viewing Rooms, on-line presentation of paper works, Lychee One, UK Staycation, Lychee One, UK Tides, Arusha Gallery, UK Isolated Observations, Candida Stevens Gallery, UK London Art Fair, Lychee One, UK Picture Palace, Transition Gallery, UK 2019 The Sun Long Night, Lychee One, UK (Solo) Art Shenzhen, HDM Gallery, Shenzhen China Art 021, HDM Gallery, Shanghai China 2018 Winter Exhibition, Campden Art Gallery, UK Bone Memory, Lychee One, UK Exhibition and shortlisted for Denton's Art Prize 2018, UK Fresh Paint, Messums Wiltshire, UK 2017 The Manchester Contemporary, Manchester UK The Diamond Sea, Saatchi Gallery, curated by Kristian Day, London UK Where They Hum, Lychee One, London UK What is This Place? Group Exhibition, Newlyn Art Gallery, Cornwall UK Benefit Auction & Exhibition, CS Hospiz is Rennweg & Sotheby's, Vienna, AT 2016 The Classical, Transition Gallery, London UK Landing, curated by Kristian Day, London UK Sampler, Arcade Fine Arts, curated by Kristian Day, London UK Artificial Arcadia, Bosse & Baum, London UK Paper, Publication, Performance, Lychee One, London UK Light For Company, Lychee One, London UK - January (Solo) 2015 Carnival Glass, Block 336, London UK A Crazed Flowering, Frameless Gallery, London, UK 2014 Studiolo #11 'One place or another' Studiolo Project, Milan, IT (Solo) 100 Painters of Tomorrow, New York, USA Elsewhere, Yellow Gallery & Transition Gallery, Varese, IT East End Painting Prize, Bow Arts Trust, London, UK Freya Douglas-Morris & Marita Fraser, Peter Von Kant Gallery, London, UK Re-Define, Dallas Contemporary Museum, USA Paper & Colour, Griffin Gallery, London, UK The Catlin Guide, Art London, UK 2013 Atomic, Transition Gallery (off-site) London, UK Art Britannia, Miami, USA New Sensations 2013, Saatchi Gallery & Channel 4, London, UK Painting Show, Winter Projects, London, UK Paper, Saatchi Gallery, London, UK Selected Works from the RCA Show, Christie's, London, UK RCA Degree Show, Royal College of Art, London, UK See Think Different, Drawing Room Projects (off-site) London, UK Big Rock Candy Mountain, MOT International Projects, London, UK Secret Postcards, Royal College of Art, London, UK Near that place, Hockney Gallery, RCA, London, UK 2012 Passing Through Landscape Campden Gallery, UK (Solo) Bloomberg New Contemporaries, ICA, London, UK Bloomberg New Contemporaries, Liverpool Biennial, UK CHASE Charity Exhibition, Royal College of Art, London, UK Collectible Zeitgeist Art Group, London, UK WIP Show, Royal College of Art, London, UK   Residencies/Awards Nigel Greenwood Prize, shortlisted 2018 Denton's Art Prize, commended 2018 Varese, Italy - Residency with Yellow Space, Varese & Transition Gallery, London, September 2014 Kuwait - Participated in Out of Britain with the RCA and British Council, September 2012 & April 2013 Barcelona - Pantocrator Gallery, May 2011 Berlin - Milchhof Art Studios, May 2008 Publications, Catalogues, Articles Journal, Cohabiting' Dateagle Interview with Anna Souter, '2019 Talking Points, Make Believe - Harper's Bazaar, 2019 Buying Art - House & Garden, 2018 5 Questions with Freya Douglas-Morris, Elephant, Magazine Issue 32, 2016 Elsewhere/Altrove - Exhibition Publication, Vera Portatadino & Cathy Lomax, Italy, 2015 100 Painters of Tomorrow - Kurt Beers and Thames & Hudson, 2014 The Catlin Guide 2014 - Justin Hammond, 2014 Freya Douglas-Morris Studiolo#11 - Wall St International, 2014 New Sensations 2013 - Exhibition Catalogue, Saatchi Gallery, 2013 Paper - Exhibition Publication, Saatchi Gallery, 2013 Bloomberg New Contemporaries Review - The Guardian, 2012 Bloomberg New Contemporaries Catalogue, 2012 - Nairy Baghramian, Cullinan Richards, Rosalind Nashashibi, ICA & Cornerhouse Collections Saatchi Gallery and many private collections worldwide   About the postcard artworks   Evening dove' & 'Lilac tree' - these scenes are part imagined, part remembered and part observed. Two moments captured in time, both have an air of narrative. And a sense of escape ..."  

δ David Hockney (b.1937)A Bigger BookThe book, 2016, signed on the title-page in black ink, from the total edition of 10,000, and the painted metal bookstand designed by Marc Newson, with title-page text and reproductions, bound as published, overall size 500 x 700mm (19 ½ x 27 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Little BoodgeOffset lithograph, 1993, on wove paper, the full sheet printed to the edges, sheet 420 x 280mm (16 3/8 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Iphone Drawing No 535, 28th June 2009Digitial pigment print in colours, 2019, signed and dated in pencil, numbered from the edition of 250, published by Taschen, Cologne, on archival white wove paper, with full margins, 558 x 431mm., 22 x 17in.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Two David Hockney books, a book relating to Japanese master Katsushika Hokusai & other artist related books

Pair of David Hockney prints in match oak frames,Each print measures 49 x 61 cm

* Rouault (Georges, 1871-1958). French Painter. Signed postcard, 'Georges Rouault', no date, a vintage gelatin silver print photograph of Rouault by Yvonne Chevalier, head and shoulders pose in semi-profile, signed by the photographer lower left, and signed by the artist in blue ballpoint pen to plain back verso, 9 x 13.5 cm, together with: Delvaux (Paul, 1897-1994). Belgian Surrealist Painter. Signed and Inscribed Postcard, 'P. Delvaux', no date, a colour postcard with a reproduction of his work entitled 'La Ville Rouge', signed and inscribed by Delvaux in black ink to blank area of verso, light smudge slightly affecting final two letters of surname, 10.5 x 14.5 cm, plus: Hockney (David, 1937-). English Artist. First Day Cover, 1999, the postcard and stamp featuring Hockney's painting Salts Mill, Saltaire, (limited edition, 452/2000), artist's signed presentation inscription for James and Sally below limitation details, 10 x 21cm, Stella (Frank, 1936-). American painter. Signed postcard, circa 2000, showing a colour reproduction of Stella's painting Hyena Stomp, 1962, signed 'F. Stella' in blank ink to wide white margin beneath image, postally unused, 15 x 10.5cm, Cummings (Michael, 1919-1997). British Newspaper Cartoonist. Self-caricature, 1980, drawn in the centre of the paper in black marker pen and signed by Cummings, with a brief autograph note signed by Cummings in blue ballpoint pen to upper left corner, sending the cartoon and autograph, some overall light spotting, Daler Artboard, 36 x 47cm, plus 3 modern books signed by the British cartoonists Gerald Scarfe, Peter Brookes and Ralph Steadman, all VGQty: (8)

DAVID HOCKNEY 'Stanley & Boodge', 1994, lithograph print after the pencil sketch, on wove paper, published by 1853 Gallery, 69cm x 84cm, framed and glazed.

DAVID HOCKNEY 'Peter Getting out of Nick's Pool with Self Portrait', off set lithograph in colours, 33cm x 26cm, framed.

Lithographie David Hockneygeb. 1937 Bradford "Walking Man" 1964 u. re. im Stein monogr. DH 32 x 48,5 cm (Blattmaß) Freiliegend, säurefrei gerahmt, montiert mittig horizontale Knickfalte. Provenienz: Sammlung Clifford Chance, Frankfurt.

After DAVID HOCKNEY 'Still Life', monochrome, 21cm x 25cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

David Hockney R.A. (British, born 1937)Vertical Dogs, 1995 (MCA Tokyo 345) Etching and aquatint printed in colours, on Arches, signed, dated and numbered 'AP. IX/XV' in pencil, an artist's proof aside from the numbered edition of 80, printed by Maurice Payne, Los Angeles, co-published by Lococo Mulder Inc., St. Louis and the artist, with his blindstamp, with full margins385 x 465mm (15 1/8 x 18 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Still Life with Hats, from Twenty Photographic Pictures by David Hockney portfolio, 1973Chromogenic print, initialled and numbered '77/80' (there were also 20 sets in Roman numerals) in ink in the margin, published by Sonnabend Editions, New York23.7 x 17.7cm (9 5/16 x 6 15/16in)This lot is subject to the following lot symbols: Ω ARΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com