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4315 Los(e)/Seite
Los 225
Hockney (David) a collection of nine books to include The Blue Guitar, 25 Years of Print Making, Faces, A Drawing Retrospective, Etchings and Lithographs, A Retrospective, Hockney Paints the Stage Arts Council 1985, Flowers Faces and Spaces, and Cameraworks by Thames & Hudson. (9)(B.P. 21% + VAT)
Los 248
NO RESERVE Razzall (Rosie) and Lucy Whitaker. Canaletto & the Art of Venice, very occasional light soiling, dust-jacket, 2017 § Hogben (Carol) and Rowan Watson. From Manet to Hockney, bookplate of Trevor Weston to front free endpaper, cloth lightly rubbed, 1985 § Jones (Roger) and Nicholas Penny. Raphael, ink inscription to front free endpaper, dust-jacket lightly rubbed and toned, 1983, original cloth; and c.95 others, art and architecture reference, v.s. (c.95)
Los 837
Bryan Ingham (1936-1997) - 'Vellan', inscribed with the title and the artist's name on an old exhibition label verso, limited edition etching, 3/16, black and brown sepia etching, 8.25" x 7.752, overall size including the artist's original mount and box type frame, 13" x 14"-** Provenance with The Ashgate Gallery, (Elizabeth Naydler) Wagon Yard, Downing Street, Farnham, Surrey-** The artist was born in Preston and raised in Yorkshire's Calder Valley, he studied at St. Martin's School of Art, London and accepted a post-graduate place at The Royal College of Art, he was a close contemporary of David Hockney. His early talent was greatly appreciated by his director Carel Weight. It was at The Royal Society of Artist's that he made his first acquaintance with etching and was later to become one of the most notable etchers of the second half of the 20th century establishing a studio in Fournier Street, which is off Brick lane, he taught part time at Maidestone College of Art and enjoyed the company of Quentin Crisp, he was also a life model there at the time. He later settled on the Lizard in Cornwall and taught etching at Falmouth Art School and Farnham Art College until five years before his death. The Ashgate Gallery which was run by Elizabeth Naydler put on one-man shows by a number of the best known artists of the period, such as John and Jean Bratby, Elizabeth Frink, Julian Trevelyan, Mary Fedden, Sandra Blow, Peter Blake, Sonia Lawson and Willi Soukop. July 1962 The gallery mounted an important and pioneering exhibition entitled 'British Sculpture Today', with work by twenty three leading sculptors, including Lynn Chadwick, Elizabeth Frink, Henry Moore, Barbara Hepworth and others. A copy of Elizabeth Naydler's arbitrary dates 18th August 2006 can be obtained upon request
Los 136
δ David Hockney (b.1937)Cushions (Scottish Arts Council 64)Etching with aquatint, 1968, signed and dated in pencil, numbered from the edition of 75, printed by Maurice Payne, published by Petersburg Press, London, on wove paper, with full margins, sheet 572 x 521mm (22 ¾ x 20 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 137
δ David Hockney (b.1937)Panama Hat (Tokyo 119)Etching with aquatint, 1972, signed and dated in pencil, numbered from the edition of 125, co-published by Brooke Alexander, Inc., New York, and Petersburg Press, London, on Crisbrook handmade paper, the full sheet printed to the edges, sheet 416 x 337mm (18 1/8 x 13 ¼ in)This tableau depicts the hat, coat and pipe of Hockney's friend and former curator of the Metropolitan Museum of Art New York Henry Geldzhalerδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 138
δ David Hockney (b.1937)Waiter, AlexandriaColoured pencil and graphite on wove paper, 1963, initialled, dated and titled in pencil lower right, sheet 305 x 245mm (12 x 10 5/8 in)Provenance:Christie's South Kensington, Lot 42, 17.2.2012Purchased from the above Private collection, UK. Literature:David Hockney, 72 Drawings by David Hockney, Chosen by the Artist, London, 1971, (illustrated)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 146
δ David Hockney (b.1937)Diver. Olympic Games Munich 1972 (Baggot 34)Lithograph printed in colours, 1972, from the third edition, from the edition of unknown size, printed by Matthieu, Zurich, published by Edition Olympia 1972, Munich, on wove paper, the full sheet printed to the edges, sheet 1010 x 640mm (39 3/4 x 25 1/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 147
δ David Hockney (b.1937)My WindowThe book, 2019, signed in black ink and numbered from the edition of 1000, with title-page, text and illustrations, published by Taschen, London, on wove paper, bound as issued in the original pictorial boards and matching clamshell box, overall size 500 x 385mm (19 ¾ x 14 7/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 171
λ David Hockney (British b. 1937)Portrait of Richard Hamilton (S.A.C. 126/Tokyo 118)Etching with aquatint, 1971An unsigned proof aside from the edition of 3034 x 26.5cm (13¼ x 10¼ in.)Provenance:A gift to the present owner circa 1985/86Condition Report: Unexamined out of glazed frame. Light discolouration to the image with a white circular blemish to the middle of the left edge. There is one light stain to the lower left corner of the margin and two areas of foxing, one to the left middle edge and one to the right middle edge. There are some light handling creasing visible to the lower margin and very slight undulation to the sheet. Otherwise the work appears to be in good original condition.Condition Report Disclaimer
Los 201
Elizabeth Power Blue Still Life Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a colour palette rich in coral pinks, forest greens and cool blues. Drawing inspiration from Colourists such as Matisse, Hockney and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Heals, John Lewis, The London Design Festival, Itsu, Artsy, Delphian Gallery, Art For Charity Collective, Print Club London, The Auction Collective and The Old Bank Vault. Education Elizabeth Power graduated from the University of the Arts London in 2010 but has long since explored an expressive use of bold colour to capture the compelling beauty of her landscapes. Select Exhibitions/Awards 2021 Delphian Gallery- Duo exhibition with Cathy Tabbakh 'Fatal Shadow and Narcissus', covent garden, 8th- 16th Sept The Other Art Fair, curated exhibition by Aida Wilde 20/20, October, The Old Truman Brewery The Auction Collective/Soho Revue Gallery- Live Auction entitled '50 x 50′ at The Soho Revue Gallery 17th Nov 21 Art For Charity Collective- Online Live Auction 1st November Janet Rady Fine Art/Artsy- 'Making a Splash' online group exhibition on Artsy, 4th Aug- 1st Sept Well Hung Gallery- Group exhibition 'Small Wonders', 253 Hoxton Street, 01.07.21-04.07.21 Royal Academy of The Arts- Poster on display and available in the RA shop (May 21 re-opening) Art For Charity Collective- Online Live Auction on 24.03.21 2020- Heals in collaboration with The London Design Festival. September 2020 2019- Delphian Gallery open call exhibition, 28th March- 9th April- The Print Space 2018- Royal Academy of Arts Summer Exhibition- Painting also selected for gift cards and posters. Gallery Representation Power has works available via Royal Academy of Arts, Delphian Gallery, Heals, John Lewis, Print Club London, McCully & Crane, The Old Bank Vault, Hancock Gallery and Artsy. Statement about AOAP Submitted Artwork I created two artworks for AOAP. One is a still life painting based on my favourite vessel I own by ceramist Kelly Jessiman. The second is a painting of the view out of my studio window, looking over the skyline of St Leonards on Sea.
Los 202
Elizabeth Power Studio View Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a colour palette rich in coral pinks, forest greens and cool blues. Drawing inspiration from Colourists such as Matisse, Hockney and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Heals, John Lewis, The London Design Festival, Itsu, Artsy, Delphian Gallery, Art For Charity Collective, Print Club London, The Auction Collective and The Old Bank Vault. Education Elizabeth Power graduated from the University of the Arts London in 2010 but has long since explored an expressive use of bold colour to capture the compelling beauty of her landscapes. Select Exhibitions/Awards 2021 Delphian Gallery- Duo exhibition with Cathy Tabbakh 'Fatal Shadow and Narcissus', covent garden, 8th- 16th Sept The Other Art Fair, curated exhibition by Aida Wilde 20/20, October, The Old Truman Brewery The Auction Collective/Soho Revue Gallery- Live Auction entitled '50 x 50′ at The Soho Revue Gallery 17th Nov 21 Art For Charity Collective- Online Live Auction 1st November Janet Rady Fine Art/Artsy- 'Making a Splash' online group exhibition on Artsy, 4th Aug- 1st Sept Well Hung Gallery- Group exhibition 'Small Wonders', 253 Hoxton Street, 01.07.21-04.07.21 Royal Academy of The Arts- Poster on display and available in the RA shop (May 21 re-opening) Art For Charity Collective- Online Live Auction on 24.03.21 2020- Heals in collaboration with The London Design Festival. September 2020 2019- Delphian Gallery open call exhibition, 28th March- 9th April- The Print Space 2018- Royal Academy of Arts Summer Exhibition- Painting also selected for gift cards and posters. Gallery Representation Power has works available via Royal Academy of Arts, Delphian Gallery, Heals, John Lewis, Print Club London, McCully & Crane, The Old Bank Vault, Hancock Gallery and Artsy. Statement about AOAP Submitted Artwork I created two artworks for AOAP. One is a still life painting based on my favourite vessel I own by ceramist Kelly Jessiman. The second is a painting of the view out of my studio window, looking over the skyline of St Leonards on Sea.
Los 487
Sasha Ferré Pervasiveness Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sasha Ferré is a visual artist working and living between London and Paris. She has exhibited in the US and Europe and is the recipient of the Hine Painting Prize in 2020. Recently she was featured in the New American Painting Pacific Coast edition, and was selected for exhibitions in London at Saatchi Gallery, Fold Gallery, Unit London Gallery, Daniel Benjamin Gallery and Josh Lilley Gallery. She holds an MA in Painting from the Royal College of Art (London). Education 2018 to 2020 - MA Painting, Royal College of Art, London, United Kingdom 2016 - BFA, Integrated Studio Art program, Magna Cum Laude, Cornish College of the Arts, Seattle, USA Select Exhibitions/Awards 2022 Solo exhibition, TBA, Tokyo, Japan 2021 Rites of Passage, Group Exhibition, Unit London Gallery, London, United Kingdom Kensington and Chelsea Art Week, London, United Kingdom Ones to Watch, online exhibition curated by Natasha Arselan, AucArt.com Quartet, a series of online solo shows curated by Maria Valeria Biondo, Daniel Benjamin Gallery, London, United Kingdom 2020 Goose Summer, Group Exhibition, Virtual Show curated by Hannah Murgatroyd and Martyn Cross Wintergreen Boxwood, Group Exhibition, No20 Arts, London, United Kingdom London Grads Now, Group Exhibition, Saatchi Gallery, London, United Kingdom 50/50, Group Exhibition, Fold Gallery, London, United Kingdom Beacon, Virtual Group Exhibition, Josh Lilley Gallery, London, United Kingdom RCA2020, MA Virtual Degree Show, Royal College of Art, London, United Kingdom Final, not Over: Session 1, Open Fields, Unit 1 Gallery, London, United Kingdom Her Space, The Pillar Hotel, curator Nir Segal, London, United Kingdom Snapshot, Hockney Gallery, curator Emily Moore, London, United Kingdom 2019 Work-in-Progress Show, Royal College of Art, London, United Kingdom 2018 While Supplies Last, Studio e Gallery, curator Anthony White, Seattle, USA 2016 American Painting Today, curator Matthew Offenbacher, V2, Seattle, USA Out of Sight, A Survey of Contemporary Art in the Pacific Northwest, King Street Station, Seattle, USA 12th Annual Hutch Exhibition 2016, Fred Hutch Research Institute, curator Bonnie Biggs, Seattle, USA Self-Reflections, solo exhibition, Studio B1, Seattle, USA BFA Expo 2016, Cornish College of the Arts, Seattle, USA 2015 The Expanse of all Human Knowledge, Platforms of Exchanges, Cornish College of the Arts, Seattle, USA Do It Yourself, Cornish College of the Arts, Seattle, USA Changing our Stripes, curator Melissa Feldman, Main Gallery, Cornish College of the Arts, Seattle, USA 2014 Open Studio, Cornish College of the Arts, Seattle, USA We're watching you, Platforms of Exchanges, Cornish College of the Arts, Seattle, USA 2013 I Am Nobody, Who Are You? solo exhibition, Spark, Paris, France
Los 83
David Hockney R.A. (British 1937-) "My Pool and Terrace", 1983, signed, dated and numbered 85/250 in pencil in the margin, from the portfolio 'Eight by Eight to Celebrate the Temporary Contemporary', published by the Museum of Contemporary Art, Los Angeles, etching and aquatint in colours, on wove paper.plate size 60.5cm x 90.5cm (23.75in x 35.75in) sheet size 74cm x 106.5cm (29in x 42in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. There are some very minor creases, stains and one or two spots of foxing in the margins. The sheet appears to be attached in each corner. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 96
David Hockney R.A. (British 1937-) "A Bounce for Bradford", the rare handmade print in colours executed on an office copier, 1987, limited edition of unknown size, published in the Bradford 'Telegraph & Argus' (March 1987 edition), designed by the artist for Bradford’s 'Bouncing Back' campaign, on thin wove paper, with margins.41cm x 59cm (16.25in x 23.25in)Footnote:* Hockney successfully entered a print of this edition for the Summer Exhibition at the Royal Academy of Arts, London, where it was exhibited in 1987. A copy of this print is in the British Museum collection.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.
Los 99
David Hockney R.A. (British 1937-) "Olympische Spiele Munchen 1972" (Baggott 34), 1970, published by Editions Olympia 1972 GmbH, Munich, full sheet printed to the edge, lithographic poster in colours on wove paper.102cm x 64cm (40.25in x 25.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The poster is in very good, original condition with no obvious faults to report. The poster is unframed and rolled.
Los 580
Allen Jones RA (British 1937-), STAMP!, a collection of 44 stamps from "Culture Carriers Stamp Out Art", 1971, lithograph, unnumbered from an edition of 250, unframed, each 5 x 3.5cmFootnote: The present lot represents one of a number of stamps designed in 1971 as part of the “culture carriers stamp out art” project. Bringing together a group of highly regarded contemporary British artists, including Hockney, Boshier, Paolozzi and Tilson, the project was intended to raise funds for striking postal workers. The strike, which lasted for seven weeks, was Britain’s first national postal strike and involved around 200,000 Post Office staff.
Los 643
David Hockney OM, CH, RA (British 1937-), exhibition poster for 1853 Gallery, Salts Mill, Bradford, offset lithograph, unframed, showing Montcalm Interior at Seven O'Clock, 1988, 70 x 84cmCondition report: Badly creased in a few areas along the bottom edgeMinor discolouration around the edge of the reverse, see photos
Los 225
Hockney (David, 1937-). Red Square and The Forbidden City, 1982, colour lithograph on Somerset satin-finish mould-made rag paper, printed in five colours at Petersburg Studios, New York, 1982, in an edition of 1000, signed and numbered 38/1000 in pencil, folded three times, as issued, overall size 495 x 540 mm (19.5 x 21.25 ins), loosely contained in original red printed sleeve, with a copy of the published edition of China Diary by Stephen Spender and David Hockney, published by Thames and Hudson, 1982, signed by Hockney and Spender to half-title, bound in original red cloth gilt in fine condition, with original publisher's card slipcaseQty: (1)Footnote: Tokyo 254.
Los 103
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),OLYMPISCHE SPIELE MÜNCHENlithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesimage size 98cm x 62cm, overall size 105cm x 69cm Framed and under glass.Condition report: Condition is good overall, with no visible signs of damage, restoration or known issues.
Los 106
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME lithograph on paper, numbered artist's proofimage size 77cm x 57cm, overall size 92cm x 72cmMounted, framed and under glass.Note: from A Hollywood Collection, 1962.Note 2: An accomplished painter, printmaker, photographer, and stage designer, David Hockney began showcasing his talent as a draftsman while studying at his hometown's Bradford School of Art as a teenager. At London's Royal College of Art in the early 1960s, he worked in a style that combined figuration, abstraction, and text, which identified him with the British Pop art movement. His work, however, defies categorization. It consists of still lifes and portraits rendered with delicacy and frankness and, after moving to Los Angeles, has included bold, colourful images of California's sun-drenched settings. Rooted in his personal relationships, his homosexuality, and his literary interests and travels, Hockney's art is, above all, deeply autobiographical. Printmaking has played a central role in Hockney's practice, and many of his most significant early works take the form of narrative print series. The linearity of etching matches his natural inclination for drawing, and lithography allows him to explore dazzling colour. He has also made editions with paper pulp and inventive prints using a photocopy machine. In all Hockney has created more than five hundred prints, collaborating with celebrated printers and workshops in Europe and America and also experimenting on his own. A copy of the print is in the Museum of Modern Art.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. Picture comes from a Private Scottish Collection.
Los 143
David Hockney R.A. (born 1937)Hockney's Alphabet, 1991 signed by David Hockney, Stephen Spender and most contributors in ink and numbered 188 in black ink on the justification pagethe complete set of 26 offset lithographs printed in coloursoverall 34.3 x 25.5 x 3cm (13 1/2 x 10 1/16 x 1 3/16in).This work is from the edition of 250, published by Faber & Faber, London, for the Aids Crisis Trust, with full text and title page, bound in quarter vellum with handmade Fabriano Roma paper sides, in the original grey slip case.Footnotes:Signed by 22 of the 27 contributors: Doris Lessing, William Boyd, Margaret Drabble, Martin Amis, William Golding, Patrick Leigh Fermor, Nigel Nicolson, Seamus Heaney, Douglas Adams, Julian Barnes, Craig Raine, Kazuo Ishiguro, Iris Murdoch, V. S. Pritchett, Erica Jong, Arthur Miller, John Julius Norwich, Susan Sontag, Joyce Carol Oates, John Updike, Norman Mailer, and Ian McEwan.This lot is subject to the following lot symbols: • AR• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 144
David Hockney R.A. (born 1937)The Blue Guitar (Title Page), from 'The Blue Guitar', 1976-77 signed and numbered 147/200 in penciletching and aquatint printed in colours52.2 x 45.1cm (20 9/16 x 17 3/4in).printed by Petersburg Studios and published by Petersburg Press, London and New YorkFootnotes:LiteratureD. Hockney, David Hockney Prints 1954-1995, Museum of Contemporary Art, Tokyo and Tankosha Publishing Co, Tokyo, 1996, no. 178D. Hockney, Midland Group (Nottingham, England) and Scottish Arts Council, David Hockney prints, 1954-77, Petersburg Press for the Midland Group and the Scottish Arts Council, London, 1979, no. 199This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 70
David Hockney (born 1937)Olympische Spiele München 1972, 1970 lithographic poster printed in colours102 x 64cm (40 3/16 x 25 3/16in).(unframed)This work is from the edition of an unknown size, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 2081
David Hockney OM, CH, RA (b.1937) "Christopher Isherwood and Don Bachardy” Signed and dated (19)76, numbered 67/96, lithograph, 71cm by 94cm Provenance: Jonathan Silver Collection, Salts Mill, YorkshireFootnote: Born in Bradford, West Yorkshire in 1937, David Hockney is one of the most influential British artists of the 20th century. A painter, printmaker, stage designer and photographer, Hockney’s many talents have earned him world-wide recognition.Hockney studied at the Royal College of Art in London, during which time he was a part of the Young Contemporaries exhibition, which declared the arrival of the British Pop Art movement. He was just 26 when he had his first solo exhibition in 1963 and went onto exhibit in over 400 solo exhibitions and 500 group exhibitions, including a major show at the National Portrait Gallery in London in 2006 in which over 150 works created over five decades were exhibited. Hockney has been awarded multiple awards throughout his life, beginning with the John Moores Painting Prize in 1967. He has been a Royal Academician since 1985 and in 2012 he was appointed to The Order of Merit for his contribution to the arts and sciences. Throughout his long career Hockney has experimented with a variety of mediums, from traditional painting and printmaking to the use of fax machines and iPads, capturing a wide range of subject matter. He is perhaps most widely recognised for photo collages and a series of paintings of swimming pools he created following a move to Los Angeles in 1964, inspired by vibrant Californian colour and light. Portraiture has been a constant throughout his career, capturing the most important figures in his life and incorporating personal elements of both his life and his sitters’.The sheer variety of subject and media which he has explored throughout his career, executed with wit, charm and panache, has enabled him to create striking forms and intriguing concepts that have inspired legions of admirers.Condition report: Float mounted and has a deckled edge. Some light surface dirt and the odd thunder fly trapped under the glass - mostly contained to the mount. Slight cockling to paper. Small areas of oxidization to the small sections of the outer edges where the paper has been hinged, e.g, one area approximately 1cm in size, lower left, one within the carpet, left of centre bottom edge, one below the Y of the signature, two to the top edge and three to the right edge. Slight crease upper right through the line approximately 6cm in length. The very odd minor sporadic tiny brown spot - may be by design or may be foxing, e.g, one to the left of the blind above the man's shoulder left side, one to the collar of the right man's dressing gown and one under the left figure's feet. Tiny nick to the paper bottom edge, right of centre, may be by design/part of the deckled edge and one to centre of right edge, also may be by design. Otherwise in good overall condition. Not examined out of the frame.
Los 1030
After David Hockney OM, CH, RA (b.1937) "Diver Poster for Olympische Spiele München"Lithograph printed in colours, 1972, printed by Matthieu AG, Zurich, published by Edition Olympia 1972 GmbH, Munich, 99cm by 63cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Very slight time staining to paper with the odd very minor sporadic foxing spot in evidence to the lower margin. Tiny nick centre of bottom edge and tiny crease lower left corner. The print has been rolled and has the odd minor crease due to this. The work is not numbered.
Los 1031
After David Hockney OM, CH, RA (b.1937)Poster for The Australian National Gallery, CanberraOpened by Her Majesty the Queen Elizabeth II, October 12th 1982, lithograph, 79cm by 132cmCondition report: Slight time staining to the paper. Light cockling to the paper. The odd tiny sporadic foxing spot. Not examined out of the frame.
Los 1320
David Hockney (b.1937) Two poster prints, one 'a private view' Editions Graphiques Gallery London the other 'L'enfants et les sortileges' The Contemparary Museum Hawaii. Plus one smaller print 'My parents' All mounted but unframed, approx overall sizes 2 x 20 x 16 inches the other 16 x 12 inches. Cellophane wrapped. COLLECT ONLY
Los 292
§ Patrick Procktor RA (British 1936-2003) Mo - Ecce Homosigned 'Patrick Procktor' (lower right); titled and dated 78 to the reverseoil on canvas24.5 x 17cm Footnote: Executed in 1978, the present lot depicts Mo McDermott, a long-term friend, model, and assistant to David Hockney. In addition to his association with Hockney, McDermott is also credited with introducing Celia Birtwell to Ossie Clark. Together with Clark, Birtwell and Hockney, McDermott became the centre of what was described as the “Northern Invasion” of the Swinging London. The subtitle of Procktor’s painting, Ecce Homo, from the Latin ‘behold the man’, traditionally refers to images depicting the suffering of Christ and recalls the mocking words of Pontius Pilate before condemning Jesus to crucifixion. A popular theme in Baroque art, Procktor’s 1978 portrait offers a modern, secular rendering of the theme. Whilst McDermott is not conceived as a Christ-like figure, the human skull placed in the foreground functions as a memento mori to remind the viewer of man’s mortality.Condition report: The surface a little dirty and with some small brown accretions. The left hand edge of the canvas shows a small dent and resulting paint loss. There are some fine cracks to the paint layer located on the sitter's chin, shoulder and a longer crack (approx 6cm) on the sitter's left arm. Would benefit from a light clean, otherwise good.
Los 379
§ David Hockney RA (British 1937-) David Hockney: Paper Pools, lacking the loose lithographthe blue linen-covered book contained within the original card slipcase, both stamp-numbered 520 from an edition of 1000; the justification page signed 'David Hockney'published by Thames & Hudson, London, 198028 x 24cm
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4315 Los(e)/Seite