*After David Hockney (British, b.1937)TRISTAN UND ISOLDE - ROBERT WAGNEROffset lithographic poster printed in colours, 1997, signed and inscribed 'for Paul, love David' in gold pen, published by The LA Opera, Los Angeles, on wove paper, the full sheet sheet 56 x 35.5cm, unframed*Artist's Resale Right may apply to this lot.
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*David Hockney (British, b.1937)THE LATHE AND FIRE (TOKYO 92)Etching and aquatint, 1969, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', from an edition of 400, on wove paper, with full marginsimage 25.5 x 24.5cm, framed*Artist's Resale Right may apply to this lot.
John Ridgewell (1937-2004) ''Gasometer and Canal locks at Bingley, W. Yorks'' Signed, inscribed and dated 1977 on old label verso, oil on canvas, 64.5cm by 100cm Born in Essex in 1937, John Ridgewell studied at Colchester School of Art between 1954-8 where he was taught the skill of wood engraving by John O'Conner, who was related to the surrealist painter Paul Nash. In 1958 John entered the Royal College of Art aged just 21, he was a student at the same time as David Hockney and R B Kitaj. On graduation he accepted a position to teach at Scarborough School of Art from 1961-6, leaving to focus solely on painting. His artistic style was strongly influenced by the work of Georges Braque in 1956, who John admired throughout his life. John's distinctive artistic style developed during his time in Scarborough where he was inspired by the dramatic landscape around him. It was during his time in Yorkshire that John began to represent and interpret landscape in the surrealist style, which became characteristic of his work. Throughout his life he exhibited in mixed shows at the New Art Centre, Piccadilly Art Gallery and Royal Academy Summer Exhibition. He has a loyal connection with the Austen Hayes Gallery, York. Austen Hayes believed in John's work and held a number of one man exhibitions in the gallery in the 1960's. He also exhibited at the Grape Lane Gallery and Minstral Galleries.
Petersburg Press, London. Hard Cover. Hockney, David (illustrator). Blue boards with silver gilt titles.1970, contains 6 fairy tales: The Little Sea Hare, Fundevogel, Rapunzel, The Boy Who Left Home To Learn Fear, Old Rinkrank, Rumpelstilzchen. 52pp, 39 black and white plates of etchings by David Hockney, approx 8 x 10.5 cms
Art, antiques and furniture reference. SAXTON (Christopher) An Atlas of England and Wales. The Maps of Christopher Saxton 1574-1578. Introduction by R.V. Tooley. Collector's Library of Fine Art, 1979, folio, one of 500 numbered copies, facsimile colour plates (double-page, or folding), notice leaf loosely inserted, publisher's quarter calf, slipcase, folio, DILKE (Lady) French decoration and Furniture in the XVIII Century, 1901, no.28 of 100 copies, small folio, cloth gilt; HAYDEN (A) The Furniture Designs of Chippendale Hepplewhite and Sheraton, 1910, 4to; HOCKNEY (David) Secret Knowledge, 2001, dust wrapper; others including soft backed
•AFTER DAVID HOCKNEY, OM, CH, RA (b.1937) TWO APPLES, ONE LEMON AND FOUR FLOWERS Offset lithograph (the artist called it a `newsprint`), in colour, 1997, as published in The Independent newspaper on January 7th 1997 33 x 52.5cm. * Although printed in the normal run of the newspaper, this image is a direct result of the production of the newspaper itself. The Independent explained: "Hockney has provided us with four separate pieces of work, all in black and white. Each corresponds with one of the four colours of the printing process - cyan, magenta, black and yellow. The print itself only exists once the presses roll." ++ Soft creasing, typical of this print
DAVID HOCKNEY (born 1937); a signed limited edition black and white etching, 'Peter at Odins', 2/80, 41.5 x 33.75cm, framed and glazed. (D)Provenance: Purchased from The Alice Simsar Gallery, 1987. CONDITION REPORT: There are two yellow/brown rectangular stains where 'tabs' have been used to stick the image down, there are traces of dead insects beneath the glass. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A large collection of art and exhibition posters, including three signed by David Hockney, mostly from the 1970s and 1980s, including exhibitions for works by Francis Bacon, David Hockney, Georges Braque, Picasso, Fernand Leger, Alexander Calder, Ben Nicholson, Jean Dubuffet, Eduardo Paolozzi and others
δ David Hockney (b.1937) (after) Celia. Poster for The Tate Gallery Offset lithograph printed in colours, 1980, signed in pencil, on wove paper, published by the Tate Gallery, London for the exhibition Travels with Pen, Pencil, and Ink, Drawings and Prints but no Paintings, 1961-1979, with full margins, sheet 750 x 500mm (29 ½ x 19 ¾ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) In an old book (MCA Tokyo 52) Etching, 1966, signed, dated and numbered from the edition of 75 in pencil, on Crisbrook handmade paper, published by Editions Alecto, London, 1967, the full sheet, with a deckle edge on three sides, sheet 575 x 395 mm (22 5/8 x 15 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) Poster for Olympische Spiele München Lithograph printed in colours, 1972, published by Edition Olympia 1972 GMBH, Munich, on wove paper, with full margins, 1000 x 650mm (39.6 x 25 ½ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (after) Poster for Grey Art Gallery and Study Center Offset lithograph printed in colours, 1980, signed in red felt-tip pen, on wove paper, published by the Grey Art Gallery, New York, with full margins, sheet 700 x 495mm (27 ½ x 19 ½ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) Rapunzel, Rapunzel, Let hair down (from Illustrations for Six Fairy Tales from the Brothers Grimm) (MCA Tokyo 83) Etching with aquatint, 1969, signed in pencil, inscribed for Rudolph verso in brown ink, a proof aside from the edition of 100, published by Petersburg Press, London, 1970, with full margins, 450 x 410mm (17 5/8 x 16 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Ossie Clark wool crepe "Heavenly Twins" navy blue & cream dress, A Version of this dress was worn by Celia Birtwell for the Hockney painting of the couple in 1970. Size 8/10. Measures 17 inches across bust, 13.5 inches across waist and 44 inches length. (1) Condition Note: Good, couple of spot marks and 3 pin holes near one cuff.
DAVID HOCKNEY, Grimm's Fairy Tales, Exhibition Catalogue WITH unsigned Hockney etching: 'Riding around on a Cooking Spoon' labelled 'AP' - artist's proof - in pencil, bottom left. Etching tipped into a display folder. WITH Hockney's Itineraire d'un Regard, Chene, No 907/ 1000 copies, a pair of fine books contained within worn slipcase (3) (Est. plus 18% premium inc. VAT)
HOCKNEY DAVID: (1937- ) British Artist. A good signed and inscribed 10 x 8 photograph, the appealing image depicting Hockney seated in a full length pose on a bridge, with his overcoat and cap lying at his side. The bridge spans the Arno River and part of the city of Florence, capital city of the Italian region of Tuscany, can be seen in the background. Signed in black ink to the lower white border. One very slight, extremely minor crease to the right white border, otherwise EX The present image most likely dates from2003 when Hockney was awarded the Lorenzo de' Medici Lifetime Career Award of the Florence Biennale.
Ashton (Dore). Richard Linder, 1st edition, New York, 1969, 52 tipped in colour plates and 135 black and white plates, original red cloth in dust jacket, oblong 4to, together with Brown (Christopher, Kelch, Jan, & van Thiel, Pieter), Rembrandt: De Meester & zijn Werkplaats, volumes 1 & 2, Amsterdam, 1991, numerous colour and black and white plates, original black cloth in dust jackets, and slipcase, large 4to, and Hockney (David), David Hockney, reprint edition, 1977, numerous black and white illustrations, original red cloth in dust jacket, 4to, plus other modern art reference and related, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/4to (3 shelves)
FOUR FRAMED ARTIST POSTERS 'David Hockney at Andrew Emmerich, May 1973' 'Miro, Christie's Contemporary Art' 'Department of European Paintings, The Metropolitan Museum of Art' 'Brassi, Browsing through books' and A COLOUR PRINT - stylised Middle Eastern scene with camels and battle in front of a town 37 1/2" x 23 1/2" (95.2cm x 59.7cm) and smaller (5)
David Hockney (b. 1937), signed poster - 'Celia Wearing Checked Sleeves', inscribed 'For Angus with love', 91cm x 66cm.Provenance: The Collection of Angus McBean CONDITION REPORT Not in fact signed, just inscribed from Hockney and with a fun face drawn. Three tears and creases on the right side, scuffs to corners
Hockney (David and Stephen Spender). Hockney's Alphabet, Random House in association with the American Friends of Aids Crisis Trust, 2nd impression, 1992 edition, 26 illustrations, original cloth, dust jacket, 4to Signed by 12 contributors: Martin Amis, Kazuo Ishiguro, Paul Theroux, John Updike, Norman Mailer, Gore Vidal, Erica Jong, Joyce Carol Oates, Ian McEwan, Margaret Drabble, Seamus Heaney and Julian Barnes. (1)
** δ David Hockney (b.1937) Made in April (M.C.A. Tokyo 188) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
** δ David Hockney (b.1937) Serenade (M.C.A. Tokyo 196) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ David Hockney (b.1937) Marguerites (Scottish Arts Council 157) Etching with aquatint printed in colours, 1973, signed, dated and inscribed in pencil, an Artist's proof aside from the edition of 100, on Arches wove paper, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with margins, 235 x 178 mm (9 1/4 x 7in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ David Hockney (b.1937) On it May Stay His Eye (M.C.A. Tokyo 194) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
** δ David Hockney (b.1937) In a Chiaroscuro (M.C.A. Tokyo 186) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ David Hockney (b.1937) Gregory on a sofa India ink on paper, 1978, initialled and dated in ink, sheet 35.5 x 27.7 cm (14 x 10 7/8in) Provenance: David Juda, Art Basel, 2002 Collection of the Artist. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) Figures with Still Life (S.A.C 187) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) Lithographic Water Made of Lines (M.C.A Tokyo 210) Lithograph printed in colours, 1978-1980, signed, dated and numbered from the edition of 42 in pencil, printed by Kenneth Tyler at Tyler Graphics, Ltd, published by Museum of Contemporary Art, Tokyo, with full margins, 735 x 860mm (29 x 33 7/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ David Hockney (b.1937) (after) Jungle Boy (M.C.A Tokyo 33) Etching with aquatint, 1964, an impression from the cancelled plate, on wove paper, published by Associated American Artists, New York, with margins, sheet 520 x 605mm (20 1/2 x 23 7/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ David Hockney (b.1937) The Sexton Disguised as a Ghost Stood still as Stone (M.C.A Tokyo 87) Etching, 1969, signed and numbered from the edition of 100 in pencil, on Hodgkinson handmade paper, published by Petersburg Press, London and New York, with full margins, plate 445 x 322mm (17 1/2 x 12 5/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ David Hockney The Old Guitarist (M.C.A. Tokyo 179) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
POP MUSIC, Pink Floyd, LPs, inc. Tonite Let's Make Love In London (SEA4), UK/France, featuring Pink Floyd and interviews with David Hockney and Lee Marvin, The Final Cut selections promo (AS1635, USA); Roger Waters, soundtrack from Music from the Body, written by Ron Geesin (OP-30214, Japan); 12" single, On the Turning Away (12EM 34, UK), VG, 4

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