4315 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

'Two boys in a pool' David Hockney print approx. 54.5cm x 44.5cm

Artist: David Hockney (British, b.1937). Title: "Table Flowable [David Hockney exhibition]". Medium: Color offset lithograph. Date: Composed 1991. Dimensions: Overall size: 28 1/2 x 20 1/4 in. (724 x 514 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Comment(s): A scarce/rare poster with the signature. Published by the Petit Musee, Japan. Features Hockney's print "Table Flowable," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23686-5-300]

Artist: David Hockney (British, b.1937). Title: "Views of Hotel Well III [David Hockney/Moving Focus Prints exhibition]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 32 x 22 in. (813 x 559 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition size unspecified, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Baggot/Hockney Posters 124 (1987); Baggot/Hockney Posters 157 (1994). Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): This poster (unsigned) sold for US$2,064 at Christie's South Kensingston, 03/25/1999, lot 124. Scarce/rare with the signature. Published by the Tate Gallery for the "Moving Focus Prints from Tyler Graphics, Ltd." exhibition, March to May, 1986. Features Hockney's print "Views of Hotel Well III," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23683-5-100]

Artist: David Hockney (British, b.1937). Title: "White Porcelain [David Hockney/Preventive Intervention/Tyler Graphics exhibition]". Medium: Color offset lithograph. Date: Composed 1988. Dimensions: Overall size: 33 1/2 x 24 1/2 in. (851 x 622 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition size unspecified, presumed small. Cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Baggot/Hockney Posters. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): A scarce/rare poster with the signature. Published by the Preventive Intervention Research Center for Child Health, Albert Einstein College of Medicine/Montefiore Medical Center, for the exhibition opening June 5, 1988. Features Hockney's print "White Porcelain," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23684-6-100]

Artist: David Hockney (British, b.1937). Title: "Amaryllis in Vase [Japan exhibition]". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 34 1/8 x 23 1/8 in. (867 x 587 mm). Image size: 27 x 19 in. (686 x 483 mm).Lot Note(s): Signed with the initials and dated in crayon, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Good condition. Literature/catalogue raisonne: This particular poster image/composition unknown to Baggot/Hockney Posters. For the same image in different exhibition posters, please see Baggot/Hockney Posters (1994) #s 165, 166, 173. Provenance: Ex-collection Avishai Halevy, Phoenix, Arizona. Comment(s): A scarce/rare poster with the signature. Published by the Ito Gallery, Tokyo, for the exhibition opening July 27, 1985 (through August 11th). Features Hockney's print "Amaryllis in Vase," printed by Tyler Graphics, Ltd. Image copyright © David Hockney. [23685-5-300]

After David Hockney OM, CH, RA (b.1937)"Dessins et Gravures" 15th avril-24 mai, Galerie Claude Bernard, ParisSigned and numbered 419/450, offset lithograph, 62cm by 42.5cm (mounted but unframed)Some very light surface dirt. Mounted but unframed. Very minor handling creases to bottom left and upper right. Minor scuff to mount lower right. Otherwise in good overall condition.

After David Hockney OM, CH, RA (b.1937)"Prints" Wednesday 18th October-Friday 24th November 2006, University of BradfordSigned, offset lithograph, 29cm by 20cmMinor handling creases to left and right hand side edge. Small mark approximately 1cm under open and one above building. Otherwise in good overall condition. Not examined out of the frame.

Artist: David Hockney (British, b.1937). Title: "Parade, Metropolitan Opera, N.Y., 1981 [unsigned impression]". Medium: Color silkscreen. Date: Composed 1981. Dimensions: Overall size: 80 7/8 x 41 in. (2054 x 1041 mm). Image size: 79 3/4 x 39 7/8 in. (2026 x 1013 mm).Lot Note(s): Signed and dated "© David Hockey 1981 Petersburg Press" in the plate, lower center. Edition unknown, presumed small. Light cream heavyweight wove paper. The full sheet. Very fine impression with heavy ink application; extraordinarily fresh colors. Very good condition; some minor creasing in the margins, not into image. Literature/catalogue raisonne: Baggot/Hockney Posters 94 (1987); Baggot/Hockney Posters 103 (1994). Comment(s): Huge, almost seven feet high. Features Hockney's oil on canvas "Harlequin" (1980). Published by the Lincoln Center for the Performing Arts, New York. Printed by the Petersburg Press, New York. Poster image copyright © David Hockney. Hockney, often referred to as England's greatest living artist, made brilliant contributions to the world of opera as a stage and costume designer. He also designed numerous posters. Beginning in 1975 with his work for Stravinksy's 'The Rakes Progress', until 1990 when he worked on 'Turandot', Hockney worked for the major opera houses. Among his most memorable productions were Mozart's 'Magic Flute' and Wagner's 'Tristan and Isolde'. His collaboration with the Metropolitan Opera on Eric Satie's 'Parade' is best remembered for this poster. The image, with Hockney's neo-pop decor and costumes, showcases a juggler whose contortions fit eye-catchingly into the poster's elongated format. If the opera itself is not so popular, this image has become a classic. [courtesy Nick Lowry, Swann Galleries]. [28321-8-1200]

Konvolut 10 Olympia-Plakate, 1972 (10x München), © Edition Olympia 1972 (2x als Reproduktions-Plakat bezeichnet), mit Motiven von: Allan D'Arcangelo, David Hockney, Ronald Brooks Kitaj, Tom Wesselmann, Otmar Alt, Josef Albers, Richard Smith, Hans Hartung, Allen Jones, Jacob Lawrence, 64 x 100 cm, leichte Gebrauchsspuren, vereinzelt an den Ecken geknickt

Mappe mit 28 Kunstdrucken zu den Olympischen Spielen 1972 in München, Plakatgröße, u.a. Wesselmann, Hockney, Antes, Marini, Vasarely u.v.m.,Hundertwasser mit Knickspuren, Leinen-Mappe, sehr guter ZustandFolder with 27 art prints for the 1972 OlympicGames in Munich, poster size, including Wesselmann, Hockney, Antes, Marini, Vasarely and many more (Hundertwasser missing), orig. Linen folder, very good condition

After David Hockney OM, CH, RA (b.1937) "A Bigger Splash" Tate exhibition poster, together with two further posters after Hockney including "1st British International Print Biennale" and "Amnesty Internationa" (3) (all unframed)A Bigger Splash, 75cm by 50.5cmCovered in a layer of surface dirt. Creases throughout. Brown mark under the K of Hockney approx 1cm in size. Superficial surface scratches/marks in particular to the exposed white paper. More pronounced creases within the blue. 1st British International Print Biennale 76cm by 51cmTime staining to paper, especially to a patch to the right of centre of the tree trunk. Handling creases throughout and a significant crease below the image- above the text approximately 40cm horizontally. Edges slightly tatty with minor tear lower left edge and upper right edge.Amnesty International 73cm by 60cmSlight time staining to paper, especially to outer edges with the odd handling crease. Creases to the corners. Minor water stains to lower left of bottom edge.

DAVID HOCKNEY, 2 1980s' posters from "The Rakes Progress", largest 86 x 98cmstored rolled, 15cm tear to largest posters, both have creases and folding/small tears at edges, tape marks on reverse.

1972 Munich Olympics posters -Olympische Spiele München, by DAVID HOCKNEY, 115 x 64 cm, published by Editions Olympia 1972 GbmH, Munich, 1972Stored rolled, in good condition, minor creasing to edges

DAVID HOCKNEY. 'Six Fairy Tales', from the Brothers Grimm, with original etchings by David Hockney. Petersburg Press, 1970 hardback.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Five boxes of mostly art related books, including books on artists Graham Sutherland, David Hockney and others.Qty: five boxes

MANNER OF DAVID HOCKNEY (b.1937) 'Lady in a Red Interior', oil on canvas, 245cm x 170cm, framed.

After David Hockney (British 1937-): 'Travels with Pen Pencil and Ink', colour lithograph poster pub. Tate Gallery London 1980, 73cm x 46cm

After David Hockney (British 1937-): 'A Year in Yorkshire', exhibition poster pub. Annely Juda Fine Art, London 2006, 61cm x 68cm

After David Hockney (British 1937-): 'My Mother Bridlington 1988', colour lithograph poster pub. for Tate Gallery Exhibition London 1988, 75cm x 49cm

Cathy SENITT-HARBISON (1945-)'Drawing. No. 12'Pen and InkSigned and Dated '67Label to verso for the Pollock Gallery. 59, Markham St. with artist's name, title, and price.14x11.5cmBiographical Note: The artist grew up in Rochester, New York, and studied at the School of Art and Design at the Rochester Institute of Technology. Moving to Canada in 1966 she settled in Ontario where she developed a successful painting career using the name Cathy Senitt-Harbison. She began showing at the prestigious Pollock Gallery in 1967, where owner Jack Pollock also represented such artists as Ken Danby, David Hockney and Willem de Kooning. She continued to be represented there through to 1975 and at the Merton Gallery from 1977 and 1978.

After David Hockney (British, born. 1937); 'Salts Mill Saltaire', Yorkshire, coloured print, 44cm x 99cm

David Hockney OM, CH, RA (British 1937-)Little Boodge, 1993offset lithograph, unframed28 x 42cm

David Hockney OM, CH, RA (British 1937-)Fiesta '88 (Bradford Festival) exhibition poster, 1988offset lithograph, unframedshowing 'Flowers Apple & Pear on a Table, July 1986'63.5 x 43cm

A gallery print, "David Hockney: A Year in Yorkshire", Annely Juda Fine Art 2006, in painted frame

The Blue Guitar Etchings by David Hockney Hardback Book 1977 edition unknown published by Petersburg Press some ageing. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). Jean in the Luxembourg Gardens, June. 1974C-Print, 1976. Kodak-Papier. 24 × 18 cm (27 × 20,8 cm) (9 ½ × 7 ⅛ in. (10 ⅝ × 8 ¼ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2033] Wir berechnen auf den Hammerpreis 32% Aufgeld.

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). Peter Showering, Paris, July. 1975C-Print, 1976. Kodak-Papier. 24 × 17,8 cm (27 × 20,8 cm) (9 ½ × 7 in. (10 ⅝ × 8 ¼ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2005] Gerahmt. Wir berechnen auf den Hammerpreis 32% Aufgeld.

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). My Parents, Bradford, July. 1975C-Print, 1976. Kodak-Papier. 23,9 × 17,9 cm (27 × 20,8 cm) (9 ⅜ × 7 in. (10 ⅝ × 8 ¼ in.)). Im Blattrand unten rechts monogrammiert: „DH“, unten links nummeriert (beides ligiert).Einer von 80 nummerierten Abzügen aus der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2033] Wir berechnen auf den Hammerpreis 32% Aufgeld.

HOCKNEY, DAVID1937 BradfordTitel: The Student. Aus: Hommage à Picasso. Datierung: 1972. Technik: Aquatinta auf Velin. Darstellungsmaß: 57,5 x 44cm Blattmaß: 76 x 57cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Propyläen Verlag, Berlin/Pantheon Presse, Rom (Hrsg.). Exemplar: 29/90. Die hier angebotene Arbeit entstammt dem Mappenwerk »Hommage à Picasso« (Vol. 2) von 1973, für welches mehr als 50 internationale Künstler einen grafischen Beitrag schufen.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Scottish Arts Council/Petersburg Press (Hrsg.): David Hockney prints 1954-77, London 1979, WVZ.-Nr. 153, Abb. David Hockney Großbritannien Pop Art Amerikanische Fotografie Nachkriegskunst Grafik Mensch Druckgrafik AquatintaErläuterungen zum Katalog

SIGNED DAVID HOCKNEY POSTER FOR MODERN MUSEUM OF ART SANTA ANA 1989NOT FRAMED 66cm x 91cm

John-Antoine Nau Exotische Poesien Poésies Antillaises. Paris, F. Mourlot 1972. • Seltenes Malerbuch von Henri Matisse • Eine der letzten graphischen Arbeiten des Künstlers 'No artist revered the female form more than Henri Matisse' (Greg Hubert) 1 von 200 numerierten Exemplaren. - Schöner breitrandiger Druck im Atelier Fequet & Baudier auf kräftigem, chamoisfarbenem Arches-Bütten mit Wasserzeichen des Künstlers; Druck der Lithographien bei Mourlot. - Die Frauenporträts aus der vorliegenden Serie entstanden bereits ab 1945, Matisse arbeitete daran bis 1953, bis kurz vor seinem Tod. Die Blätter bilden eine Hommage an den Freund und Poeten John-Antoine Nau (eigentl. Eugène Tourquet), mit dem ihn eine Liebe zu Martinique verband. EINBAND: Lose Doppelbogen in illustriertem, orangefarbenen Orig.-Umschlag und Orig.-Leinenkassette mit Rückentitel. 38 : 29 cm. - ILLUSTRATION: Mit 28 ganzseitigen Orig.-Lithographien in Braundruck sowie Buchschmuck in Blau von Henri Matisse. - PROVENIENZ: Privatsammlung Baden-Württemberg. LITERATUR: Monod 8614. - Duthuit/Garnaud 37. - From Manet to Hockney 129. - Arnold 2105. Rare Matisse artist book. The series is one of the artist's last graphic works, from an edition of 200 copies, printed at Atelier Mourlot. Loose double sheets in illustr. orange orig. wrappers and orig. cloth case with lettered spine. 38 : 29 cm. With 28 full-page orig. lithographs in brown print and book decor in blue by Henri Matisse. - Case with a small blemish, all in all fine, clean and well-preserved copy. Dieses Objekt wird regelbesteuert angeboten (R).

Aristide Maillol Les éclogues de Virgile. Texte original et traduction nouvelle par Marc Lafargue. Weimar, Cranach-Presse für H. Kessler 1926. Wohl eines der schönsten deutschen bibliophilen Bücher des 20. Jahrhunderts, verziert mit Maillols ersten Buchholzschnitten. 1 von 250 numerierten Exemplaren auf Maillol Kesslerschem Handbütten. - Das Werk erschien auch in einer englischen und deutschen Ausgabe, die Widmung Harry Graf Kesslers geht an den Drucker Emery Walker. - 'Der Vergil ist ein in jeder Hinsicht vollkommenes Buch geworden und gilt für viele Kenner als das schönste in Deutschland gedruckte Buch des 20. Jahrhunderts überhaupt' (Eyssen S. 94). EINBAND: Lose Lagen in Orig.-Umschlag mit Deckeltitel und Vignette, in moderner Halbleinen-Decke unter Verwendung der alten Deckel und Rückenschilder, in Leinen-Schuber. 33 : 25,5 cm. - ILLUSTRATION: Mit 43 Orig.-Holzschnitten von Aristide Maillol und Initialen von Eric Gill. - PROVENIENZ: Privatsammlung Nordrhein-Westfalen. LITERATUR: Guérin 16-59. - Müller-Krumbach 41. - Monod 11336. - From Manet to Hockney 30. - Garvey/Wick 14. - Artist and the Book 172. - Slg. Classen 49. Beiliegend 2 Bll. Verlagsanzeige zu dem Werk mit lose inliegendem monogrammiertem Orig.-Holzschnitt in Rot auf Chinapapier (mit 2 Montierungsresten verso). 1 of 250 numb. copies on laid paper. With 43 orig. woodcuts by A. Maillol and initials by E. Gill. Loose sheets in orig. wrappers and modern half cloth chemise, using orig. labels, in cloth slipcase. - Here and there foxed (few leaves stronger in the margins), some leaves browned. Altogether good wide margined copy. - Additionally 2 leaves publisher's advertisement for the work with loose monogrammed orig. woodcut in red on Chinese paper (with 2 remains of mounting on verso). Dieses Objekt wird regel- oder differenzbesteuert angeboten.

David Hockney und C. P. Cavafy Fourteen poems. London, Alecto 1966. Ausgabe A von Hockneys vollständigem Radierzyklus mit der zusätzlich lose beiliegenden, signierten Orig.-Radierung. 1 von 250 numerierten Exemplaren der Ausgabe A, im Druckvermerk vom Künstler signiert und mit der zusätzlichen, signierten Orig.-Radierung Portrait of Cavafy II . - Bereits während seines Studiums entdeckte Hockney den griechischen Poeten Konstantinos Kavafis (1863-1933), Cavafy genannt. Ihn beeindruckte die klare und unprätentiöse Art, in der Cavafy über Homosexualität schreibt. Wegen seiner Begeisterung für den griechischen Dichter und wegen seines Verlangens literarische Radierungen zu erstellen, begann Hochney mit dem Radierzyklus. Da es keine rechtlich anerkannte Übersetzung der Gedichte gab, zögerte sich das Projekt bis 1966 hinaus, bis Hockney seinen Freund, den englischen Dichter Stephen Spender und dessen Kollegen mit der Neuübersetzung beauftragte. Generell sind die Arbeiten des Zyklus nicht als genaue Illustrationen der Gedichte angelegt, sondern als visuelle Interpretationen der Poesie Cafays. - Die Radierungen auf Velin von Barcham Green (ohne Wasserzeichen). Entgegen den Angaben im Druckvermerk sind diese - mit Ausnahme der lose beiliegenden Radierung - rückseitig nicht gestempelt. EINBAND: Violettfarbener Orig.-Leinenband in schwarzem Orig.-Leinenschuber. 47,5 : 33,5 cm. - ILLUSTRATION: Mit 13 Orig.-Radierungen von D. Hockney, davon eine lose beiliegend und signiert. LITERATUR: From Manet to Hockney 137. - Arnold 457. - Das Buch des Künstlers 15. - Scottish Arts Council 47-59. 1 of 250 numb. copies of edition A on Barcham Green Vélin. With 13 (1 signed) orig. etchings by D. Hockney. Orig. cloth in orig. cloth slipcase. - Clean copy, only the slipcase minim. rubbed. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),OLYMPISCHE SPIELE MÜNCHENlithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesimage size 98cm x 62cm, overall size 105cm x 69cm Framed and under glass.

Attributed to Harold Riley DL, DLitt, FRCS, DFA, ATC (b.1934)Portrait of a man, Hockney?Pastel, 24.5cm by 13.5cmUnsigned

David Hockney: A Retrospective, The Metropolitan Museum of Modern Art, June - August 1988, exhibition poster, 98cm by 60cmFree from tear and marks, some colour fading as per image, not examined out of frame

A copy of Vogue, Paris no. 662 December 1985 'Par David Hockney' (British 1937-): a special edition edited by Hockney, featuring photo-collages, drawings, paintings and his own writings Condition Report:Spine torn and creased. Corners of cover creased and edges torn in areas.

David Hockney (Northern British 1937-): 'Mulholland Drive: The Road to the Studio', limited edition lithograph poster, LA County Museum of Art 1980 exhibition, numbered verso 339/05, 42cm x 95cm

Peter Blake R.A. (British, 1932), 'The Meeting' or 'Have a Nice Day, Mr Hockney', 1981-83, pub. Tate Gallery, 1985, colour reproduction poster, 67 by 67cm, loose as new in card tube. Note: Artist Resale Rights apply

 David Hockney (b.1937) Three prints, 'Tate Gallery poster' 'A retrospective Los Angeles County Museum of art poster' and 'My parents' All mounted but unframed, approx overall sizes 20 x 16 inches. Cellophane wrapped.   

David Hockney (born 1937), etching/aquatint, Old Rinkrank Threatens The Princess, from the story of Old Rinkrank for Six Fairy Tales from the Brothers Grimm, from an edition of 400 copies, plate 23cm x 27cm, framed, with Gallery label verso, provenance: Goldmark Gallery Rutland

§ David Hockney OM, CH, RA (British 1937-) Dog Painting 38offset lithographic exhibition poster printed on gloss paper and published by Salts Mill, Yorkshire, 1995, unframed53 x 64cmSome very minor age toning along the lower edge, but otherwise in very nice condition.

§ David Hockney OM, CH, RA (British 1937-) Dog Painting 43offset lithographic exhibition poster printed on gloss paper and published by Salts Mill, Yorkshire, 1995, unframed53 x 64cmSome slight age toning along the lower edge, but otherwise in very nice condition.

§ David Hockney OM, CH, RA (British 1937-) Little Boodge, 1993offset lithographic poster printed on gloss paper and published by Salts Mill, Yorkshire, unframed28 x 42cm

§ David Hockney OM, CH, RA (British 1937-) Fiesta '88 (Bradford Festival) exhibition poster, 1988offset lithograph, unframedshowing 'Flowers Apple & Pear on a Table, July 1986'63.5 x 43cm

§ David Hockney OM, CH, RA (British 1937-) Exhibition poster for The Metropolitan Museum, New Yorkoffset lithograph, unframed showing Mount Fuji and Flowers, 1972 86.5 x 64cmThe top left hand edge has suffered a knock resulting in two very small horizontal tears. Under raking light, some very shallow and minor handling creases are visible along the top of the image and the lower right hand edge, otherwise in good overall condition

§ David Hockney OM, CH, RA (British 1937-) Exhibition poster for Sala de Exposiciones de la Caja de Pensiones, Madridoffset lithograph, unframedshowing The Artist's Desk, 198462.5 x 43cm

§ David Hockney OM, CH, RA (British 1937-) Skater (XIV Olympic Winter Games, Sarajevo, 1984) offset lithograph, unframed 84.5 x 62cm

§ David Hockney OM, CH, RA (British 1937-) Celia Birtwelloffset lithographic exhibition poster printed on gloss paper and published by Salts Mill, Yorkshire, 1994, unframed98.5 x 68.5cm

After David Hockney (British, b.1937),'Little Boodge' (1993),Print on paper,Unsigned, reproduced by 1853 Gallery, Salts Mill, Saltaire, Yorkshire,28cm x 42cm,Unframed

Collectable books to include: Iris Murdoch - The Black Prince (1st UK ed, Chatto & Windus, clean, laminated dustjacket), JK Rowling - Harry Potter and the Goblet of Fire (1st US edition, 2000, clean condition), Tor Seidler - The Dulcimer Boy with drawings by David Hockney, some signed examples, Helmut Newton - White Women and other photobooks, assorted art gallery ephemera inc small press publications c 1980s, postcards, exhibition posters.

David HOCKNEY (1937)One night, 1966Etching signed, dated lower right and numbered 44/7540 x 28 cmPainter, photographer, engraver and theorist of British art. A major figure of Pop Art and hyperrealism, his portraits and landscapes mix photography and painting. This is one of the illustrations for the fourteen poems of Constantin Cavafy.

David Hockney (b.1937)Dog Paintings, 1995for Salts Milloff-set lithograph53 x 64cm, unframed.Unframed but appears in very good condition with no damage, rips, or tears.

David Hockney (b.1937)Some Very New Paintings, 1993for Salts Milloff-set lithograph63 x 101cm, unframed. Unframed but appears in very good condition with no damage, rips, or tears.

David Hockney (b.1937)The Garden with Singers, 1980for the Hayward Galleryoff-set lithograph142.5 x 101.5cm, unframed.Condition unframed and rolled. Some wear to edges.

David Hockney (b.1937)David Hockney, 2001-2002showing Nichols Canyon paintingfor Louisiana Museum, Denmarkoff-set lithograph83 x 69cm, unframed.UNframed but appears in very good condition with no damage or rips.

David Hockney (b.1937)New Drawings, 1994showing John Fitzherbert paintingfor Salts Milloff-set lithograph68.5 x 99cm, unframed. 

Brian Edwards (British, Contemporary), Cromer Pier, Norfolk, acrylic on canvas, signed.Brian Edwards is a retired architect and currently Professor Emeritus of Architecture at Edinburgh College of Art/ Edinburgh University. He studied architecture in an art school environment and has painted all of his life.Brian Edwards has exhibited widely and is the author of many books including ‘Understanding Architecture through Drawing’ published with English and Mandarin editions. His drawings and watercolours have also featured in profession journals such as Architectural Review and Building Design and a number are held in public collections in Glasgow, Wakefield and Vancouver.The paintings explore urban character with a view to capturing the special qualities of how architecture and place coexist. Line, draughtsmanship, perspective and colour are important ingredients. The paintings start their life as location sketches drawn straight on to canvas and are developed using iPad images. They are mainly in acrylics. John Piper, David Gentleman and David Hockney are important influences.More information on Professor Brian Edwards is available at www.brianedwards.eca.ed.ac.uk

Brian Edwards (British, Contemporary), Cromer, Norfolk, acrylic on board, signed.Brian Edwards is a retired architect and currently Professor Emeritus of Architecture at Edinburgh College of Art/ Edinburgh University. He studied architecture in an art school environment and has painted all of his life.Brian Edwards has exhibited widely and is the author of many books including ‘Understanding Architecture through Drawing’ published with English and Mandarin editions. His drawings and watercolours have also featured in profession journals such as Architectural Review and Building Design and a number are held in public collections in Glasgow, Wakefield and Vancouver.The paintings explore urban character with a view to capturing the special qualities of how architecture and place coexist. Line, draughtsmanship, perspective and colour are important ingredients. The paintings start their life as location sketches drawn straight on to canvas and are developed using iPad images. They are mainly in acrylics. John Piper, David Gentleman and David Hockney are important influences.More information on Professor Brian Edwards is available at www.brianedwards.eca.ed.ac.ukDirect from the artist's studio.

Brian Edwards (British, Contemporary), Sheringham, Norfolk, acrylic on board, signed.Brian Edwards is a retired architect and currently Professor Emeritus of Architecture at Edinburgh College of Art/ Edinburgh University. He studied architecture in an art school environment and has painted all of his life.Brian Edwards has exhibited widely and is the author of many books including ‘Understanding Architecture through Drawing’ published with English and Mandarin editions. His drawings and watercolours have also featured in profession journals such as Architectural Review and Building Design and a number are held in public collections in Glasgow, Wakefield and Vancouver.The paintings explore urban character with a view to capturing the special qualities of how architecture and place coexist. Line, draughtsmanship, perspective and colour are important ingredients. The paintings start their life as location sketches drawn straight on to canvas and are developed using iPad images. They are mainly in acrylics. John Piper, David Gentleman and David Hockney are important influences.More information on Professor Brian Edwards is available at www.brianedwards.eca.ed.ac.uk