We found 9824 price guide item(s) matching your search
There are 9824 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
9824 item(s)/page
A cased handmade scratch-built model of a three masted tall ship named 'Olwen', 20th century, the rigged ship modelled in full sail and set to naturalistic choppy water with painted coastal seascape behind, the wooden case glazed to the top and on three sides (front glazed panel at fault) Condition reports can be found attached to your lot of interest once a request has been submitted, and can be found attached to the lot at auctions.trevanionanddean.com. Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
Theatertasche Russland, Moskau, Aleksej Semenowitsch Zawarkin, 1908 Silber. Innen Samteinlage (zwei Fächer). Cabochon-Drücker. Schauseite mit reliefierter Darstellung: drei Schwäne in Seelandschaft. Punziert mit Bezirksbeschauadministrationsmarke mit Feingehalt "84" und Meistermarke "AZ" in Kyrillisch. L. 23,5 cm, ca. 578 g A silver purse. Russia, Moscow, Aleksei Semenovich Zawarkin, 1908. Velvet inside (two compartments). Cabochon-Drücker. Front with three embossed swans in seascape. Stamped with assayer's mark with 84-standard and master's mark "AZ" in Cyrillic. 23.5 cm long, ca. 578 gr. Silber-Theatertasche mit Schwänen. Russland, Moskau, Aleksej Semenowitsch Zawarkin, 1908. Samteinlage (zwei Fächer). Cabochon-Drücker. Beschau mit 84, Meistermarke ''AZ'' in Kyrillisch. L. 23,5 cm, ca. 578 g.
(See English version below)Théodore Gudin (Paris 1802 – 1880 Boulogne-sur-Seine). Seestück. 1870Öl auf Leinwand. 38 × 46 cm ( 15 × 18 â…› in.). Unten links signiert und datiert: T Gudin 1870.[3161] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Théodore Gudin (Paris 1802 – 1880 Boulogne-sur-Seine). Seascape. 1870Oil on canvas. 38 × 46 cm ( 15 × 18 â…› in.). Signed and dated lower left: T Gudin 1870.[3161] Framed. We charge 30% premium on the hammerprice.
MARINEMALER um 1906 Küstenlandschaft mit Segelbooten. Öl/Lwd., Verso mit handgeschriebener Widmung und Datierung: 1906. 22x28cm, Ra. SEASCAPE PAINTER circa 1906 Coastal landscape with sailing boats. Oil on canvas, with handwritten dedication and dating verso: 1906. 22 x 28 cm, framed. Keywords: paintings, images, art, artworks, pictures, Gemalde
FOUR LATE 19TH/EARLY 20TH CENTURY OILS ON CANVAS, comprising an unframed head and shoulders portrait of a fisherman, 61cm x 41cm, Elsie Green, two horses pulling a gig by a beach at sunset, unframed, two holes, 25.5cm x 40.5cm, Maggie Beriton, Seascape with boats, signed and dated 1909 lower right, 19cm x 29.5cm and initialled A.K.B, river landscape, initialled and dated (18)78 lower left, 39.5cm x 60cm (4)
Salmon, Robert Hafenszene mit Fischerboot (Whitehaven 1775-1848/51) Öl/Holz. Rechts unten sign. 13 x 18 cm. britischer Maler, Hafenszene, Marinemalerei, Schiffsportrait, Seestück Salmon, Robert Harbour scene with fishing boat (Whitehaven 1775-1848/51) Oil on panel. Signed at lower right. 13 x 18 cm. british painter, harbour scene, marine painting, seascape
Vernet, Claude Joseph - Umkreis des Segelschiffe an der Küste (Avignon um 1714-1789 Paris) Öl/Holz. 19 x 25 cm. Kauffahrteiszene, Marine, maritime Landschaft, nautische Malerei, Seemalerei, Seestück Vernet, Claude Joseph - perimeter of the Sailing ships on the coast (Avignon about 1714-1789 Paris) Oil/wood. 19 x 25 cm. marine, maritime landscape, seascape
Helbert, P. Fischerboote an der Küste in der Morgenröte 20. Jh. Öl/Lwd. Links unten sign. 55 x 81 cm; ungerahmt. maritime Landschaft, Meeresufer, Seestück Helbert, P. Fishing boats on the coast at dawn 20th century. Oil on canvas. Lower left signed. 55 x 81 cm; unframed. maritime landscape, seascape
Enghalskrug mit Maske Delft, E. 19. Jh. Junges Paar in niederländischer Seenlandschaft, kobaltblauer Dekor. Am Boden gemarkt. H. 31,5 cm. Delfter Fayence, Fayencekrug, Holländische Fayence, Niederländische Keramik Narrow neck jug with mask Delft, end 19th c. Young couple in Dutch seascape, cobalt blue decor. Marked on the bottom. H. 31,5 cm. Delft faience, faience jug, Dutch faience, Dutch ceramics
ORIGINAL ARTWORK - OIL PAINTINGS, WATERCOLOURS ETC., to include a watercolour of a blue door showing signature R. Wintz with a pencilled signature under R. W. Moss, cottages signed L. Wilkins, a floral study signed A. Gurteiger (?), a continental view signed Cyril Bradshaw, a pierrot signed De Courcey, a seascape watercolour signed T. Castle and amateur paintings of Stafford Park by F. Guest 1971, etc.
A FINE WATERLINE MODEL FOR THE S.S LORD GLANELY BY BASSETT-LOWKE LTD, BUILT FOR THE ATLANTIC SHIPPING & TRADING COMPANY BY WILLIAM PICKERSGILL LTD, 1947 the laminated and carved 53in. hull finished in green below the waterline with grey upper works, dark grey lined decks with lined boxwood hatch coverings and crew areas, silvered gilt and painted fittings throughout as appropriate, rigged mast with davits and crow's nest, overbridge with binnacle, helm, rangefinder and water tanks, stayed liveried funnel with safety valve extension pipe and hooter, engine lights, ventilators, four covered lifeboats in davits, emergency steering and other details, mounted on a moulded and painted seascape underway, with builder's and machinery plates and maker's label, contained within a wood-bound glazed case, overall measurements -- 19 x 65½ x 15in. (48 x 166.5 x 38cm.)Footnote: Managed by W.J.Tatem Ltd, Cardiff, in 1960 she was sold to the Gulf Steamships Ltd, Pakistan, and renamed Medhi being broken up in 1973 at Gadani Beach, Pakistan.Condition report: Fine overall condition.
* SARAH CARRINGTON (SCOTTISH b 1977), ULLAPOOL FISHING BOAT mixed media, signed and dated 2000 78cm x 23cm Mounted, framed and under glass Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow).
Constantinos Volanakis (Greek, 1837-1907)Debarking signed in Greek (lower left)oil on canvas54 x 101 cm. Footnotes:ExhibitedThessaloniki, Tellogleio Art Institute, Selections of a Bold Collector. Stavros Tsigkoglou, February 2017, no. 11 (illustrated in the exhibition catalogue, pp. 32-33).Highly evocative of a crisp day in the Mediterranean coastline, this wonderful picture of exceptional quality and great value, showcases Volanakis's great aptitude in capturing the transient effects of light, and lovingly delineating every detail of the sailing ships with descriptive accuracy and finesse. Here, a two-masted beauty, captured in all her intricacy and splendour, dominates the picture plane, while the low horizon gives full value to the spaciousness of the translucent sky, evoking a substantial visual depth in the vein of 17th century Dutch masters. Human presence is no less significant. The patchwork of passengers on board the rowing boat approaching the ship,1 highlighted with brilliant touches of vivid colour and handled with impressionistic verve, animates the entire scene, while the gentile figures on the sailing ship perfectly blend in with their surroundings and the natural environment. After all, 'for Volanakis the human form is but a detail of Creation.'2 Ever since his studies at the Munich Academy, Volanakis perceived the seascape as a complex entity, a homogenous whole with unlimited expressive potential, allowing him to seek the ideal balance between nature's elemental forces and man's will to master. Moreover, the red and white nautical banner and the prominent Greek flag provide additional spark to effectively convey a lively and festive atmosphere.The diagonal movement of the rolling waves in the foreground, painted with broad brushstrokes in variegated shades of blue, creates a diagonal rhythm that draws the eye to the rocky shore on the right. Not too far away, these cliffs may be read as a metaphor for the ever-present perils an able navigator must constantly steer clear of. 1 The foreground motif of figures in a boat occurs frequently in paintings by Willem Van De Velde the Elder (1610-1693.)2 S. Lydakis, Constantinos Volanakis [in Greek], Adam, Athens 1997, p. 64.For further information on this lot please visit Bonhams.com
M.W. Hancock ( British 20th century ) A collection of Cornish watercolour seascape paintings by the artist. To include Black Humphrey Rock Newquay, Queen Bess Rock Bedruthen, The Samaritan Rock, Bedruthan and another watercolour harbour scene by F.F. Wilmot. All framed and glazed, one with damage to the glass. Largest measures 27cm x 21cm (exc frames )
Thomas Whitcombe (c. 1760 - c. 1824) Seascape with figures onlooking near the shore. Depicting sailing vessels in rough seas. Appears to be unsigned, has not been examined out of the frame. Provenance: Important private northern Florida collection. Sight Size: 18 x 24 in. Overall Framed Size: 23 x 29.2 in. (J0902)
George Graham (1881-1949) Seascape Signed, oil on panel, 40cm by 55cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration . Images of frame and verso will be uploaded in due course.Cleaned and revarnished. Small patch of retouching along the top of the cliffside nearest far left hand side edge - no more than 0.5cm wide and 1cm in length. Small amount of broken retouching along upper edge left hand side and corners in general. Small area along right hand side edge approx. 3cm above horizon line and roughly 0.5cm in diameter. Some surface dirt and discoloured varnish.
Arthur Wilde Parsons, RWA (British, 1854-1931), married pair of oil on canvas seascape sailing paintings. The first depicting a small fishing vessel just off the coast (possibly Falmouth), and the second depicting a schooner at sea, with another vessel to the immediate background. Both signed in the left corners, one dated 1915 the other 1912. Both in period F. Newcombe gilt painted frames. Both total size approx; 52cm x 73cm.
A small early 20thC oval giltwood frame, with ribbon top, set with an image of a lady quarter profile, the frame 29cm x 22cm, further prints, pictures, mixed media, seascape, twilight evening, initialled, various other pictures, single frame triptych, Aboriginal inspired art kangaroo, etc. (a quantity)

-
9824 item(s)/page