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A gilt framed oil, Seascape, F.R., 61cm x 45cm

W. Falla, watercolour, signed, dated 1918, 'Seascape', 40cm x 62cm

AFTER ERICH GERLACH "Schwarzmeerkuste, Black Sea Coast", colour print, 41.5 cm x 55.5 cm, HARVEY "Coastal seascape", watercolour, signed and dated '89 lower right, 25 cm x 35 cm, ERIC HARVEY "Silver birches by river", watercolour, signed and dated '89 lower left, 25 cm x 35 cm, together with various other decorative prints (16)

TWO FRAMED OIL PAINTINGS OF A SEASCAPE AND HARBOUR SCENE

After Walter Lazzaro (1914-1989), print, 'Barca Bianca', seascape, framed, mounted, and under glass, 53cm x 74cm overall

A.D. BELL. British school, seascape with sailing vessel in a swell 'On Into the Night', signed and dated 1931 lower left, watercolour, framed and glazed, 25 x 36 cm

Decorative four-fold screen 19th Century and later, decorated on both sides with thirty-two landscape and seascape scenes, oil on panel, overall screen measures 130.5cm x 189.5cmProvenance: The property of a Gentleman, from a period Winchcombe Town House.Generally in good condition consistent with age and use. Some panels with scratches. Would benefit from a cleaning.

Seascape with a boat and a palm tree. Signed lower right.Vladimir Novak has taken part in many solo and group exhibitions. The most famous were the exhibitions ""Man in the Wind"" at the Ball-Game Hall in the Royal Gardens of Prague Castle in 1999 and ""Quasiretro"" at the Manes Art Gallery in Prague in 2005. Measures 22"" x 18"" including frame. Condition: Age related wear.

Oil painting on board by D. Ginsbirg. "Seascape at Sunset" is painted in the Fauvism style, with a stunning bright color palette. Housed in an intricate gilded heavy wooden frame. Signed on lower left; dated on verso: 1/11/72. Painting size: 19.30"L x 15"H. Frame size: 25.55"L x 21.55"H x 2.55"W. Artist: D. GinsbergIssued: 1972Condition: Age related wear.

Michael Hannan (American contemporary) - Three limited edition signed serigraph colour prints, the subjects to include a deer (35/350), seascape (1/300) and rural thatched cottage (2/350), each framed & glazed, the largest approx 53cm x 40.5cm

Schubert, seascape, oil on canvas, signed lower left, 29.5 x 39.5cm, framed, Karen Buckley 'The Eyes of the Wood', print, signed in pencil, lower right, 51.5 x 43.5cm, gilt framed and after G.D. Ehret, four Plantae et Papiliones Rariores a Georgio Dionysio Ehret 1748, limited edition prints reproducing the original in the Chatsworth Library, limited edition 54/5000, all with 'Certificates of Authentication', 35.5 x 23cm, all framed

John Rohda oil on board of Devon Seascape unframed - 92cm x 61cm

B W Leader RA seascape with dunes oil on canvas 29 x 44cm signed and glazed in fancy gilt frame

John Hewitt, seascape, oil on canvas together with another similar by the same artist and two other pictures

In The Manner of JMW Turner, Seascape, watercolour, 12.54 x 23cm, another of beached fishing boats. (2).

Arthur Dean (19th/20th century)Extensive Seascape Signed watercolour; together with a snow bound village scened signed P A Panley, and two Hampshire watercolour studies by the same artist (3)

A Bing Grondahl Copenhagen Porcelain Vase, of ovoid form, decorated with a continuing seascape with yachts, printed marks, 30cm, together with a set of four similar white porcelain figures of children 'the Four Pains' (5)

Various pictures, prints, frames, photographic print Tony Curtis and Janet Lee, with printed signatures, oil on canvas seascape Rough Waters, various other oils, canvases, Poppies Before Cottage, still lifes, various other prints, pictures, frames, etc. (a large quantity)

Jean Laurent, seascape, contemporary oil on wood panel, signed, 20cm x 40cm, unframed2 tiny paint chips near top right-hand corner, otherwise good condition

Nineteenth-century British School, maritime seascape with battleships, oil on canvas, 30.5 x 45.5cm, framed.

AMENDED DESCRIPTION - Manner of Clarkson Stanfield RA (British, 1793-1867), seascape with St. Michael's Mount to background, watercolour, 30.5 x 44cm, framed and glazed.

John Tunnard A.R.A. (British, 1900-1971)Angler Fish signed, inscribed and dated 'John Tunnard 47/P12' (lower right)oil on gesso prepared board40 x 56 cm. (15 3/4 x 22 in.)Footnotes:ProvenanceWith Lefevre Gallery, London, 1947With Whitford Fine Art, London, 2002ExhibitedLondon, Lefevre Gallery, John Tunnard: New Paintings, November-December 1947, cat.no.8London, Tate Gallery, Pictures for School: SEA Exhibition, 18 June-8 July 1948 (catalogue untraced)LiteratureAlan Peat and Brian A. Whitton, John Tunnard: His Life and Work, Scolar Press, Aldershot, 1997, p.174, cat.no.471 (where dated September 1946)During spring 1937, the Artists' International Association (AIA) presented a large, competitive exhibition at Grosvenor Gallery in London, Unity of Artists for Peace, for Democracy, for Cultural Progress. This materialised during a period of artistic support in Britain for the Republican cause, particularly regarding the outbreak of war in Spain. At the same time, the First British Artists' Congress was established which aimed to outline the terms of an art policy in Britain, including the formation of artists' trade unions. Surrealists played a noticeable role in these events, and the Grosvenor Gallery show devoted a jury specifically for this increasingly significant body of artists. It is here that Tunnard's name first becomes associated with Surrealism. Over one hundred works were Surrealist in nature with an astonishing forty-three British artists represented, including John Tunnard.Writing in The Saturday Book–25 in 1965, Sir Herbert Read commented, 'Tunnard is, of course, a surrealist if that word has any precise meaning. He has not actively participated in the Surrealist Movement as such, but if surrealism is to be defined, in the phrase of André Breton, as 'pure psychic automatism', then I know no artist who has more consistently practised surrealism.'Angler Fish, painted shortly after World War II ended, displays the artist's deep connection with the natural world and his fascination with submarine life, an unknown world to many humans. A variety of paintings from this period continue his idiosyncratic style developed during the war as an auxiliary coastguard and conscientious objector, located at Cadgwith in Cornwall; Fishes' Window (1944), Surreal Seascape (1945), Portuguese Man O'War (1945) and Seabed (1947) all explore the colourful and bizarre life which flourishes under the water. The organic forms lent themselves well to Tunnard's surrealist tendencies. In the present work, this mysterious fish twists and turns in the water and through the vegetation with its luminescent fin ray acting as a lure to other creatures. All around loom abstract rhythmic forms which allude to infinite space and invite the viewer to engage. Sir Herbert Read likened this vision of Tunnard's to André Masson's 'dream of the future desert'.We are grateful to Professor Brian Whitton for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Vase mit LandschaftsdekorKralik. Wilhelm Kralik & Sohn, Eleonorenhain, um 1925. Böhmen. Farbloses Glas mit dunkelrotem Überfang. H 21 cm. Schlanke Balustervase mit einer umlaufend geätzten, stilisierten Seelandschaft Vase with landscape decorKralik. Wilhelm Kralik & Son, Eleonorenhain, c. 1925. Bohemia. Colorless glass with dark red overlay. H 21 cm. Slim baluster vase with a surrounding etched stylized seascape .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Weinkanne mit Capodimontedekor und PresentoirMeissen. Knaufschwerter, ab 1850-1924, 1. Wahl.  Kanne mit ovoidem Korpus, Korallenhenkeln und Rundfuß. Umlaufend ein Figurenrelief mit einer Seelandschaft mit spielenden Putten und Sirenen, am Presentoirrand ein der Kanne entsprechendes Relief mit spielenden Putten Kleine Randbestoßung am Unterteller, kleiner Eisenfleck am Kannenfuß.| Nachtrag 19.06.23: Kanne H 27,5 cm; Ø Unterteller 22,5 cmRare wine pot with capodimonte decor and presentoirMeissen. Pommel swords, from 1850-1924, 1st choice. Pot with ovoid body, coral handles and round base. Circumferentially a figure relief with a seascape with playing putti and sirens, on the presentoir rim a relief corresponding to the jug with playing putti Small rim bump on the saucer, small iron spot on the jug foot.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

William Anslow Thornley (active 1858-1898) Sunset, St Michael's Mount, signed lower left, oil on canvas, 22.5 x 38 cm, frame 36 x 51 cm together with a further seascape titled 'A Breezy Day', a pair (2)Provenance: Deceased EstateCondition:Sunset, St Michaels Mount: The painting is an oil on canvas, framed without glazing. The canvas is in overall good condition and the tension is sound. The paint condition appears stable and well preserved. The frame has some minor surface level wear and tear, the joints are sound. A Breezy Day: The canvas is sound and has good tension, no obvious evidence for damage. The paint surface has some craquelure visible in the skyline but there does not appear to be resultant paint loss and the surface appears stable. Frame has solid joints, minor surface wear and tear.

John Falconer Slater (1857 - 1937), oil on board, signed, Seascape, 90cm x 120cm

Model diorama on naturalistic seascape base of a USA Gunboat and a native sailing vessel. (B.P. 21% + VAT)

A framed watercolour depicting Mediterranean seascape view by George B Campion. Measuring 25cm x 52cm NO RESERVE

Two late 19th century watercolours, a landscape, a seascape and a similar picture 

Bernard: oil on canvas of Parisian street scene, gilt framed; another seascape and a smaller pair of oils

A Victorian seascape oil on canvas in a gilt frame, signed indistinctly bottom right, 50 x 67cm.

Ernest Stuart (British, fl. circa 1889-1915)Seascape with a rocky outcrop and gullssigned lower leftwatercolour on paper28 x 81cm

Ernest Stuart (British, fl. circa 1889-1915)Seascape with gullssigned lower leftwatercolour on paper36 x 82cm

George Vicat Cole (British, 1833-1893) Seascape with choppy waves monogrammed lower left oil on board 38.5 x 58.5cm

Ernest Stuart (British, fl. circa 1889-1915)Seascape, with a rocky outcrop and gullssigned lower rightwatercolour on paper18 x 53cm

Late 19th cent. Approx. 50 poem entries written in a hc album in French and Dutch. 8vo. Entries from a.o: Anna Schraien, Roermond, 1872; Josephine Begemann, Roermond 1871; Anna Masman, Nijmegen, 1871; and Francoise Jabelle from Maastricht, 1871. Covers sl. worn, joints splitting, some p. loose, foxing. Added: (2) 19 loose album amicorum sheets in a blue envelope, all approx. 9 x 14 cm. Dutch, early 19th cent. Incl. a.o.: 2 sheets w. embroidered flowers signed B.A. van Dijk and A.H. Lubberding; a col. pencil seascape; 2 w. hand-drawn and col. flowers w. inscription dated 1853 in Utrecht and 1821 in Jutphaas; 2 w. locks of hair; and 2 grisaille watercol. nature scenes. -and (3) a sm. mostly blank notebook from the same time period. (total 3)

SEASCAPE OIL ON CANVAS OF A FISHING SCENE A/F 59CMS (H) X 89CMS (W) INNER FRAME

A 20th Century coloured print, a lone masted ship rocking in a choppy seascape, framed, mounted, and under glass, 70cm x 88cm, & 84cm x 100cm overall

After Jane Skingley (b.1963), canvas print, A contemporary seascape depicting an expansive sandy bay under approaching dark blue clouds, signed to the lower right, 100cm x 100cm

Cuthbert Rigby (1850-1935), watercolour, a seascape with rocks and beach to the foreground and set under a warm coloured sky, signed to the lower right, framed, mounted, and under glass, 23cm x 36cm, & 48cm x 63cm overall

Victorian hallmarked silver tea caddy, oval body repousse decorated with Putti in a seascape, by George Nathan & Ridley Hayes, Chester 1898, H10cm 3.7ozt

A Studio Glass Vase, by Norman Stuart Clarke, in the Seascape pattern, decorated with stylised waves against the iridescent ground, engraved Norman Stuart and dated 89, 11cm highIn good order.

Frederick Gordon Crosby (1885-1943)SeascapeSigned and dated 1939, oil on board, 28.5cm by 38.5cm

Edward Holroyd Pearce (British 1901-1990): Coastal Seascape, oil on canvas board signed with initials and inscribed to Mr & Mrs Rood 25cm x 29cmNotes: Edward Pearce, though best known as a distinguished Law Lord & Privy Counsellor, was also a talented artist. He first took up painting in 1932 when as a young barrister he was recovering from tuberculosis. He was the son in law of Bertram Priestman, and a friend of Edward Seago. Together they made a number of painting tours to the Continent, travelling in Seago's Austin SevenCondition Report:Good condition, behind glass

Julian DYSON (1936-2003) Seascape ('87) Oil on canvas, signed and dated '87, 36 x 30.5cm.This work would benefit from a clean, there is a little cracking and some areas of minimal loss but it is generally stable (please see additional images).

Kurt JACKSON (1961) Seascape  Oil and mixed media on driftwoodFaintly signed (lower left)31 x 27cm This work comes to us from a private client who is emigrating to her native Scandinavia, we are selling her Cornish collection.It is in excellent condition but for some very slight losses that can be seen at the bottom of the 64x56cm box frame.

Charles Dunlop TRACY (1870-1948) Seascape Oil on canvas, signed, 39.5 x 49.5cm.

A.D. BELL. British school, seascape with sailing vessel in a swell 'On Into the Night', signed and dated 1931 lower left, watercolour, framed and glazed, 25 x 36 cm

† LYNNE TIMMINGTON; large oil on canvas, seascape, signed, 100 x 80cm, framed.

MELANIE CORMACK HICKS (British contemp.) - ‘Waves Whisper to Me’ - Seaton Hole seascape, Devon. Acrylic on board, insc. verso (31½ x 31½ in (80 x 80 cms)). Condition: good condition.

oil on canvas seascape Amsterdam and one other 59cm x 79cm approx 

Douglas Pinder (1886-1949) An early 20th Century signed Douglas Pinder Cornish watercolour seascape. The painting to depict a Cornish cove as viewed from high above. Framed and glazed. Measurements approx width 51cm x length 33cm. 

A 2014 Lesley Clarke studio art glass vase, of abstract shape, of nautical / seascape colours and design, with inscribed signature to base 'Lesley Clarke 2014'. Measures 19.5cm (height).

Eleven various paintings and prints including landscape and seascape watercolours, two farming prints, etc.

Antique microbead sovereign purse with gilt frame, beading contains name Hortence Lerei and dated 1833, also bird tree and flowers. Tapestry handbag Victorian velvet bag with metal beads. Small early embroidered wallet with figures and seascape and a bead reticular purseOver condition is good. Additional photographs now online.

THREE SIGNED & FRAMED SEASCAPE SCENES OF GALLEON SHIPS BY NORAH DRETT LARGEST INNER FRAME 50CMS (H) X 60CMS (W)- SMALLEST 19CMS (H) X 24CMS (W)

SEASCAPE OIL ON CANVAS OF A FISHING SCENE A/F 59CMS (H) X 89CMS (W) INNER FRAME

Lyonel Feininger 1871 New York - 1956 New York Heimkehrende Fischer III. 1925. Aquarell und Tuschfederzeichnung. Links unten signiert, rechts unten datiert '10 8 25' sowie unten mittig betitelt. Auf Bütten. 28 x 40,7 cm (11 x 16 in), Blattgröße. [AR]. • Seestück aus der Bauhaus-Zeit, in der die unaufdringlich gesetzte Farbe das Motiv wie ein Farbnebel umfängt. • Neben Architekturdarstellungen entwickelt sich das Motiv zu einem seiner wichtigsten Themen. • Die zentralen Elemente dieser Arbeiten sind das Meer, Wolken, Schiffe und Figuren, die er in variierenden Konstellationen zu immer neuen Bildkompositionen zusammenführt. • Werke Lyonel Feiningers befinden sich in zahlreichen bedeutenden internationalen Sammlungen, u. a. im Museum of Modern Art, New York, im Centre Pompidou, Paris, im Städel Museum, Frankfurt a. Main, sowie im Sprengel Museum, Hannover. Achim Moeller, Direktor des Lyonel Feininger Project LLC, New York – Berlin, hat die Echtheit dieses Werkes, das im Archiv des Lyonel Feininger Project unter der Nummer 1849-05-02-23 registriert ist, bestätigt. Ein Zertifikat liegt der Arbeit bei. PROVENIENZ: Privatsammlung. Privatsammlung Süddeutschland (durch Erbschaft von Vorgenanntem). Aufrufzeit: 10.06.2023 - ca. 15.31 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONLyonel Feininger 1871 New York - 1956 New York Heimkehrende Fischer III. 1925. Watercolor and ink pen drawing. Lower left signed, lower right dated '10 8 25' and titled in bottom center. On laid paper. 28 x 40.7 cm (11 x 16 in), size of sheet. [AR]. • Seascape from the Bauhaus period, in which the unobtrusively applied color surrounds the motif like a mist. • In addition to depictions of architecture, this motif became one of his most important ones. • Sea, clouds, ships and figures are key elements of these works, which he brings together in varying constellations to create ever new pictorial compositions. • Works by Lyonel Feininger can be found in numerous important international collections like the Museum of Modern Art, New York, the Center Pompidou, Paris, the Städel Museum, Frankfurt a. Main, and the Sprengel Museum, Hanover. Achim Moeller, director of the Lyonel Feininger Project LLC, New York – Berlin, has confirmed the authenticity of the present work, which is registered in the archive of the Lyonel Feininger Project under the number 1849-05-02-23. A certificate is included. PROVENANCE: Private collection. Private collection Southern Germany (inherited from the above). Called up: June 10, 2023 - ca. 15.31 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

A large Oil on canvas of a seascape signed Guido Odierna, approx. 3' 11" x 2' 2", Possibly "Breakers, Capri".

A wooden framed Oil on canvas depicting a seascape, no visible signature (a/f). 26 1/2" x 19 3/4".