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Three framed watercolour landscape / seascape scenes, largest approximately 25 cm x 37 cm image size and a limited edition etching of Balliol College by J W Winkleman, signed, dated and numbered 181/250 in pencil, approximately 38 cm x 54 cm image size, a further framed etching and a watercolour coastal scene. [6]
A waterline model of the M. Y. Gentiana by Bassett-Lowke Ltd., 1955, built by John I. Thornycroft & Co. Limited, mounted on a moulded and painted seascape underway, with builder's and maker's plate, contained within a wood-bound glazed case,overall measurements 43 x 93 x 38.5cmProvenance:Landwade Hall, Exning, SuffolkCondition report: No obvious problems, the glazing has kept out the dust. Good detail and appearance.
A waterline model of the M. V. Landwade by The Sunderland Model Making Co., Ltd, built by Bartram & Sons Ltd., for Atlantic Shipping & Trading Co. Ltd., London, mounted on a moulded and painted seascape underway, with builder's plate and maker's label, contained within a glazed case,overall measurements 30 x 127 x 29cmProvenance:Landwade Hall, Exning, Suffolk
TURNER, J. M. W. (Joseph Mallord William Turner 1775-1851), BROOKE, Stopford Rev. (Stopford Augustus Brooke 1832-1916: 'The Liber Studiorum of J. M. W. Turner, R.A., Reproduced in facsimile by the autotype process from examples of the best states in possession of the Rev. Stopford Brooke, M.A.; Each plate accompanied with a critical notice by him.. In Two Volumes.', London: Henry Sotheran & Co., 1899, Second edition. Very good original bindings. Limited edition of 150 copies. 71 plates as listed. 2 matching volumes, oblong folio. 11.5" x 15.5" x 1.0". Vol.I. : [10pp.]/pp.76 + Plates Nos.I. - XXXVI. Vol. II. : [4pp.]/pp.84/[7pp. - Appendix] + Plate Nos. XXXVII - LXXI. Original green buckram with bright gilt titles to each front board and spine. Boards dis-coloured and edges rubbed, but bindings in very good condition. Top page edges gilt. Original black endpapers. Toning to free-endpapers, and last leaf of each volume, otherwise clean throughout. All plates in very good condition. "The Liber Studiorum, a series of Turner's landscape and seascape compositions published as prints in etching and mezzotint, has been described as perhaps containing 'the pith of all that is best in his life and work', central to Turner's career as the most personal and carefully conceived series of prints in his entire oeuvre', or at least the 'most complete document of Turner's attitude to his art in the first decade of the [nineteenth] century', and 'one of the most comprehensive exercises in publication ever mounted by a great artist.' The Latin title may be translated as 'Book of Studies..." - Tate Gallery. (2)
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include a David Andrews watercolour of a Bullfinch, signed with Alexander Gallery label verso, approximate size 34cm x 27cm, a coastal seascape signed P Valentine, oil on canvas, Judy Allen abstract still life and abstract figure group, both oil on canvas, limited edition golfing print, indistinctly signed, framed Beryl Cook open edition prints, vintage Kwok Ta-Wei print of a dog, Jules Alexandre Grun 'End of Dinner' print, Christa Kieffer 'Good Evening' print, Peter Symonds landscape print together with an assortment of other prints, all framed (box and loose)
Edward Reynolds Kingsbury (American, 1855-1940). Oil on board seascape titled "The Sandbar in Ogunquit," 1910. The painting depicts a sandbar in Maine with a deep blue ocean crowned by a pale sky. Signed along the lower right. A Salmagundi Club label is adhered to the verso.Sight; Height: 8 in x width: 10 in. Framed: 13 3/4 in x width: 15 3/4 in.
Roy Lichtenstein (1923-1997) after.Seascape. Museum Ludwig KölnOffset lithograph printed in colours, 1989, signed in black ink, printed by Achenbach Art Edition, Düsseldorf, published by the Museum Ludwig, Cologne, on smooth wove paper, with full margins, sheet 700 x 1203mm (27 ½ x 47 3/8 in)
DAUM. Nancy, first quarter of the 20th century.Small Art Nouveau vase.Hand-painted paste glass.Signed.Measurements: 8.5 cm (height).This spherical vase, although truncated in its upper and lower sections, is made of glass paste and then hand-painted. The design depicts a seascape dominated by boats with sails raised. The beauty of the piece lies not only in the delicate pictorial work, but also in the translucent appearance achieved in the processing of the glass paste, a technique widely used in the Art Nouveau period.
Barbara Goolden (Welsh 20th/21st century) "North Wales Seascape", signed, oil on canvas.48.5cm x 68.5cm (19.25in x 27in)Footnote:Initially training as a teacher with a specialist interest in physical education, Barbara Goolden discovered an early interest in and talent for painting, which she has maintained and developed throughout her life.Barbara Goolden draws the people and animals of Wales all set in the Welsh landscape, the constantly changing light and moods of the mountains with their power and dignity portrayed in her paintings in a variety of media.Exhibitions of works by Barbara Goolden in the North West include:Royal Cambrian Open 2005Welsh Artist of the Year, St David’s Hall Cardiff.Chester Open Grosvener Museum.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed.
* TOM BARRON (SCOTTISH),SUMMER LIGHTS OVER EIGG IIoil on canvas, signed, titled versoimage size 60cm x 60cm, overall size 81cm x 81cm Framed.Note: Tom Barron is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.

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9824 item(s)/page