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Lot 540
* TOM BARRON, ROCKS AND SHORES, SANNA oil on canvas, signed; titled verso 40cm x 40cm Framed. Note: Tom is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.
Lot 541
* TOM BARRON, ROCKS AND SHORE, MACHRIHANISH oil on canvas, signed; titled verso 30cm x 30cm Framed. Note: Tom is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.
Lot 1166
Yankel Feather (1920-2009), Seascape, signed oil on canvas, together with a collection of further oil paintings, including J E Whitlock, ''Oranges and Oxtails with Alexis'', Alexander Ford ''Buxom Ballerinas'' Roland Allen, ''Young Woman'' oil on canvas, a landscape watercolour by Isabella Heath, a watercolour study of a girl, an oil on canvas study of a tree by Olga McSween (8) (6 unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 27
Taxidermy: A Pair of Herring Gulls (Larus argentatus), circa 1930, in the manner of Bill Cox of Liverpool, a pair of full mounts amongst a beach scene, standing upon painted faux rock work, the interior of the case painted in oil of a stormy seascape, depicting a sailing ship, cliffs and a lighthouse, enclosed within a shaped single-glass display case, 85cm by 29.5cm by 56cm
Lot 272
Paul Beaden Hudder (Nevada, Massachusetts, 1897 - 1991) Harbor scene. Oil on artist's board. Hudder was an artist who showed his paintings in Boston and Reno. At Rockport, Massachusetts artist colony he met and studied under the seascape artist Emile Gruppe. Later Hudder continued his studies with artist Gordon Grant and developed his talent with etching under Charles Winter.Size: 14 x 16 in.Unframed.
Lot 277
Blunden (Anna, 1829-1915). Polurrian Cove looking towards Mullion Island, Cornwall, 1900, watercolour, showing a summer seascape, signed and dated lower right, 48 x 84 cm (19 x 33 ins), framed and glazed (Qty: 1)English Pre-Raphaelite artist Anna Blunden was a member of John Ruskin's circle, who exhibited regularly at the Royal Academy, the Society of British Artists and the Birmingham Society of Artists. She worked originally in oils, subsequently channelling her energies into painting landscapes in watercolour, and Cornwall was a recurrent theme. Some of her early pieces explored themes of social injustice, such as the exploitation of women in the clothing trade, and in 1859 she was one of a number of women who petitioned for females to be allowed entry into the Royal Academy. She travelled to Switzerland and Germany, and set up a studio in Rome before returning home after her sister's death in 1872, soon after marrying her brother-in-law Francis Richard Martino. It is thought that not many of her works survive due to a number being destroyed by bombing in the Second World War.
Lot 529
* SARAH CARRINGTON (SCOTTISH b 1977), STORM CLOUDS, CRAMOND mixed media on board, signed, further signed, titled and dated 2001 on label verso 10.5cm x 11cm Mounted, framed and under glass. Label verso: Stenton Gallery, Stenton, East Lothian. Note: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow).
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