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Two Chinese Water Droppers (Chinese, 19th Century or earlier) White Metal Repousse Flowers and Spider. Second with Seascape, Waves, and Birds. Signed: Characters to Base of one Floral: 3 1/8 in. x 1 7/8 in. x 1/2 in.; Seascape: Condition: Good condition. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: John and Johanna Bass Collection; Bass Museum of Art after 1979. Museum Inventory No. 1990.004.028 Collection of the Bass Museum of Art - Miami Beach, Florida. Proceeds to benefit the John and Johanna Bass Acquisitions Fund. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.

Carlos De Haes (Spanish, 1829-1898) Coastal Seascape / Landscape Oil on Canvas Signed, Lower left Canvas: 21 in. x 26 1/2 in.; Frame: 28 1/4 in. x 33 in. Condition: Good overall condition with craquelure and wear to frame. For inquiries, condition report and additional images please email info.hillgallery@gmail.com Provenance: Property of a Palm Beach estate. Shipping: Hill Auction Gallery will not ship. Gallery will refer professional third party shippers for USA Domestic and International buyers. Purchaser pick up available upon request.

Hilton: Night time seascape with 3 masted ships at anchor

FRAMED WATERCOLOUR DEPICTING A GALLEON AND TUG WITHIN A STORMY SEASCAPE SCENE, UNSIGNED, APPROXIMATELY 26cm x 40cm

A PAIR OF UNFRAMED SEASCAPE OIL PAINTINGS

A FRAMED OIL ON CANVAS OF A SEASCAPE SIGNED A. HUDGENS

VICTORIAN WATERCOLOUR - SEASCAPE

WATERCOLOUR SEASCAPE CRESWELL BOAK

Manner of Henry Moore, oil on canvas - seascape, in glazed gilt frame, 41cm x 61cm

G L Anderson/Polperro/Cornish Seascape/a pair/watercolour, 37cm x 54cm

Three pictures of seascape interest to inc a watercolour study of a ship, David Dixon cormorant pastel & signed print (3)

A framed oil on canvas, seascape with ship, titled to the back 'Ever Near the Rocks, signed Huldrick 60 x 75cm.

Frederick James Aldridge (1850-1933) watercolour, seascape, signed, 26 x 36cm

Original vintage travel poster promoting the historic medieval hill town of Erice in Sicily depicting a scenic view over the Sicilian seascape with a cable car travelling from the Trapani coastline up Mount Erice to the rocky cliff edge and the ancient castle ruins and old city wall with the title text against the blue sea and sky above. Very good condition, restored minor fold marks and tears, backed on linen.Year of printing: 1957, country of printing: Italy, designer: Uknown, dimensions (cm): 79.5x68.5.

A quantity of pictures to include an Oil on board entitled 'Becky' by Margaret Pearce, 1922 Austin Seven, charcoal portrait of young child, framed and mounted watercolour of seascape, indistinctly signed, etc.

A framed Oil on canvas of seascape with sailing boats, signed lower right J. Ray along with a Parisienne Print.

An indistinctly signed seascape print with sailing boats and fishing boat.

William Thornley (fl.1858-1898) Nocturne seascape Signed, oil on canvas, 34cm by 28.5cm See illustration

James Charles (1851-1906) ''Capri seascape'' Monogrammed, with inscribed Leicester Galleries label verso, oil on canvas, 40cm by 53cm See illustration

An 18th century Bilston type enamel patchbox of rectangular form decorated with a seascape, 6.5cm wide, another smaller oval Bilston type enamel oval patchbox 'Keep this for my sake', and a circular Tunbridge ware box and cover, 4cm diameter, (3).

Attributed to George Race (1872-1957) - a seascape with the sail steam boat 'Twenty Nine YH6 91', a Drifter with its fishing nets out, another similar boat and a lightship beyond, oil on canvas, 20" x 27", framed

‡SIR FRANK BRANGWYN RA RWS RBA (1867-1956)Breaking up the 'Hannibal'original etching, pencil signedPl. 19 1/2 x 24 1/2 in From the only edition of 70 signed proofsLiterature: Gaunt 36This is one of Brangwyn's earliest large scale etchings. Etched on zinc after a preparatory sketch. HMS Hannibal a wooden screw-ship of the line was built in 1854, powered by 450 horse-power engines. The scene shows the massive hulk of the old wooden Hannibal lying in Castle's breaking-yard at Charlton, Woolwich The artist and writer Walter Shaw Sparrow wrote in 1919 of Brangwyn's depiction of 'Hannibal' comparing it to Turner's Fighting Temeraire, noting however that the 'Hannibal was brought too close to my eyes, occupying so much of a large plate that I cannot see her poetry because I see much of her bulk'. By contrast the Temeraire was 'surrounded by a great seascape and visiting sunset'...As a big study full of apt concentration, Brangwyn's 'Hannibal' is very good; but yet...it seems to me that he ought to have achieved more because his emotion was all of a piece with Turner's'

SEASCAPE WITH SUN BREAKING THROUGH CLOUDS, oil on board, 20th century, unsigned

After H. Koekkoek, Dutch seascape, oil on panel, framed, together with a Continental oil on canvas of farmers on horseback with cottages to background, 38 x 29cm

A large oil on canvas study of a seascape signed to bottom left

E T Jones, oil on canvas seascape

* TOM BARRON, ROCKS AND SHORE, MACHRIHANISH oil on canvas, signed. Titled verso. 92cm x 120cm Framed. Note: Tom Barron is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.

* ADAM BRUCE THOMSON OBE HRSA PRSW (SCOTTISH 1885 - 1976), SEASCAPE watercolour on paper, signed 25cm x 34cm Mounted, framed and under glass

* JOHN CUNNINGHAM RGI D Litt (SCOTTISH 1926 - 1998), SEASCAPE, ARDNAMURCHAN oil on linen, signed, further signed and titled verso 40cm x 80cm Framed and under glass. Label verso: The Macaulay Gallery, Stenton, East Lothian. Provenance: Private Scottish collection. Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for colour, displaying bold, confident brush-strokes along with subtle sensitivity. His landscapes and seascapes were all painted outdoors with only a few minor touches to be added in the studio. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. By going to the places, soaking up the vision and perspectives of the people who lived in those places, and painting the vision with a professional attention to its subtleties and variations, he produced a unique body of work. His landscapes are typified by a sense of connection to the earth itself, an honesty about the places depicted – nothing is sentimentalized or diminished – and a lavish generosity of engagement with colour, tone, shade and light. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public, corporate and private collections.

Attributed to Harry Prest (Cornish school 20th century),Oil on board,Coastal scene at sunset,Unsigned,24cm x 34cm, Framed, With another oil on board, Impasto seascape, Unsigned with second seascape verso, 21cm x 28.5cm, Framed (2)

A Beardsley (British, 20th century), Seascape with cloudy moonlit sky, Signed lower left,40cm x 80cm,Gilt framed, With a further unsigned oil on board seascape (2)

A 19th century naive oil on canvas of a yacht seascape - unsigned - 38cm x 57cm

Barclay Henry (1869-1946), Scottish seascape, signed and dated 1922, oil on canvas, 29cm by 39cm

Seimore Wilson, A pair of rocky coastal scenes with sea birds; together with a 20th century pastel study of an elderly man; a 19th century seascape; four prints of butterflies; and a Whitby cargo sailing ship watercolour by C.J Norton (9)

Modern Framed Oil on Canvas Seascape depicting a galleon at sea. Gilt framed, signed by 'F Daniels'. See accompanying images.

Susan Andreae - A 20th Century limited edition print on paper entitled 'Spanish Trawlers' depicting fishing boats in a seascape on embossed paper. No. 6/75. Signed. Framed and glazed. 31cm x 78cm.

Tristano Trombetti, seascape, oil on board, signed lower right, framed

K.W.Aldridge, watercolour seascape of Aldburgh beach

An oil on board seascape; together with a watercolour similar; a coloured print of a moorland scene and a print entitled "Wedded"

Albert Stevens, watercolour, Mediterranean seascape

GEORGY BASHINZHAGYAN (ARMENIAN 1857-1925) Seascape, 1899 oil on canvas 75 x 103.7 cm (29 1/2 x 40 7/8 in.) signed and dated lower left

KARL GOLDSCHMIDT (20th century German) 'Still Life near a Window Overlooking a Seascape', watercolour, signed lower left, 55cm x 75cm, framed (sheet detaching from mount).

GIUSEPPE CARELLI (ITALIAN 1858-1921) Seascape of Napoli, oil on panel 19 x 35 cm (7 1/2 x 13 6/8 in.) signed lower left

Oil on board - Seascape by John Hamilton

A pair of satsuma style plain baluster vases, decorated with Samurai before a seascape, highlighted with gilding, height 22cm

A romantic castle by a seascape, painting on ceramic, oval, 20cm x 28cm

BORLASE SMART. "The Technique of seascape painting." 1946 vg; plus eleven large format vols on Cornish Art.

A 19th century mahogany longcase clock, the painted dial set with Roman numerals and subsidiary dials, with landscape and seascape scenes and marked Bennett Preston, height 231cm.

Blue and white tapered cylindrical beaker Japanese, 19th Century shaped teacups decorated melon plant and fruit and birds, interior with three floral motifs 6.4cm high x 8cm diameter two smaller with seascape, boats and floral motifs, another of rounded form with stylised trees in landscape and a cafe au lait glazed tea bowl (5)

Taxidermy: A Cased Juvenile Common Cormorant (Phalacrocorax carbo), by John Cooper & Sons, 28 Radnor Street, St Luke's, London, a full mount juvenile bird stood with head raised upon a large faux rock, amidst a shoreline setting of seaweed, grit and pebbles, set against an oil painted seascape back board, enclosed within a typical ebonised bow-fronted three-glass display case, 62cm by 26.5cm by 80cm, taxidermist's full paper trade label to interior upper right

TWO VICTORIAN PAINTED, SEAWEED AND SEASHELL WALL ORNAMENTS WITH CENTRAL PAINTED ROUND SEASCAPE WITH A 'FOREGROUND' OF SEAWEED BENEATH CONVEX GLASS, IN STAR OR ANCHOR SHAPED FRAMES, ANCHOR 27CM H

A Collection of Oil Paintings on Canvas; the paintings depict various subjects including a Collie Dog, a Young Puppy, Sheep on a Hillside, Yellow Flowers, Three Abstract Works, a Seascape and Two Snowy Winter Scenes, all approx 95 x 63 cms (io), all unframed. (10).

A COLLECTION OF PICTURES AND PRINTS TO INCLUDE A SEASCAPE WATERCOLOURS ETC

The Property of a Connoisseur, London PETER DE WINT OWS (BRITISH 1784–1849) Shipping off Anglesea  Watercolour  20.5 x 38cm (8 x 15in) The present work was identified by the Usher Gallery, Lincoln as a rare seascape by de Wint. It relates closely to View of three vessels in a breeze and rough sea just off shore purchased by the National Art Collections Fund in 1941, now in the gallery's collection. 

G O ELLISON watercolour - countryside lane with autumnal trees, 20 x 37cms, indistinctly signed, watercolour - seascape with yacht in background and Caernarfon Castle prints

Guido Odierna, signed oil on canvas, Seascape, 47 x 67cm

White 1971, oil on canvas seascape and harbour; and a small 19th Century watercolour

SIGNED JOHN TRICKETT PRINT, GILT FRAMED OIL OF A SEASCAPE ETC (3)

FOUR SEASCAPE PRINTS

Pair of gilt framed watercolours seascape signed M.D Ansell 1907/1908