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GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) 'KERNOW', AN ABSTRACT COMPOSITION, depicting a Cornish seascape, signed and dated '10 bottom right, signed, titled and dated 2010 verso, mixed media on canvas, approximate size 100cm x 100cm (Condition: small chips to the edges of the frame) (Artist resale rights apply)
GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) 'PENDEEN SEA', AN ABSTRACT COMPOSITION, a Cornish seascape, signed and dated '11 bottom right, signed, titled and dated with RBSA exhibition label verso, mixed media on canvas, approximate size 101cm x 81cm (Condition: dirty marks to the frame) (Artist resale rights apply)
Dorothy Mead (1928-1975) oil on canvas - Blue seascape, signed and dated '66, 91cm x 61cm, framed.Dorothy was born in London in 1928 and trained at the South East Essex School of Art where she met David Bomberg, he recognised her significant talent and she trained under him from 1945-1951, before later attending the Slade School of Art. At the Slade she had considerable academic success, becoming the first woman president of the of the annual exhibiting society, and was awarded the Figure Painting Prize and the Steer Prize. But despite her accolades, she was forced to leave the college and failed to receive a qualification because of her refusal to sit the course on perspective. It was her belief and that of her mentor Bomberg, that this element was invalid in her art, she wrote to William Coldstream declaring ‘perspective is completely alien to me in my work as a painter’. In 1964 the Arts Council England created a series of touring exhibitions titled ‘Six Young Painters’, Dorothy exhibited alongside artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Around this time she joined the London Group of artists, and was their first female president from 1971-1973. She lectured and taught variously at Goldsmiths, Morley College and Chelsea College of Art. Dorothy Mead died in 1975 aged just 46. Her work is held by Tate Gallery, UCL Art Gallery, London South Bank Collection and other institutions. Her work was particularly admired amongst her artistic peers and evokes comparisons to her contemporaries and colleagues Bomberg, Kossoff and Auerbach. Examples are rarely seen in salerooms and this collection, which is by family descent from the artist, represents the largest and most comprehensive collection to appear at auction. Generally good original condition, the canvas has not been lined. Some minor paint shrinkage.
Alfred Beardsley (20th century): oil on canvas, seascape, 75 x 50 cm. Not available for in-house P&PArtists Resale Right: This lot will be subject to additional fees. The right applies only when the sale price reaches or exceeds the sterling equivalent of €1,000 and is calculated on a sliding scale.
A GEORGIAN FLAME MAHOGANY AND CROSSBANDED 30 HOUR LONGCASE CLOCK, the hood with a swan neck pediment, three finials, turned pillars flanking a glazed door, enclosing a painted 13 inch dial, with a seascape scene to the arch, Roman numerals, seconds and date dials, signed D Bates of Huddersfield, on a shaped trunk, and a geometric panel trunk, on bracket feet, height 244cm, with one weight, pendulum and trunk key (condition:-missing back bracket feet, some veneer repairs around glazed door, replacement pillars, some beading/veneer missing around the base)
THREE DECORATIVE PICTURES COMPRISING SHEILA ANGUS, a still life study of fruit and foliage in a glass of water, signed bottom right, oil on board approximate size 65cm x 39cm, an oil on canvas coastal seascape signed Garcia, approximate size 39cm x 49cm and an oil on canvas signed Oscar depicting a continental village, approximate size 79cm x 39cm
Weldon, London, a silver and enamel pair case watch with silver fob, the fusee movement having an engraved backplate, a pierced and engraved balance cock to the verge escapement and signed Weldon, London, 1161, with Tompion regulation, the decorative enamel dial having a port seascape to the centre and black Roman numerals, the case with repoussé decoration to the rear and hallmarked for silver, London, complete with a silver fob, diameter 52cms.
A GEORGE III FLAME OAK, MAHOGANY, AND MARQUETRY INLAID EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, turned pillars flanking a glazed door, enclosing a painted 13 inch dial, the arch with a seascape scene, Roman numerals, Subsidiary date aperture, Seconds dial, and signed Groom of Wellington, on a decorative trunk, height 224cm, with two weights, pendulum and winding key (condition:-dial partially worn/peeling, missing plinth)
Francis Carr, Hungarian/British 1919-2013- Structure, Windows; pastels on paper, titled to the mount, 42 x 35 cm: together with two other works on paper by the same artist, one entitled, 'Circuit', 57 x 39 cm, and one abstract seascape, signed and dated lower right 'F. Carr 74', 20.7 x 29.5 cm (unframed, part mounted) (3) Please refer to department for condition report
UNATTRIBUTED; watercolour seascape with rocks in the foreground and mountains in the background with atmospheric sky, 26 x 36cm, indistinctly signed; watercolour, mountainous scenic view with figure on rocky incrop, indistinctly signed lower left, 25 x 36cm, and a print after Geo. B. Campion 'Royal Artillery Fording a River', 37 x 47cm, all framed and glazed (3).Qty: 3
* DONALD PROVAN (SCOTTISH b. 1964),EAST COASTmixed media on paper, signed, titled and dated 2002 versoimage size 50cm x 70cm, overall size 69cm x 89cmMounted, framed and under glass.Note: Edinburgh-based artist Donald Provan is renowned for his water-related paintings. His work centres on two distinct areas; the land or seascape above and the fish life below. Donald graduated from Edinburgh College of Art in 1986 with a degree in Drawing and Painting, and then gained a Post Graduate Diploma in 1987. His preferred medium is oil which he uses in different ways dependent on the subject matter. In his paintings of fish he applies the paint in a controlled way, whilst in his seascapes he uses thicker paint, with washes of turpentine, letting the paint dictate the final direction of the painting. He has participated in numerous exhibitions throughout the UK, and has had many solo exhibitions in Scotland. Provan is the recipient of several major awards including the Elizabeth Greenshields Foundation Grant, Canada in 1987 and 1992 and the Royal Scottish Society of Painters in Watercolour Small Painting Award at the Royal Scottish Academy in 2008. His work is in many private and public collections, including the Royal Bank of Scotland, the University of St Andrews and Edinburgh College of Art. Provan's principal Scottish gallery is the prestigious Open Eye Gallery (Edinburgh) and his most recent solo show there was 9th - 27th March 2021. Donald Provan's work very rarely appears at auction but in The Scottish Contemporary Art Auction of 17th April 2022 lot 274 "Shoal on Pale Grey" (32 x 63cm) by Donald Provan sold for £1800 (hammer).

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